Steve Englehart

Infobox Comics creator

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imagesize =
caption = Englehart (right) and Jim Shooter at Comic-Con
birthname =
birthdate = birth date and age|1947|04|22
location = Indianapolis, Indiana
deathdate =
deathplace =
nationality = American
area = Writer
alias = John Harkness
Cliff Garnett
notable works =
awards =

Steve Englehart (born April 22, 1947, Indianapolis, Indiana) is an American comic book writer best known for his work for Marvel Comics and DC Comics, particularly in the 1970s. His pseudonyms have included John Harkness and Cliff Garnett.

Biography

Early career

Englehart's first work in comics was as an art assistant to Neal Adams on a story in Warren Publishing's black-and-white horror comics magazine "Vampirella" #10 (March 1971). However, Englehart found his true calling as a writer. Influenced by writer Roy Thomas, who edited his first stories for Marvel, Englehart brought a complex, freewheeling style to Marvel's comics, often dealing with philosophical or political issues in a superhero story, such as a celebrated run on "Captain America" (with artists Sal Buscema and Frank Robbins) that reflected the then-ongoing Watergate scandal.

Thomas said in a 2007 interview that Englehart

Marvel Comics

Englehart also wrote "The Avengers" from 1972 to 1976, and had a brief but potent run on "Doctor Strange" (originally with artist Frank Brunner, later with Gene Colan), in which Strange's mentor, the Ancient One, died, and Strange became the new Sorcerer Supreme. Englehart and Brunner, audaciously, also created a multi-issue storyline in which a sorcerer named Sise-Neg ("Genesis" spelled backward) goes back through history, collecting all magical energies, until he reaches the beginning of the universe, becomes all-powerful and creates it anew, leaving Strange to wonder whether this was, paradoxically, the original creation ("Marvel Premiere" #14). Editor-in-chief Stan Lee, seeing the issue after publication, wrote Englehart and Brunner to print a retraction saying this was not God but "a" god, so as to avoid offending religious readers. The writer and artist concocted a fake fan letter from a fictitious minister praising the story, and mailed it to Marvel from Texas; Marvel unwittingly printed the letter, and dropped the retraction order. [Frank Brunner, interview in "Comic Book Artist" #6, quoted in "Comic Book Resources" (Dec. 22, 2005), " [http://goodcomics.comicbookresources.com/2005/12/22/comic-book-urban-legends-revealed-30/ Comic Book Urban Legends Revealed #30"] ]

Englehart reconciled the existence of Captain America and sidekick Bucky in Marvel's 1950s precursor, Atlas Comics, an anomaly that had been ignored since Cap's 1964 reintroduction to Marvel, in which his newly-retconned history stated that he had been in suspended animation since the end of World War II, when Bucky had been killed. ["Captain America" #155-156 (Jan.-Feb. 1972)]

DC Comics

In 1976, after a dispute with incoming Marvel editor-in-chief Gerry Conway, Englehart moved to DC Comics. There he wrote "Justice League of America", with artist Dick Dillin "(Justice League of America #139-146,149,150)", and a critically lauded eight-issue arc of Batman stories in "Detective Comics" #469-476, (with pencilers Walt Simonson and Marshall Rogers and inker Terry Austin). He also created the comic book version of the Spear of Destiny, which has since been used by several other DC writers as an important plot device, most notably Roy Thomas in "All-Star Squadron". Englehart temporarily left comics at this juncture, moving to Europe before his first issue of "Detective" was published. During this time he wrote a fantasy/occult novel, "The Point Man" (Dell Publishing, Aug. 1981, ISBN 0-440-12378-X).

His run on "Detective Comics" was reprinted into trade paperback in 1999 as "Batman: Strange Apparitions" (ISBN 1-56389-500-5). In 2006, Englehart reunited with Rogers and Austin on the miniseries "Batman: Dark Detective" (reprinted as a trade paperback, ISBN 1-4012-0898-3).

Return to Marvel

In 1983, Marvel's creator-owned imprint Epic Comics published "Coyote", a series he had earlier created at Eclipse Comics with Rogers, in collaboration with artist Steve Leialoha (and later Chas Truog and Todd McFarlane).

Englehart returned to mainstream comics later that decade with stints on "West Coast Avengers", the second "Vision and the Scarlet Witch" miniseries (with artist Richard Howell), and "Fantastic Four" (during which editorial disputes led to his using the pseudonym John Harkness, a name he had first used on his last issue of Mr. Miracle; the name evokes Jonathan Harker, of the Dracula novel, and Agatha Harkness, a supporting character in the Fantastic Four). [ [http://www.steveenglehart.com/Comics/Fantastic%20Four%20326-332.html Steve Englehart official site: "Fantastic Four" III: #304-332 (This page: 326-332)"] ]

Other work

Around this time, Englehart also wrote DC Comics' "Green Lantern", and in 1987 wrote the DC crossover series "Millennium". In 1992, he co-created the Ultraverse comics universe for Malibu Comics and wrote "Night Man" and the superhero-team series "The Strangers". "Night Man" was later adapted for a syndicated television series.

For Claypool Comics, he wrote the supernatural series "Phantom of Fear City" #1-12 (May 1993 - May 1995).

Englehart wrote a screenplay for an unproduced film, "Majorca". The screenplay was published as a book by Black Coat Press. [ [http://www.blackcoatpress.com/scriptmajorca.htm Black Coat Press - book cover] ] He has admitted to writing the novel "Hellstorm" in the TALON Force series under the house pseudonym Cliff Garnett. [http://www.steveenglehart.com/Prose/Hellstorm.html Steve Englehart official site: Prose - "Hellstorm"] ]

In the 2000s, Englehart has combined occasional comics writing with scripting for TV and computer games and writing books. He has also written a number of series novels under house pseudonyms.

Quotes

Steve Englehart: "We'd rampage around New York City. There was one night when a bunch of us, including Jim Starlin, went out on the town. We partied all day, then did some more acid, then roamed around town until dawn and saw all sorts of amazing things (most of which ended up in "Master of Kung Fu", which Jim and I were doing at the time)". ["Comics: Between The Panels" (Dark Horse Comics, 1998)]

Awards

* 1977: nominated for Favourite Comicbook Writer at the Eagle Awards
* 1978: Favourite Writer at the Eagle Awards
* 1978: Roll of Honour at the Eagle Awards
* 1978: nominated for Favourite Single Story at the Eagle Awards for "Detective Comics" #472: "I am the Batman" with Marshall Rogers
* 1978: nominated for Favourite Continued Story at the Eagle Awards for "Detective Comics" #471-472 with Marshall Rogers
* 1979: Inkpot Award
* 1979: nominated for Best Comic Book Writer (US) at the Eagle Awards
* 1979: nominated for Best Continued Story at the Eagle Awards for "Detective Comics" #475-476 with Marshall Rogers

Footnotes

References

* [http://www.steveenglehart.com/ Steve Englehart official site]
* [http://www.comics.org The Grand Comics Database]
* [http://www.batman-on-film.com/interview_steveenglehart_jett_2006.html Batman-On-Film.com] Batman on Film (Nov. 27, 2006): Steve Englehart interview]
* [http://www.fantasticfourheadquarters.com Steve Englehart Fantasic Four interview]