The Curse of the Jade Scorpion


The Curse of the Jade Scorpion
The Curse of the Jade Scorpion

original poster
Directed by Woody Allen
Produced by Letty Aronson
Co-Executive Producers
Datty Ruth
Jack Rollins
Charles H. Joffe
Executive Producer
Stephen Tenenbaum
Co-Producer
Helen Robin
Written by Woody Allen
Starring (in alphabetical order)
Woody Allen
Dan Aykroyd
Helen Hunt
Brian Markinson
Wallace Shawn
David Ogden Stiers
Charlize Theron
co-starring
Elizabeth Berkley
Peter Gerety
John Schuck
Cinematography Zhao Fei
Editing by Alisa Lepselter
Studio VCL Communications GmbH
Distributed by DreamWorks
Release date(s) August 24, 2001 (2001-08-24)
Running time 103 minutes
Country United States
Language English
Budget $26 million
Box office $18,914,307

The Curse of the Jade Scorpion is a 2001 American film written, directed by, and starring Woody Allen. The cast also features Dan Aykroyd, Elizabeth Berkley, Helen Hunt, John Schuck, Wallace Shawn, David Ogden Stiers, and Charlize Theron. The plot concerns an insurance investigator and an efficiency expert who are both hypnotized by a crooked hypnotist into stealing jewels. The movie bears much more in common with Allen's earlier screwball comedy films than with other films made by him around the same time.

Contents

Plot

CW Briggs (Woody Allen) is an insurance investigator who is highly successful, owing to his many connections and ability to think like a criminal. His work does not impress Betty Ann Fitzgerald (Helen Hunt), an efficiency expert who butts heads with Briggs over his old-fashioned views. Her advice is usually followed however, because she secretly is in a relationship with her boss, Chris Magruder (Dan Aykroyd), who constantly reassures her that they will be free to pursue their relationship in public once he finalizes his divorce with his wife.

While attending a dinner with some employees, Fitzgerald and Briggs are called on by a stage magician (David Ogden Stiers) to be in his hypnotism act. Using the words "Madagascar" and "Constantinople" on them respectively as trigger words to put then in a trance, the two are given the suggestion that they are newlyweds who are madly in love before being reawakened. When Briggs returns home for the evening, he receives a call from the magician, who uses Brigg's trigger word to put him back in a trance and orders him to steal jewels for him. Briggs has no recollections of these crimes after he is woken up and is determined to prove himself by solving the crimes. He begins to investigate Fitzgerald on the grounds of her suspicious behavior (actually related to her affair with Magruder) and sneaks into her house one evening. There, he witnesses Magruder tell her that he has reconciled with his wife and will not have a divorce. When he leaves, Fitzgerald becomes drunk in a fit of depression and tries to jump out of a window. Briggs stops her and spends the night keeping her from other self destructive activity.

Eventually, investigations begin to pick up evidence that points to Briggs, leading to his arrest. He manages to escape to Fitzgerald's place, where she grudgingly hides him. Thinking that Briggs is no longer available, the magician begins to call Fitzgerald, using her trigger word of "Madagascar" to put her in a hypnotic state and resume stealing for him. It also becomes apparent that the subliminal suggestion of being in love has remained, as Fitzgerald and Briggs continue to act the part of newlyweds with each other while hypnotized. This leads several of Brigg's co-workers to recall the initial hypnotism and realize that it is the cause of the robberies. They free Briggs of the trigger word and upon remembering everything, he rushes to the site where the still hypnotized Fitzgerald is delivering the jewels to the magician. Briggs is discovered and held at gunpoint, however he deduces that a small-time criminal like the magician wouldn't have the nerve to do something as drastic as murder. The magician attempts to run but is caught by the police shortly after.

Back at work, Briggs attempts to convince Fitzgerald that he loves her and she is better off with him than Magruder (who insists once more that his relationship with his wife has begun to deteriorate and they will be divorcing). She remains unwilling to break up with her boss, leading Briggs to ask, "Where are you going? Madagascar?" and puts her in a hypnotic and loving state.

After they have left, their colleague George (Wallace Shawn) remarks that he already deprogrammed her.

Critical reception

The film received mixed reviews from critics. The review aggregator Rotten Tomatoes reported that the film received 45 percent positive reviews, based on 122 reviews.[1] Metacritic reported the film had an average score of 52 out of 100, based on 31 reviews.[2]

Allen himself seems to be in relative agreement with some critics, remarking that it is perhaps his worst movie. Allen has said he felt he let down the rest of the cast by casting himself as the lead. He explained that part of the problem was the period setting and the set building expense which made it too expensive to go back and reshoot anything.[3] Allen famously re-shot the entirety of his 1987 drama September after he felt he got the casting wrong.

With its production budget of $26 million, it is Allen's most expensive film. In relation to most of his most successful productions, the film fared poorly in American theaters with ticket sales of less than seven million dollars. Its worldwide gross was $18.9 million.[4] However, in the ten years since its release, it is beginning to enjoy a new generation of cult status comedic recognition. Roger Ebert wrote, "There are pleasures in the film that have little to do with the story. Its look and feel is uncanny; it's a tribute to a black-and-white era, filmed in color, and yet the colors seem burnished and aged. No noir films were shot in color in the 1940s, but if one had been, it would have looked like this. And great attention is given to the women played by Hunt, Berkley and Theron; they look not so much like the women in classic film noir as like the women on film noir posters - their costumes and styles elevate them into archetypes. Hunt in particular has fun with a wisecracking dame role that owes something, perhaps, to Rosalind Russell in "His Girl Friday."

References

External links


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