- José Rizal
José Protacio Rizal Mercado y Alonzo Realonda
José Rizal, the national hero of the Philippines.
Born June 19, 1861
Calamba City, Laguna, Philippines
Died December 30, 1896(aged 35)
Bagumbayan, Manila, Philippines
Cause of death execution by firing squad Monuments Rizal Park, Manila
Calamba City, Laguna
Nationality Filipino Other names Pepe, Dimasalang, Laong Laan & P. Jacinto Alma mater Ateneo Municipal de Manila, University of Santo Tomas, Universidad Central de Madrid, University of Paris, Ruprecht Karl University of Heidelberg Organization La Solidaridad, La Liga Filipina
José Protacio Rizal Mercado y Alonzo Realonda  (June 19, 1861 – December 30, 1896, Bagumbayan), was a Filipino polymath, patriot and the most prominent advocate for reform in the Philippines during the Spanish colonial era. He is regarded as the foremost Filipino patriot and is listed as one of the national heroes of the Philippines by National Heroes Committee. His execution by the Spanish in 1896, a date marked annually as Rizal Day, a Philippine national holiday, was one of the causes of the Philippine Revolution.
Rizal was born to a rich family in Calamba, Laguna and was the seventh of eleven children. He attended the Ateneo Municipal de Manila, earning a Bachelor of Arts, and enrolled in medicine at the University of Santo Tomas. He continued his studies at the Universidad Central de Madrid in Madrid, Spain, earning the degree of Licentiate in Medicine. He also attended the University of Paris and earned a second doctorate at the University of Heidelberg.
Rizal was a polyglot conversant in twenty-two languages. He was a prolific poet, essayist, diarist, correspondent, and novelist whose most famous works were his two novels, Noli me Tangere and El filibusterismo. These social commentaries on Spanish rule formed the nucleus of literature that inspired peaceful reformists and armed revolutionaries alike.
As a political figure, José Rizal was the founder of La Liga Filipina, a civic organization that subsequently gave birth to the Katipunan led by Andrés Bonifacio and Emilio Aguinaldo. He was a proponent of achieving Philippine self-government peacefully through institutional reform rather than through violent revolution, although he would support "violent means" as a last resort. Rizal believed that the only justification for national liberation and self-government is the restoration of the dignity of the people, saying "...why independence, if the slaves of today will be the tyrants of tomorrow?" The general consensus among Rizal scholars is that his execution by the Spanish helped to bring about the Philippine Revolution.
The Family of Rizal
His parents, Francisco Engracio Rizal Mercado y Alejandro (1818–1898) and Teodora Alonso Realonda de Quintos, were prosperous farmers who were granted lease of a hacienda and an accompanying rice farm by the Dominicans. Rizal was the seventh child of their eleven children namely: Saturnina (Neneng) (1850–1913), Paciano (1851–1930), Narcisa (Sisa) (1852–1939), Olimpia, Lucia (1857–1919), María (Biang) (1859–1945), José Protasio (1861–1896), Concepción (Concha) (1862–1865), Josefa (Panggoy) (1865–1945), Trinidad (1868–1951) and Soledad (Choleng)(1870–1929).
Rizal was a 5th-generation patrilineal descendant of Domingo Lam-co (traditional Chinese: 柯儀南; simplified Chinese: 柯仪南; pinyin: Kē Yínán; Pe̍h-ōe-jī: Kho Gî-lâm), a Chinese immigrant entrepreneur who sailed to the Philippines from Jinjiang, Quanzhou in the mid-17th century. Lam-co married Inez de la Rosa, a Sangley of Luzon.
José Rizal also had Spanish and Japanese ancestors. His grandfather and father of Teodora was a half-caste Spaniard engineer named Lorenzo Alberto Alonzo. His maternal great-great-grandfather was Eugenio Ursua, a descendant of Japanese settlers.
In 1849, then Governor-General of the Philippines Narciso Claveria, issued a Decree by which native Filipino and immigrant families were to adopt Spanish surnames from a list of Spanish family names. Although the Chino Mestizos were allowed to hold on to their Chinese surnames, Lam-co changed his surname to the Spanish "Mercado" (market), possibly to indicate their Chinese merchant roots. José's father Francisco adopted the surname "Rizal" (originally Ricial, the green of young growth or green fields), which was suggested to him by a provincial governor, or as José had described him, "a friend of the family". However, the name change caused confusion in the business affairs of Francisco, most of which were begun under the old name. After a few years, he settled on the name "Rizal Mercado" as a compromise, but usually just used the original surname "Mercado".
Upon enrolling at the Ateneo Municipal de Manila, José dropped the last three names that make up his full name, at the advice of his brother, Paciano Rizal Mercado, and the Rizal Mercado family, thus rendering his name as "José Protasio Rizal". Of this, Rizal writes: "My family never paid much attention [to our second surname Rizal], but now I had to use it, thus giving me the appearance of an illegitimate child!" This was to enable him to travel freely and disassociate him from his brother, who had gained notoriety with his earlier links with native priests who were sentenced to death as subversives. From early childhood, José and Paciano were already advancing unheard-of political ideas of freedom and individual rights which infuriated the authorities. Despite the name change, José, as "Rizal" soon distinguishes himself in poetry writing contests, impressing his professors with his facility with Castilian and other foreign languages, and later, in writing essays that are critical of the Spanish historical accounts of the pre-colonial Philippine societies. Indeed, by 1891, the year he finished his El filibusterismo, this second surname had become so well known that, as he writes to another friend, "All my family now carry the name Rizal instead of Mercado because the name Rizal means persecution! Good! I too want to join them and be worthy of this family name...".
Rizal's Alma Mater
Rizal first studied under Justiniano Aquino Cruz in Biñan, Laguna before he was sent to Manila. As to his father's request, he took the entrance examination in Colegio de San Juan de Letran and studied there for almost three months. The Dominican Friars asked him to transfer to another school due to his radical and bold questions. He then enrolled at the Ateneo Municipal de Manila and graduated as one of the nine students in his class declared sobresaliente or outstanding. He continued his education at the Ateneo Municipal de Manila to obtain a land surveyor and assessor's degree, and at the same time at the University of Santo Tomas where he did take up a preparatory course in law. Upon learning that his mother was going blind, he decided to study medicine specializing in ophthalmology at the University of Santo Tomas Faculty of Medicine and Surgery.
Without his parents' knowledge and consent, but secretly supported by his brother Paciano, he traveled alone to Europe, to Madrid, Spain in May 1882 and studied medicine at the Universidad Central de Madrid where he earned the degree, Licentiate in Medicine. His education continued at the University of Paris and the University of Heidelberg where he earned a second doctorate. In Berlin he was inducted as a member of the Berlin Ethnological Society and the Berlin Anthropological Society under the patronage of the famous pathologist Rudolf Virchow. Following custom, he delivered an address in German in April 1887 before the anthropological society on the orthography and structure of the Tagalog language. He left Heidelberg a poem, "A las flores del Heidelberg," which was both an evocation and a prayer for the welfare of his native land and the unification of common values between East and West.
At Heidelberg, the 25-year-old Rizal, completed in 1887 his eye specialization under the renowned professor, Otto Becker. There he used the newly invented ophthalmoscope (invented by Hermann von Helmholtz) to later operate on his own mother's eye. From Heidelberg, Rizal wrote his parents: “I spend half of the day in the study of German and the other half, in the diseases of the eye. Twice a week, I go to the bierbrauerie, or beerhall, to speak German with my student friends.” He lived in a Karlstraße boarding house then moved to Ludwigsplatz. There, he met Reverend Karl Ullmer and stayed with them in Wilhelmsfeld, where he wrote the last few chapters of "Noli Me Tangere".
A plaque marks the Heidelberg building where he trained with Professor Becker, while in Wilhemsfeld, a smaller version of the Rizal Park with his bronze statue stands and the street where he lived was also renamed after him. A sandstone fountain in Pastor Ullmer’s house garden where Rizal lived in Wilhelmsfeld, stands.
Rizal's multifacetedness was described by his German friend, Dr. Adolf Meyer, as "stupendous." Documented studies show him to be a polymath with the ability to master various skills and subjects. He was an ophthalmologist, sculptor, painter, educator, farmer, historian, playwright and journalist. Besides poetry and creative writing, he dabbled, with varying degrees of expertise, in architecture, cartography, economics, ethnology, anthropology, sociology, dramatics, martial arts, fencing and pistol shooting. He was also a Freemason, joining Acacia Lodge No. 9 during his time in Spain and becoming a Master Mason in 1884.
Women in the life of Rizal
José Rizal's life is one of the most documented of the 19th century due to the vast and extensive records written by and about him. Almost everything in his short life is recorded somewhere, being himself a regular diarist and prolific letter writer, much of these material having survived. His biographers, however, have faced the difficulty of translating his writings because of Rizal's habit of switching from one language to another. They drew largely from his travel diaries with their insights of a young Asian encountering the west for the first time. They included his later trips, home and back again to Europe through Japan and the United States, and, finally, through his self-imposed exile in Hong Kong. During December 1891 to June 1892, Rizal lived with his family in Number 2 of Rednaxela Terrace, Mid-levels, Hong Kong Island. Rizal used 5 D'Aguilar Street, Central district, Hong Kong Island as his ophthalmologist clinic from 2 p.m. to 6 p.m.. This period of his education and his frenetic pursuit of life included his recorded affections. Historians write of Rizal's "dozen women", even if only nine were identified. They were Gertrude Becket of Chalcot Crescent (London), wealthy and high-minded Nelly Boustead of the English and Iberian merchant family, last descendant of a noble Japanese family Seiko Usui (affectionately called O-Sei-san), his earlier friendship with Segunda Katigbak and eight-year romantic relationship with his first cousin, Leonor Rivera.
Shortly after he graduated from the Ateneo Municipal de Manila (now Ateneo de Manila University), Rizal (who was then 16 years old) and a friend, Mariano Katigbak, came to visit Rizal's maternal Grandmother in Tondo, Manila. Mariano brought along his sister, Segunda Katigbak, a 14-year old Batangueña from Lipa, Batangas. It was the first time they met and Rizal described Segunda as "She was rather short, with eyes that were eloquent and ardent at times and languid at others, rosy–cheeked, with an enchanting and provocative smile that revealed very beautiful teeth, and the air of a sylph; her entire self diffused a mysterious charm.” His grandmother's guests were mostly college students and they knew that Rizal had skills in painting. They suggested that Rizal should make a portrait of Segunda. He complied reluctantly and made a pencil sketch of her.
Another woman was called by Rizal as "Bb. L".He courted this young woman every night of his summer vacation and he suddenly stopped because of an unknown reason.
Leonor Rivera is thought to be the inspiration for the character of Maria Clara in Noli Me Tangere and El Filibusterismo. Rivera and Rizal first met in Manila when Rivera was only 13 years old. When Rizal left for Europe on May 3, 1882, Rivera was 15 years of age. Their correspondence began when Rizal left a poem for Rivera saying farewell. Their letters to each other slowly became romantic. The correspondence between Rivera and Rizal kept Rizal focused on his studies in Europe. They employed codes in their letters because Rivera’s mother did not favor Rizal as a suitor for Rivera. A letter from Mariano Katigbak dated June 27, 1884 referred to Rivera as Rizal’s “betrothed”. Katigbak described Rivera as having been greatly affected by Rizal’s departure, frequently sick because of insomnia. When Rizal returned to the Philippines on August 5, 1887, Rivera was no longer living in Manila because she and her family had moved back to Dagupan, Pangasinan. Rizal wanted to meet Rivera and Rivera also wanted to see Rizal, but both were prohibited by their fathers. Rizal was forbidden by his father Francisco Mercado in order to avoid putting the Rivera family in danger because at the time Rizal was already labeled by the Spaniards as a filibustero or subversive because of the contents of his novel Noli Me Tangere. Rizal wanted to marry Rivera while he was still in the Philippines because of Rivera’s uncomplaining fidelity. Rizal asked permission from his father one more time before his second departure from the Philippines. The meeting never happened. In 1888, Rizal stopped receiving letters from Rivera for a year, although Rizal kept sending letters to Rivera. The reason for Rivera’s year of silence was the connivance between Rivera’s mother and the Englishman named Henry Kipping, a railway engineer who fell in love with Rivera and was favored by Rivera’s mother. The news of Leonor Rivera's marriage to Kipping devastated Rizal.
Other women with whom Rizal had romantic relationships with included Leonor Valenzuela (Filipina), Gertrude Beckett (British), Nelly Boustead (French), Consuelo Ortiga y Perez (Spanish), Suzanna Thil (Belgian), Seiko Usui/O-Sei-san (Japanese), and Josephine Bracken (Irish).
His European friends kept almost everything he gave them, including doodlings on pieces of paper. In the home of a Spanish liberal, Pedro Ortiga y Pérez, he left an impression that was to be remembered by his daughter, Consuelo. In her diary, she wrote of a day Rizal spent there and regaled them with his wit, social graces, and sleight-of-hand tricks. In London, during his research on Morga's writings, he became a regular guest in the home of Dr. Reinhold Rost of the British Museum who referred to him as "a gem of a man." The family of Karl Ullmer, pastor of Wilhelmsfeld, and the Blumentritts saved even buttonholes and napkins with sketches and notes. They were ultimately bequeathed to the Rizal family to form a treasure trove of memorabilia.
In 1890, Rizal, 29, left Paris for Brussels as he was preparing for the publication of his annotations of Antonio de Morga’s “Sucesos de las Islas Filipinas.” There, he lived in the boarding house of the two Jacoby sisters, Catherina and Suzanna who had a niece also named Suzanna ("Thil"), 16. Historian Gregorio F. Zaide states that Rizal had “his romance with Suzanne Jacoby, 45, the petite niece of his landladies.” Belgian Pros Slachmuylders, however, believed that Rizal had a romance with the niece, Suzanna Thil, in 1890. Rizal's Brussels' stay was short-lived, as he moved to Madrid, leaving the young Suzanna a box of chocolates. Suzanna replied in French: “After your departure, I did not take the chocolate. The box is still intact as on the day of your parting. Don’t delay too long writing us because I wear out the soles of my for running to the mailbox to see if there is a letter from you. There will never be any home in which you are so loved as in that in Brussels, so, you little bad boy, hurry up and come back…” (Oct. 1, 1890 letter). Slachmuylders’ group in 2007 unveiled a historical marker commemorating Rizal’s stay in Brussels in 1890.
Writings of Rizal
José Rizal was a very prolific author from a young age. Among his earliest writings are El Consejo de los Dioses, A la juventud filipina, Canto del viajero, Canto de María Clara, Me piden versos, Por la educación, Junto al Pasig,A Las Flores de Heidelberg,El Cautiverio y el Triunfo: Batalla de Lucena y Prision de Boadbil,Alianza Intima Entre la Religion y la Buena Educacion,La Entrada Triunfal de los reyes Catolice en Granada,Sobre la Nueva Ortografia de la Lengua de Tagala, etc. On his early writings he frequently depicted renowned Spanish explorers, kings and generals, and pictured Education (the Philippines enjoyed a free public system of education established by the Spaniards) as "the breath of life instilling charming virtue". He had even written of one of his Spanish teachers as having brought "the light of the eternal splendor".
While in Berlin, Rizal published an essay in French, Dimanche des Rameaux, mentioning the "entry [of Jesus into Jerusalem] decided the fate of the jealous priests, the Pharisees, of all those who believed themselves the only ones who had the right to speak in the name of God, of those who would not admit the truths said by others because they have not been said by them” and alluded to those in authorities in colonial countries. This made the German police suspect that he was a French spy.
The content of Rizal's writings changed considerably in his two most famous novels, Noli me Tangere and El Filibusterismo. These writings angered both the Spaniards colonial elite and some of the hispanized Filipinos due to their insulting symbolism. They are highly critical of Spanish friars and the atrocities committed in the name of the Church. Rizal's friend Ferdinand Blumentritt, an Austria-Hungary born professor and historian wrote that the novel's characters were drawn from real life and that every episode can be repeated on any day in the Philippines. Blumentritt was the grandson of the Imperial Treasurer at Vienna in the former Austro-Hungarian Empire and a staunch defender of the Catholic faith. This did not dissuade him however from writing the preface of El filibusterismo after he had translated Noli me Tangere into German. Noli was published in Berlin (1887) and Fili in Ghent (1891) with funds borrowed largely from Rizal's friends. As Blumentritt had warned, these led to Rizal's prosecution as the inciter of revolution and eventually, to a military trial and execution. The intended consequence of teaching the natives where they stood brought about an adverse reaction, as the Philippine Revolution of 1896 took off virulently thereafter.
As leader of the reform movement of Filipino students in Spain, he contributed essays, allegories, poems, and editorials to the Spanish newspaper La Solidaridad in Barcelona(in this case Rizal used a pen name, Dimasalang). The core of his writings centers on liberal and progressive ideas of individual rights and freedom; specifically, rights for the Filipino people. He shared the same sentiments with members of the movement: that the Philippines is battling, in Rizal's own words, "a double-faced Goliath"--corrupt friars and bad government. His commentaries reiterate the following agenda:
- That the Philippines be a province of Spain
- Representation in the Cortes
- Filipino priests instead of Spanish friars--Augustinians, Dominicans, and Franciscans--in parishes and remote sitios
- Freedom of assembly and speech
- Equal rights before the law (for both Filipino and Spanish plaintiffs)
Rizal also tried his hand at painting and sculpture. His most famous sculptural work was "The Triumph of Science over Death", a clay sculpture of a nude young woman standing on a skull bearing a torch upheld high. The woman symbolized the ignorance of humankind during the Dark Ages, while the torch she bore symbolized the enlightenment science brings over the whole world. He sent the sculpture to his dear friend Blumentritt, together with another one named "The Triumph of Death over Life".
The Triumph of Science over Death is a clay sculpture made by José Rizal as a gift to his friend Ferdinand Blumentritt.
The statue is composed of a naked, young woman with overflowing hair, standing on a skull while bearing a torch. The woman symbolizes the ignorance of humankind during the Dark Ages of history, while the torch she bears symbolizes the enlightenment science brings over the whole world. The woman is shown trampling at a skull, a symbol of death, to signify the victory the humankind achieved by conquering the bane of death through their scientific advancements.
The original sculpture is now displayed at the Rizal Shrine Museum at Fort Santiago in Intramuros, Manila. A large replica, made of concrete, stands in front of Fernando Calderón Hall of the University of the Philippines College of Medicine along Pedro Gil St. in Ermita, Manila.
Upon his return to Manila in 1892, he formed a civic movement called La Liga Filipina. The league advocated these moderate social reforms through legal means, but was disbanded by the governor. At that time, he had already been declared an enemy of the state by the Spanish authorities because of the publication of his novel.
Wenceslao Retana, a political commentator in Spain, had slighted Rizal by writing an insulting article in "La Epoca", a newspaper in Madrid, in which he insinuated that the family and friends of Rizal were ejected from their lands in Calamba for not having paid their due rents. Upon reading the article, Rizal sent immediately a representative to challenge Retana to a duel. Retana published a public apology and later became one of Rizal's biggest admirers, writing Rizal's most important biography. The painful memories of his mother's treatment (when he was ten) at the hands of the civil authorities explain his reaction to Retana. The incident stemmed from an accusation that Rizal's mother, Teodora, tried to poison the wife of a cousin when she claimed she only intervened to help. With the approval of the Church prelates, and without a hearing, she was ordered to prison in Santa Cruz in 1871. She was made to walk the ten miles (16 km) from Calamba. She was released after two-and-a-half years of appeals to the highest court.
In 1887 Rizal wrote a petition on behalf of the tenants of Calamba, and later that year led them to speak out against the friars' attempts to raise rent. They initiated a litigation which resulted in the Dominicans evicting them from their homes, including the Rizal family. General Valeriano Weyler had the buildings on the farm torn down.
Exile in Dapitan
Rizal was implicated in the activities of the nascent rebellion and in July 1892, was deported to Dapitan in the province of Zamboanga, a peninsula of Mindanao. There he built a school, a hospital and a water supply system, and taught and engaged in farming and horticulture. Abaca, then the vital raw material for cordage and which Rizal and his students planted in the thousands, was a memorial.
The boys' school, in which they learned English, considered a prescient if unusual option then, was conceived by Rizal and antedated Gordonstoun with its aims of inculcating resourcefulness and self sufficiency in young men. They would later enjoy successful lives as farmers and honest government officials. One, a Muslim, became a datu, and another, José Aseniero, who was with Rizal throughout the life of the school, became Governor of Zamboanga.
In Dapitan, the Jesuits mounted a great effort to secure his return to the fold led by Fray Sánchez, his former professor, who failed in his mission. The task was resumed by Fray Pastells, a prominent member of the Order. In a letter to Pastells, Rizal sails close to the ecumenism familiar to us today.
– "We are entirely in accord in admitting the existence of God. How can I doubt his when I am convinced of mine. Who so recognizes the effect recognizes the cause. To doubt God is to doubt one's own conscience, and in consequence, it would be to doubt everything; and then what is life for? Now then, my faith in God, if the result of a ratiocination may be called faith, is blind, blind in the sense of knowing nothing. I neither believe nor disbelieve the qualities which many attribute to him; before theologians' and philosophers' definitions and lucubrations of this ineffable and inscrutable being I find myself smiling. Faced with the conviction of seeing myself confronting the supreme Problem, which confused voices seek to explain to me, I cannot but reply: 'It could be; but the God that I foreknow is far more grand, far more good: Plus Supra!...I believe in (revelation); but not in revelation or revelations which each religion or religions claim to possess. Examining them impartially, comparing them and scrutinizing them, one cannot avoid discerning the human 'fingernail' and the stamp of the time in which they were written... No, let us not make God in our image, poor inhabitants that we are of a distant planet lost in infinite space. However, brilliant and sublime our intelligence may be, it is scarcely more than a small spark which shines and in an instant is extinguished, and it alone can give us no idea of that blaze, that conflagration, that ocean of light. I believe in revelation, but in that living revelation which surrounds us on every side, in that voice, mighty, eternal, unceasing, incorruptible, clear, distinct, universal as is the being from whom it proceeds, in that revelation which speaks to us and penetrates us from the moment we are born until we die. What books can better reveal to us the goodness of God, his love, his providence, his eternity, his glory, his wisdom? 'The heavens declare the glory of God, and the firmament showeth his handiwork'."
As a gift to his mother on her birth anniversary he wrote the other of his poems of maturity, "Mi Retiro," with a description of a calm night overlaid with a million stars. The poem, with its concept of a spontaneous creation and speaking of God as Plus Supra, is considered his accommodation of evolution.
...the breeze idly cools, the firmament glows,
the waves tell in sighs to the docile wind
timeless stories beneath the shroud of night.
Say that they tell of the world, the first dawn
of the sun, the first kiss that his bosom inflamed,
when thousands of beings surged out of nothing,
and peopled the depths, and to the heights mounted,
to wherever his fecund kiss was implanted.
His best friend, professor Ferdinand Blumentritt, kept him in touch with European friends and fellow-scientists who wrote a stream of letters which arrived in Dutch, French, German and English and which baffled the censors, delaying their transmittal. Those four years of his exile coincided with the development of the Philippine Revolution from inception and to its final breakout, which, from the viewpoint of the court which was to try him, suggested his complicity in it. He condemned the uprising, although all the members of the Katipunan had made him their honorary president and had used his name as a cry for war, unity, and liberty.
Near the end of his exile he met and courted the stepdaughter of a patient, an Irishwoman named Josephine Bracken. He was unable to obtain an ecclesiastical marriage because he would not return to Catholicism and was not known to be clearly against revolution. He nonetheless considered Josephine to be his wife and the only person mentioned in the poem, Farewell, sweet stranger, my friend, my joy...
By 1896, the rebellion fomented by the Katipunan, a militant secret society, had become a full-blown revolution, proving to be a nationwide uprising which eventually led to the Declaration of Independence and the inauguration the earliest constitutional republic in Asia. To dissociate himself from the rebellion, Rizal volunteered his services as a doctor in Cuba and was given leave by the Governor-General, Ramón Blanco, to serve in Cuba to minister to victims of yellow fever. Blanco later was to present his sash and sword to the Rizal family as an apology. Rizal had predicted that the USA was going to be a "troublesome rival" if his prophecy that the "Great American Republic, whose interests lie in the Pacific, will someday dream of possessing the Philippines" will ever come true. During his only visit to the United States in 1888, Rizal described the USA: “I visited the largest cities of America with their big buildings, electric lights, and magnificent conceptions. Undoubtedly America is a great country, but it still has many defects. There is no real civil liberty." He was quarantined in San Francisco's pier as a result of the Chinese Exclusion Act and witnessed the inequality experienced by African Americans and people of color. Rizal knew, that if ever the Philippines came under American rule racism will be a major concern. It was likewise important that for the revolution to succeed there must be a foreign ally that will provide the revolution (which he considered as a last resort) arms, food, ammunition and diplomacy. It is widely accepted by scholars that even prior to Rizal's banishment to Dapitan, he was already regarded by Filipinos as a national hero. José Rizal was elected honorary president by the Katipunan without his knowledge and his name would be used by the revolutionaries in their battlecry.
About two weeks before he left Dapitan, Rizal met Dr. Pio Valenzuela an emissary from the Katipunan, to whom Rizal expressed his doubts of an insufficiently armed revolution, as well as questionable leadership . Rizal argued that the revolution cannot succeed until a leader knows the right time when to strike, sufficient arms can be assured, the pivotal support of middle class Filipinos had been won over, and a foreign ally is secured. José Rizal was alarmed that a revolution was already imminent-devoid of any assurances of victory, and that the leader was Andres Bonifacio- whom he personally met as a member of La Liga Filipina. Rizal is a good reader of character, and had sensed that Bonifacio was not the right man to lead the revolution. Despite this drawback, Rizal gave his advice on how to improve their chances in winning the impending war; evidence that Rizal was supportive of a revolution, but not this particular one. José Rizal was right, for although Bonifacio was an effective organizer of the Katipunan he never bequeathed a single military victory to the Philippine Revolution.The Katipunan had to evolve into another more structured and organized liberation army. Had Rizal lived long enough, he would have seen the emergence of much more effective Filipino military leaders that could defeat the best Spanish generals-foremost of whom was Emilio Aguinaldo, whom Rizal never met; and was only only 27 years old in 1896. The general controversy about this incident is the misinterpretation that Rizal's refusal to give his support to Andres Bonifacio is a refusal to support the Philippine Revolution. El Filibusterismo was written to prepare Filipinos for the war that he foresaw was to come and his final poem was a blessing towards its triumphant manifestation.
Rizal was arrested en route to Cuba, imprisoned in Barcelona, and sent back to Manila to stand trial. He was implicated in the revolution through his association with members of the Katipunan. During the entire passage, he was unchained, no Spaniard laid a hand on him, and had many opportunities to escape but refused to do so. While imprisoned in Fort Santiago, he issued a manifesto disavowing the current revolution in its present state and declaring that the education of Filipinos and their achievement of a national identity were prerequisites to freedom; he was to be tried before a court-martial for rebellion, sedition, and conspiracy. Rizal was convicted on all three charges and sentenced to death. Blanco, who was sympathetic to Rizal, had been forced out of office, and the friars, led by then Archbishop of Manila Bernardino Nozaleda, had 'intercalated' Camilo de Polavieja in his stead, as the new Spanish Governor-General of the Philippines after pressuring Queen-Regent Maria Cristina of Spain, thus sealing Rizal's fate.
His poem, undated and believed to be written on the day before his execution, was hidden in an alcohol stove and later handed to his family with his few remaining possessions, including the final letters and his last bequests. Within hearing of the Spanish guards he reminded his sisters in English, "There is something inside it," referring to the alcohol stove given by the Pardo de Taveras which was to be returned after his execution, thereby emphasizing the importance of the poem. This instruction was followed by another, "Look in my shoes," in which another item was secreted. Exhumation of his remains in August 1898, under American rule, revealed he had been uncoffined, his burial not on sanctified ground granted the 'confessed' faithful, and whatever was in his shoes had disintegrated.
In his letter to his family he wrote: "Treat our aged parents as you would wish to be treated...Love them greatly in memory of me...December 30, 1896."
In his final letter, to Blumentritt – Tomorrow at 7, I shall be shot; but I am innocent of the crime of rebellion. I am going to die with a tranquil conscience. Indeed, Rizal is perhaps the first revolutionary whose death is attributed entirely to his work as a writer; and through dissent and civil disobedience enabled him to successfully destroy Spain's moral ascendancy to rule. He also bequeathed a book personally bound by him in Dapitan to his 'best and dearest friend.' When Blumentritt received it in his hometown Litoměřice (Leitmeritz) he broke down and wept.
Moments before his execution by a squad of Filipino soldiers of the Spanish Army, a backup force of regular Spanish Army troops stood ready to shoot the executioners should they fail to obey orders. The Spanish Army Surgeon General requested to take his pulse: it was normal. Aware of this the Sergeant commanding the backup force hushed his men to silence when they began raising "vivas" with the highly partisan crowd of Peninsular and Mestizo Spaniards. His last words were those of Jesus Christ: "consummatum est",--it is finished.
He was secretly buried in Pacò Cemetery in Manila with no identification on his grave. His sister Narcisa toured all possible gravesites and found freshly turned earth at the cemetery with guards posted at the gate. Assuming this could be the most likely spot, there never having any ground burials, she made a gift to the caretaker to mark the site "RPJ", Rizal's initials in reverse.
A national monument
A monument, with his remains, now stands near the place where he fell, designed by the Swiss Richard Kissling of the famed William Tell sculpture. The statue carries the inscription "I want to show to those who deprive people the right to love of country, that when we know how to sacrifice ourselves for our duties and convictions, death does not matter if one dies for those one loves – for his country and for others dear to him."
Several historians report that Rizal retracted his anti-Catholic ideas through a document which stated: "I retract with all my heart whatever in my words, writings, publications and conduct have been contrary to my character as a son of the Catholic Church." However, there are doubts of its authenticity given that there is no certificate of Rizal's Catholic marriage to Josephine Bracken. Anti-retractionists also point to "Adiós": "I go where...faith does not kill," which they refer to the Catholic religion. Also there is an allegation that the retraction document was a forgery. After analyzing 6 major documents of Rizal, Ricardo Pascual concluded that the retraction document, said to have been discovered in 1935, was not in Rizal's handwriting. Senator Rafael Palma, a former President of the University of the Philippines and a prominent Mason, argued that a retraction is not in keeping with Rizal's character and mature beliefs. He called the retraction story a "pious fraud." Others who deny the retraction are Frank Laubach, a Protestant minister, Austin Coates, a British writer, and Ricardo Manapat, director of the National Archives.
On the other side are professional historians such as Austin Craig, Gregorio Zaide, Ambeth Ocampo, Nick Joaquin, Leon Maria Guerrero III, Paul Dumol and Nicolas Zafra of UP. The retraction document was deemed authentic by Rizal expert, Teodoro Kalaw (a 33rd degree Mason) and "handwriting experts...known and recognized in our courts of justice," H. Otley Beyer and Dr. José I. Del Rosario, both of UP. Historians also refer to 11 eyewitnesses when Rizal wrote his retraction, signed a Catholic prayer book, and recited Catholic prayers, and the multitude who saw him kiss the crucifix before his execution. A great grand nephew of Rizal, Fr. Marciano Guzman, cites that Rizal's 4 confessions were certified by 5 eyewitnesses, 10 qualified witnesses, 7 newspapers, and 12 historians and writers including Aglipayan bishops, Masons and anti-clericals. One witness was the head of the Spanish Supreme Court at the time of his notarized declaration and was highly esteemed by Rizal for his integrity. One of his last letters to his family gave instructions for his burial: "Place a stone and a cross over it." Because of what he sees as the strength these direct evidence have in the light of the historical method, in contrast with merely circumstantial evidence, UP professor emeritus of history Nicolas Zafra called the retraction "a plain unadorned fact of history." Guzmán attributes the denial of retraction to "the blatant disbelief and stubbornness" of some Masons.
Supporters see in the retraction Rizal's "moral courage...to recognize his mistakes," his reversion to the "true faith," and thus his "unfading glory," and a return to the "ideals of his fathers" which brings his stature as a patriot to the level of greatness." On the other hand, senator Jose Diokno stated: "Surely whether Rizal died as a Catholic or an apostate adds or detracts nothing from his greatness as a Filipino... Catholic or Mason, Rizal is still Rizal: the hero who courted death 'to prove to those who deny our patriotism that we know how to die for our duty and our beliefs'."
"Mi último adiós"
The poem is more aptly titled, "Adiós, Patria Adorada" (literally "Farewell, Beloved Fatherland"), by virtue of logic and literary tradition, the words coming from the first line of the poem itself. It first appeared in print not in Manila but in Hong Kong in 1897, when a copy of the poem and an accompanying photograph came to J. P. Braga who decided to publish it in a monthly journal he edited. There was a delay when Braga, who greatly admired Rizal, wanted a good job of the photograph and sent it to be engraved in London, a process taking well over two months. It finally appeared under 'Mi último pensamiento,' a title he supplied and by which it was known for a few years. Thus, when the Jesuit Balaguer's anonymous account of the retraction and the marriage to Josephine was appearing in Barcelona, no word of the poem's existence reached him in time to revise what he had written. His account was too elaborate that Rizal would have had no time to write "Adiós."
Six years after his death, when the Philippine Organic Act of 1902 was being debated in the United States Congress, Representative Henry Cooper of Wisconsin rendered an English translation of Rizal's valedictory poem capped by the peroration, "Under what clime or what skies has tyranny claimed a nobler victim?" Subsequently, the US Congress passed the bill into law which is now known as the Philippine Organic Act of 1902. This was a major breakthrough for a US Congress that has yet to grant equal rights to African Americans guaranteed to them in the US Constitution and the Chinese Exclusion Act was still in effect. It created the Philippine legislature, appointed two Filipino delegates to the US Congress, extended the US Bill of Rights to Filipinos, and laid the foundation for an autonomous government. The colony was on its way to independence. The Americans, however, would not sign the bill into law until 1916 and did not recognize Philippine Independence until the Treaty of Manila in 1946—fifty years after Rizal's death.This same poem which has inspired liberty-loving peoples across the region and beyond was recited (in its Bahasa Indonesia translation by Rosihan Anwar) by Indonesian soldiers of independence before going into battle.
Josephine Bracken promptly joined the revolutionary forces in Cavite province, making her way through thicket and mud, and helped operate a reloading jig for Mauser cartridges at the arsenal at Imus. The short-lived arsenal under the Revolutionary General Pantaleón García had been reloading spent cartridges again and again and the reloading jig was in continuous use, but Imus was under threat of recapture that the operation had to move, with Josephine, to Maragondon, the mountain redoubt in Cavite. She witnessed the Tejeros Convention prior to returning to Manila and was summoned by the Governor-General, but owing to her stepfather's American citizenship she could not be forcibly deported. She left voluntarily, returning to Hong Kong. She later married another Filipino, Vicente Abad, a mestizo acting as agent for the Tabacalera firm in the Philippines. She dif ed in Hong Kong in 1902, a pauper's death, buried in an unknown grave, and never knew how a line of a verse had rendered her immortal.
Camilo de Polavieja
Polavieja faced condemnation by his countrymen after his return to Spain. While visiting Girona, in Catalonia, circulars were distributed among the crowd bearing Rizal's last verses, his portrait, and the charge that Polavieja was responsible for the loss of the Philippines to Spain.
Attempts to debunk legends surrounding Rizal, and the tug of war between free thinker and Catholic, have kept his legacy controversial. In one recorded fall from grace he succumbed to the temptation of a 'lady of the camellias.' The writer, Maximo Viola, a friend of Rizal's, was alluding to Dumas's 1848 novel, La dame aux camelias, about a man who fell in love with a courtesan. While the affair was on record, there was no account in Viola's letter whether it was more than one-night and if it was more a business transaction than an amorous affair.
Others present him as a man of contradictions. Miguel de Unamuno in "Rizal: the Tagalog Hamlet", said of him, "a soul that dreads the revolution although deep down desires it. He pivots between fear and hope, between faith and despair." His critics assert this character flaw is translated into his two novels where he opposes violence in Noli and appears to advocate it in Fili, contrasting Ibarra's idealism to Simoun's cynicism. His defenders insist this ambivalence is trounced when Simoun is struck down in the sequel's final chapters, reaffirming the author's resolute stance, Pure and spotless must the victim be if the sacrifice is to be acceptable.
In the same tenor, Rizal condemned the uprising when Bonifacio asked for his support. Bonifacio, in turn, openly denounced him as a coward for his refusal, although he was obviously missing his mark, as Rizal had proved in numerous occasions throughout his life, such as when he challenged Wenceslao Retana or Antonio Luna to duel, to be a very brave man.
Rizal believed that an armed struggle for independence was premature and ill-conceived, as embodied by Bonifacio's Katipunan, which Rizal knew needed a more capable general and organized military able to inflict severe damage on the enemy. Here Rizal is speaking through Father Florentino: ...our liberty will (not) be secured at the sword's point...we must secure it by making ourselves worthy of it. And when a people reaches that height God will provide a weapon, the idols will be shattered, tyranny will crumble like a house of cards and liberty will shine out like the first dawn.
The fact that Rizal never fought in the battlefield and that he ultimately disowned Bonifacio's Katipunan; which misled some to believe as the entire Philippine Revolution itself, points to the sometimes bitter question of his ranking as the nation's premier hero. There are those who believe in the beatification of Bonifacio in his stead, even if Bonifacio failed to bequeath a single military victory to the Philippine Revolution. It has been argued that it is odd that the Philippines, along with India, are the only two countries with a non-military leader as its foremost national hero.
Teodoro Agoncillo opines that the Philippine national hero, unlike those of other countries, is not "the leader of its liberation forces". He gives the opinion that Bonifacio not replace Rizal as national hero but that be honored alongside him. Renato Constantino writes Rizal is a "United States-sponsored hero" who was promoted as the greatest Filipino hero during the American colonial period of the Philippines – after Aguinaldo lost the Philippine-American War. The United States promoted Rizal, who represented peaceful political advocacy (in fact, repudiation of violent means in general) instead of more radical figures whose ideas could inspire resistance against American rule. Rizal was selected over Bonifacio who was viewed "too radical" and Apolinario Mabini who was considered "unregenerate." Milagros Guerrero reveres Bonifacio for founding and organizing the Katipunan, "the first anticolonial revolution in Asia" and "the first Filipino national government. In his defense, the historian, Rafael Palma, contends that the revolution of Bonifacio is a consequence wrought by the writings of Rizal and that although the Bonifacio's revolver produced an immediate outcome, the pen of Rizal generated a more lasting achievement. Rizal disowned Bonifacio's Katipunan (and not the Philippine Revolution of 1896 per se), calling it "highly absurd."
Despite the lack of any official declaration explicitly proclaiming them as national heroes, Rizal, along with Bonifacio, remains admired and revered for his role in Philippine history. Heroes, according to historians, should not be legislated. Their appreciation should be better left to academics. Acclamation for heroes, they felt, would be recognition enough.
Some writers have noted that, despite his Chinese ancestry, Rizal's writings show an anti-Sinicism almost bordering on anti-Chinese racism. Commenting on the scene in the El filibusterismo where a Chinese vendor is bullied by students (Chapter 14), Benedict Anderson notes that "[o]ne cannot miss the strong whiff of racism."
Rizal's advocacy of liberty through peaceful means rather than by violent revolution makes him Asia's first modern non-violent proponent of freedom. Forerunner of Gandhi and contemporary of Tagore and Sun Yat Sen, all four created a new climate of thought throughout Asia, leading to the attrition of colonialism and the emergence of new Asiatic nations by the end of World War II. Rizal was active when European colonial power was growing, mostly motivated by trade, some for the purpose of bringing Western forms of government and education to peoples regarded as backward. Coinciding with the appearance of those other leaders, Rizal from an early age had been enunciating in poems, tracts and plays, ideas all his own of modern nationhood as a practical possibility in Asia. In the Noli he stated that if European civilization had nothing better to offer, colonialism in Asia was doomed. Such was recognized by Gandhi who regarded him as a forerunner in the cause of freedom. Jawaharlal Nehru, in his prison letters to his daughter Indira, acknowledged Rizal's significant contributions in the Asian freedom movement. These leaders regarded these contributions as keystones and acknowledged Rizal's role in the movement as foundation layer.
Rizal, through his reading of Morga and other western historians, knew of the genial image of Spain's early relations with his people. In his writings, he showed the disparity between the early colonialists and those of his day, with the latter's atrocities giving rise to Gomburza and the Philippine Revolution of 1896. His biographer, Austin Coates, and writer, Benedict Anderson, believe that Rizal gave the Philippine revolution a genuinely national character; and that Rizal's patriotism and his standing as one of Asia's first intellectuals have inspired others of the importance of a national identity to nation-building.
Although his field of action lay in politics, Rizal's real interests lay in the arts and sciences, in literature and in his profession as an ophthalmologist. Shortly after his death, the Anthropological Society of Berlin met to honor him with a reading of a German translation of his farewell poem and Dr. Rudolf Virchow delivering the eulogy.
The Taft Commission in June 1901 approved AcT 137 renaming the District of Morong into the Province of Rizal, and Act 346 authorizing a government subscription for the erection of a national monument in Rizal's honor. Republic Act 1425 was passed in 1956 by the Philippine legislature that would include in all high school and college curricula a course in the study of his life, works and writings. The wide acceptance of Rizal is partly evidenced by the countless towns, streets, and numerous parks in the Philippines named in his honor. Monuments in his honor were erected in Madrid, Tokyo, Wilhelmsfeld, Germany, Jinjiang, Fujian, China, Chicago, Cherry Hill Township, New Jersey, Honolulu, San Diego, Seattle, U.S.A., Mexico City, Mexico, Lima, Peru, and Litomerice, Czech Republic, and Toronto, Ontario,and Montreal, Quebec, Canada. Several titles were bestowed on him: "the First Filipino", "Greatest Man of the Brown Race," among others. The Order of the Knights of Rizal, a civic and patriotic organization, boasts of dozens of chapters all over the globe  . There are some remote-area religious sects who claim him as a sublimation of Christ.
A two-sided marker bearing a painting of Rizal by Fabian de la Rosa on one side and a bronze bust relief of him by Philippine artist Guillermo Tolentino stands at the Asian Civilisations Museum Green. This marks his visits to Singapore (1882, 1887, 1891,1896).
A Rizal bronze bust was erected at La Molina district, Lima, Peru, designed by Czech sculptor Hanstroff, mounted atop a pedestal base with 4 inaugural plaque markers with the following inscription on one: “Dr. José P. Rizal, Héroe Nacional de Filipinas, Nacionalista, Reformador Political, Escritor, Lingüistica y Poeta, 1861–1896.”
Likewise, a monument in honor of Rizal is being planned in Rome. In the City of Philadelphia, the world-acclaimed 'City of Murals' the 1st Filipino mural in the US east coast honoring José Rizal will be unveiled to the public in time for Rizal's Sesquicentennial year-long celebration.
Rizal in popular culture
The cinematic depiction of Rizal's literary works won two film industry awards more than a century after his birth. In the 10th FAMAS Awards, he was honored in the Best Story category for Gerardo de León's adaptation of his book Noli me Tangere. The recognition was repeated the following year with his movie version of El Filibusterismo, making him the only person to win back-to-back FAMAS Awards posthumously.
Both novels were translated into opera by the composer-librettist Felipe Padilla de León: Noli me tangere in 1957 and El filibusterismo in 1970; and his 1939 overture, Mariang Makiling, was inspired by Rizal's tale of the same name.
Several films were produced narrating Rizal's life. The most successful was Jose Rizal, produced by GMA Films and released in 1998. Cesar Montano played the title role.. A year before it was shown another movie was made portraying his life while in exile in the island of Dapitan. Titled "Rizal sa Dapitan" produced by Viva Films it stars Albert Martínez as Rizal and Amanda Page as Josephine Bracken. The film was the top grosser of the 1997 Manila Film Festival and won the best actor and actress trophies.. Another film that tackled particularly on the heroism of Rizal was the 2000 film Bayaning 3rd World, directed by Mike de Leon and starring Joel Torre as José Rizal.
Rizal also appeared in the 1999 Medal of Honor as a secret character in multiplayer, alongside other historical figures such as William Shakespeare and Winston Churchill. He can be unlocked by completing the single-player mode, or through cheat codes.
Throughout 2011, the National Historical Institute and other institutions have organized several activities commemorating the 150th birth anniversary of Rizal, which took place on June 19 of that year.
- Books about Rizal:
- The Lost Diary of Rizal by Scy Sze (2011)
- ^ José Rizal; José Rizal National Centennial Commission (1961) (in Spanish). El filibusterismo. Linkgua digital. pp. 9. ISBN 978-84-9953-093-2. http://books.google.com/books?id=9oBGVXO2vc8C.
- ^ "Selection and Proclamation of National Heroes and Laws Honoring Filipino Historical Figures". Reference and Research Bureau Legislative Research Service, House of Congress. http://www.congress.gov.ph/download/researches/rrb_0301_1.pdf. Retrieved 08-09-2009.
- ^ a b c d e f Austin Craig, Lineage, Life and Labors of Rizal (Manila: Philippine Education Co., 1913). He was conversant in Spanish, French, Latin, Greek, German, Portuguese, Italian, English, Dutch, and Japanese. Rizal also made translations from Arabic, Swedish, Russian, Chinese, Greek, Hebrew, and Sanskrit. He translated the poetry of Schiller into his native Tagalog. In addition he had at least some knowledge of Malay, Chavacano, Cebuano, Ilocano, and Subanun. Project Gutenberg].) Retrieved January 10, 2007.
- ^ a b c d Frank Laubach, Rizal: Man and Martyr (Manila: Community Publishers, 1936)
- ^ Rizal's annotations of Morga's Sucesos de las islas Filipinas (1609), which he copied word for word from the British Museum and had published, called attention to an antiquated book, a testimony to the well-advanced civilization in the Philippines during pre-Spanish era. In his essay "The Indolence of the Filipino" Rizal stated that three centuries of Spanish rule did not do much for the advancement of his countryman; in fact there was a 'retrogression', and the Spanish colonialists have transformed him into a 'half-way brute.' The absence of moral stimulus, the lack of material inducement, the demoralization--'the indio should not be separated from his carabao', the endless wars, the lack of a national sentiment, the Chinese piracy—all these factors, according to Rizal, helped the colonial rulers succeed in placing the indio 'on a level with the beast'. (Read English translation by Charles Derbyshire at Project Gutenberg.) Retrieved January 10. 2007.
- ^ In his essay, "Reflections of a Filipino," (La Solidaridad, c.1888), he wrote: "Man is multiplied by the number of languages he possesses and speaks.'
- ^ His signature book Noli was one of the first novels in Asia written outside Japan and China and was one of the first novels of anti-colonial rebellion. Noli me Tangere, translated by Soledad Locsin (Manila: Ateneo de Manila, 1996) ISBN 971-569-188-9. Read Benedict Anderson's commentary: . Retrieved January 10, 2007.
- ^ Bonifacio was a member of La Liga Filipina. After Rizal's arrest and exile, it was disbanded and the group splintered into two factions; the more radical group formed into the Katipunan, the militant arm of the insurrection.. Retrieved January 10, 2007.
- ^ Trillana III, Dr. Pablo S.. "2 historical events led to birth of modern RP". Inquirer.net. http://www.inquirer.net/specialfeatures/independenceday/view.php?db=1&article=20070611-70586. Retrieved June 11, 2007.
- ^ a b c National Historical Institute "...Angelo Ivan Mendoza added “Rizal” to the family surname..."(registration required)
- ^ Rizal's rags-to-riches ancestor from South China. Retrieved February 18, 2007.
- ^ F. Zaide, Gregorio (1957). José Rizal: life, works, and writings. Villanueva. pp. 5.
- ^ http://buscon.rae.es/draeI/SrvltConsulta?TIPO_BUS=3&LEMA=rizal
- ^ a b Vicente L. Rafael On Rizal's El Filibusterismo, University of Washington, Dep. of History
- ^ When José was baptized, the record showed his parents as Francisco Rizal Mercado and Teodora Realonda. José Rizal’s Lineage
- ^ At age 8 (in 1869) he was reputed to have written the poem Sa aking mga Kabata and had for its theme the love of one's native language Jose Rizal: A Biographical Sketch by Teofilo H. Monttemayor, Jose Rizal University, 2004, Retrieved January 10, 2007.
- ^ de Tangle, Edith Perez. "Don Daniel Maramba". Philippine folio. Philippine folio. http://www.philippinefolio.com/contdetail.php?id=25&id_app2=353&id_app3=01674. Retrieved 2005.
- ^ Parco de Castro, M.E.G.. "Jose Rizal: A birthday wish list". The Varsitarian. http://www.varsitarian.net/news/special_news/20110618/jose_rizal_a_birthday_wish_list. Retrieved 2011-06-27.
- ^ Medical Files, Dr. Jose Rizal in Heidelberg, Rafael Castillo, MD, Philippine Daily Inquirer, 06/20/2008
- ^ a b The Many-Sided Personality. Jose Rizal University. Retrieved January 10, 2007.
- ^ Adolf Bernard Meyer (1840–1911) was a German ornithologist and anthropologist, and author of the book Philippinen-typen (Dresden, 1888)
- ^ a b c d e f g Epistolario Rizalino: 4 volumes, 1400 letters to and from Rizal, edited by Teodoro Kalaw (Manila: Bureau of Printing,193038)
- ^ Zaide, Gregorio (1957). Rizal's Life, Works and Writings. Manila, Philippines: Villanueva Book Store. pp. 43–44.
- ^ a b Leonor Rivera, Jose Rizal University, joserizal.ph
- ^ a b c d Coates, Austin. "Leonor Rivera", Rizal: Philippine Nationalist and Martyr, Oxford University Press (Hong Kong), pages 52-54, 60, 84, 124, 134-136, 143, 169, 185-188, and 258.
- ^ Dr. Reinhold Rost was the head of the India Office at the British Museum and a renowned 19thcentury philologist.
- ^ Inquirer.net, Rizal’s affair with 'la petite Suzanne'
- ^ Harry Sichrovsky (1987). Ferdinand Blumentritt: an Austrian life for the Philippines : the story of José Rizal's closest friend and companion. p. 39. ISBN 978-971-13-6024-5. http://books.google.com/books?id=-yBFKQAACAAJ.
- ^ In his letter "Manifesto to Certain Filipinos" (Manila, 1896), he states: Reforms, if they are to bear fruit, must come from above; for reforms that come from below are upheavals both violent and transitory.(Epistolario Rizalino, op cit)
- ^ Wenceslao Retana Vida y Escritos del José Rizal (Madrid: Libreria General de Victoriano Suarez, 1907). According to Laubach it was Retana more than any other who 'saved Rizal for posterity' (Laubach, op.cit., p. 383)
- ^ "Appendix II: Decree Banishing Rizal. Governor-General Eulogio Despujol, Manila, July 7, 1892." In Miscellaneous Correspondence of Dr. Jose Rizal / translated by Encarnacion Alzona. (Manila: National Historical Institute.)
- ^ Raul J. Bonoan, S.J., The Rizal-Pastells Correspondence (Manila: Ateneo de Manila University Press, 1996)
- ^ "Mi Retiro", stanzas 7 and 8 (Craig, op.cit., p. 207)
- ^ FilipinoWriter.com. "Kultong Rizalismo (sanaysay ni Jon E. Royeca)". FilipinoWriter.com. http://www.filipinowriter.com/kultong-rizalismo-sanaysay-ni-jon-e-royeca. Retrieved December 30, 2009.
- ^ Mi Ultimo Adios, stanza 14. (original Spanish text at Project Gutenberg)
- ^ Rodel Rodis (15 June 2011). "Dr. Jose Rizal—the first Filipino TNT in America?". Global Nation. http://globalnation.inquirer.net/4212/dr-jose-rizal%E2%80%94the-first-filipino-tnt-in-america. Retrieved 19 June 2011.
- ^ Russell, Charles Edward; Rodriguez, Eulogio Balan (1923). The hero of the Filipinos: the story of José Rizal, poet, patriot and martyr. The Century co.. p. 308. http://books.google.com/books?id=BgsvAAAAIAAJ.
- ^ Rizal's trial was regarded a travesty even by prominent Spaniards of his day. Soon after his execution, the philosopher Miguel de Unamuno in an impassioned utterance recognized Rizal as a "Spaniard", "...profoundly and intimately Spanish, far more Spanish than those wretched men—forgive them, Lord, for they knew not what they did—those wretched men, who over his still warm body hurled like an insult heavenward that blasphemous cry, 'Viva Espana!'"Miguel de Unamuno, epilogue to Wenceslao Retana's Vida y Escritos del Dr. Jose Rizal (Retana, op. cit.)
- ^ Rizal himself translated Schiller's William Tell into Tagalog in 1886. Rizal in Berlin, Germany. Jose Rizal University. Retrieved January 10, 2007.
- ^ Me retracto de todo corazon de cuanto en mis palabras, escritos, impresos y conducta ha habido contrario á mi cualidad de hijo de la Iglesia Católica: Jesus Cavanna, Rizal's Unfading Glory: A Documentary History of the Conversion of Dr. Jose Rizal (Manila: 1983)
- ^ Ricardo Roque Pascual, Jose Rizal Beyond the Grave (Manila: P. Ayuda & Co., 1962)
- ^ Mi Ultimo Adios, stanza 13
- ^ Ildefonso T. Runes and Mameto R. Buenafe, The Forgery of the Rizal “Retraction” and Josephine’s “Autobiography” (Manila: BR Book Col, 1962)
- ^ "Rizal's Retraction: A Note on the Debate, Silliman Journal (Vol. 12, No. 2, April, May, June 1965), pages 168–183". Life and Writings of Jose Rizal. http://joserizal.info/Reflections/retraction.htm. Retrieved September 9, 2009.
- ^ Rafael Palma, Pride of the Malay Race (New York: Prentice Hall, 1949)
- ^ a b Ambeth Ocampo (2008). Rizal Without the Overcoat. Anvil Publishing.
- ^ a b Gregorio Zaide (2003). Jose Rizal: Life, Works and Writings of a Genius, Writer, Scientist and National Hero. National Bookstore.
- ^ Joaquin, Nick, Rizal in Saga, Philippine National Centennial Commission, 1996:""It seems clear now that he did retract, that he went to confession, heard mass, received communion, and was married to Josephine, on the eve of his death".
- ^ Guerrero, León Maria III (1963). The First Filipino: A Biography of Jose Rizal. Manila: National Historical Institute of The Philippines:"That is a matter for handwriting experts, and the weight of expert opinion is in favor of authenticity. It is nonsense to say that the retraction does not prove Rizal's conversion; the language of the document is unmistakable."
- ^ Uncovering Controversial Facts about Jose Rizal (iampinay.com)
- ^ a b c Nicolas Zafra (1961). Historicity of Rizal's Retraction. Bookmark.
- ^ a b Marciano Guzman (1988). The Hard Facts About Rizal's Conversion. Sinagtala Publishers.
- ^ a b Jesus Cavanna (1983). Rizal's Unfading Glory: A Documentary History of the Conversion of Dr. Jose Rizal.
- ^ Letters Between Rizal and his Family, #223
- ^ Javier de Pedro (2005) Rizal Through a Glass Darkly, University of Asia and the Pacific; Evolution of Rizal's Religious Thought. The retraction, Javier de Pedro contends, is the end of a process which started with a personal crisis as Rizal finished the Fili.
- ^ Joint Statement of the Catholic Hierarchy of the Philippines on the Book "The Pride of the Malay Race", January 6, 1950
- ^ preface to The Great Debate: The Rizal Retraction, by Ricardo P. Garcia. Quezon City: R.P. Garcia Publishing Co., 1964
- ^ Esteban de Ocampo, "Why is Rizal the Greatest Filipino Hero?" National Historical Institute. ISBN 9715380530
- ^ Pacis, Vicente Albano. "RIZAL IN THE AMERICAN CONGRESS". The Philippines Free Press Online. http://philippinesfreepress.wordpress.com/2005/12/28/rizal-in-the-american-congress-december-27-1952/. Retrieved December 27, 1952.
- ^ "Mi Ultimo Adios by Jose Rizal". Philippine American Literary House. http://www.palhbooks.com/rizal.htm.
- ^ Mi Ultimo Adios, stanza 14
- ^ Ambeth Ocampo, Rizal without the Overcoat (Manila: Anvil Publishing Co., 1990) ISBN 971-27-0043-7. Rizal's third novel 'rff'Makamisa was rescued from oblivion by Ocampo. See also  (Accessed January 10, 2007), and  . Retrieved January 10, 2007.
- ^ Miguel de Unamuno, "The Tagalog Hamlet" in Rizal: Contrary Essays, edited by D. Feria and P. Daroy (Manila: National Book Store, 1968).
- ^ a b Jose Rizal, El Filibusterismo (Ghent: 1891) chap.39, translated by Andrea Tablan and Salud Enriquez (Manila: Marian Publishing House, 2001) ISBN 971-686-154-0. (online text at Project Gutenberg)
- ^ Bonifacio denounced him, at the same time, he mobilized his men to attempt to liberate Rizal while in Ft. Santiago (Laubach, op.cit., chap. 15)
- ^ Agoncillo, Teodoro (1990) , History of the Filipino People (8th ed.), Quezon City: Garotech Publishing Inc., ISBN 9718711066
- ^ Constantino, Renato (1980) , "Veneration without Understanding", Dissent and Counter-consciousness, Quezon City: Malaya Books, pp. 125–145 .
- ^ Guerrero, Milagros C, Emmanuel N. Encarnacion, & Ramon N. Villegas. Andres Bonifacio and the 1896 Revolution. 16 June 2003.
- ^ Rafael Palma, Pride of the Malay Race (New York: Prentice Hall, 1949) p. 367.
- ^ Milagros Guerrero quoted in Nick Joaquin's "Anatomy of the Anti-Hero."
- ^ National Commission for Culture and the Arts. Selection and Proclamation of National heroes and Law Honoring Filipino Historical Figures
- ^ Anderson, Benedict R. O'G., Why Counting Counts: A Study of Forms of Consciousness and Problems of Language in Noli me tangere and El filibusterismo (Quezon City: Ateneo de Manila University Press, 2008), pp. 44–45.
- ^ Tu Yiban (Ang, Alfonso O.), "Rizal's Chinese Overcoat"
- ^ Also stated in his essay, "The Philippines: A Century Hence": The batteries are gradually becoming charged and if the prudence of the government does not provide an outlet for the currents that are accumulating, someday the sparks will be generated. (read etext at Project Gutenberg)
- ^ Jose Rizal, "Indolence of the Filipino". Retrieved January 10, 2007.
- ^ According to Anderson, Rizal is one of the best exemplars of nationalist thinking. Benedict Anderson, Under Three Flags: anarchism and the anti colonial imagination (London: Verso Publication, 2005) ISBN 1-84467-037-6. (See also )
- ^ Dr. Virchow's obituary on Rizal, 1897
- ^ Monumento a José Rizal (Madrid) Accessed January 10, 2007
- ^ Article Index - INQUIRER.net. Web.archive.org (2008-05-04). Retrieved on 2011-02-19.
- ^ Sir Choy Arnaldo, KGOR. Paris in Springtime – Knights and Damas blossom!, Rizal Bulletin, March 29, 2010
- ^ http://www.staradvertiser.com/news/hawaiinews/20110620__Isle_Filipinos_honor_Philippines_hero.html
- ^ Dr. Rizal's story is a lesson to us all
- ^ Dr. Jose Rizal Park, Seattle Parks and Recreation Information
- ^ "El Monumento de Jose Rizal, Ciudad De Mexico". http://maps.google.com/maps/place?hl=en&sugexp=ldymls&xhr=t&cp=12&pq=rizal+monument+ciudad+de+mexico&bav=on.2,or.r_gc.r_pw.&um=1&ie=UTF-8&q=rizal+statue+ciudad+de+mexico&fb=1&gl=us&hq=rizal+statue&hnear=Mexico+City,+Distrito+Federal,+Mexico&cid=7217792380293812954.
- ^ "Philippine president to open park in Lima during APEC Summit". Andina.com.pe. http://www.andina.com.pe/ingles/Noticia.aspx?id=XNWYIuvHPCo=#. Retrieved December 30, 2009.
- ^ "Feature: Rizal returns to Singapore" (Press release). Philippine Information Agency (PIA). June 20, 2008. http://www.pia.gov.ph/default.asp?m=12&fi=p080620.htm&no=76. Retrieved June 24, 2008.
- ^ "ログイン – 日刊まにら新聞" (in (Japanese)). Manila-shimbun.com. http://www.manila-shimbun.com/category/english/news181606.html. Retrieved December 30, 2009.
- ^ En route to APEC meet, First Gentleman rushed to hospital
- ^ Peru erects monument for Jose Rizal, Michael Lim Ubac, Philippine Daily Inquirer, 11/22/2008
- ^ "New Rizal monument in Rome for 150th birthday". GMA News. http://www.gmanews.tv/story/209565/pinoy-abroad/new-rizal-monument-in-rome-for-150th-birthday. Retrieved 01/01/2011.
- ^ "The 1st Filipino Mural in the East Coast". Faapi. http://www.faapi.org/. Retrieved Nov 2003.
- ^ Mari Arquiza (1992). ":: Felipe De Leon ::". Philmusicregistry.net. http://www.philmusicregistry.net/artist_profile.php?artist_id=218. Retrieved December 30, 2009.
- ^ Medal of Honor 2 cheats for PS1
- ^ Medal of Honor cheats for PS1
- Hessel, Dr. Eugene A. (1965) Rizal's Retraction: A Note on the Debate. Silliman University
- Mapa, Christian Angelo A.(1993) The Poem Of the Famous Young Elder Jose Rizal
- Catchillar, Chryzelle P. (1994) The Twilight in the Philippines
- Venzon, Jahleel Areli A. (1994) The Doorway to hell, Rizal's Biography
- Tomas, Jindřich (1998) Jose Rizal, Ferdinand Blumentritt and the Philippines in the New Age. The City of Litomerice: Czech Republic. Publishing House Oswald Praha (Prague).
- The Dapitan Correspondence of Dr.Jose Rizal and Dr. Ferdinand Blumentritt. Compiled by Romeo G. Jalosjos. The City Government Dapitan City: Philippines, 2007. ISBN 978-971-93553.
- Craig, Austin. (2004) Lineage, Life and Labors of Jose Rizal, Philippine Patriot. Kessinger Publishing. ISBN 1-4191-3058-7
- Fadul, Jose (2002/2008). A Workbook for a Course in Rizal. Manila: De La Salle University Press. ISBN 971-555-426-1 /C&E Publishing. ISBN 978-971-584-648-6
- Fadul, J. (ed.) (2008). Encyclopedia Rizaliana. Morrisville, NC: Lulu Press. ISBN 978-1-4303-1142-3
- Guerrero, Leon Ma. (2007) The First Filipino. Manila: National Historical Institute of The Philippines (1962); Guerrero Publishing. ISBN 971-93418-2-3
- Joaquin, Nick (1977). A Question of Heroes: Essays and criticisms on ten key figures of Philippine History. Manila: Ayala Museum.
- Ocampo, Ambeth R.(2008).Rizal Without the Overcoat. Pasig: Anvil Publishing.
- Ocampo, Ambeth R.(2001).Meaning and history: The Rizal Lectures. Pasig: Anvil Publishing.
- Ocampo, Ambeth R.(1993). Calendar of Rizaliana in the vault of the National Library.Pasig: Anvil Publishing.
- Ocampo, Ambeth R.(1992).Makamisa: The Search for Rizal's Third Novel. Pasig: Anvil Publishing.
- Quirino, Carlos (1997). The Great Malayan. Makati City: Tahanan Books. ISBN 971-630-085-9
- Medina, Elizabeth (1998). Rizal According to Retana: Portrait of a Hero and a Revolution. Santiago, Chile: Virtual Multimedia. ISBN 956-7483-09-4
- Rizal, Jose. (1889)."Sa mga Kababayang Dalaga ng Malolos" in Escritos Politicos y Historicos de Jose Rizal (1961). Manila: National Centennial Commission.
- Runes, Ildefonso (1962). The Forgery of the Rizal Retraction'. Manila: Community Publishing Co.
- Zaide, Gregorio F. (2003) Jose Rizal: Life, Works and Writings of a Genius, Writer, Scientist and National Hero. Manila: National Bookstore. ISBN 971-08-0520-7
- Blumenstihl D. (2005) Jose Rizal, une oeuvre, une vie. (French) Jose Rizal's connection with Don Quixote and Cervantes. 380 p. Ed. Delarose ISBN 2-9522261-2-1
- The Complete Jose Rizal at Filipiniana.net
- Talambuhay ni Jose Rizal
- The Life and Writings of Jose Rizal. Accessed January 10, 2007.
- "José Mercado Rizal". Catholic Encyclopedia. New York: Robert Appleton Company. 1913.
- Works by José Rizal at Project Gutenberg Accessed January 10, 2007
- Jose Rizal Website Accessed January 10, 2007.
- Rizal's Little Odyssey. Accessed January 10, 2007.
- 22 languages at 3rd paragraph reference 3
- Review of Dimasalang: The Masonic Life Of Dr. Jose P. Rizal. Accessed January 10, 2007.
- Jose Rizal, a revolutionary friend of Don Quixote (French) Accessed January 10, 2007.
- Comparison between Jose Rizal and Jose Marti (Spanish) Accessed January 10, 2007.
- Extensive annotated list of Rizaliana materials on the Internet
- Chevaliers de Rizal (French)
- Poems written by Dr. José Rizal
- Hispanic Literature and José Rizal, articles by José Tlatelpas, Edmundo Farolán and others. Published in Spanish by La Guirnalda Polar, webzine, Canada, 1997.
- Songs written by Dr. José Rizal
- Works by José Rizal on Open Library at the Internet Archive
National symbols of the Philippines Official UnofficialNational heroes: José Rizal, Andrés Bonifacio, Emilio Aguinaldo, Apolinario Mabini, Marcelo H. del Pilar, Sultan Dipatuan Kudarat, Juan Luna, Melchora Aquino, and Gabriela Silang · Cariñosa · Carabao · Bangus · "Bayan Ko" · "Pilipinas Kong Mahal" · Juan de la Cruz · Anahaw · Mango · Sipa · Barong and Baro't saya Philippine national holidays Regular holidays Special holidays Filipino painters
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