- FM broadcast band
The FM broadcast band, used for FM broadcast radio by radio stations, differs between different parts of the world. In Europe and Africa (ITU region 1), it spans from 87.5 to 108.0 megahertz (MHz), while in America (ITU region 2) it goes only from 88.0 to 108.0 MHz. The FM broadcast band in Japan uses 76.0 to 90 MHz. The OIRT band in Eastern Europe is from 65.8 to 74.0 MHz, although these countries now primarily use the 87.5 to 108 MHz band, as in the case of Russia. Some other countries have already discontinued the OIRT band and have changed to the 87.5 to 108 MHz band.
Frequency modulation radio originated in the United States of America during the 1930s; the system was developed by the American electrical engineer Edwin H. Armstrong. However, FM broadcasting did not become widespread even in North America until the 1960s.
Frequency-modulated radio waves can be generated at any frequency. All the bands mentioned in this article are in the Very High Frequency (VHF) band, which extends from 30 to 300 MHz.
In some languages, the VHF band is referred to as "UKW" (from the German Ultrakurzwelle — "ultra short wave") or "УКВ" (from the Russian Ультракороткие волны).
While all countries use FM channel center frequencies ending in 0.1, 0.3, 0.5, 0.7, and 0.9 MHz, some countries also use center frequencies ending in 0.0, 0.2, 0.4, 0.6, and 0.8 MHz. A few others also use 0.05, 0.15, 0.25, 0.35, 0.45, 0.55, 0.65, 0.75, 0.85, and 0.95 MHz.
- Most countries have used 100 kHz or 200 kHz channel spacings for FM broadcasting since this ITU conference in 1984.
- Some digitally-tuned FM radios are unable to tune using 50 kHz increments. Therefore when traveling abroad, stations that broadcast on certain frequencies using such increments may not be heard clearly. This problem will not affect reception on an analog-tuned radio.
- A few countries, such as Italy, which have heavily-congested FM bands, still allow a station on any multiple of 50 kHz wherever one can be squeezed in.
- The 50 kHz channel spacings help prevent co-channel interference, and these take advantage of FM's capture effect and receiver selectivity.
ITU Region II Bandplan and Channel Numbering
The original frequency allocation in North America used by Edwin Armstrong used the frequency band from 42 through 50 MHz, but this allocation was changed to a higher band beginning in 1945. In Canada, the United States, Mexico, the Bahamas, etc., there are 101 FM channels numbered from 200 (center frequency 87.9 MHz) to 300 (center frequency 107.9 MHz), though these numbers are rarely used outside the fields of radio engineering and government.
The center frequencies of the FM channels are spaced in increments of 200 kHz. The frequency of 87.9 MHz, while technically part of TV channel 6 (82 to 88 MHz), is used by just two FM class-D stations in the United States. Portable radio tuners often tune down to 87.5 MHz, so that the same radios can be made and sold worldwide. Automobiles usually have FM radios that can tune down to 87.7 MHz, so that TV channel 6's audio at 87.75 MHz (±10 kHz) could be received, such as in Birmingham, Alabama, and Denver, Colorado. With the advent of universal digital television in the United States and southern Canada, this ability is irrelevant—but there are still analog television stations in Mexico and in the sparsely-populated regions of northern Canada. There are also analog TV stations on the other continents and on scores of different islands.
In the United States, the twenty channels with center frequencies of 87.9–91.9 MHz (channels 200 through 220) constitute the reserved band, exclusively for non-commercial educational (NCE) stations. The other channels (92.1 MHz through 107.9 MHz (Channels 221–300) may be used by both commercial and non-commercial stations. (Note that in Canada and in Mexico this reservation does not apply.)
Originally, the American Federal Communications Commission (FCC) devised a bandplan in which FM radio stations would be assigned at intervals of four channels (800 kHz separation) for any one geographic area. Thus, in one area, stations might be at 88.1, 88.9, 89.7, etc., while in an adjacent area, stations might be at 88.3, 89.1, 89.9, 90.7 etc. Certain frequencies were designated for Class A only (see FM broadcasting), which had a limit of three kilowatts of effective radiated power (ERP) and an antenna height limit for the center of radiation of 300 feet (91.4 m) height above average terrain (HAAT). These frequencies were 92.1, 92.7, 93.5, 94.3, 95.3, 95.9, 96.7, 97.7, 98.3, 99.3, 100.1, 100.9, 101.7, 102.3, 103.1, 103.9, 104.9, 105.5, 106.3 and 107.1. On other frequencies, a station could be Class B (50 kW, 500 feet) or Class C (100 kW, 2000 feet), depending on which zone it was in.
In the late 1980s, the FCC switched to a bandplan based on a distance separation table using currently operating stations, and subdivided the class table to create extra classes and change antenna height limits to meters. Class A power was doubled to six kilowatts, and the frequency restrictions noted above were removed. As of late 2004, a station can be "squeezed in" anywhere as long as the location and class conform to the rules in the FCC separation table. The rules for second-adjacent-channel spacing do not apply for stations licensed before 1964.
Deviation and bandpass
Normally each channel is 200 kHz (0.2 MHz) wide, and can pass audio and subcarrier frequencies up to 100 kHz. Deviation is typically limited to 150 kHz total (±75 kHz) in order to prevent interference to adjacent channels on the band. Stations in the U.S. may go up to 10% over this limit if they use non-stereo subcarriers, increasing total modulation by 0.5% for each 1% used by the subcarriers.
The OIRT FM broadcast band covers 65.8 to 74 MHz. It was used in the Union of Soviet Socialist Republics and most of the other socialist member countries of the International Radio and Television Organisation in Eastern Europe (OIRT), with the exception of East Germany, which always used the 87.5 to 100 (later 104) MHz broadcast band in line with Western Europe. Note that Yugoslavia, although a socialist country, was not a member of OIRT.
The lower portion of the VHF band behaves a bit like Short Wave in that it has a longer reach than the upper portion of the VHF band. It was ideally suited for reaching vast and remote areas, that would otherwise lack FM radio reception. In a way, FM suited this band because the capture effect of FM could mitigate interference from skip.
Following the collapse of the communist governments in Eastern Europe, the 87.5 to 108 MHz band began to be adopted and is now in use in all those countries. This was prompted by the expansion of broadcasting and the modernisation of existing transmission networks, using new or second-hand transmitters from western countries, together with a general desire for standardization with the West.
Many countries have completely ceased broadcasting on the OIRT FM band, although declining use continues in others, mainly the former republics of the USSR. The future of broadcasting on the OIRT FM band is limited, due to the lack of new consumer receivers for that band.
Hungary closed down its remaining broadcast transmitters in 2007, and for thirty days in July of that year, several Hungarian amateur radio operators received a temporary experimental permit to perform propagation and interference experiments in the 70–70.5 MHz band.
Unlike Western practice, OIRT FM frequencies are based on 10 kHz rather than 50 or 100 kHz multiples. This may have been to reduce co-channel interference caused by Sporadic E propagation and other atmospheric effects, which occur more often at these frequencies. However, multipath distortion effects are less annoying than on the CCIR band.
Stereo is generally achieved by sending the stereo difference signal, using a process called polar modulation.
The 4-meter band (70–70.5 MHz) amateur radio allocation used in many European countries is entirely within the OIRT FM band. Operators on this band and the 6-meter band (50–54 MHz) use the presence of broadcast stations as an indication that there is an "opening" into Eastern Europe or Russia. This can be a mixed blessing because the 4 meter amateur allocation is only 0.5 MHz or less, and a single broadcast station causes considerable interference to a large part of the band.
The System D television channels R4 and R5 lie wholly or partly within the 87.5–108 MHz FM audio broadcast band. Countries which still use System D therefore have to consider the re-organisation of TV broadcasting in order to make full use of this band for audio broadcasting.
The FM band in Japan is 76–90 MHz. The 90–108 MHz section is used for VHF TV Channels 1, 2 and 3 (each NTSC television channel is 6 MHz wide). The narrowness of the Japanese band (14 MHz compared to slightly more than 20 MHz for the CCIR band) limits the number of FM stations that can be accommodated on the dial with the result that many commercial radio stations are forced to use AM.
Many Japanese radios are capable of receiving both the Japanese FM band and the CCIR FM band, so that the same model can be sold within Japan or exported. The radio may cover 76 to 108 MHz, the frequency coverage may be selectable by the user, or during assembly the radio may be set to operate on one band by means of a specially-placed diode or other internal component.
Conventional analog-tuned (dial & pointer) radios may be marked with "TV Sound" in the 90–108 section. If these radios were sold in the USA, for example, the 76–88 section would be marked TV sound for VHF channels 5 and 6 (as two 6 MHz-wide NTSC TV channels), with the 88–108 section band as normal FM.
Second-hand automobiles imported from Japan contain a radio designed for the Japanese FM band, and importers often fit a "converter" to down-convert the 87.5 to 107.9 MHz band to the frequencies that the radio can accept. In addition to showing an incorrect frequency, there are two other disadvantages that can result in undesired performance; the converter cannot downconvert in full the regular international FM band (up to 20.5 MHz wide) to the only 14 MHz-wide Japanese band (unless the converter incorporates two user-switchable downconvert modes), and the car's antenna may perform poorly on the higher FM band. Also, RDS is not used in Japan, whereas most modern car radios available in Europe have this system. Also the converter may not allow pass-through of the MW band, which is used for AM broadcasting. A better solution is to replace the radio and antenna with ones designed for the country where the car will be used.
Australia had a similar situation with Australian TV channels 3, 4 and 5 that are between 88 and 108 MHz, and was intending to follow Japan, but in the end opted for the western bandplan, due to CCIR radios that entered the country. There were some radios sold in Australia for 76 to 90 MHz.
Historic US bandplan
Early FM broadcasting in North America originally used the 42–50 MHz band (this range was also used by a class of experimental wideband AM stations known as apex broadcasters). Shortly after World War II the United States FCC decided to move FM broadcasters to the 88.1–105.9 MHz band (later extended to 107.9 MHz). Only non-commercial stations can use the 88–92 MHz range.
In March 2008, the FCC requested public comment on turning the bandwidth currently occupied by analog television channels 5 and 6 (76–88 MHz) over to extending the FM broadcast band when the digital television transition was to be completed in February 2009 (ultimately delayed to June 2009). This proposed allocation would effectively assign frequencies corresponding to the existing Japanese FM radio service (which begins at 76 MHz) for use as an extension to the existing North American FM broadcast band.
- ^ http://ukspec.tripod.com
- ^ separation table
- ^ http://www.waytorussia.net
- ^ http://www.tvr.by
- ^ http://www.egocities.com
- ^ http://www.radiofm.narod.ru
- ^ This was taught at the TAFE college Audio course of the electronic servicing certificate, and it is also part of the of the long story of the introduction of FM radio in Australia, which can be found in older Australian electronics magazines.
- ^ Regarding the 42—50 MHz FM band and the switchover Accessed 2010-08-28
- ^ http://www.fcc.gov/topic/fm-radio
- ^ Federal Communications Commission (2008-05-16). "In the Matter of Promoting Diversification of Ownership in the Broadcasting Services". http://www.regulations.gov/fdmspublic/component/main?main=DocumentDetail&o=090000648064a653. Retrieved 2008-08-26. "Certain commenters have urged the Commission to give a "hard look" to a proposal that the Commission re-allocate TV Channels 5 and 6 for FM broadcasting" 73 F.R. 28400, 28403
Analog and digital audio broadcastingTerrestrial Radio modulation Frequency allocations Digital systemsSatellite Frequency allocations Digital systems Commercial radio providersSubcarrier signalsRelated topics
Technical (Audio): Audio processing · Audio data compression
Technical (AM Stereo formats): Belar · C-QUAM · Harris · Magnavox · Kahn-Hazeltine
Technical (Emission): Digital radio · Error correction · Multipath propagation · SW Relay Station · AM radio · AM broadcasting · Extended AM broadcast band · FM radio · FM broadcasting · FM broadcast band · Cable radio
Cultural: History of radio · International broadcasting
Comparison of radio systems
Wikimedia Foundation. 2010.
Look at other dictionaries:
Broadcast band — commonly refers to several segments of the radio spectrum. In the U.S. the major broadcast bands are:In Europe, North Africa and Asia, longwave radio frequencies between 153 and 281 kHz are used for domestic and international broadcasting.ee… … Wikipedia
Broadcast (Band) — Broadcast … Deutsch Wikipedia
Broadcast (band) — Infobox musical artist Name = Broadcast Img capt = Img size = Landscape = Background = group or band Origin = Birmingham, England Genre = Electronic Dream pop Years active = 1995 ndash; Present Label = Warp Records Duophonic Records Tommy Boy… … Wikipedia
Extended AM broadcast band — The extended MW broadcast band (sometimes known as the X band) is a medium wave broadcast allocation (1629 kHz–1715 kHz). The band became officially available c. 1993 only in ITU Region 2 (North and South America). It is popular with… … Wikipedia
Broadcast (disambiguation) — Broadcast may refer to:* Broadcasting, the transmission of audio and video signals * Broadcast, an individual television program or radio program * Broadcast (band), an electronica musical group * Broadcast (album), a 1986 album by Cutting Crew * … Wikipedia
Band (radio) — A band is a small section of the spectrum of radio communication frequencies, in which channels are usually used or set aside for the same purpose. Examples include:*AM broadcast band (530–1610 kHz or to 1710 kHz on the extended AM band in the… … Wikipedia
Broadcast 2000 (band) — Broadcast 2000 is a British acoustic rock band based in London, England, which centres around multi instrumentalist Joe Steer. Steer is joined live by Tom Andrews, Chris Banner and Kelly Underdown.The band s debut album Building Blocks was… … Wikipedia
Band in a Bubble — is a round the clock live broadcast, during which a band spends an extended period of time inside a bubble writing and recording an album. The Band in a Bubble concept was the creation of Paul Curtis, band manager, tour promoter, owner of Valve… … Wikipedia
Band Aid 20 (band) — Band Aid 20 was the 2004 incarnation of the charity group Band Aid. The group, consisting of such luminaries as Chris Martin of Coldplay and Bono of U2, re recorded the 1984 song Do They Know It s Christmas? , written by Band Aid organizers Bob… … Wikipedia
Broadcast-safe — or broadcast legal or legal signal is a term used in the broadcast industry to define video and audio compliant with the technical or regulatory broadcast requirements of the target area or region the feed might be broadcasting to [… … Wikipedia