List of compositions by Darius Milhaud

List of compositions by Darius Milhaud

Below is a list of compositions by Darius Milhaud sorted by category.

Contents

Operas

  • La brebis égarée, Op.4 (1910–1914); 3 acts, 20 scenes; libretto by Francis Jammes; premiere 1923
  • Les euménides, Op.41 (1917–1923); L'Orestie d'Eschyle (Orestiean Trilogy No.3); 3 acts; libretto by Paul Claudel after Aeschylus
  • Les malheurs d'Orphée, Op.85 (1924); chamber opera in 3 acts; libretto by Armand Lunel; premiere 1926
  • Esther de Carpentras, Op.89 (1925–1926); opera buffa in 2 acts; libretto by Armand Lunel; premiere 1937
  • Le pauvre matelot, Op.92 (1926); 'complainte' 3 acts; libretto by Jean Cocteau; premiere 1927
  • 3 Opéras-minutes
    1. L'enlèvement d'Europe, Op.94 (1927); 1 act, 8 scenes; libretto by Henri Hoppenot
    2. L'abandon d'Ariane, Op.98 (1927); 1 act, 5 scenes; libretto by Henri Hoppenot
    3. Le délivrance de Thésée, Op.99 (1927); 1 act, 6 scenes; libretto by Henri Hoppenot
  • Christophe Colomb, Op.102 (1928, revised 1968); 2 parts, 27 scenes; libretto by Paul Claudel
  • Maximilien, Op.110 (1930); historic opera in 3 acts, 9 scenes; libretto by R.S. Hoffman after "Juarez et Maximilien" by Franz Werfel; premiere 1932
  • L'opéra du gueux, Op.171 (1937); ballad opera in 3 acts; libretto by Henri Fluchère after John Gay's The Beggar's Opera (1728)
  • Médée, Op.191 (1938); 1 act, 3 scenes; libretto by Madeleine Milhaud (his wife and cousin); premiere 1939
  • Bolivar, Op.236 (1943); 3 acts, 11 scenes; libretto by Madeleine Milhaud after Jules Supervielle
  • David, Op.320 (1952–1953); 2 parts, 5 acts; libretto by Armand Lunel; concert performance in Jerusalem in 1954; staged at La Scala in 1955
  • Fiesta, Op.370 (1958); 1 act; libretto by Boris Vian
  • La mère coupable, Op.412 (1964–1965); 3 acts; libretto by Madeleine Milhaud after Beaumarchais' play; premiere 1966
  • Saint-Louis, roi de France, Op.434 (1970); opera-oratorio in 2 parts; libretto by Henri Daublier and Paul Claudel; premiere 1972

Ballets

  • L'homme et son désir, Op.48 (1918), for four wordless singers, solo wind, percussion and strings; scenario by Paul Claudel
  • Le bœuf sur le toit, Op.58 (1919); scenario by Jean Cocteau
  • Les mariés de la tour Eiffel: Marche nuptiale and Fugue du massacre only, Op.70 (1921, revised 1971); ballet-show; scenario by Jean Cocteau
  • La création du monde, Op.81 (1923); for small orchestra; scenario by Blaise Cendrars
  • Salade (A. Flament), Op.83 (1924); ballet chanté in 2 acts; scenario by Albert Flament
  • Le train bleu, Op.84 (1924); opérette dansée; scenario by Jean Cocteau
  • Polka, Op.95 (1927); for the children's ballet L'Éventail de Jeanne to which ten French composers each contributed a dance
  • La bien-aimée, Op.101 (1928); pleyela (player piano) and orchestra after music of Schubert and Liszt; 1 act; scenario by Alexandre Benois
  • Les songes, Op.124 (1933); scenario by André Derain
  • Moyen âge fleuri (Suite provençale), Op.152d (1936)
  • Moïse, Op.219 (1940); ballet symphonique; also for orchestra: Opus Americanum No.2, Op.219b
  • Jeux de printemps, Op.243b (1944); after the orchestra work
  • Suite française, Op.254 (1945); original version for band, Op.248 (1944)
  • Les cloches (The Bells), Op.259 (1946); after the poem by Edgar Allan Poe
  • ’Adame Miroir, Op.283 (1948); for 16 solo instruments; scenario by Jean Genet
  • La cueillette des citrons, Op.298b (1949–1950); intermède provençal
  • Vendanges, Op.317 (1952); scenario by Philippe de Rothschild
  • La rose des vents, Op.367 (1957); scenario by Albert Vidalie
  • La branche des oiseaux, Op.374 (1958–1959); scenario by André Chamson

Orchestral

  • Suite symphonique No.1, Op.12 (1913–1914); after the opera La brebis égarée, Op.4 (1910–1914)
  • Symphonie de chambre (Little Symphony) No.1 "Le printemps", Op.43 (1917)
  • Symphonie de chambre (Little Symphony) No.2 "Pastorale", Op.49 (1918)
  • Suite symphonique No.2, Op.57 (1919); after the incidental music Protée, Op.17 (1913–1919)
  • Sérénade en trois parties, Op.62 (1920–1921)
  • Saudades do Brasil, Op.67b (1920–1921); original for piano
  • Symphonie de chambre (Little Symphony) No.3 "Sérénade", Op.71 (1921)
  • Symphonie de chambre (Little Symphony) No.4 "Dixtour", Op.74 (1921)
  • Symphonie de chambre (Little Symphony) No.5 "Dixtour d'instruments à vent", Op.75 (1922)
  • 3 Rag Caprices, Op.78 (1922); original for piano
  • Symphonie de chambre (Little Symphony) No.6, Op.79 (1923)
  • 2 Hymnes, Op.88b (1925)
  • Suite provençale, Op.152c (1936); after the incidental music Bertran de Born
  • Le carnaval de Londres, Op.172 (1937)
  • L'oiseau, Op.181 (1937)
  • Cortège funèbre, Op.202 (1939); from the film score Espoir
  • Fanfare, Op.209 (1939)
  • Symphony No.1, Op.210 (1939)
  • Indicatif et marche pour les bons d'armement, Op.212 (1940)
  • Opus Americanum No.2, Op.219b (1940); after the ballet Moïse, Op.219 (1940)
  • Introduction et allegro, Op.220 (1940); after Couperin: La sultane
  • 4 Ésquisses (4 Sketches), Op.227 (1941); original for piano
  • Fanfare de la liberté, Op.235 (1942)
  • Jeux de printemps, Op.243 (1944); also a ballet
  • La muse ménagère, Op.245 (1945); original for piano
  • Symphony No.2, Op.247 (1944)
  • Le bal martiniquais, Op.249 (1944); also for 2 pianos
  • 7 Danses sur des airs palestiniens, Op.267 (1946–1947)
  • Symphony No.3 "Te Deum" for chorus and orchestra, Op.271 (1946)
  • Symphony No.4 "Composée á l'occasion de Centenaire de la Révolution de 1848", Op.281 (1947)
  • Paris, Op.284 (1948); also for 4 pianos
  • Kentuckiana-Divertissement, Op.287 (1948); also for 2 pianos
  • Symphony No.5, Op.322 (1953)
  • Suite campagnarde, Op.329 (1953)
  • Ouverture méditerranéenne, Op.330 (1953)
  • Symphony No.6, Op.343 (1955)
  • Symphony No.7, Op.344 (1955)
  • La couronne de Marguerite (Valse en forme de rondo), Op.353 (1956); original for piano
  • Le globe-trotter, Op.358 (1956–1957); original for piano
  • Les charmes de la vie (Hommage à Watteau), Op.360 (1957); original for piano
  • Aspen sérénade for chamber orchestra, Op.361 (1957)
  • Symphony No.8 "Rhodanienne", Op.362 (1957)
  • Symphony No.9, Op.380 (1959)
  • Symphony No.10, Op.382 (1960)
  • Symphony No.11 "Romantique", Op.384 (1960)
  • Les funérailles de Phocion (Hommage à Poussin), Op.385 (1960)
  • Aubade, Op.387 (1960)
  • Symphony No.12 "Rurale", Op.390 (1961)
  • Ouverture philharmonique, Op.397 (1962)
  • A Frenchman in New York, Op.399 (1962)
  • Meurtre d'un grand chef d'état, Op.405 (1963); dedicated to John F. Kennedy
  • Ode pour les morts des guerres, Op.406 (1963)
  • Music for Boston, Op.414 (1965)
  • Musique pour Prague, Op.415 (1965)
  • Musique pour l'Indiana, Op.418 (1966)
  • Musique pour Lisbonne, Op.420 (1966)
  • Musique pour la Nouvelle-Orléans, Op.422 (1966)
  • Promenade concert, Op.424 (1967)
  • Symphonie pour l'univers claudélien, Op.427 (1968)
  • Musique pour Graz, Op.429 (1968–1969)
  • Suite en G, Op.431 (1969)
  • Musique pour Ars Nova, Op.432 (1969)
  • Musique pour San Francisco, Op.436 (1971)
  • Ode pour Jérusalem, Op.440 (1972)
String orchestra
  • Mills Fanfare, Op.224 (1941)
  • Pensée amicale, Op.342 (1955)
  • Symphoniette, Op.363 (1957)
Wind ensemble
  • Suite française, Op.248 (1944); also for orchestra; adapted as a ballet, Op.254 (1945)
    1. Normandie
    2. Bretagne
    3. Île de France
    4. Alsace-Lorraine
    5. Provençe
  • 2 Marches pour la libération , Op.260 (1945–1946)
    1. In memoriam; dedicated to the victims of Pearl Harbor
    2. Gloria victoribus; World War II victory march
  • West Point Suite, Op.313 (1954)
  • Musique de théâtre, Op.334b (1954–1970); after the incidental music Saül, Op.334
  • Fanfare for brass ensemble (4 horns, 3 trumpets, 3 trombones and tuba), Op.396 (1962)
  • Introduction et Marche funèbre

Concertante

Piano
  • Poème sur un cantique de Camargue for piano and orchestra, Op.13 (1913)
  • Ballade for piano and orchestra, Op.61 (1920)
  • 5 Études for piano and orchestra, Op.63 (1920)
  • 3 Rag Caprices for piano and small orchestra, Op.78 (1922); also for piano solo
  • Le carnaval d'Aix, Fantasy for piano and orchestra, Op.83b (1926); after the ballet Salade, Op.83
  • Concerto No.1 for piano and orchestra, Op.127 (1933)
  • Fantaisie pastorale for piano and orchestra, Op.188 (1938)
  • Concerto No.2 for piano and orchestra, Op.225 (1941)
  • Concerto No.1 for 2 pianos and orchestra, Op.228 (1941)
  • Concerto No.3 for piano and orchestra, Op.270 (1946)
  • Suite concertante for piano and orchestra, Op.278a (1952); after the Concerto for marimba, vibraphone and orchestra, Op.278 (1947)
  • Concerto No.4 for piano and orchestra, Op.295 (1949)
  • Suite for 2 pianos and orchestra, Op.300 (1950)
  • Concertino d'automne for 2 pianos and 8 instruments, Op.309 (1951)
  • Concerto No.5 for piano and orchestra, Op.346 (1955)
  • Concert de chambre for piano and chamber orchestra (wind quintet and string quintet), Op.389 (1961)
  • Concerto No.2 for 2 pianos and 4 percussionists, Op.394 (1961)
Violin
  • Music for Boston for violin and chamber orchestra, Op.41 (1917)
  • Cinéma fantaisie for violin and chamber orchestra, Op.58b (1919); also for violin and piano; after Le Bœuf sur le toit
  • Concerto No.1 for violin and orchestra, Op.93 (1927)
  • Concertino de printemps for violin and chamber orchestra, Op.135 (1934)
  • Concerto No.2 for violin and orchestra, Op.263 (1946)
  • Concerto No.3 "Concert royal" for violin and orchestra, Op.373 (1958)
Viola
  • Concerto No.1 for viola and orchestra, Op.108 (1929)
  • Air for viola and orchestra, Op.242 (1944); after the Viola Sonata No.1, Op.240
  • Concertino d'été for viola and chamber orchestra, Op.311 (1951)
  • Concerto No.2 for viola and orchestra, Op.340 (1954–1955)
Cello
  • Concerto No.1 for cello and orchestra, Op.136 (1934)
  • Concerto No.2 for cello and orchestra, Op.255 (1945)
  • Suite cisalpine sur des airs populaires piémontais for cello and orchestra, Op.332 (1954)
Other
  • Scaramouche for alto saxophone and orchestra, Op.165 (1937); for clarinet and orchestra (1939); also for 2 pianos, Op.165b (1937); after the incidental music Le médécin volant, Op.165
    1. Vif
    2. Modéré
    3. Brazileira
  • Concerto for percussion and small orchestra, Op.109 (1929–1930)
  • Concerto for flute, violin and orchestra, Op.197 (1938–1939)
  • Concerto for clarinet and orchestra, Op.230 (1941)
  • Suite anglaise for harmonica (or violin) and orchestra, Op.234 (1942)
  • Concerto for marimba, vibraphone and orchestra, Op.278 (1947)
  • L'apothéose de Molière, Suite for harpsichord with flute, oboe, clarinet, bassoon and string orchestra, Op.286 (1948)
  • Concerto for harp and orchestra, Op.323 (1953)
  • Concertino d'hiver for trombone and string orchestra, Op.327 (1953)
  • Concerto for oboe and orchestra, Op.365 (1957)
  • Symphonie concertante for bassoon, horn, trumpet, double bass and orchestra, Op.376 (1959)
  • Concerto for harpsichord and orchestra, Op.407 (1964)
  • Stanford sérénade for oboe solo and 11 instruments, Op.430 (1969)

Chamber and instrumental

Violin
  • Sonata No.1 for violin and piano, Op.3 (1911)
  • Le printemps for violin and piano, Op.18 (1914)
  • Sonata No.2 for violin and piano, Op.40 (1917)
  • Cinéma fantaisie for violin and piano, Op.58b (1919); also for violin and chamber orchestra; after Le bœuf sur le toit
  • Impromptu for violin and piano, Op.91 (1926)
  • 3 Caprices de Paganini for violin and piano, Op.97 (1927)
  • Dixième sonate de Baptist Anet in D Major, Op.144 (1935); free transcription for violin and harpsichord
  • Sonatina for 2 violins, Op.221 (1940)
  • Danses de Jacaremirim for violin and piano, Op.256 (1945); 3 pieces
  • Sonata for violin and harpsichord, Op.257 (1945)
  • Duo for 2 violins, Op.258 (1945)
  • Farandoleurs for violin and piano, Op.262 (1946)
  • Sonatina pastorale for violin solo, Op.383 (1960)
Viola
  • 4 Visages for viola and piano, Op.238 (1943)
  • Sonata No.1 sur des thèmes inédits et anonymes de XVIIIe siècle, for viola and piano, Op.240 (1944)
  • Sonata No.2 for viola and piano, Op.244 (1944)
  • Élégie for viola and piano, Op.251 (1945)
  • Élégie pour Pierre for viola, timpani and 2 percussionists, Op.416 (1965)
Cello
  • Élégie for cello and piano, Op.251 (1945)
  • Sonata for cello and piano, Op.377 (1959)
Guitar
  • Ségoviana, Op.366 (1957)
Harp
  • Sonata, Op.437 (1971)
Winds
  • Sonatina for flute and piano, Op.76 (1922)
  • Sonatina for clarinet and piano, Op.100 (1927)
  • Exercice musical for pipeau, Op.134 (1934)
  • 2 Ésquisses for clarinet and piano, Op.227 (1941)
  • Caprice, Danse, Églogue for clarinet (or saxophone, or flute) and piano, Op.335 (1954)
  • Sonatina for oboe and piano, Op.337 (1954)
  • Duo Concertante for clarinet and piano, Op.351 (1956)
Duo
  • Sonatina for violin and viola, Op.226 (1941)
  • Sonatina for violin and cello, Op.324 (1953)
  • Sonatina for viola and cello, Op.378 (1959)
Trio
  • Sonata for two violins and piano, Op.15 (1914)
  • Pastorale for oboe, clarinet and bassoon, Op.147 (1935)
  • Suite for violin, clarinet and piano, Op.157b (1936); after the incidental music Le voyageur sans bagage, Op.157
  • Suite d'après Corrette for oboe, clarinet and bassoon, Op.161b (1937); after the incidental music Jules César, Op.158 (1936)
  • Sonatine à 3 for string trio, Op.221b (1940)
  • String Trio, Op.274 (1947)
  • Fanfare for 2 trumpets and trombone, Op.400 (1962)
  • Piano Trio, Op.428 (1968)
Quartets
  • String Quartet No.1, Op.5 (1912)
  • String Quartet No.2, Op.16 (1914–1915)
  • String Quartet No.3 with solo voice, Op.32 (1916); poem by Léo Latil
  • String Quartet No.4, Op.46 (1918)
  • Sonata for flute, oboe, clarinet and piano, Op.47 (1918)
  • String Quartet No.5, Op.64 (1920)
  • String Quartet No.6, Op.77 (1922)
  • String Quartet No.7, Op.87 (1925)
  • String Quartet No.8, Op.121 (1932)
  • String Quartet No.9, Op.140 (1935)
  • La reine de Saba for string quartet, Op.207 (1939)
  • String Quartet No.10 Anniversaire ("Birthday Quartet"), Op.218 (1940)
  • String Quartet No.11, Op.232 (1942)
  • String Quartet No.12, Op.252 (1945)
  • String Quartet No.13, Op.268 (1946)
  • String Quartet No.14, Op.291 No.1 (1948–1949); The 14th and 15th string quartets can be performed separately as well as simultaneously as a string octet.
  • String Quartet No.15, Op.291 No.2 (1948–1949); For another example of a composer writing works for simultaneous performance, see 19th century composer Pietro Raimondi.
  • String Quartet No.16, Op.303 (1950)
  • String Quartet No.17, Op.307 (1950)
  • String Quartet No.18, Op.308 (1950)
  • Fanfare (150 mesures pour les 150 ans de la maison Heugel) for 2 trumpets and 2 trombones, Op.400 (1962)
  • Piano Quartet, Op.417 (1966)
  • Homage à Igor Stravinsky for string quartet, Op.435 (1971)
  • 3 Études sur des thèmes du Comtat Venaissin for string quartet, Op.442 (1973)
Quintets
  • La cheminée du roi René, Suite for wind quintet, Op.205 (1939); 7 pieces
  • 4 Ésquisses (4 Sketches) for wind quintet, Op.227b (1941); original for piano
  • Les rêves de Jacob, Dance Suite for oboe, violin, viola, cello and double bass, Op.294 (1949)
  • Divertissement for wind quintet, op.299b (1958); after the film score Gauguin, Op.299
  • Quintet No.1 for 2 violins, viola, cello and piano, Op.312 (1950)
  • Quintet No.2 for 2 violins, viola, cello and double bass, Op.316 (1952)
  • Quintet No.3 for 2 violins, 2 violas and cello, Op.325 (1953–1954)
  • Quintet No.4 for 2 violins, viola and 2 cellos, Op.350 (1956)
  • Wind Quintet, Op.443 (1973)
Sextets and septets
  • String Sextet, Op.368 (1958)
  • String Septet for 2 violins, 2 violas, 2 cellos and double bass, Op.408 (1964); The second movement of the septet, entitled 'Etude in controlled chance' is a rare example of Milhaud embracing aleatoric compositional devices.

Keyboard

Organ
  • Sonata, Op.112 (1931)
  • Pastorale, Op.229 (1941)
  • 9 Préludes, Op.231b (1942); after the incidental music L'annonce faite à Marie, Op.231
  • Petite suite, Op.348 (1955)
Piano
  • Suite, Op.8 (1913)
  • Mazurka (1914); published in Album des Six (1920)
  • Variations sur un thème de Cliquet, Op.23 (1915)
  • Printemps, Book I, Op.25 (1915–1919)
  • Sonata No.1, Op.33 (1916)
  • Printemps, Book II, Op.66 (1919–1920)
  • Saudades do Brasil, Op.67 (1920–1921); 12 pieces; also orchestrated
  • Caramel Mou, Op.68 (1920); also arranged for voice and jazz band
  • 3 Rag-Caprices, Op.78 (1922); also orchestrated
  • Choral, Op.111 (1930)
  • L'automne, Op.115 (1932); 3 pieces
  • L'album de Madame Bovary, Op.128b (1933); after the film music Madame Bovary, Op.128
  • 3 Valses, Op.128c (1933); after the film music Madame Bovary, Op.128
  • 4 Romances sans paroles, Op.129 (1933)
  • Promenade (Le tour de l'exposition), Op.162 (1933, revised 1937)
  • Touches blanches, Easy Pieces, Op.222 No.1 (1941)
  • Touches noires, Easy Pieces, Op.222 No.2 (1941)
  • Choral (Hommage à Paderewski) (1941)
  • 4 Ésquisses (4 Sketches), Op.227 (1941); also orchestrated and for wind quintet
  • La libertadora, Op.236 (1943); also for 2 pianos
  • La muse ménagère, Op.245 (1944); 15 pieces; also orchestrated
  • Une journée, Op.269 (1946); 5 pieces
  • Méditation, Op.277 (1947)
  • L'enfant aime, Suite "A Child Loves", Op.289 (1948); 5 pieces
  • Sonata No.2, Op.293 (1949)
  • Jeu, Op.302 (c.1950); published in the album Les contemporains
  • Le candélabre à sept branches, Op.315 (1951); 7 pieces
  • Accueil amical, 17 Pieces for Children, Op.326 (1944–1948)
  • Hymne de glorification, Op.331 (1953–1954)
  • La couronne de Marguerite (Valse en forme de rondo), Op.353 (1956); also orchestrated
  • Sonatina, Op.354 (1956), 1956;
  • Le globe-trotter, Op.358 (1956); 6 pieces; also orchestrated
  • Les charmes de la vie (Hommage à Watteau), Op.360 (1957); also orchestrated
  • Six danses en trois mouvements, Op.433 (1969–1970); also for 2 pianos
Piano 4-Hands
  • Enfantines, Suite after 3 poèmes de Jean Cocteau, Op.59a (1920); 3 pieces
2 Pianos
  • Le bœuf sur le toit, Op.58a (1919); after the ballet
  • Scaramouche, Op.165b (1937); after the incidental music Le médécin volant, Op.165
  • La libertadora, Op.236a (1943); 5 pieces; also for piano
  • Les songes, Op.237 (1943); 3 pieces; after the ballet, Op.124 (1933)
  • Le bal martiniquais, Op.249 (1944); 2 pieces; also orchestrated
  • Carnaval à la Nouvelle-Orléans, Op.275 (1947); 4 pieces
  • Kentuckiana, divertissement sur 20 airs du Kentucky, Op.287 (1948); also orchestrated
  • Six danses en trois mouvements, Op.433 (1969–1970); also for piano
4 Pianos
  • Paris for 4 pianos, Op.284 (1948); also orchestrated

Works for children

  • À propos de bottes, Musical Story for Children, for voice, mixed chorus and piano (or violin and cello), Op.118 (1932); words by René Chalupt
  • Un petit peu de musique, Musical Play for children's chorus and piano, Op.119 (1932); words by Armand Lunel
  • Un petit peu d'exercice, Musical Play for children's chorus and piano, Op.133 (1934); words by Armand Lunel
  • Récréation, 4 children's songs for voice and piano, Op.195 (1938); words by Jacqueline Kriéger
  • Sornettes, Op.214 (1940); words by Frédéric Mistral
  • Deux chansons d'enfants (2 Children's Songs) for children's chorus and piano, Op.217 (1940); words by Henri Fluchère
    1. Cours de solfège
    2. Papillon, papillonette!
  • Touches noirs, touches blanches for piano, Op.222 (1941)
  • Acceuil amical (Friendly Welcome) for piano, Op.326 (1944–1948)
  • Une journée for piano, Op.269 (1946)
  • L'enfant aime (A Child Loves), 5 pieces for piano, Op.289 (1948)
  • Service pour la veille du sabbat for children's chorus and organ, Op.345 (1955); Biblical text

Choral

  • Psaume 136 for baritone, chorus and orchestra, Op.53 No.1 (1918); translation by Paul Claudel
  • Psaume 121 (a.k.a. Psaume 126 [Vulgata 126]) for male chorus a cappella, Op.72 (1921); translation by Paul Claudel; written for the Harvard Glee Club after their 1921 tour of Europe
  • Cantate pour louer le Seigneur for soloists, chorus, children's chorus, organ and orchestra, Op.103 (1928); text: Psalms 117, 121, 123, 150
  • 2 Poèmes extraits de l'anthologie nègre de Blaise Cendrars for vocal quartet or chorus and chamber orchestra, Op.113 (1932); text by Blaise Cendrars
  • 2 Élégies romaines for female vocal quartet or female chorus, Op.114 (1932); text by Johann Wolfgang von Goethe
  • La mort du tyran for mixed chorus, flute, clarinet, tuba and percussion, Op.116 (1932); text by Lampride, translation by D. Diderot
  • Adages, 16 songs for vocal quartet, chorus and chamber orchestra (or piano), Op.120c (1932); words by André de Richaud
  • Devant sa main nue for female chorus or vocal quartet, Op.122 (1933); words by Marcel Raval
  • Pan et la Syrinx, Cantata for soprano, baritone, mixed chorus, flute, oboe, alto saxophone, bassoon and piano, Op.130 (1934); words principally by Paul Claudel
  • Les amours de Ronsard, 4 songs for mixed chorus or vocal quartet and chamber orchestra, Op.132 (1934)
  • Cantique du Rhône, 4 songs for chorus or vocal quartet, Op.155 (1936); words by Paul Claudel
  • Cantate de la paix for male chorus and children's chorus, Op.166 (1937); words by Paul Claudel
  • Main tendue à tous for mixed chorus a cappella, Op.169 (1937); words by Charles Vildrac
  • Les deux cités, Cantata for mixed chorus a cappella, Op.170 (1937); words by Paul Claudel
  • Quatre chants populaires de Provence for mixed chorus and orchestra, Op.194 (1938)
  • 3 Incantations for male chorus a cappella, Op.201 (1939); Aztec poems by Alejo Carpentier
  • Quatrains valaisans for mixed chorus a cappella, Op.206 (1939); words by Rainer Maria Rilke
  • Cantate de la guerre for mixed chorus a cappella, Op.213 (1940); words by Paul Claudel
  • Borechou – Schema Israël (Bless Ye the Lord – O Hear, Israel) for cantor, chorus and organ, Op.239 (1944); Biblical text
  • Kaddish (Prière pour les morts) for cantor, chorus and organ, Op.250 (1945); Biblical text
  • Pledge to Mills for unison mixed chorus and piano, Op.261 (1945); words by George Percy Hedley
  • 6 Sonnets composés au secret for chorus or vocal quartet, Op.266 (1946); text by Jean Cassou
  • Symphony No.3 "Te Deum" for chorus and orchestra, Op.271 (1946)
  • Service sacré pour le samedi matin for baritone, reciter, chorus and orchestra or organ, Op.279 (1947); Biblical text
  • Lekha Dodi (L'choh dodi) for cantor, chorus and organ, Op.290 (1948); text from the Jewish Sabbath evening liturgy
  • Naissance de Vénus, Cantata for mixed chorus a cappella, Op.292 (1949); words by Jules Supervielle
  • Barba Garibo, Cantata for mixed chorus and orchestra, Op.298 (1949–1950); words by Armand Lunel
  • Cantate des proverbes for female chorus, oboe, cello and harpsichord, Op.310 (1950); Biblical text
  • Les miracles de la foi, Cantata for tenor, chorus and orchestra, Op.314 (1951); Biblical text from Daniel
  • Le château de feu, Cantata for chorus and orchestra, Op.338 (1954); text by Jean Cassou; written in memory of Jews killed during the war by the Nazis
  • 3 Psaumes de David for mixed chorus a cappella, Op.339 (1954)
  • 2 Poèmes de Louise de Vilmorin for chorus or vocal quartet, Op.347 (1955); words by Louise Leveque de Vilmorin
  • Le mariage de la feuille et du cliché for soloists, chorus, orchestra and tape, Op.357 (1956); text by Max Gérard
  • La tragédie humaine for chorus and orchestra, Op.369 (1958); text by Agrippa d'Aubigné
  • 8 Poèmes de Jorge Guillén for mixed chorus a cappella, Op.371 (1958); words by Jorge Guillén
  • Cantate de la croix de Charité for soloists, chorus, children's chorus and orchestra, Op.381 (1959–1960); text by Loys Masson
  • Cantate sur des textes de Chaucer for chorus and orchestra, Op.386 (1960); text by Geoffrey Chaucer
  • Cantate de l'initiation for mixed chorus and orchestra (or organ), Op.388 (1960); Hebrew and French liturgical text
  • Traversée for mixed chorus, Op.393 (1961); words by Paul Verlaine
  • Invocation à l'ange Raphaël, Cantata for double female chorus and orchestra, Op.395 (1962); words by Paul Claudel
  • Caroles, Cantata for chorus and 4 instrumental groups, Op.402 (1963); text by Charles d'Orléans
  • Pacem in terris, Choral Symphony for alto, baritone, chorus and orchestra, Op.404 (1963); text by Pope John XXIII
  • Cantate de Job (Cantata from Job) for baritone, chorus and organ, Op.413 (1965); Biblical text
  • Promesse de Dieu for mixed chorus a cappella, Op.438 (1971–1972); Biblical text
  • Les momies d'Égypte, Choral Comedy for mixed chorus a cappella, Op.439 (1972); text by Jean-François Regnard
  • Ani maamin, un chant perdu et retrouvé for soprano, 4 reciter, chorus and orchestra, Op.441 (1972); text by Elie Wiesel

Vocal

Solo voice
  • Cantique de Notre-Dame de Sarrance, Op.29 (1915); words by Francis Jammes
Voice and organ
  • 5 Prières for voice and organ (or piano), Op.231c (1942); Latin liturgical texts adapted by Paul Claudel
  • Ecoutez mes enfants for voice and organ, Op.359 (1957)
Voice and piano
  • Désespoir, Op.33 (1909); words by Armand Lunel
  • Poèmes de Francis Jammes, 2 Sets, Op.1 (1910–1912); words by Francis Jammes
  • 3 Poèmes de Léo Latil, Op.2 (1910–1916); words by Léo Latil
  • Poèmes de Francis Jammes, Set 3, Op.6 (1912); words by Francis Jammes
  • 7 Poèmes de La connaissance de l'est, Op.7 (1912–1913); words by Paul Claudel
  • Alissa, Song Cycle for soprano and piano, Op.9 (1913, revised 1930); words by André Gide
  • 3 Poèmes en prose de Lucile de Chateaubriand, Op.10 (1913); words by Lucile de Chateaubriand
  • 3 Poèmes romantiques, set 1, Op.11 (1913–1914)
  • 3 Poèmes romantiques, set 2, Op.19 (1914)
  • 4 Poèmes de Léo Latil, Op.20 (1914); words by Léo Latil
  • Le château, Op.21 (1914); cycle of 8 songs; words by Armand Lunel
  • Poème de Gitanjali, Op.22 (1914); words by Rabindranath Tagore; translation by André Gide
  • 4 Poèmes de Paul Claudel for baritone and piano, Op.26 (1915–1917); words by Paul Claudel
  • D'un cahier inédit du journal d'Eugénie de Guérin, Op.27 (1915); cycle of 3 songs; words by Eugénie de Guérin
  • L'arbre exotique, Op.28 (1915); words by Chevalier Gosse
  • 2 Poèmes d'amour, Op.30 (1915); words by Rabindranath Tagore
  • 2 Poèmes de Coventry Patmore, Op.31 (1915); original English words by Coventry Patmore; translation by Paul Claudel
  • Poèmes juifs, Op.34 (1916); 8 songs
  • Child Poems, Op.36 (1916); 5 songs; words by Rabindranath Tagore
  • 3 Poèmes, Op.37 (1916); also with chamber orchestra; words by Christina Rossetti and Alice Meynell
  • Chanson bas, Op.44 (1917); 8 songs; words by Stéphane Mallarmé
  • Dans les rues de Rio (2 versos cariocas de Paul Claudel), Op.44a (1917); words by Paul Claudel
  • 2 Poèmes de Rimbaud, Op.45 (1917); words by Arthur Rimbaud
  • À la Toussaint, Op.47 (1911); words by Baronne de Grand Maison
  • 4 Poèmes de Francis Jammes, Set 4, Op.50 (1918); words by Francis Jammes
  • 2 Petits airs, Op.51 (1918); words by Stéphane Mallarmé
  • Poèmes de Francis Thompson, Op.54 (1919); words by Francis Thompson; translation by Paul Claudel
  • Les soirées de Pétrograd, Op.55 (1919); 12 songs; words by R. Chaput
  • 3 Poèmes de Jean Cocteau, Op.59 (1920); words by Jean Cocteau
  • Catalogue de fleurs for voice and piano or 7 instruments, Op.60 (1920); words by Lucien Daudet
  • Feuilles de température, Op.65 (1920); 3 songs; words by Paul Morand
  • Poème du journal intime de Léo Latil for baritone and piano, Op.73 (1921); words by Léo Latil
  • 6 Chants populaires hébraïques for voice and piano or orchestra, Op.86 (1925)
  • Pièce de circonstance, Op.90 (1926); words by Jean Cocteau
  • Impromptu, Op.91 (1926); words by Jean Cocteau
  • Prières journalières à l'usage des juifs du Comtat Venaissin, Op.96 (1927); 3 songs; Biblical text
  • Vocalise, Op.105 (1928)
  • Quatrain à Albert Roussel, Op.106 (1929); words by Francis Jammes
  • A Flower Given to My Child (1930); words by James Joyce
  • Le funeste retour (Chanson de marin sur un texte canadien du XVIIè siècle), Op.123 (1933)
  • Liturgie comtadine: chants de Rosch Haschanah, 5 songs for voice and piano or chamber orchestra, Op.125 (1933)
  • 2 Chansons de Madame Bovary, Op.128d (1933); words by Gustave Flaubert
  • Le cygne, Op.142 (1935); 2 versions; words by Paul Claudel
  • Quatrain, Op.143 (1935); words by Albert Flament
  • 3 Chansons de négresse for voice and orchestra or piano, Op.148b (1935–1936); words by Jules Supervielle
  • Chansons de théâtre, Op.151b (1936); 6 songs; words by Jules Supervielle, R. Lenormand, G. Pitoeff
  • 3 Chansons de troubadour, Op.152b (1936); words by Jean Valmy-Baisse
  • 5 Chansons de Charles Vildrac for voice and piano or chamber orchestra, Op.167 (1937); words by Charles Vildrac
  • Rondeau, Op.178 (1937); words by Pierre Corneille
  • Airs populaires palestiniens, Op.179 (1937)
    1. Holem tsuadi
    2. Gam hayom
  • Quatrain, Op.180 (1937); words by Stéphane Mallarmé
  • La couronne de gloire, Cantata for voice and chamber ensemble (flute, trumpet, string quartet) or piano, Op.211 (1940); words by Solomon ibn Gabirol, Armand Lunel
  • Le voyage d'été, Op.216 (1940); words by Camille Paliard
  • 4 Chansons de Ronsard for voice and orchestra or piano, Op.223 (1940); words by Pierre de Ronsard
  • 5 Prières for voice and organ (or piano), Op.231c (1942); Latin liturgical texts adapted by Paul Claudel
  • Rêves, Op.233 (1942); anonymous 20th-century text
  • La libération des Antilles, Op.246 (1944); words by Henri Hoppenot
  • Printemps lointain, Op.253 (1944); words by Francis Jammes
  • Chants de misère, Op.265 (1946); words by Camille Paliard
  • 3 Poèmes, Op.276 (1947); words by Jules Supervielle
  • Ballade nocturne, Op.296 (1949); a movement from a collaborative work entitled Mouvements du cœur: Un hommage à la mémoire de Frédéric Chopin, 1849–1949; words by Louise de Vilmorin
  • Les temps faciles, Op.305 (1950); words by Marsan
  • Petites légendes, Op.319 (1952); words by Maurice Carême
  • Fontaines et sources for voice and orchestra or piano, Op.352 (1956); 6 songs; words by Francis Jammes
  • Tristesses, Op.355 (1956); cycle of 24 songs; words by Francis Jammes
  • Préparatif à la mort en allégorie maritime, Op.403 (1963); words by Agrippa d'Aubigné
  • L'amour chanté, Op.409 (1964); 9 songs
Voice (or reciter) and ensemble
  • 3 Poèmes, Op.37 (1916); also with piano; words by Christina Rossetti and Alice Meynell
  • Le retour de l'enfant prodigue, cantata for 5 voices and chamber ensemble or 2 pianos, Op.42 (1917); words by André Gide
  • Psaumes 136 et 129 for baritone and orchestra, Op.53 (1918–1919); translation by Paul Claudel
  • Machines agricoles, 6 Pastorales for voice and chamber ensemble, Op.56 (1919); Texts taken out of a catalogue for agricultural machines.
  • Catalogue de fleurs for voice and chamber ensemble (or piano), Op.60 (1920); words by Lucien Daudet
  • Cocktail for voice and 3 clarinets, Op.69 (1920); words by Larsen
  • 4 Poèmes de Catulle for voice and violin, Op.80 (1923); words by Catullus
  • 6 Chants populaires hébraïques for voice and piano or orchestra, Op.86 (1925)
  • 3 Chansons de négresse for voice and orchestra or piano, Op.148b (1935–1936); words by Jules Supervielle
  • Liturgie comtadine: chants de Rosch Haschanah, 5 songs for voice and piano or chamber orchestra, Op.125 (1933)
  • 5 Chansons de Charles Vildrac for voice and piano or chamber orchestra, Op.167 (1937); words by Charles Vildrac
  • Cantate nuptial for voice and orchestra, Op.168 (1937); Biblical text from Song of Solomon
  • Cantate de l'enfant et de la mère for narrator, string quartet and piano, Op.185 (1938); story by Maurice Carême
  • Les quatre éléments, Cantata for soprano and orchestra, Op.189 (1938, revised 1956); words by Robert Desnos
  • La couronne de gloire, Cantata for voice and chamber ensemble (flute, trumpet, string quartet) or piano, Op.211 (1940); words by Solomon ibn Gabirol, Armand Lunel
  • 4 Chansons de Ronsard for voice and orchestra or piano, Op.223 (1940); words by Pierre de Ronsard
  • Caïn et Abel for reciter and orchestra, Op.241 (1944); Biblical text from Genesis
  • Fontaines et sources, 6 songs for voice and orchestra or piano, Op.352 (1956); words by Francis Jammes
  • Neige sur la fleuve for voice and chamber ensemble, Op.391 (1961); words by Tsang Yung
  • Suite de quatrains, 18 poems for reciter and chamber ensemble, Op.398 (1962); words by Francis Jammes
  • Adieu, Cantata for voice, flute, viola and harp, Op.410 (1964); words by Arthur Rimbaud
  • Cantate de psaumes for baritone and orchestra, Op.425 (1967); Psalms 129, 146, 147, 128, 127, 136 (Psalms 129 and 136 from Op.53); translation by Paul Claudel
2 or more voices
  • 2 Poèmes for vocal quartet, Op.39 (1916–1918); text by Saint Léger, René Chalupt
  • 2 Poèmes tupis, Op.52 (1918); 4 female voices and hand-clapping; American Indian text
  • 2 Élégies romaines, Op.114 (1932); for 2 sopranos and 2 altos or female chorus; text by Johann Wolfgang von Goethe
  • Adam for soprano, 2 tenors and 2 baritones, Op.411 (1964); text by Jean Cocteau
2 or more voices and piano
  • 2 Poèmes du Gardener, Op.35 (1916–1917); for 2 voices and piano; words by Rabindranath Tagore and Elisabeth Sainte-Marie Perrin
  • No.34 de L'église habillée de feuilles, Op.38 (1916); for vocal quartet and piano 6-hands; words by Francis Jammes
2 or more voices and ensemble
  • Pan et la Syrinx for soprano, baritone, vocal quartet and wind quartet and piano, Op.130 (1934); words by Pierre-Antoine-Augustin de Piis, Paul Claudel
  • Cantate de l'Homme for vocal quartet, reciter and chamber ensemble, Op.164 (1937); words by Robert Desnos
  • Prends cette rose for soprano, tenor and orchestra, Op.183 (1937); words by Pierre de Ronsard
  • 3 Élégies for soprano, tenor and string orchestra, Op.199 (1939); words by Francis Jammes
  • Suite de sonnets, Cantata on 16th century verses for vocal quartet and chamber ensemble, Op.401 (1963)
  • Hommage à Comenius, Cantata for soprano, baritone and orchestra, Op.421 (1966); text by John Amos Comenius

Incidental music

  • Agamemnon, Op.14 (1913–1914); L'Orestie d'Eschyle (Orestiean Trilogy No.1) for soprano, male chorus and orchestra; Paul Claudel translation of the drama by Aeschylus; premiere 1927
  • Protée, Op.17 (1913–1919); for chorus and orchestra; play by Paul Claudel; 2nd version, Op.341
  • Les Choéphores, Op.24 (1915); L'Orestie d'Eschyle (Orestiean Trilogy No.2); Paul Claudel translation of the drama by Aeschylus; premiere 1919
  • L'ours et la lune (1918); play by Paul Claudel
  • L'annonce faite à Marie, Op.117 (1932); for 4 voices and chamber orchestra; play by Paul Claudel; 2nd version, Op.231
  • Le château des papes, Op.120 (1932); for orchestra; play by André de Richaud
  • Se plaire sur la même fleur, Op.131 (1934) for voice and piano; play by Moreno, translation by Casa Fuerte
  • Le cycle de la création, Op.139 (1935); for voice, chorus and orchestra; play by Sturzo
  • Le faiseur, Op.145 (1935) for flute, clarinet, saxophone and percussion; play by Honoré de Balzac
  • Bolivar, Op.148 (1935–1936); for voice, chorus and chamber orchestra; play by Jules Supervielle
  • La folle du ciel, Op.149 (1936); play by Henri-René Lenormand
  • Tu ne m'échapperas jamais, Op.151 (1936); play by Margaret Kennedy
  • Bertran de Born, Op.152a (1936); for soloists, chorus and orchestra; play by Valmy-Baisse
  • Le trompeur de Séville, Op.152e (1937); play by André Obey
  • Le quatorze juillet, Op.153 (1936); Introduction and Marche funèbre for finale of Act 1 only; play by Romain Rolland
  • Le conquérant, Op.154 (1936); for chamber orchestra; play by Jean Mistler
  • Amal, ou La lettre du roi, Op.156 (1936); for piano, violin and clarinet; play by Rabindranath Tagore and André Gide
  • Le voyageur sans bagage (The Traveller without Luggage), Op.157 (1936); for piano, violin and clarinet; play by Jean Anouilh
  • Jules César, Op.158 (1936); for flute, clarinet (or saxophone), trumpet, tuba and percussion; play by William Shakespeare
  • La duchesse d'Amalfi, Op.160 (1937); for oboe, clarinet and bassoon; Henri Fluchère after John Webster
  • Roméo et Juliette, Op.161 (1937); for oboe, clarinet and bassoon; Simone Jollivet play after Pierre Jean Jouve and William Shakespeare
  • Liberté, Op.163 (1937); Overture and Interlude only
  • Le médecin volant, Op.165 (1937); for piano and clarinet (or saxophone); play by Charles Vildrac after Molière
  • Naissance d'une cité, Op.173 (1937); 2 songs for voice and piano (or orchestra); words by Jean Richard Bloch
    1. Chanson du capitaine
    2. Java de la femme
  • Macbeth, Op.175 (1937); for flute, clarinet, bassoon, violin, cello, trumpet and percussion; play by William Shakespeare
  • Hécube, Op.177 (1937); for flute, clarinet, bassoon, trumpet and percussion; André de Richaud translation of the drama by Euripides
  • Plutus, Op.186 (1938); for voice and orchestra; Simone Jollivet translation of the drama by Aristophanes
  • Tricolore, Op.190 (1938); play by Pierre Lestringuez
  • Le bal des voleurs, Op.192 (1938); for clarinet and saxophone; play by Jean Anouilh
  • La première famille, Op.193 (1938); play by Jules Supervielle
  • Hamlet, Op.200 (1939); play by Jules Laforgue
  • Un petit ange de rien du tout, Op.215 (1940); play by Claude-André Puget
  • L'annonce faite à Marie, Op.231 (1942); 2nd version of Op.117; play by Paul Claudel
  • Lidoire, Op.264 (1946); play by Georges Courteline
  • La maison de Bernarda Alba, Op.280 (1947); play by Federico García Lorca
  • Shéhérazade, Op.285 (1948); play by Jules Supervielle
  • Le jeu de Robin et Marion, Op.288 (1948); for voice, flute, clarinet, saxophone, violin and cello; adapted from Adam de la Halle
  • Le conte d'hiver, Op.306 (1950); Claude-André Puget translation of the Shakespeare play
  • Christophe Colomb, Op.318 (1952); for chorus and orchestra; play by Paul Claudel
  • Saül, Op.334 (1954); play by André Gide
  • Protée, Op.341 (1955); 2nd version of Op.17; play by Paul Claudel
  • Juanito, Op.349 (1955); play by Pierre Humblot
  • Mother Courage, Op.379 (1959); play by Bertolt Brecht
  • Judith , Op.392 (1961); play by Jean Giraudoux
  • Jérusalem à Carpentras, Op.419 (1966); play by Armand Lunel
  • L'histoire de Tobie et Sarah, Op.426 (1968); play by Paul Claudel

Miscellaneous stage works

  • La sagesse, Stage Spectacle for 4 voices, reciter, mixed chorus and orchestra, Op.141 (1935); words by Paul Claudel
  • Fête de la musique, Light and Water Spectacle, Op.159 (1937); words by Paul Claudel
  • Vézelay, la colline éternelle, Op.423 (1967)

Film scores

  • The Beloved Vagabond (1915)
  • Le roi de Camargue (1921); music also by Henri Sauguet; directed by André Hugon
  • Actualités, Op.104 (1928)
  • La p'tite Lilie, Op.107 (1929); directed by Alberto Cavalcanti
  • Las Hurdes: Tierra Sin Pan (1932); directed by Luis Buñuel
  • Hallo Everybody, Op.126 (1933); Dutch documentary short; directed by Hans Richter
  • Madame Bovary, Op.128 (1933); directed by Jean Renoir
  • L'hippocampe, Op.137 (1934); directed by Jean Painlevé
  • Tartarin de Tarascon, Op.138 (1934); directed by Raymond Bernard
  • Voix d'enfants, Op.146 (1935); directed by Reynaud
  • Le vagabond bien-aimé (The Beloved Vagabond), Op.150 (1936); directed by Curtis Bernhardt
  • Mollénard, Op.174 (1937); directed by Robert Siodmak
  • La citadelle du silence, Op.176 (1937); collaboration with Arthur Honegger; directed by Marcel L'Herbier
  • Grands feux, Op.182 (1937); directed by Alexeiev
  • La conquête du ciel, Op.184 (1937); directed by Hans Richter
  • La tragédie impériale (a.k.a. Rasputin), Op.187 (1938); directed by Marcel L'Herbier
  • Les otages (The Mayor's Dilemma), Op.196 (1938); directed by Raymond Bernard
  • The Islanders, Op.198 (1939); directed by Maurice Harvey
  • Espoir (Man's Hope), Op.202 (1939); written and directed by André Malraux and Boris Peskine
  • Cavalcade d'amour (Love Cavalcade), Op.204); collaboration with Arthur Honegger; directed by Raymond Bernard
  • Gulf Stream, Op.208 (1939); directed by Alexeiev
  • The Private Affairs of Bel Ami, Op.272 (1946); directed by Albert Lewin
  • Dreams That Money Can Buy, Op.273 (1947); Ruth, Roses and Revolvers sequence only; directed by Hans Richter
  • Gauguin, Op.299 (1950); directed by Alain Resnais
  • La vie commence demain (Life Begins Tomorrow), Op.304 (1950); music also by Manuel Rosenthal; written and directed by Nicole Védrès
  • Ils étaient tous des volontaires, Op.336 (1954)
  • Rentrée des classes (1956); film short; directed by Jacques Rozier
  • Celle qui n'était plus (Histoire d'une folle), Op.364 (1957); directed by G. Colpi
  • Péron et Evita, Op.372 (1958); historical TV documentary narrated by Walter Cronkite
  • Burma Road and the Hump, Op.375 (1959); historical TV documentary narrated by Walter Cronkite
  • Paul Claudel, Op.427 (1968); directed by A. Gillet

Radio scores

  • Voyage au pays du rêve, Op.203 (1939)
  • Le grand testament, Op.282 (1948)
  • La fin du monde, Op.297 (1949); by Blaise Cendrars
  • Le repos du septième jour, Op.301 (1950); by Paul Claudel
  • Samaël, Op.321 (1953); by André Spire
  • Le dibbouk, Op.329 (1953); by S. Ansky

Electroacoustic music

  • Étude poétique, Op.333 (1954)
  • La rivière endormie (1954)

Wikimedia Foundation. 2010.

Игры ⚽ Нужно сделать НИР?

Look at other dictionaries:

  • Darius Milhaud — ( 1926), Paris Darius Milhaud (French pronunciation: [daʁjys mijo]; 4 September 1892 – 22 June 1974) was a French composer and teacher. He was a member of Les Six also known as The Group of Six and one of the most prolific composers of the… …   Wikipedia

  • List of compositions for keyboard and orchestra — This is a list of musical compositions for keyboard instruments such as the piano or harpsichord and orchestra. See entries for concerto, piano concerto and harpsichord concerto for a description of related musical forms.A*Luigi Abbiate **Piano… …   Wikipedia

  • List of compositions for piano and orchestra — This is a list of musical compositions for piano and orchestra. See entries for concerto and piano concerto for a description of related musical forms.Piano ConcertosA*Luigi Abbiate **Piano concerto *Johann Christian Ludwig Abeille **Grand… …   Wikipedia

  • List of compositions for cello and orchestra — This is a list of musical compositions for cello and orchestra. Please see the related entries for concerto, cello and violoncello concerto for discussion of typical forms and topics. Also see the List of solo cello pieces and List of… …   Wikipedia

  • List of compositions for harp — The following is a non exhaustive list of notable compositions for the harp.olo Works*Elias Parish Alvars **over 80 pieces *Carl Philipp Emanuel Bach **Sonata for Harp in G major Wq.139 *Ludwig van Beethoven **Six Variations on a Swiss Song, WoO… …   Wikipedia

  • List of compositions for guitar — This article is a large list of the classical guitar repertoire. For the most significant compositions see the articles Selected classical guitar repertoire and Selected contemporary repertoire for guitar. This article lists the classical guitar… …   Wikipedia

  • List of compositions for viola — This article lists compositions written for the viola. The list includes works in which the viola is a featured instrument: viola solo, viola and piano, viola and orchestra, ensemble of violas, etc. Catalogue number, date of composition and… …   Wikipedia

  • List of string quartet composers — Born before 1800= *Giovanni Battista Sammartini (ca. 1700 ndash;1775): wrote several quartets though as with many early works for the medium some of these could be played equally by a small string orchestra. *Christian Cannabich (1731 ndash;1798) …   Wikipedia

  • List of Romantic-era composers — Classical/Romantic era transition composers (born 1770 1800)* Ludwig van Beethoven (1770–1827), German regarded by many as the first Romantic composer, famous for his nine symphonies and thirty two piano sonatas * Ferdinando Carulli (1770–1841),… …   Wikipedia

  • Chamber music — For other uses, see Chamber music (disambiguation). Frederick the Great plays a flute concert in his summer palace Sanssouci; painting by Adolph Menzel Chamber music is a form o …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”