Do Re Mi (musical)

Do Re Mi (musical)
For the song from the musical The Sound of Music, see Do-Re-Mi. For other uses, see Do Re Mi (disambiguation).
Do Re Mi
Do re silvers.JPG
Original Broadway Cast Recording
Music Jule Styne
Lyrics Betty Comden
Adolph Green
Book Garson Kanin
Productions 1960 Broadway
1961 West End
1999 Broadway concert

Do Re Mi is a musical with music by Jule Styne, lyrics by Betty Comden and Adolph Green, and a book by Garson Kanin, who also directed the original 1960 Broadway production. The plot centers on a minor-league con man who decides to go (somewhat) straight by going into the business of juke boxes and music promotion. The musical introduced the popular songs "Cry Like the Wind" and "Make Someone Happy".



Hubie Cram is "a loser endlessly scheming to win big." His long-suffering patient wife Kay urges him to "Take a Job," while he plots. He finds three pals, Fatso O'Rear, Brains Berman and Skin Demopoulos, and they scheme to enter the juke-box business ("It's Legitimate"). Soon they have 300 juke-boxes, which they plan on selling to John Henry Wheeler, a record producer. Hubie discovers a naive singer, Tilda Mullen, and they plan their future ("Ambition"). At a fancy nightclub Hubie explains, and demonstrates, gangster's behavior that he learned from watching the Late Late Show. Kay compares her abandoned comfortable existence with the insecurity of life with Hubie ("Adventure"). Tilda and Wheeler fall in love ("Make Someone Happy"). In the end Hubie realizes that he has nothing except a wonderful marriage.

Design elements

The musical was notable for its elaborate scenic design by Boris Aronson, who conceived the set as an enormous pop art jukebox and used extremely novel forms like collage in his design. The curtain of juke boxes "evoked a cathedral's stained glass effect."[1] In a scene in a night club, the tables had drawn figures instead of actors, and the actors would talk with these drawings.[2] And in the "Fireworks" number, black light is used to reveal shooting stars and roman candles as Tilda and John's love affair explodes in song.


Act I
  • "Waiting, Waiting" – Kay Cram
  • "All You Need Is a Quarter" – The Swingers
  • "Take a Job" – Hubie and Kay Cram
  • "It's Legitimate" – Hubie, Fatso O'Rear, Brains Berman, Skin Demopoulos and the Loaders
  • "I Know About Love" – John Henry Wheeler
  • "The Auditions" – Marsha, Lou and Gretchen
  • "Cry Like the Wind" – Tilda Mullen
  • "Ambition" – Hubie and Tilda Mullen
  • "Success" – The Tilda Mullen Fans, Tilda Mullen, Hubie, Fatso O'Rear, Brains Berman and Skin Demopoulos
  • "Fireworks" – Tilda Mullen and John Henry Wheeler
  • "What's New at the Zoo" – Tilda Mullen and Animal Girls
  • "Asking for You" – John Henry Wheeler
  • "The Late, Late Show" – Hubie
Act II
  • "Adventure" – Hubie and Kay Cram
  • "Make Someone Happy" – John Henry Wheeler and Tilda Mullen
  • "Don't Be Ashamed of a Teardrop" – Hubie, Fatso O'Rear, Brains Berman and Skin Demopoulos
  • "V.I.P." – The Public and Hubie
  • "All of My Life" – Hubie
  • Finale – Hubie, Kay Cram and Company

Original Broadway cast


The show opened on Broadway at the St. James Theatre on December 26, 1960, transferred to the 54th Street Theatre on December 25, 1961 and closed on January 13, 1962 for a total of 400 performances. Scenic design was by Boris Aronson, costume design by Irene Sharaff with assistance from Florence Klotz, and choreography was by Marc Breaux and Dee Dee Wood.

The London West End production opened at the Prince of Wales Theatre on October 12, 1961 and ran for 169 performances.[3] It starred Max Bygraves, Maggie Fitzgibbon, Steve Arlen and Jan Waters.

Encores! at New York's City Center presented a concert version in 1999, starring Nathan Lane, Brian Stokes Mitchell, Heather Headley and Randy Graff.[4]

The 42nd Street Moon theatre company, San Francisco, California production ran in August 2001.[5]


The Original Broadway cast recording was released in January 1961 by RCA. The 1999 Encores! cast recording was released on September 21, 1999 by DRG.[6]


The New York Times called the musical "fast, loud and occasionally funny." It noted that "a team of expensive talent has turned out some lively songs, set them in motion in feverishly paced production numbers and has managed to overcome, at least part of the time, the cheapness of a machine-made book." It commented that Phil Silvers was cast against type, here playing "the fall guy, the poor sap who ends as the victim.... Betty Comden and Adolph Green have written sprightly lyrics, and Jule Styne has contributed some attractive as well as some ear-shattering tunes. The loveliest is "Cry Like the Wind" which has the keening quality of a folk song of lamentation."[7]

According to Stanley Green, the musical had "an average score that is worth the price just to hear Miss Walker describe her life of 'Adventure'".[8] Ethan Mordden wrote that the song "Adventure" is "one of the grandest comedy songs ever.... Here we learn that she, at least, already knows that it's a wonderful marriage, because it's never boring ... then came a Mad Scene - a bolero complete with trumpets pealing out like the band in the Plaza del Toro on corrida day and woodwinds tripping up the scale with the flash of a hundred capes."[9]

In reviewing the 1999 "Encores!" production for The New York Times, Ben Brantley wrote that, despite its famous creators, "the show still has the incomplete feeling of a work that never quite meets its own aspirations...A tale of buffoonish gangsters trying to muscle in on the music industry." He further suggested that the show was like a "shotgun marriage" of Bye Bye Birdie and Guys and Dolls with parts of the television sit-com The Honeymooners.[4]

Make Someone Happy

The song "Make Someone Happy" has been recorded by:

Awards and nominations


  1. ^ "Boris Aronson", accessed September 3, 2009
  2. ^ Mordden, p. 19
  3. ^ London shows chronology, 1961, accessed September 3, 2009
  4. ^ a b Brantley, Ben."A Singing Nathan Lane Adds Ham to the Fizz",The New York Times, May 8, 1999
  5. ^ Connema, Richard."'Do Re Mi'",, accessed September 2, 2009
  6. ^ 'Do Re Mi' 1999 album listing, accessed September 3, 2009
  7. ^ Taubman, Howard. "The Theatre: Do Re Mi, a Musical Fast and Loud", The New York Times, December 27, 1960, p. 23
  8. ^ Green, Stanley (1984). The World of Musical Comedy, Da Capo Press. ISBN 0-306-80207-4, p. 445
  9. ^ Mordden, p. 18
  10. ^
  • Mordden, Ethan (2002). Open a New Window: The Broadway Musical in the 1960s. pp. 18-20, ISBN 1-4039-6013-5

External links

Wikimedia Foundation. 2010.

Look at other dictionaries:

  • musical — musical, ale, aux [ myzikal, o ] adj. • 1380; de musique 1 ♦ Qui est propre, appartient à la musique. Son musical. Notation musicale. « Swann tenait les motifs musicaux pour de véritables idées » (Proust). ♢ Où il y a de la musique; qui concerne… …   Encyclopédie Universelle

  • Musical historicism — signifies the use of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period. Musical historicism is evident to a… …   Wikipedia

  • Musical improvisation — (also known as Musical Extemporization) is the creative activity of immediate ( in the moment ) musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other… …   Wikipedia

  • Musical Dome — Köln 2010 Der Musical Dome ist eine ursprünglich provisorisch errichtete Spielstätte für Musicals in der Kölner Innenstadt. Inhaltsverzeichnis …   Deutsch Wikipedia

  • Musical Sources — is a series of recordings of traditional music that was made for the International Music Council by the International Institute for Comparative Music Studies and Documentation (Berlin/Venice) and released on the Philips label. Most of these… …   Wikipedia

  • Musical — is the adjective form of music. It may also refer to: MusicAL: Albanian Television channel which broadcasts Albanian folk music Musical artist Musical composer Musical composition, an original piece of music, the structure of a musical piece, or… …   Wikipedia

  • Musical acoustics — or music acoustics is the branch of acoustics concerned with researching and describing the physics of music – how sounds employed as music work. Examples of areas of study are the function of musical instruments, the human voice (the physics of… …   Wikipedia

  • Musical-Theater Bremen — Das Musical Theater Bremen ist eine Großspielstätte von überregionaler Bedeutung in Bremen. Inhaltsverzeichnis 1 Saal 2 Geschichte …   Deutsch Wikipedia

  • Musical Atlas — is a series of recordings of traditional music that was made for the International Music Council by the International Institute for Comparative Music Studies and Documentation (Berlin/Venice) and released on the EMI/Odeon label. The series was… …   Wikipedia

  • Musical Futures — is a new way of thinking about music making in schools. It brings non formal teaching and informal learning approaches into the more formal context of school. It supports active music making, drawing on the existing passions young people have for …   Wikipedia

  • Musical Instrument Museum — or Museum of Musical Instruments may refer to: Accademia Nazionale di Santa Cecilia Musical Instruments Museum, Rome, Italy Bate Collection of Musical Instruments, Oxford, United Kingdom Berlin Musical Instrument Museum, Germany Galleria… …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”

We are using cookies for the best presentation of our site. Continuing to use this site, you agree with this.