Goldmark's interest in the subject of the Queen of Sheba was inspired by his pupil, mezzo-sopranoCaroline von Gomperz-Bettelheim, whose beauty was once compared to that of the Queen of Sheba by a friend of Goldmark. Bettleheim possessed a striking voice and the role was written to show off her wide range and dramatic skills. However, Bettleheim never performed the role, as the opera took twelve years to make it to the stage. Goldmark began working on the opera in 1863, but the first working libretto proved unsuitable. Mosenthal's libretto was provided two years later, but Goldmark was not satisfied with the happy ending. After some deliberation, Goldmark rewrote the ending of the opera to finish with the tragic death of Assad.
After a long gestation, Die Königin von Saba finally made it to the stage on 10 March 1875 at the Hofoper in Vienna. Although written for a mezzo-soprano, the role of the Queen of Sheba went to acclaimed dramatic soprano Amalie Materna, who had originated several roles in Wagner's operas. The premiere was highly successful, partly due to the theatre manager's ability to persuade Goldmark to make sizable cuts following the dress rehearsal. Performances in numerous European cities followed, and the work became particularly popular in Italy for several decades. The opera made its United States premiere at the Metropolitan Opera on 2 December 1885.
Solomon and the Queen of Sheba by Giovanni Demin (1789-1859)
Place and Time: Jerusalem and the surrounding desert, 10th Century BC.
Act 1: A hall in Solomon’s palace
Sulamith, the daughter of the High Priest, is anxiously waiting for her fiancé, Assad, to return to court from his diplomatic assignment to plan for the arrival of the Queen of Sheba to the court of King Solomon. The couple are scheduled to marry the following day. Upon his return to the palace, Assad meets with Solomon and reveals to him that he has fallen in love with a mysterious woman among the cedar forests of Lebanon and does not love Sulamith. Before Solomon can reply, the Queen of Sheba arrives with her entourage. As she greets the king, she pulls back her veil, revealing to Assad that she is in fact the mysterious woman he had met on his journey. The queen, however, pretends not to know Assad to his confusion. After the queen leaves, Solomon counsels Assad to not pursue his infatuation but to continue with his marriage to Sulamith.
Act 2: The garden of the palace at night
The Queen of Sheba has slipped away from the social gathering being held in her honor inside the palace. As she reflects on Assad's impending marriage, Astaroth, her slave, informs her that Assad is nearby and then proceeds to lure Assad to her mistress with a seductive oriental vocalise ("Magische Töne"). Assad and the Queen engage in a fervent conversation that climaxes in a passionate duet and embrace. The Guardian of the Temple arrives at daybreak and disrupts their tryst with a call for the Sons of Israel to pray.
The wedding party arrives and Assad and Sulamith are about to be married in front of the Ark of the Covenant when the Queen appears to give a wedding present. The Queen continues to treat Assad like a stranger which throws him into distress. He commits blasphemy by referring to the Queen as his god, causing an uproar which ends the wedding ceremony. Assad is led off to await punishment, most likely his execution.
Act 3: The court of King Solomon
Celebrations in honour of the Queen of Sheba continue with a performance of Bienentanz der Almeen, a ballet, and a bacchanal. Worried for Assad's fate, the Queen pleads for Solomon to give Assad mercy. He refuses and the Queen leaves plotting revenge. Sulamith, along with her companions, enter the court singing a mournful song. She too pleads for Assad's life to be spared in an aria that eventually culminates into a large ensemble. Still unmoved, Solomon replies with an ominous prophesy about Sulamith's fate. Distraught, she leaves the palace for the desert to bewail her impending future.
Act 4: The vicinity of Sulamith's desert retreat
Assad has been banished by Solomon to the desert. The Queen of Sheba seeks him out to attempt to convince him to come back with her to her kingdom. She finds him alone, not too far from Sulamith's retreat, and tries to seduce him. He rejects her advances and in a bitter soliloquy reveals his regret and desire for a death that might redeem his offense against God. Assad then prays for Sulamith, during which time he is engulfed in a violent sandstorm. He is later found barely alive by Sulamith and her companions. He begs for her forgiveness, which she bestows just before he dies in her arms.
Die Königin von Saba is written in the style of grand opera; with the usual large-scale cast and orchestra, the use of local color, and a plot set in history all typical of that genre. The vocal writing includes solo recitative and aria passages, duets, and large-scale choruses. Notable moments of the opera include Assad’s short arietta "Magische Töne" in Act 2 and the final duet in Act 4, both of which display Goldmark's lyricism at its best.
Although Goldmark was never an ardent follower of Wagner, the orchestration of Die Königin von Saba is reminiscent of the effects and formal fluidity that characterized so much of Wagner's work. Although Goldmark never adopted a fully-fledged system of leitmotifs, certain passages are reminiscent of Tristan und Isolde. The work also shows some influence of the dramatic sensibilities of Meyerbeer.
Although these are obvious influences in the work, Goldmark's individuality is apparent. The music for the Queen of Sheba displays a sultry eroticism with oriental flair. The music for the High Priest and other religious characters recalls Jewish religious music and at times the music of Sarastro in The Magic Flute. The religious character of these parts of the opera may well have been influenced by the ideas of the great ViennesecantorSalomon Sulzer, who was concerned with restoring Jewish music to its oriental origins.
Karl Goldmark:Die Königin Von Saba - Complete recording from a live 1970 performance of the work by the American Opera Society Orchestra conducted by Reynald Giovaninetti with Arley Reece as Assad and Alpha Floyd as the Queen of Sheba. The CD also includes excerpts from the opera in a studio recording made in Vienna (1903–1909) with Leo Slezak as Assad and Elsa Bland as the Queen of Sheba). Label: Gala
Goldmark:Die Königin Von Saba - Excerpts from the opera recorded in 1980 by the Hungarian State Orchestra, conducted by Adam Fischer with Siegfried Jerusalem as Assad and Klara Takács at the Queen of Sheba. Label: Hungaroton
Königin von Saba — Königin von Saba, legendäre Herrscherin des altsüdarabischen Reiches Saba (Sabäer); in der Bibel in 1. Könige 10, 1 ff. und als »Königin des Südens« in Matthäus 12, 42 genannt; nach jüdischen Legenden Stammmutter der »Schwarzen Juden«… … Universal-Lexikon
Königin von Saba — Salomo empfängt die Königin von Saba. Gemälde von Giovanni Demin Die Königin von Saba ist eine biblische Gestalt, die im 10. Jahrhundert vor Christus eine Reise zum Hof König Salomos in Jerusalem unternommen haben soll. Außer im Alten Testament,… … Deutsch Wikipedia
Reich von Saba — Saba (sabäisch s1bʾ; griechisch Σαβα; hebräisch: Šebā) war ein Königreich im heutigen Jemen zwischen 1000 v. Chr. und 400 n. Chr. mit der Hauptstadt Marib. Trotz seiner Bedeutung steht die Erforschung der Geschichte und Kultur dieses Landes… … Deutsch Wikipedia
Saba — steht für: eine riesenhafte Sagengestalt, die auf der Sababurg gewohnt haben soll eine Insel in der Karibik, siehe Saba (Insel) ein antikes Reich im heutigen Jemen, siehe Saba (Antike) einen Subdistrikt (mukim) in Brunei, siehe Saba (Brunei) eine … Deutsch Wikipedia
Saba  — Saba (eigentlich Scheba), Stadt der Sabäer (s. d.) im südwestlichen Arabien, lag an der Straße von Adana (Aden) nach Mariaba (Mârib), der Hauptstadt der Sabäer, und war nach der Tradition die Residenz der aus der Geschichte Salomos bekannten… … Meyers Großes Konversations-Lexikon
Die Bibel - Salomon — In diesem Artikel oder Abschnitt fehlen folgende wichtige Informationen: Vollständige Handlung Du kannst Wikipedia helfen, indem du sie recherchierst und einfügst … Deutsch Wikipedia
Die Bibel – Salomon — In diesem Artikel oder Abschnitt fehlen folgende wichtige Informationen: Vollständige Handlung Du kannst Wikipedia helfen, indem du sie recherchierst und einfügst … Deutsch Wikipedia
Königin — 1. Die Königin der Bienen hat keinen Stachel. Lat.: Rex apum caret aculeo. (Bovill, II, 129.) Port.: O rei das abelhas não tem aguilhão. (Bohn I, 290.) 2. Die Königin Geld regiert die Welt; der König heist Pfenning, der beist. – Lehmann, II, 70,… … Deutsches Sprichwörter-Lexikon