Duncan Campbell (musician)

Duncan Campbell (musician)
Duncan Campbell
Birth name Duncan Campbell
Born May 1926, Springburn, Glasgow, Scotland
Genres Easy Listening, Instrumental, Jazz, Big band.
Occupations Musician
Instruments Trumpet
Years active 1942-present.
Associated acts Ted Heath and his Orchestra, Ronnie Scott, Jack Parnell, Tommy Sampson[1]

Duncan Campbell (born May 1926) is a world renowned trumpet player, famously playing with Ted Heath and his Orchestra, Ronnie Scott, Syd Lawrence and the BBC Big Band. He is married to June Pressley, Elvis Presley's cousin and regular of the Ivy Benson Band.

Contents

Early life

Duncan Campbell was born May 1926 in Springburn, a small Scottish village near Glasgow. Interested in music from a young age, he would often listen to his father play the cornet, as well as listening to his father's collection of Jazz records on a wind up gramophone. His collection consisted of the works of Louis Armstrong, Henry Red Allen, Paul Whiteman, Count Basie and Harry Lauder. The first classicial record he bought was by Frederick Delius and titled ‘On Hearing the First Cuckoo in Spring’. Duncan recalls: "I used to play it looking out of the window on a very rainy day and even now, when I play that song in the car I have to stop and cry. It’s so good and yet, so sad."[2]

Whilst his father was out at work, Duncan taught himself to play on his father's cornet, and as he left school with no qualifications, he decided music was the next step in his life. By this point, he had already joined the Boys Brigade and the Scouts. Whereas he liked the Scouts uniform, it was the brass band of the Boys Brigade that Duncan really enjoyed, later playing with the Salvation Army Band with his father; Duncan playing the cornet and his father playing the tenor horn.

Professional career

At sixteen, Duncan joined his father's band, but left to travel with the super bands playing the ballrooms in Glasgow. He played with about five bands, whose performance was broadcast on the radio most Saturday nights. One particular band belonged to Charlie Pressley, Duncan's future father-in-law.

Duncan later joined Lou Praeger's orchestra at the Hammersmith Palais. Wally Smith, Don Lusher and his ex-wife Eileen Orchard were also a member of Praeger's band, cutting lots of records with HMV. When everyone had gone home, Duncan used to play 'Lover Man, Where can you be?' by Sarah Vaughan in the Band Room at the Hammersmith Palais. Many years later, he would work with Sarah Vaughan.

Praeger and his orchestra were invited by the Queen Mother to play at Buckingham Palace, where they were all introduced personally to each member of the Royal Family. Around this time, Praeger would also write solos for Duncan to play which were later recorded on the old wax type records. Nevertheless, Duncan later joined the Tito Burns Band; front line up was Duncan on trumpet, Ronnie Scott on tenor sax and Johnny Dankworth on alto sax. He toured the country with them before joining Teddy Foster's Band, and later Cyril Stapleton's, band on lead trumpet. Finally, Duncan joined Ted Heath and his Orchestra, where he never missed a gig or recording in its fifty years of performances.

The Ted Heath era

When Ted Heath and his music, started, it was mainly instrumental and relied upon drummer Jack Parnell and compere Paul Carpenter for vocals. Ted Heath also had a number of singers, including Lita Roza, Dickie Valentine and Dennis Lotis.[3] Duncan Campbell started on third trumpet, and contributed to the world-class drive of the famous Heath brass section. He played many jazz solos on record and in concert, as well as being one the band's on-stage clowns, providing comedy interjections and falsetto vocals on numbers such as 'Tequila'.

Carnegie Hall

In April 1956 Heath arranged his first American tour. This was a ground breaking reciprocal agreement between Heath and Stan Kenton, who would tour Britain at the same time as Heath toured the U.S. The tour was a major negotiated agreement with the British Musicians' Union and the American Federation of Musicians, which broke a 20 year union deadlock. Heath contracted to play a tour that included Nat King Cole, June Christy and the Four Freshmen that consisted of 43 concerts in 30 cities (primarily the southern states) in 31 days (7,000 miles) climaxing in a Carnegie Hall concert on May 1, 1956. At this performance, the band's instrument truck was delayed by bad weather. The instruments finally arrived just minutes before the curtain rose. The band had no time to warm up or rehearse. They went on stage "cold". There were so many encore calls at the Carnegie Hall performance that Nat King Cole (who was backstage, but not on the bill) had to come out on stage and ask people to leave.

Stage and Film

Duncan had expressed that the Ted Heath Band was good discipline, but after Heath's death in 1969, Duncan had reservations that the band would never be the same again, leaving to pursue session work that was available on television and the odd gig. However, by this time Duncan had already started a musical career in film, most notably in Agatha Christie’s ‘The Mirror Crack’d,’ starring Elizabeth Taylor, Kirk Douglas and Tony Curtis.

In the West End, Duncan had also worked on several shows such as Bubbling Brown Sugar, and the Andrew Lloyd Webber show Song and Dance with Wayne Sleep, which ran for two years. After this, Duncan worked on the Steven Spielberg film Indiana Jones and the Temple of Doom. More recently, Duncan has worked on the film Entrapment with Sean Connery.

Later career

Duncan later rejoined Ted Heath's Orchestra under lead by Don Lusher, describing the revival as "a breath of fresh air". He was also a staff player in the BBC Radio Orchestra and BBC Big Band, till he retired from the BBC aged 60. In the 1990s, Duncan had made three trips to Japan with the Ray McVay Band, performing The Glen Miller Show with singers and dancers. In 2003, he bought himself a new trumpet; "It wasn’t far short of the price of my first house. I’ve been a full time musician since I was sixteen years old, so at eighty one I am more than happy just to have come this far. I still just love playing so I’ll keep on playing as long as the chops keep going!"

References


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