Arap Mosque


Arap Mosque
Arap Camii

General view of the building from the courtyard

Basic information
Location Istanbul
Affiliation Sunni Islam
Year consecrated end of 15th century
Architectural description
Architectural type Church
Architectural style Gothic
Groundbreaking 1233
Completed 1299
Specifications
Minaret(s) 1

Arap Mosque, (name in Turkish: Arap Camii), p. is a mosque in Istanbul, based upon a former Roman Catholic church devoted to Saint Paul (Italian: San Paolo) and Saint Dominic (Italian: San Domenico). Although the structure was altered during the Ottoman period, it represents the most typical example of Gothic Architecture in Constantinople still extant.

Contents

Location

The building lies in Istanbul, in the district of Beyoğlu, in the neighborhood of Karaköy (ancient Galata), p. on Galata Mahkemesi Sokak, not far from the northern shores of the Golden Horn. It is surrounded by artisan shops.

History

Byzantine period

During the sixth century a Byzantine church, possibly dedicated to Saint Irene, was built here.[1] Of this building, only part of a wall survives today.[1] The tradition which affirms that a mosque was built on this place during the Arab Siege of 717–18 by Maslamah ibn Abd al-Malik (a commander and cousin of Caliph Umar ibn AbdulAziz) must be considered a legend.[1]

In 1233, during the Latin domination after the Fourth Crusade, this church was replaced with a new one, dedicated to Saint Paul (San Paolo) and given to the Dominicans.[2] The building must have been opened to the order shortly before 1260, a date which is found on a tombstone found in the church.[3]

In 1299, the Dominican Friar Guillaume Bernard de Sévérac bought a house near the church, where he established a monastery with 12 friars.[4] In 1307, Byzantine Emperor Andronikos II Palaiologos moved the Dominicans of Constantinople to the Genoese-held suburb of Pera.[1]

The church of San Paolo was rebuilt in 1325.[5] From this time on the church was officially dedicated to San Domenico, but local voyagers continued to use the ancient denomination.[3] In 1407 Pope Gregory XII, in order to ensure the maintenance of the church, conceded indulgences to the visitors of the monastery of San Paolo.[6]

Ottoman period

View of the minaret, originally the belfry

After the Fall of Constantinople, according to the Capitulations of the Ottoman Empire with the Republic of Genoa, the church, which by that time was known by the Turks under the name of Mesa Domenico, remained in Genoese hands,[7] but between 1475 and 1478 it was transformed, with minor modifications, into a mosque by the Ottoman Sultan Mehmed II and became known as Galata Camii ("Galata Mosque") or Camikebir ("Great Mosque"). The friars were transferred in the friary of San Pietro in Galata in 1476, while all the altar clothes had already been brought to Genoa, and the archives to Caffa.[6]

Towards the end of the century Sultan Bayezid II assigned the building to the Muslims of Spain (Andalusia), p. who fled the Spanish Inquisition and migrated to Istanbul; hence the present name Arap Camii (Arab Mosque).[1][3] Sultan Mehmet III repaired the building, and towards the end of seventeenth century the houses which encroached upon the mosque were pulled down in order to avoid noise.[8]

After the 1731 Great Fire of Galata, in 1734/35 the mother of Mahmut I, Saliha Sultan[9] renovated the building, changing the windows and the portal from the Gothic to the Ottoman style.[8] After another fire in 1808, in the mid-nineteenth century, the daughter of Mahmud II, Adile Sultan, repaired the mosque again and in 1868 built a şadirvan (fountain for ritual ablutions before praying) in the courtyard.[10]

Between 1913 and 1919, Giridli Hasan Bey extensively restored the church again.[8] During the replacement of the wooden floor, several Genoese tombstones dating back to between the first half of fourteenth and up to the middle of the fifteenth centuries were discovered. They were brought to the Istanbul Archaeology Museum.[8][11]

Description

Erected according to the model of the Italian mendicant order churches of that period,[1] the church had a three-nave rectangular base, with squared-off eastern end and a square sanctuary which is covered by ribbed groin vaults.[10]

The Gothic-style portal, lancet windows and the prominent bell tower (which has been transformed into a minaret by the addition of a conical roof) distinguished the building from the Byzantine churches in the city. On the other side, the technique used for the brickwork was local, and alternated small courses of bricks and ashlar.[1]

Another view of the minaret through the courtyard

The NE nave was possibly flanked by a series of chapels, each of them belonging to a noble Genoese family. One of them was dedicated to the Virgin Mary, and another to Saint Nicholas.[8] As a whole, the building resembled the churches of Chieri and Finale Ligure in Italy.[2]

The flat wooden roof and rather pretty wooden galleries date from the restoration in 1913-1919. On this occasion, the height of the building was lowered, and many Genoese headstones were found.[8] During the same restorations, rests of paintings were also discovered near the Mihrab, but were covered again.[10]

In the passage under the belfry, moldings are still visible, as well as fragments of stones with armorial bearings which were once placed along the wall.[2] On the north side of the building there is a large and attractive courtyard with a şadırvan.

Today, Arap Camii is the largest mosque on the Galata side of the Golden Horn. It is one of the most interesting mosques in the city due to its early Italian Gothic architectural style and church belfry, which has practically remained unaltered even after being converted into a minaret.

Notes

  1. ^ a b c d e f g Müller-Wiener (1977), p. 79
  2. ^ a b c Mamboury (1953), p. 319
  3. ^ a b c Janin (1953), p. 599
  4. ^ This was the lowest number of friars necessary to establish a regular monastery of the Order. Janin (1953), p. 599
  5. ^ This date comes from several documents of that period and from the dates inscribed on the tombstones. Müller-Wiener (1977), p. 79
  6. ^ a b Janin (1953), p. 600
  7. ^ The Sultan required only the delivery of the bells. Mamboury (1953), p. 319
  8. ^ a b c d e f Müller-Wiener (1977), p. 80
  9. ^ She also built the nearby Azapkapısı Fountain. Gülersoy (1976), p. 267
  10. ^ a b c Eyice (1955), p. 102
  11. ^ Mamboury (1953), p. 320

References

  • Janin, Raymond (1953) (in French). La Géographie Ecclésiastique de l'Empire Byzantin. 1. Part: Le Siège de Constantinople et le Patriarcat Oecuménique. 3rd Vol. : Les Églises et les Monastères. Paris: Institut Français d'Etudes Byzantines. 
  • Mamboury, Ernest (1953). The Tourists' Istanbul. Istanbul: Çituri Biraderler Basımevi. 
  • Eyice, Semavi (1955) (in French). Istanbul. Petite Guide a travers les Monuments Byzantins et Turcs. Istanbul: Istanbul Matbaası. 
  • Gülersoy, Çelik (1976). A Guide to Istanbul. Istanbul: Istanbul Kitaplığı. OCLC 3849706. 
  • Müller-Wiener, Wolfgang (1977) (in German). Bildlexikon zur Topographie Istanbuls: Byzantion, Konstantinupolis, Istanbul bis zum Beginn d. 17 Jh. Tübingen: Wasmuth. ISBN 978-3-8030-1022-3. 

Coordinates: 41°01′28″N 28°58′15″E / 41.02444°N 28.97083°E / 41.02444; 28.97083


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