- The Grapes of Wrath (film)
name = The Grapes of Wrath
caption = Theatrical poster
Darryl F. Zanuck
writer = Screenplay:
Henry Fonda Jane Darwell John Carradine Shirley Mills John Qualen Eddie Quillan
editing = Robert Simpson
20th Century Fox
January 24, 1940
New York City)
runtime = 128 minutes
language = English
budget = $750,000
amg_id = 1:20514
imdb_id = 0032551|
"The Grapes of Wrath" (1940) is a American
drama filmdirected by John Ford. It was based on the Pulitzer Prizewinning " The Grapes of Wrath" (1939), written by John Steinbeck. The screenplay was penned by Nunnally Johnsonand the executive producer was Darryl F. Zanuck. [imdb title|id=0032551|title=The Grapes of Wrath.]
The film tells the story of the Joads, an
Oklahomafamily, who, after losing their farm during the Great Depressionin the 1930s, become migrant workersand end up in California. The motion picture details their arduous journey across the United States as they travel to California in search for work and opportunities for the family members.
In 1989, this film was one of the first 25 films to be selected for preservation in the United States
National Film Registryby the Library of Congressas being "culturally, historically, or aesthetically significant".
The film opens with Tom Joad (
Henry Fonda) being released from prisonand hitchhikinghis way back to his family farm in Oklahomaonly to find it deserted.
Tom finds an itinerant ex-
preachernamed Jim Casy ( John Carradine) sitting under a tree by the side of the road. Tom remembers that Casy was the preacher who baptized him, but now Casy has "lost the call" and his faith. Casy leads him to find his family at Uncle John's place. His family is happy to see Tom and explain they have made plans to head for Californiain search of employment as their farm has been foreclosed by the bank.
The large Joad family of twelve leaves at daybreak, packing everything into an old and dilapidated modified
truckin order to make the long journey to the promised land of California.
The trip along Highway 66 is arduous and it soon takes a toll on the Joad family. Weak and elderly Grampa is the first to die on their journey. After he dies, they pull over to the shoulder of the road, unload him, and bury him. Tom writes the circumstances surrounding the death on a page from the
Family Bibleand places it on the body so that if his remains were ever found his death would not be investigated as a possible homicide.
They park in a camp and they meet a man, a returning migrant from California, who laughs at Pa's optimism about conditions in California and who speaks bitterly about his awful experiences in the West. He hints at what the Joads will soon find out for themselves.
The family arrives at the first transient migrant campground for workers and find the camp is crowded with other starving, jobless and desperate travelers. Their truck slowly makes its way through the dirt road between the shanty houses and around the camp's hungry-faced inhabitants. Tom says, "Sure don't look none too prosperous."
After some trouble with a "so-called" agitator, the Joads leave the camp in a hurry.
The Joads make way to another migrant camp named the Keene Ranch. After doing some work in the fields they discover about the high food prices in the company store for meat and other products. The problem is that the store is the only one in the area, by a long shot. Later they find there is a striking group of migrants in the camp and Tom wants to find out all about it. Tom goes to a secret meeting in the dark woods.
The meeting is discovered and Casy is killed by one of the guards. Tom defends Casy from the vicious attack and inadvertently kills the attacking guard when he retaliates.
During the altercation, Tom suffers a serious face wound on his cheek and the camp guards realize it won't be difficult to identify him.
That evening the family hides Tom under the mattresses of the truck just as guards arrive to question them and search for the killer of the guard. Tom avoids being spotted and the family successfully leaves the Keene Ranch without further incident.
At the top of a hill, the car runs out of gas, and they're able to coast into a third type of camp: Wheat Patch, a clean camp run by the
United States Department of Agriculture.
After Tom becomes personally idealized by what he has witnessed in the various camps, he describes how he plans to carry on Casy's mission in the world by fighting for social reform. Tom goes off to seek a new world, and he must leave his family to join the movement committed to
Tom Joad says:
I'll be all around in the dark. I'll be everywhere. Wherever you can look, wherever there's a fight, so hungry people can eat, I'll be there. Wherever there's a cop beatin' up a guy, I'll be there. I'll be in the way guys yell when they're mad. I'll be in the way kids laugh when they're hungry and they know supper's ready, and when people are eatin' the stuff they raise and livin' in the houses they build, I'll be there, too.
As the family move on again, they discuss they fear and difficulties they have had, but recognise that they have come out the other side. Ma Joad concludes the film, saying:
I ain't never gonna be scared no more. I was though. For a while it looked like we was beat. Good and beat. Looked like we didn't have nobody in the world but enemies. Like nobody was friendly no more. Made me feel kinda bad and scared too, like we was lost and nobody cared.... Rich fellas come up and they die, and their kids ain't no good and they die out too, but we keep on coming. We're the people that live. They can't wipe us out, they can't lick us. We'll go on forever Pa, cos we're the people.
Henry Fondaas Tom Joad
Jane Darwellas Ma Joad
John Carradineas Casy, former preacher
Charley Grapewinas Grandpa Joad
Dorris Bowdonas Rosasharn Rivers
* Russell Simpson as Pa Joad
O.Z. Whiteheadas Al Joad
John Qualenas Muley Graves
Eddie Quillanas Connie Rivers
Zeffie Tilburyas Grandma Joad
* Frank Sully as Noah Joad
* Frank Darien as Uncle John Joad
Darryl Hickmanas Winfield Joad
Shirley Millsas Ruthie Joad
* Roger Imhof as Mr. Thomas, ditch employer
* Grant Mitchell as Manager, government camp
Charles D. Brownas Wilkie, boy lookout at dance
* John Arledge as Davis, bulldozer driver
Ward Bondas Friendly Policeman, Bakersfield
The first part of the film version follows the book fairly accurately.
However, the second half and the ending in particular are significantly different from the book. While the book's ending tells of the downfall and ultimate break-up of the Joad family, the film switches the entire order of sequences so that the family ends up in a "good" camp provided by the government and events turn out relatively well. Also, the novel's original ending was far too controversial to be included in the film. In the novel Rose-of-Sharon ("Rosasharn") Rivers (
Dorris Bowdon) gives birth to a stillborn baby and then offers her milk-filled breasts to a starving man, dying in a barn. That scene was not included in the film. Moreover, while the film is somewhat stark it has a more optimistic and hopeful view than the novel, especially when the Joads land at the Department of Agriculture camp--the clean camp. Also, the producers tone down Steinbeck's political references in the novel like the elimination of a monologue using a land owner's description of "reds" as anybody "that wants thirty cents an hour when we're payin' twenty-five" to show that under the prevalent conditions that definition applies to every migrant workerlooking for better wages. And there is also a greater emphasis on Ma Joad's pragmatic, forward-looking way of dealing with their situation despite Tom's departure and concluding in her spiritual closing "We're the people" speech. [Steinbeck, John. "The Grapes of Wrath," 1939. Penguin Classics; Reissue edition October 1, 1992.] Vivian Sobchackargued that the film uses visual imagery to focus on the Joads as a family unit, whereas the novel focuses on their journey as a part of the "family of man". She points out that their farm is never shown in detail, and that the family members are never shown working in agriculture; not a single peach is shown in the entire film. This subtly serves to focus the film on the specific family, as opposed to the novel's focus on man and land together. [cite journal|title=The Grapes of Wrath (1940): Thematic Emphasis Through Visual Style|author=Sobchack, Vivian C.|journal= American Quarterly|volume=31|issue=5|year=1979|pages=596-615]
According to critic
Roger Ebert, both executive producer Darryl F. Zanuckand director John Ford were odd choices to make this film because both were considered politically conservative. [Ebert, Roger. "Chicago Sun-Times," ibid.] Zanuck was nervous about the hard left political views of the novel, especially the ending. Due to the red-baitingcommon to the era, Daryl Zanuck sent private investigators to Oklahomato help him legitimize the film. When Zanuck's investigators found that the " Okies'" predicament was indeed terrible, Zanuck was confident he could defend political attacks that the film was somehow pro-Communist. [ [http://www.emanuellevy.com/article.php?articleID=2584 Levy, Emanuel] . Film review. Last accessed: February 26, 2008.] Ebert believes that World War 2also helped sell the film's message, as Communism enjoyed a brief respite from American demonizing during that period. [ [http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F20020331%2FREVIEWS08%2F203310301%2F1023&AID1=&AID2=%2F20020331%2FREVIEWS08%2F203310301%2F1023 Ebert, Roger] . " Chicago Sun-Times," film review, March 21, 2002. Last accessed: January 14, 2007.]
Production on the film began on
October 4, 1939, and was completed on November 16, 1939.
Some of the filming locations include: McAlester, Sayre both in
Oklahoma; Gallup, Laguna Pueblo, and Santa Rosa, all in New Mexico; Lamont, Needles, San Fernando Valley, all in California; Topock, Petrified Forest National Park, all in Arizona. [Filming locations. imdb title|id=0032551|title=The Grapes of Wrath.]
The film score by
Alfred Newmanis based on the song "Red River Valley." Additionally, the song "Goin' Down The Road Feelin' Bad" is sung in a nightime scene at a labor camp.
When released, the film was well received by the film critics, but it did have its detractors especially due to the leftist political overtones of the film.
Film critic Frank S. Nugent, writing for "
The New York Times," liked the film's screenplay, the direction of the film and the acting. He wrote, "In the vast library where the celluloid literature of the screen is stored there is one small, uncrowded shelf devoted to the cinema's masterworks, to those films which by dignity of theme and excellence of treatment seem to be of enduring artistry, seem destined to be recalled not merely at the end of their particular year but whenever great motion pictures are mentioned. To that shelf of screen classics Twentieth Century-Fox yesterday added its version of John Steinbeck's "The Grapes of Wrath," adapted by Nunnally Johnson, directed by John Ford and performed at the Rivoli by a cast of such uniform excellence and suitability that we should be doing its other members an injustice by saying it was 'headed' by Henry Fonda, Jane Darwell, John Carradine and Russell Simpson." [ [http://movies2.nytimes.com/mem/movies/review.html?_r=1&title1=Grapes%20of%20Wrath%2c%20The&title2=&reviewer=FRANK%20S%2e%20NUGENT&pdate=19400125&v_id=20514&oref=slogin Nuggent, Frank S] . "The New York Times", film review, "Twentieth Century-Fox Shows a Flawless Film Edition of John Steinbeck's 'The Grapes of Wrath,' With Henry Fonda and Jane Darwell, at the Rivoli," January 25, 1940. Last accessed: February 26, 2008.]
Bosley Crowther, called the dean of American film critics, retired in 1967, he named "The Grapes of Wrath" one of the best fifty films ever made. (N.B.: 40% of the works Crowther named were not American-made, so he was placing this work in a large context.) [ [http://faculty.necc.mass.edu/lkraus/courses/artofthemovies/50bestfilms.htm Crowther, Bosley] . "The New York Times" Crowther article, archived at Northern Essex Community College.]
In a film review written for "Time" magazine by its editor
Whittaker Chambers, an outspoken opponent of communism, he separated his views of Steinbeck's novel from Ford's film, which he liked. Chambers wrote, "But people who go to pictures for the sake of seeing pictures will see a great one. For "The Grapes of Wrath" is possibly the best picture ever made from a so-so book...Camera craft purged the picture of the editorial rash that blotched the Steinbeck book. Cleared of excrescences, the residue is a great human story which made thousands of people, who damned the novel's phony conclusions, read it. It is the saga of an authentic U.S. farming family who lose their land. They wander, they suffer, but they endure. They are never quite defeated, and their survival is itself a triumph." [Chambers, Whittaker. "Time", film review, February 1940.]
Today the film has become an American classic and continues to be screened in many college campuses and union halls across the country. When the film was shown at a
SEIUunion hall in Baltimorefilm critic Bret McCabe penned a review. He especially liked the look of the film and wrote, "The Grapes of Wrath" is riddled with such effectively mannered performances—particularly John Carradine's ex-preacher Casy and Eddie Quillan's driven-mad-by-desperation Connie. But the real star here is cinematographer Gregg Toland's "vérité" camerawork." [ [http://www.citypaper.com/film/review.asp?rid=8039 McCabe, Bret] . " Baltimore City Paper," film review, October 27, 2004.]
However, some analysts believe the "myth of the Okies," helped created by John Steinbeck's novel, is a mistake. As such, they argue the film's story rings false. Keith Windschuttle, writing for "The New Criterion", wrote, "In the film of "The Grapes of Wrath", Steinbeck's statement that people owned their land not because they had a piece of paper but because they had been born on it, worked on it, and died on it is given to the half-crazy character Muley Graves. His sentiments, and the injustice of the dispossession behind them, resonate throughout the drama. Again, however, these remarks bear very little relationship to the real farmers of Oklahoma." [ [http://www.newcriterion.com/archive/20/jun02/steinbeck.htm Windschuttle, Keith] . "The New Criterion", Vol. 20, No. 10, June 2002.]
The review aggregator
Rotten Tomatoesreported that 100% of critics gave the film a positive review, based on thirty-two reviews. [ [http://www.rottentomatoes.com/m/grapes_of_wrath/ "Grapes of Wrath"] at Rotten Tomatoes. Last accessed: June 12 2008.]
American Film Institute recognition
AFI's 100 Years... 100 Movies- #21
AFI's 100 Years... 100 Heroes and Villains:
**Tom Joad - Hero #12
AFI's 100 Years... 100 Cheers- #7
AFI's 100 Years... 100 Movies (10th Anniversary Edition)- #23
The film premiered in
New York Cityon January 24, 1940, and Los Angeles on January 27, 1940. The wide release date in the USA was March 15, 1940.
Australia: October 31, 1940
United States: December 1, 1947(Re-release)
Video and DVD
A video of the film was released in 1988 by
Key Video(then a division of CBS/Fox).
Later it was released in video format on
March 3, 1998by 20th Century Fox on its Studio Classic series.
DVDwas released on April 6, 2004by 20th Century Fox Entertainment. The DVD contains a special commentary track by scholars Joseph McBride and Susan Shillinglaw. It also includes various supplements: an A&E Networkbiography of Daryl F. Zanuck, outtakes, a gallery, Franklin D. Rooseveltlauds motion pictures at Academy featurette, Movietone news: three drought reports from 1934, etc.
Academy Awardswins (1941)
* Best Supporting Actress, Jane Darwell.
Academy Award for Directing, John Ford.
Academy Awards nominations (1941)
* Best Actor in a Leading Role, Henry Fonda
* Best Film Editing, Robert L. Simpson.
* Best Picture, Darryl F. Zanuck and Nunnally Johnson.
* Best Sound Recording, Edmund H. Hansen.
* Best Writing Adapted Screenplay, Nunnally Johnson.
National Board of Review of Motion Pictures: NBR Award; Best Picture- 1940.
New York Film Critics: NYFCC Award; Best Director, John Ford; Best Film- 1940.
Blue Ribbon Awards, Japan: Blue Ribbon Award Best Foreign Language Film, John Ford- 1963.
National Film Registry—1989.
* The film ranks at #21 on 100 Years...100 Movies, #23 on 100 Years...100 Movies (10th Anniversary), and #7 on 100 Years...100 Cheers.
*Gasoline Attendant: You and me got sense. Them Okies got no sense and no feeling. They ain't human. Human being wouldn't live the way they do. Human being couldn't stand to be so miserable.
*Pa: You're the one that keeps us goin', Ma. I ain't no good no more, and I know it. Seems like I spend all my time these days thinkin' how it used to be. Thinkin' of home. I ain't never gonna see it no more.
Ma: Well, Pa. A woman can change better'n a man. A man lives, sorta, well, in jerks. Baby's born and somebody dies, and that's a jerk. He gets a farm or loses it, and that's a jerk. With a woman, it's all in one flow like a stream. Little eddies and waterfalls, but the river it goes right on. A woman looks at it that way.
Pa: Well, maybe, but we sure taken a beatin'.
*Ma Joad: Rich fellas come up an' they die, an' their kids ain't no good an' they die out. But we keep a'comin'. We're the people that live. They can't wipe us out; they can't lick us. We'll go on forever, Pa, 'cause we're the people.
* [http://www.filmsite.org/grap.html "The Grapes of Wrath"] at "Film Site" by Tim Dirks
* [http://film.virtual-history.com/film.php?filmid=915 "The Grapes of Wrath"] literature
* [http://www.archive.org/details/jmil_TheGrapesofWrath "The Grapes of Wrath"] at
Internet Archive(full movie)
Wikimedia Foundation. 2010.