- Horatio McCulloch
Horatio McCulloch (R.S.A.), sometimes written M'Culloch, (born 1806 in
Glasgow ,Scotland ; died 1867 inEdinburgh ,Scotland ) was a Scottishlandscape painter .Life
Horatio McCulloch was trained in the studio of the
Glasgow landscape painter John Knox (1778–1845) for about one year and at first earned his living as a decorative painter. He was then engaged atCumnock , painting the ornamental lids of snuffboxes, and afterwards employed inEdinburgh by Lizars, the engraver, to color the illustrations in Selby's "British Birds" and similar works.After he moved to
Edinburgh in 1825, he began painting in the tradition ofAlexander Nasmyth . Working unweariedly from nature, he was greatly influenced in his early practice by the watercolours of H. V. Williams. He returned toGlasgow in 1827,and was employed on several large pictures for the decoration of a public hail in St. George's Place, and he did a little as a theatrical scene-painter. About this time by the writings of SirWalter Scott and the expressive landscape works of John Thompson, friend of Scott's and minister atDuddingston Kirk ,Edinburgh . Gradually MacCulloch asserted his individuality, and formed his own style on a close study of nature; his works form an interesting link between the old world of Scottish landscape and the new. In 1829 MacCulloch first figured in the Royal Scottish Academy's exhibition. (He was a regular exhibitor year by year afterwards.)By the early 1830s McCulloch’s exhibits with theGlasgow Dilettanti Society and with theRoyal Scottish Academy had begun to attract buyers, notably the newly instituted Association for the Promotion of the Fine Arts in Scotland. A commission from Lord Provost James Lumsden helped established the artist's reputation within Scotland. Commissions from book and print publishers allowed him to concentrate on easel painting.On his election as full Academician of the Scottish Academy in 1838, McCulloch settled in
Edinburgh and soon became a prominent figure in the artistic life of the capital and a prolific contributor to theRoyal Scottish Academy exhibitions. At the same time contact withGlasgow was maintained: McCulloch’s favorite sketching grounds were in the west, he exhibited regularly in the city and his most loyal patrons were wealthyGlasgow industrialists such as David Hutcheson (1799–1881), the steamship owner. He seldom exhibited outside Scotland and only once at theRoyal Academy ,London (1843), but he kept in touch with London artist–friends,John Phillip , David Roberts and John Wilson (1774–1855), through correspondence and visits. His own art collection was evidence of his admiration for 17th-century Dutch painters, forJ. M. W. Turner and Richard Wilson and for contemporaries such asClarkson Stanfield .McCulloch died on
June 24 in 1867. He is buried atWarriston Cemetery inEdinburgh .Works
During his lifetime Horatio McCulloch became the best-known and most successful landscape painter in Scotland. His constant aim was to paint "the silence of the Highland wilderness where the wild deer roam" with the kind of poetic truthfulness he admired in Wordsworth. The accomplished watercolours and broadly painted oil sketches that he produced throughout his career attracted little notice at the time and have remained comparatively unknown.
His early works include paintings of
Cadzow Forest near Hamilton and grand views of the Clyde. He undertook regular summer sketching tours of the West Highlands, completing the sketches as paintings as back in his studio. These paintings celebrate the romantic scenery of theScottish Highlands and evoke a magnificent sense of scale, emphasizing the dramatic grandeur. Horatio McCulloch had by his death in 1867 created the essential iconography of the Highlands.From historical point of view, as the Scottish Lowlands became more urbanised, the distinctiveness of Scotland came to be represented through the Highlands. McCulloch's work was part of a process of distancing the relationship of people to land in the Highlands. In the Victorian period the Highlands to be defined as a wilderness instead of a populated space and many communities were cleared from the land in favor of large sheep farms and sporting interests. In essence, this romantic view of Scottish scenery was brought to a climax by Horatio McCulloch.
Several works by McCulloch were engraved by William Miller and William Forrest, and volume of photographs from his landscapes, with an excellent biographical notice of the artist by Alexander Fraser, R.S.A., was published in
Edinburgh in 1872.His best known works include:* " [http://www.nationalgalleries.org/index.php/collection/online_az/4:322/results/0/5102/ Inverlochy Castle] " (1857)
* " [http://www.ltscotland.org.uk/nq/resources/RSAscottishart/imagedetails/landscapeevening.asp Landscape Evening] " (c1960)
* "Glencoe, Argyllshire" (1864)
* "Loch Katrine" (1866)References
*1911
*Sheena Smith (1988). "Horatio McCulloch 1805-1867". Glasgow Museums and Art Galleries. ISBN 0-902-75235-9
*Murdo MacDonald (2000). "Scottish Art". Thames & Hudson, New York, NY, pp 104-106. ISBN 0-500-20333-4
*Alexander Fraser (1872). "The Life and Works of Horatio McCulloch".
*John Morrison (2003). "Painting the Nation: Identity and Nationalism in Scottish Painting, 1800-1920". Edinburgh University Press. ISBN 0-748-61602-0
*David Irwin, Francina Irwin (1975). "Scottish Painters: at Home and Abroad 1700-1900". Faber and Faber, London, pp 353-357 ISBN 0-571-08822-8External links
* [http://www.theglasgowstory.com/searchq.php?periods=&qsearch=John+Knox&iore=1 Photo of Horatio MacCulloch]
* [http://www.nationalgalleries.org/collection/online_az/4:322/?initial=M&artistId=3152&artistName=Horatio%20McCulloch&submit=1 Haratio Mcculloch's works in National Galleries of Scotland]
* [http://www.tate.org.uk/britain/exhibitions/apictureofbritain/highlands_glens.shtm Exhibition at Tate, Highlands and Glens "Land of the Mountain and the Flood" ]
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