- Vincent van Gogh's death
The death of Vincent van Gogh, the Dutch post-Impressionist painter, occurred in the early morning of 29 July 1890, in his room at the Auberge Ravoux in the village of Auvers-sur-Oise in northern France. He suffered a gunshot wound two days earlier not far from the inn. It has been widely reported that he shot himself in the chest, wishing to end his life.
In Van Gogh: the Life, a biography published in 2011, authors Steven Naifeh and Gregory White Smith argue that Van Gogh did not commit suicide but was shot accidentally by two boys he knew who had "a malfunctioning gun". A curator at the Van Gogh Museum has warned that experts "cannot yet agree" with the authors’ conclusions about the painter’s death.
Deteriorating mental health
In 1889, Van Gogh experienced a deterioration in his mental health. As a result of incidents in Arles leading to a public petition, he was committed to hospital. At the suggestion the Reverend Salles, an acquaintance of the artist, Van Gogh's brother Theo persuaded him to spend some time in an asylum in nearby Saint-Rémy in the hope that his health would improve. He entered the asylum on a voluntary basis in early May 1889. His mental condition did not improve and considerably worsened the following December and in the early months of 1890.
Changing mood at Auvers from May 1890
Shortly before leaving Saint-Rémy, Van Gogh told how he was suffering from his stay in the hospital: "The surroundings here are beginning to weigh me down more than I can say... I need some air, I feel overwhelmed by boredom and grief."
On arriving at Auvers, Van Gogh's health was still not very good. Writing on 21 May to Theo he comments: "I can do nothing about my illness. I am suffering a little just now — the thing is that after that long seclusion the days seem like weeks to me." But by 25 May, the artist was able to report to his parents that his health had improved and that the symptoms of his disease had disappeared. His letters to his sister Wilhelmina on 5 June and to Theo and his wife Jo on about 10 June indicate a continued improvement, his nightmares almost having disappeared.
On about 12 June, he wrote to his friends Mr and Mrs Ginoux in Arles, telling them how his health had suffered at Saint-Rémy but had since improved: "But latterly I had contracted the other patients' disease to such an extent that I could not be cured of my own. The other patients' society had a bad influence on me, and in the end I was absolutely unable to understand it. Then I felt I had better try a change, and for that matter, the pleasure of seeing my brother, his family and my painter friends again has done me a lot of good, and I am feeling completely calm and normal."
Furthermore, an unsent letter to Paul Gauguin which Van Gogh wrote around 17 June is quite positive about his plans for the future. After describing his recent colourful wheat studies, he explains: "I would like to paint some portraits against a very vivid yet tranquil background. There are the greens of a different quality, but of the same value, so as to form a whole of green tones, which by its vibration will make you think of the gentle rustle of the ears swaying in the breeze: it is not at all easy as a colour scheme." On 2 July, writing to his brother, Van Gogh comments: "I myself am also trying to do as well as I can, but I will not conceal from you that I hardly dare count on always being in good health. And if my disease returns, you would forgive me. I still love art and life very much..."
The first sign of new problems was revealed in a letter Van Gogh wrote to Theo on 10 July. He first states, "I am very well, I am working hard, have painted four studies and two drawings," but then goes on to say, "I think that we must not count on Dr Gachet at all. First of all, he is sicker than I am, I think, or shall we say just as much, so that's that... I don't know what to say. Certainly my last attack, which was terrible, was in a large measure due to the influence of the other patients." Later in the letter he adds, "For myself, I can only say at the moment that I think we all need rest — I feel exhausted (in French Je me sens - raté)." In an even more despairing tone he adds: "And the prospect grows darker, I see no happy future at all."
In another letter to Theo on about 10 July, Van Gogh explains: "I try to be fairly good-humoured in general, but my life too is threatened at its very root, and my step is unsteady too." He then comments on his current work: "I have painted three more large canvases. They are vast stretches of corn under troubled skies, and I did not have to go out of my way very much in order to try to express sadness and extreme loneliness." But he adds, "I'm fairly sure that these canvases will tell you what I cannot say in words, that is, how healthy and invigorating I find the countryside."
In a letter to his parents written around 12 July, Van Gogh again appears to be in a far more positive frame of mind: "I myself am quite absorbed in that immense plain with wheat fields up as far as the hills, boundless as the ocean, delicate yellow, delicate soft green, the delicate purple of a tilled and weeded piece of ground, with the regular speckle of the green of flowering potato plants, everything under a sky of delicate tones of blue, white, pink and violet. I am in a mood of almost too much calm, just the mood needed for painting this."
His brother Theo recognised that that Vincent was experiencing problems. In a letter dated 22 July 1890, he wrote, "I hope, my dear Vincent, that your health is good, and since you say that you write with difficulty, and don't talk about your work I am a little afraid that there is something troubling you or not going right." He went on to suggest he consulted his physician, Dr Gachet.
On 23 July, Van Gogh wrote to his brother, stressing his renewed involvement in painting: "I am giving my canvases my undivided attention. I am trying to do as well as certain painters whom I have greatly loved and admired... Perhaps you will take a look at this sketch of Daubigny's garden — it is one of my most carefully thought-out canvases. I am adding a sketch of some old thatched roofs and the sketches of two size 30 canvases representing vast fields of wheat after the rain."
Adeline Ravoux, the innkeeper's daughter who was only 13 at the time, clearly recalls the incidents of July 1890. In an account written when she was 76, reinforced by her father's repeated reminders, she explains how on 27 July, Van Gogh left the inn after breakfast. When he had not returned by dusk, given the artist's regular habits, the family became worried. He finally arrived after nightfall, probably around 9 pm, holding his stomach. Adeline's mother asked whether there was a problem. Van Gogh started to answer with difficulty, "No, but I have..." as he climbed the stairs up to his room. Her father thought he could hear groans and found Van Gogh curled up in bed. When he asked whether he was ill, Van Gogh showed him a wound near his heart explaining: "I tried to kill myself." During the night, Van Gogh explained he had set out for the wheat field where he had recently been painting. During the afternoon he had shot himself with a revolver and passed out. Revived by the coolness of the evening, he had tried in vain to find the revolver to finish himself off. He then returned to the inn.
Adeline goes on to explain how her father sent Anton Hirschig, also a Dutch artist staying in the inn, to alert the local physician who proved to be absent. He then called on Van Gogh's friend and physician, Dr Gachet, who dressed the wound but left immediately, considering it was a hopeless case. Her father and Hirsching spent the night at Van Gogh's bedside. The artist sometimes smoked, sometimes groaned but remained silent almost all night long, dozing off from time to time. The following morning, two gendarmes visited the inn, questioning Van Gogh about his attempted suicide. In response, he simply replied: "My body is mine and I am free to do what I want with it. Do not accuse anybody, it is I that wished to commit suicide."
As soon as the post office opened on the Monday morning, Adeline's father sent a telegram to Van Gogh's brother, Theo, who arrived by train during the afternoon. Adeline Ravoux explains how the two of them watched over Van Gogh who fell into a coma and died at about one o'clock in the morning. (The death certificate records the time of death as 1.30 am.) In a letter to his sister Lies, Theo told of his brother's feelings just before his death: "He himself wanted to die. When I sat at his bedside and said that we would try to get him better and that we hoped that he would then be spared this kind of despair, he said, "La tristesse durera toujours" (The sadness will last forever). I understood what he wanted to say with those words."
In her memoir of December 1913, Theo's wife Johanna refers first to a letter from her husband after his arrival at Vincent's bedside: "He was glad that I came and we are together all the time... Poor fellow, very little happiness fell to his share, and no illusions are left him. The burden grows too heavy at times, he feels so alone..." And after his death, he wrote: "One of his last words was, 'I wish I could pass away like this,' and his wish was fulfilled. A few moments and all was over. He had found the rest he could not find on earth..."
Emile Bernard, an artist and friend of Van Gogh, who arrived in Auvers on 30 July for the funeral, tells a slightly different story, explaining that Van Gogh went out into the countryside on the Sunday evening, "left his easel against a haystack and went behind the château and fired a revolver shot at himself." He tells us how Van Gogh had said that "his suicide had been absolutely deliberate and that he had done it in complete lucidity... When Dr Gachet told him that he still hoped to save his life, Van Gogh replied, 'Then I'll have to do it over again.'"
In addition to the account given by Ameline Ravoux, Emile Bernard's letter to Albert Aurier provides details of the funeral which was held in the afternoon of 30 July 1890. Van Gogh's body was set out in "the painter's room" where it was surrounded by the "halo" of his last canvases and masses of yellow flowers including dahlias and sunflowers. His easel, folding stool and brushes stood before the coffin. Among those who arrived in the room were artists Lucien Pissarro and Auguste Lauzet. The coffin was carried to the hearse at three o'clock. The company climbed the hill outside Auvers in hot sunshine, Theo and several of the others sobbing pitifully. The little cemetery with new tombstones was on a little hill above fields that were ripe for harvest. Dr Gachet, trying to suppress his tears, stammered out a few words of praise, expressing his admiration for an "honest man and a great artist... who had only two aims, art and humanity."
Controversy of Naifeh and Smith biography
In 2011, authors Steven Naifeh and Gregory White Smith published a biography, Van Gogh: The Life, in which they challenged the conventional account of the artist's death. In the book, Naifeh and Smith argue that it was unlikely for Van Gogh to have killed himself, noting the upbeat disposition of the paintings he created immediately preceding his death; furthermore, in private correspondence, Van Gogh described suicide as sinful and immoral. The authors also question how Van Gogh could have traveled the mile-long distance between the wheat field and the inn after sustaining the fatal stomach wound, and how Van Gogh could have obtained a gun despite his well-known mental health problems.
Naifeh and Smith developed an alternative scenario in which Van Gogh did not commit suicide, but rather was a possible victim of manslaughter or foul play. Naifeh and Smith point out that the bullet entered Van Gogh’s abdomen at an oblique angle, not straight as might be expected from a suicide. They claim that van Gogh knew the boys who may have shot him, one of whom was in the habit of wearing a cowboy suit, and had gone drinking with them. Naifeh said, "So you have a couple of teenagers who have a malfunctioning gun, you have a boy who likes to play cowboy, you have three people probably all of whom had too much to drink." Naifeh claimed "accidental homicide" was "far more likely." The authors contend that art historian John Rewald visited Auvers in the 1930s, and recorded that version of events was widely believed. The authors postulate that after he was fatally wounded, Van Gogh welcomed death and believed the boys had done him a favour, hence his widely-quoted death-bed remark: "Do not accuse anyone... it is I who wanted to kill myself."
On October 16, 2011, an episode of the TV news magazine 60 Minutes aired a report exploring the contention of Naifeh and Smith's biography. Some credence has been given to the theory by Van Gogh experts, who cite a recorded "confession" by a known and respected French businessman in 1956, in which he claimed that he was the one who accidentally shot Vincent. Nonetheless, this new biographical account has been greeted with some scepticism.
Selection of Van Gogh's final works
Van Gogh was particularly productive during his last few weeks in Auvers, completing over 70 paintings as well as a number of drawings and sketches. They cover landscapes, portraits and still lifes. Some of them appear to reflect his increasing loneliness while many others, with their bright colours, convey a more positive attitude. The letters he wrote during his last two months offer a considerable amount of background on Van Gogh's relentless will to paint coupled with frequent periods of despondency. Not only was he suffering from his mental illness but he was also deeply concerned for his brother Theo who was first worried about the ailing health of his son and was then confronted by serious problems with his business.
- ^ a b c d e Adeline Ravoux, "Letter to n/a, written 1956 in Auvers-sur-Oise". Translated and edited by Robert Harrison. Retrieved 24 July 2011.
- ^ a b c Gompertz, Will (October 17, 2011). "Van Gogh did not kill himself, authors claim". BBC News. http://www.bbc.co.uk/news/entertainment-arts-15328583. Retrieved October 17, 2011.
- ^ Associated Press (October 17, 2011). "Van Gogh museum unconvinced by new theory painter didn’t commit suicide but was shot by 2 boys". Washington Post. http://www.washingtonpost.com/entertainment/books/van-gogh-museum-unconvinced-by-new-theory-painter-didnt-commit-suicide-but-was-shot-by-2-boys/2011/10/17/gIQAuoKDrL_story.html. Retrieved October 17, 2011.
- ^ Reverend Salles, "Letter to Theo van Gogh, written 19 April 1889 in Arles", translated and edited by Robert Harrison
- ^ Theo van Gogh, "Letter to Vincent van Gogh, written 2 May 1889 in Arles", translated by Johanna van Gogh-Bonger, edited by Robert Harrison, letter number T6.
- ^ Vincent van Gogh, "Letter to Theo van Gogh, written c. 10-15 May 1889 in Saint-Rémy", translated by Johanna van Gogh-Bonger, edited by Robert Harrison, letter number 591. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "Letter to Theo van Gogh, written c. 15 March 1890 in Saint-Rémy", translated by Johanna van Gogh-Bonger, edited by Robert Harrison, letter number 628. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "letter to Theo van Gogh, written 4 May 1890 in Saint-Rémy", translated by Johanna van Gogh-Bonger, edited by Robert Harrison, letter number 631.
- ^ Vincent van Gogh, "Letter to Theo van Gogh, written 21 May 1890 in Auvers-sur-Oise", translated by Johanna van Gogh-Bonger, edited by Robert Harrison, letter number 636. Retrieved 24 July 2011.
- ^ Vincent van Gogh, Letter to his parents, written 25 May 1890 in Auvers-sur-Oise", translated and edited by Robert Harrison, letter number 639. Retrieved 24 July 2011.
- ^ Vincent van Gogh. "Letter to Wilhelmina van Gogh, written 5 June 1890 in Auvers-sur-Oise", translated and edited by Robert Harrison, letter number W22. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "Letter to Theo van Gogh, written c. 10 June 1890 in Auvers-sur-Oise", translated by Johanna van Gogh-Bonger, edited by Robert Harrison, letter number 640. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "Letter to Mr. and Mrs. Ginoux, written c. 12 June 1890 in Auvers-sur-Oise", translated by Johanna van Gogh-Bonger, edited by Robert Harrison. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "Letter to Paul Gauguin, written c. 17 June 1890 in Auvers-sur-Oise", translated and edited by Robert Harrison, letter number 643.
- ^ Vincent van Gogh, "Letter to Theo van Gogh, written 2 July 1890 in Auvers-sur-Oise", translated and edited by Robert Harrison, letter number 646. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "Letter to Theo van Gogh, written 10 July 1890 in Auvers-sur-Oise", translated and edited by Robert Harrison, letter number 648. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "Letter to Theo van Gogh, written c. 10 July 1890 in Auvers-sur-Oise", translated by Johanna van Gogh-Bonger, edited by Robert Harrison, letter number 649. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "Letter to his parents, written c. 10-14 July 1890 in Auvers-sur-Oise", translated and edited by Robert Harrison, letter number 650. Retrieved 24 July 2011.
- ^ Theo van Gogh, "Letter to Vincent van Gogh, written 22 July 1890", translated and edited by Robert Harrison. Retrieved 24 July 2011.
- ^ Vincent van Gogh, "Letter to Theo van Gogh, written 23 July 1890 in Auvers-sur-Oise". Translated and edited by Robert Harrison, letter number 651. Retrieved 24 July 2011.
- ^ a b c "Vincent van Gogh & Auvers-sur-Oise", www.tfsimon.com. Retrieved 26 July 2011.
- ^ Theo van Gogh, "Letter to Elisabeth van Gogh, written 5 August 1890 in Paris". Translated and edited by Robert Harrison. Retrieved 24 July 2011.
- ^ a b "Emile Bernard, "Letter to Albert Aurier, Written 2 August 1890 in Paris". Translated and edited by Robert Harrison. Retrieved 25 July 2011.
- ^ a b New book, '60 Minutes' question if Van Gogh really killed himself, Los Angeles Times, 13 October 2011
- ^ New revelations on Vincent van Gogh's death, CBSNews.com, 13 October 2011
- ^ Gompert, Will (October 17, 2011). "Van Gogh death claim unconvincing". BBC News. http://www.bbc.co.uk/news/entertainment-arts-15333801. Retrieved October 17, 2011.
- Jan Hulsker, Vincent and Theo van Gogh: a dual biography, Fuller Publications, 1990, ISBN 0940537052.
- Steven Naifeh and Gregory White Smith: Van Gogh: the Life, Random House, 2011, 976 pages. ISBN 978-0-375-50748-9
- Ronald Pickvance: Van Gogh In Saint-Rémy and Auvers (exibition catalog Metropolitan Museum of Art), New York: Abrams, 1986. ISBN 0-87099-477-8
- Wouter Van Der Veen, Axel Ruger: Van Gogh in Auvers: His Last Days, Monacelli Press, 2010, 304 pages. ISBN 1580933017.
- Bogomila Welsh-Ovcharov: Van Gogh in Provence and Auvers, Universe, 2008, 320 pages. ISBN 0789399814
- "Vincent van Gogh & Auvers-sur-Oise" with an account of Van Gogh's last weeks, his paintings from Auvers, and the relevant correspondence.
Vincent van Gogh General Family Friends Groups of worksSelf-portraits · Portraits · Early works · Lost early works · Sien · Peasant Character Studies · Cottages · Van Gogh's family in his art · Montmartre · Le Moulin de la Galette · Asnières · Seine · Wheat Fields · Flowering Orchards · Almond Blossoms · Langlois Bridge at Arles · Paintings of Children · The Décoration for the Yellow House · The Roulin Family · Hospital in Arles · Butterflies · Saint-Paul Asylum, Saint-Rémy · The Enclosed Wheat Field at Saint-Rémy · Copies by Vincent van Gogh · Olive Trees · Display at Les XX, 1890 · Auvers size 30 canvases · Auvers Double-squares and Squares · Japonaiserie · Sunflowers · Still life paintings by Vincent van Gogh (Netherlands) · Still life paintings by Vincent van Gogh (Paris) PaintingsThe Potato Eaters · Sunflowers · The Night Café · Poppy Flowers · The Yellow House · Cafe Terrace at Night · Starry Night Over the Rhone · The Bedroom · L'Arlésienne · The Red Vineyard · Les Arènes · View of Arles, Flowering Orchards · Arles: View from the Wheat Fields · Portrait of the Artist's Mother · Ivy · Farmhouse in Provence · The Starry Night · At Eternity's Gate · Irises · Portrait of Dr. Gachet · Doctor Gachet's Garden in Auvers · The Church at Auvers · Wheatfield with Crows · View of Paris from Vincent's Room in the Rue Lepic · Daubigny's Garden · Agostina Segatori Sitting in the Café du Tambourin · Portrait of Père Tanguy · Thatched Cottages by a Hill · White House at Night · Poppy Flowers · A Lane near Arles (Landscape with Edge of a Road) · Blossoming Chestnut Branches · A Meadow in the Mountains: Le Mas de Saint-Paul Other works Public collections Portrayals Wikimedia
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