The Last Messiah


The Last Messiah

Den sidste Messias (English: The Last Messiah), published in 1933, is one of Peter Wessel Zapffe's most significant essays as well as concepts, which sums up his own thoughts from his book, On the Tragic, and, as a theory describes a reinterpretation of Friedrich Nietzsche's Übermensch. Zapffe believed that existential angst in humanity was the result of an overly evolved intellect, and that people overcome this by "artificially limiting the content of consciousness."[1]

Contents

The Human Condition

Zapffe views the human condition as tragically overdeveloped, calling it "a biological paradox, an abomination, an absurdity, an exaggeration of disastrous nature."[1] Zapffe viewed the world as beyond humanity's need for meaning, unable to provide any of the answers to the fundamental existential questions.

The tragedy of a species becoming unfit for life by over-evolving one ability is not confined to humankind. Thus it is thought, for instance, that certain deer in paleontological times succumbed as they acquired overly-heavy horns. The mutations must be considered blind, they work, are thrown forth, without any contact of interest with their environment. In depressive states, the mind may be seen in the image of such an antler, in all its fantastic splendour pinning its bearer to the ground.

Peter Wessel Zapffe, The Last Messiah[1]

Throughout the essay, Zapffe alludes to Nietzsche, "the poster case, as it were, of seeing too much for sanity."[2]

After placing the source of anguish in human intellect, Zapffe then sought as to why humanity simply didn't just perish. He concluded humanity "performs, to extend a settled phrase, a more or less self-conscious repression of its damaging surplus of consciousness" and that this was "a requirement of social adaptability and of everything commonly referred to as healthy and normal living."[1] He provided four defined mechanisms of defense that allowed an individual to overcome their burden of intellect.

Remedies against panic

  • Isolation is the first method Zapffe noted, who defined it as "a fully arbitrary dismissal from consciousness of all disturbing and destructive thought and feeling" and cites "One should not think, it is just confusing" as an example.[1]
  • Anchoring, according to Zapffe, is the "fixation of points within, or construction of walls around, the liquid fray of consciousness". The anchoring mechanism provides individuals a value or an ideal that allows them to focus their attentions in a consistent manner. Zapffe compared this mechanism to Norwegian playwright Henrik Ibsen's concept of the life-lie from the play The Wild Duck, where the family has achieved a tolerable modus vivendi by ignoring the skeletons and by permitting each member to live in a dreamworld of his own. Zapffe also applied the anchoring principle to society, and stated "God, the Church, the State, morality, fate, the laws of life, the people, the future" are all examples of collective primary anchoring firmaments. He noted flaws in the principle's ability to properly address the human condition, and warned against the despair provoked resulting from discovering one's anchoring mechanism was false. Another shortcoming of anchoring is conflict between contradicting anchoring mechanisms, which Zapffe posits will bring one to destructive nihilism.[1]
  • Distraction is when "one limits attention to the critical bounds by constantly enthralling it with impressions."[1] Distraction focuses all of one's energy on a task or idea to prevent the mind from turning in on itself.
  • Sublimation is the refocusing of energy away from negative outlets, toward positive ones.

Through stylistic or artistic gifts can the very pain of living at times be converted into valuable experiences. Positive impulses engage the evil and put it to their own ends, fastening onto its pictorial, dramatic, heroic, lyric or even comic aspects.... To write a tragedy, one must to some extent free oneself from- betray- the very feeling of tragedy and regard it from an outer, e.g. aesthetic, point of view. Here is, by the way, an opportunity for the wildest round-dancing through ever higher ironic levels, into a most embarrassing circulus vitiosus. Here one can chase one's ego across numerous habitats, enjoying the capacity of the various layers of consciousness to dispel one another. The present essay is a typical attempt at sublimation. The author does not suffer, he is filling pages and is going to be published in a journal.

Peter Wessel Zapffe, The Last Messiah[1]

The last messiah

Zapffe concluded that "As long as humankind recklessly proceeds in the fateful delusion of being biologically fated for triumph, nothing essential will change." Mankind will get increasingly desperate until 'the last messiah' arrives, "the man who, as the first of all, has dared strip his soul naked and submit it alive to the outmost thought of the lineage, the very idea of doom. A man who has fathomed life and its cosmic ground, and whose pain is the Earth's collective pain."[1] Zapffe compares his messiah to Moses, but ultimately rejects the precept to “be fruitful, and multiply, and replenish the earth,” by saying “Know yourselves – be infertile, and let the earth be silent after ye.”[2]

Notes

  1. ^ a b c d e f g h i Zapffe, Peter Wessel "The Last Messiah". Philosophy Now. http://www.philosophynow.org/issue45/45zapffe.htm. Retrieved April 2, 2008. 
  2. ^ a b Tangenes, Gisle R. "The View From Mount Zapffe". Philosophy Now. http://www.philosophynow.org/issue45/45tangenes.htm. Retrieved April 2, 2008. 

Further reading

External links


Wikimedia Foundation. 2010.

Look at other dictionaries:

  • The Last Vampire — Series is a 6 book set written by Christopher Pike and chronicles the 5,000 year life of the last vampire , Sita. The Last Vampire The book opens with a brief narration. A young woman, who appears to be in her late teens named Alisa Perne, is not …   Wikipedia

  • The Last Temptation of Christ (film) — Infobox Film name = The Last Temptation of Christ caption = Theatrical release poster director = Martin Scorsese producer = Barbara De Fina writer = Screenplay: Paul Schrader Novel: Nikos Kazantzakis starring = Willem Dafoe Harvey Keitel music =… …   Wikipedia

  • The Last Man — Infobox Book | name = The Last Man image caption = Title page from an 1826 edition of volume II printed in Paris author = Mary Shelley country = England language = English genre = Science Fiction, Apocalyptic fiction publisher = Henry Colburn pub …   Wikipedia

  • Beast of the Last Days — Part of a series on Eschatology …   Wikipedia

  • The Prodigal Son (play) — The Prodigal Son Written by Peter Wessel Zapffe Date premiered 1951 (1951) Subject Jesus The Prodigal Son: a dramatic renarration (Norwegian …   Wikipedia

  • MESSIAH — MESSIAH, an anglicization of the Latin Messias, which is borrowed from the Greek Μεσσιας, an adaptation of the Aramaic meshiḥa (Aram. מְשִׁיחָא), a translation of the Hebrew (ha melekh) ha mashi aḥ (Heb. הַמָּשִׁיח (ְהַמֶּלֶך), the Anointed… …   Encyclopedia of Judaism

  • Messiah —     Messiah     † Catholic Encyclopedia ► Messiah     (Or Messias.)     The Greek form Messias is a transliteration of the Hebrew, Messiah, the anointed . The word appears only twice of the promised prince (Daniel 9:26; Psalm 2:2); yet, when a… …   Catholic encyclopedia

  • Messiah War — Cover of X Force/Cable:Messiah War TPB Dec, 2009. Featuring Cable; Deadpool; Domino. Art by Ariel Olivetti. Publisher …   Wikipedia

  • Messiah Part II — The last page of the Hallelujah chorus, ending Part II, in Handel s manuscript Messiah (HWV 56), the English language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and… …   Wikipedia

  • Messiah ben Joseph — (Hebrew: משיח בן יוסף), also alternatively known as Messiah ben Ephraim (Hebrew: משיח בן אפרים), is a Messianic figure peculiar to the rabbinical apocalyptic literature. One of the earliest known mentions of him is in (Sukkah52a, b), where three… …   Wikipedia


Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”

We are using cookies for the best presentation of our site. Continuing to use this site, you agree with this.