Beauty and the Beast (1991 film)


Beauty and the Beast (1991 film)
Beauty and the Beast

Theatrical poster by John Alvin[1]
Directed by Gary Trousdale
Kirk Wise
Produced by Don Hahn
Screenplay by Linda Woolverton
Story by Roger Allers
Brenda Chapman
Chris Sanders
Burny Mattinson
Kevin Harkey
Brian Pimental
Bruce Woodside
Joe Ranft
Tom Ellery
Kelly Ashbury
Robert Lence
Based on La Belle et la Bête by
Jeanne-Marie Le Prince de Beaumont
Narrated by David Ogden Stiers
Starring Paige O'Hara
Robby Benson
Richard White
Jerry Orbach
Angela Lansbury
David Ogden Stiers
Bradley Pierce
Jesse Corti
Rex Everhart
Music by Alan Menken
Editing by John Carnochan
Studio Walt Disney Animation Studios
Silver Screen Partners IV
Distributed by Walt Disney Pictures
Release date(s) November 13, 1991 (1991-11-13)
Running time 84 minutes
Country United States
Language English
Budget $25 million
Box office $377,350,553

Beauty and the Beast is a 1991 American animated fantasy film produced by Walt Disney Animation Studios and distributed by Walt Disney Pictures. The thirtieth film in the Walt Disney Animated Classics series, the film is based on the fairy tale La Belle et la Bête by Jeanne-Marie Le Prince de Beaumont[2] and uses some ideas from the 1946 film of the same name.[3] The film centers around a prince who is transformed into a Beast and a young woman named Belle whom he imprisons in his castle. To become a prince again, the Beast must love Belle and win her love in return, or he will remain a Beast forever.

The film's animation screenplay was written by Linda Woolverton with story written by Roger Allers, Brenda Chapman, Chris Sanders, Burny Mattinson, Kevin Harkey, Brian Pimental, Bruce Woodside, Joe Ranft, Tom Ellery, Kelly Ashbury, and Robert Lence, directed by Gary Trousdale and Kirk Wise, and produced by Don Hahn. The music of the film was composed by Alan Menken and Howard Ashman, both of whom had written the music and songs for Disney's The Little Mermaid.

Beauty and the Beast was released on November 13, 1991. The film was a significant commercial and critical success, earning $403 million in box office earnings throughout the world. Beauty and the Beast was also nominated for several awards, and won the Golden Globe Award for Best Motion Picture - Musical or Comedy, with two other awards for its music. Famously, Beauty and the Beast was the first ever animated film to be nominated for the Academy Award for Best Picture, and was the only animated film to hold this honor until 2009, when the Academy Awards switched from 5 Best Picture nominations to 10, and Pixar's animated film Up was nominated. Beauty and the Beast received a total of six nominations, including Best Picture, Best Original Score, Best Sound, and three nominations for its song. It ended up winning two, for Best Original Score and Best Original Song for the songs "Beauty and the Beast".

A direct-to-video midquel called Beauty and the Beast: The Enchanted Christmas was released in 1997. It was followed in 1998 by another midquel, Belle's Magical World, and later by a stage production of the same name and a television spin-off series, Sing Me a Story with Belle. An IMAX special edition version of the original film was released in 2002, with a new five-minute musical sequence included. After the success of the 3D re-release of The Lion King in 2011, Disney announced the film will return to theaters for a limited time in 3-D on January 13, 2012.[4]

Contents

Plot

An enchantress disguised as an old beggar woman offers a young prince a rose in exchange for a night's shelter. When he turns her away, she punishes him by transforming him into an ugly Beast and turning his servants into furniture and other household items. She gives him a magic mirror that will enable him to view faraway events, and she gives him the rose, which will bloom until his twenty-first birthday. He must love and be loved in return before all the rose's petals have fallen off, or he will remain a Beast forever. Years later, a young, beautiful woman known as Belle comes along, living in a nearby French village with her father Maurice, who is an inventor. Belle loves reading and yearns for a life beyond the village. She is pursued by the arrogant local hero, Gaston, but has no interest in him, despite the fact that he is the most handsome man in town, is sought after by all the single females and is considered godlike in perfection by the male population of the town.

When Maurice rides through the woods to display his latest invention, a wood-chopping machine, at a fair, he gets lost on the way and is chased by wolves before stumbling upon the Beast's castle, where he meets the transformed servants Lumiere (a candlestick), Cogsworth (a clock), and Mrs. Potts (a teapot) and her son Chip (a teacup). The Beast imprisons Maurice, but Belle, shortly after declining Gaston's proposal for marriage, is led back to the castle by Maurice's horse and offers to take her father's place. When the Beast agrees to this and sends him home, Maurice tells Gaston and the other villagers what happened, but they think he has lost his mind.

At the castle, the Beast orders Belle to dine with him, but she refuses, and Lumiere disobeys his order not to let her eat. After Cogsworth gives her a tour of the castle, she finds the rose in the forbidden west wing and the Beast angrily chases her away. Frightened, she tries to escape, but she and her horse are attacked by wolves. After the Beast rescues her, she nurses his wounds, and he begins to develop feelings for her. He decides to make it up to her and show her the library at Lumiere's suggestion, which impresses Belle and they become friends. They grow closer as they spend more time together and the servants take it upon themselves to clean up the castle and create a romantic evening for them.

Back in the village, Gaston, after hearing Maurice's story about Belle being imprisoned by the Beast, pays the warden of the town's insane asylum to lock up Maurice unless Belle agrees to Gaston's marrige proposal and orders his cohort LeFou to wait at the doorstep until they return after discovering their house empty. Back at the castle Belle and the Beast get dressed up, have an elegant dinner and a romantic ballroom dance. The Beast notices Belle seems depressed and he lets her use the magic mirror; she sees her father, who was trying to rescue her from the castle, dying in the woods. With only hours left before the rose wilts, the Beast allows her to leave to rescue her father, giving her the mirror to remember him by. This horrifies the servants, who fear they will never be human again, since the Beast never told them of his reason why he had to let her go. As he watches her leave, the Beast admits to Cogsworth that he loves Belle.

Belle finds her father and takes him home, but Gaston arrives with a mob. Unless she agrees to marry Gaston, the manager of the local madhouse will lock up her father. Eventually, Belle proves Maurice sane by showing them the Beast with the magic mirror, but when she says the Beast is her friend and calls Gaston a "monster", he becomes jealous. Gaston arouses the mob's anger against the Beast, and leads them to the castle to kill him. Gaston locks Belle and Maurice in the basement, though Chip, who had hidden himself in Belle's baggage, is able to chop the basement door apart with Maurice's machine.

While the servants and Gaston's men fight in the castle, Gaston finds the Beast and attacks him. The Beast is initially too depressed to fight back, but he regains his will when he sees Belle returning to the castle with Maurice. After winning a heated battle, the Beast spares Gaston's life, demanding that he leave the castle. The Beast then climbs up to a balcony where Belle is waiting. Gaston, refusing to admit defeat, follows the Beast and stabs him from behind, but loses his balance and falls off the balcony to his death.

While the Beast is dying from his injuries, Belle whispers that she loves him, breaking the spell just before the last petal drops from the rose. The Beast comes back to life and he becomes human again. As he and Belle kiss, the castle and its grounds return to their previous beautiful state while the servants become human again. Belle and the prince dance in the ballroom with her father and the humanized servants happily watching.

Cast and crew

Cast and characters

  • Paige O'Hara as Belle - (Animation - James Baxter) - A bookish young woman who falls in love with the Beast and finds the kind-hearted human inside him. In their effort to enhance the character from the original story, the filmmakers felt that Belle should be "unaware" of her own beauty and made her "a little odd".[5] Wise recalls casting O'Hara because of a "unique tone" she had, "a little bit of Judy Garland", whose appearance she was modeled after.[6]
  • Robby Benson as The Beast - (Animation - Glen Keane) - A cold-hearted prince transformed into a beast as punishment for his selfishness, but later warms, with the help of Belle, and ends up being transformed back into a handsome prince as a reward. Chris Sanders, one of the film's storyboard artists, drafted the designs for the Beast and came up with designs based on birds, insects and fish before coming up with something close to the final design.[7] Glen Keane, supervising animator for the Beast, refined the design by going to the zoo and studying the animals on which the Beast was based.[7] Benson commented, "There's a rage and torment in this character I've never been asked to use before."[8] The filmmakers commented that "everybody was big fee-fi-fo-fum and gravelly" while Benson's voice had the "big voice and the warm, accessible side" and that "you could hear the prince beneath the fur".[7]
  • Richard White as Gaston - (Animation - Andreas Deja, Ron Husband, David Burgess, Tim Allen) - A highly egotistical hunter who vies for Belle's hand in marriage and is determined not to let anyone else win her heart, even if it means killing her true love. Hahn commented that they had "big line-ups of good-looking men with deep voices" during the casting auditions, but that Richard White had a "big voice" that "rattled the room".[7] Gaston's supervising animator, Andreas Deja, was pressed by Jeffrey Katzenberg to make Gaston handsome in contrast to the traditional appearance of a Disney villain, an assignment he found difficult at first.[9]
  • Jerry Orbach as Lumière - (Animation - Nik Raineri) - The kind-hearted but rebellious maître d' of the Beast's castle, he has been transformed into a candelabra. He has a habit of disobeying his master's strict rules, sometimes causing tension between them, but the Beast often turns to him for advice, and he is arguably the Beast's closest friend after Belle. He is depicted as a bit of a ladies' man, as he is frequently seen with Babette the Featherduster and immediately takes to Belle.
  • David Ogden Stiers as Cogsworth - (Animation - Will Finn) - The castle majordomo and Lumiere's best friend, transformed into a clock. While he is as good-natured as Lumiere, he is extremely loyal to the Beast so as to save himself and anyone else any trouble, often leading to friction between himself and Lumiere. Stiers also provided the voice of The Narrator.
  • Angela Lansbury as Mrs. Potts - (Animation - David Pruiksma) - The head of the castle kitchens, turned into a teapot, who takes a motherly attitude toward Belle. The filmmakers went through several names for Mrs. Potts, such as "Mrs. Chamomile", before Ashman suggested the use of simple and concise names for the household objects.[7]
  • Bradley Michael Pierce as Chip - (Animation - David Pruiksma) - A teacup and Mrs. Potts' son. Originally intended to have only one line, the filmmakers were impressed with Pierce's performance and expanded the character's role significantly, eschewing a mute Music Box character.[7]
  • Rex Everhart as Maurice - (Animation - Ruben Aquino) Belle's inventor father.
  • Jesse Corti as Le Fou - (Animation - Chris Wahl) - Gaston's bumbling and often mistreated sidekick.
  • Hal Smith as Philippe - (Animation - Russ Edmonds) - Belle's horse.
  • Jo Anne Worley as Madame De la Grande Bouche Wardrobe - (Animation - Tony Anselmo) The castle's authority over fashion, and a former opera singer, turned into a wardrobe. The character of Wardrobe was introduced by visual development person Sue C. Nichols to the then entirely male cast of servants, and was originally a more integral character named "Madame Armoire". Wardrobe is known as "Madame de la Grande Bouche" (Madame Big Mouth) in the stage adaptation of the film.
  • Kimmy Robertson as Babette the Featherduster - A featherduster and Lumiere's lover. She is named "Babette" in the stage adaptation of the film, and "Fifi" in Belle's Magical World.
  • Frank Welker as Footstool, aka Sultan - The castle's pet dog turned into a footstool, whom Chip seems to own as his pet.
  • Mary Kay Bergman and Kath Soucie as the Bimbettes - A trio of village girls who constantly fawn over Gaston. They are seen crying as he attempts to propose to Belle.
  • Tony Jay as Monsieur D'Arque - The owner of the Maison de Lune. Gaston bribes him to help him in his plan to blackmail Belle.

Localization

In the Chinese versions of Beauty and the Beast, the voice of the Beast is provided by Jackie Chan. He provided both the speaking and singing voices in these versions. In September 2007, CCTV6, a Chinese film channel, aired a newly dubbed version of Beauty and the Beast in which Beast's voice is performed by 王凯, Wang Kai. Together with this version, a translated version of the pop version of the "Beauty and the Beast" theme song was released, which was translated by Chan Siu Kei and sung by Nicholas Tse Ting-Fung and Meilin.[10] This translated theme song was released separately before the film aired and is not included in the new Chinese version, which uses another translation of lyrics, translated by Han Wen (翰文).

Two Spanish versions exist, one in Mexican Spanish for the Latin American market, the other in Castilian Spanish for the European market. In the Mexican version, the voice of LeFou is provided by the same actor who played the role in English, Venezuelan-American voice actor Jesse Corti.[11]

In the Italian version, the theme song is performed by the famous Italian singer Gino Paoli and his daughter Amanda Sandrelli. Unlike in the English version, the first part of the song is sung by a man (Gino Paoli, in the original Celine Dion) and the second part by a woman (Amanda Sandrelli, in the original Peabo Bryson).

For the French version, the theme song is performed by Charles Aznavour and Liane Foly in the original release. When it was released again in 2002, the theme song was sung by Patrick Fiori and Julie Zenatti. The voice of Mrs. Potts also changed in the 2002 release. In the original, Mrs. Potts was voiced by Lucie Dolène, the same actress who gave voice to Snow White in 1962 (second dubbing). However, because of some disagreements, Lucie Dolène's voice replaced by Lily Baron for the spoken parts and Christiane Legrand for the sung parts.

In the Swedish version, the theme song is provided by Tommy Körberg and Sofia Källgren, who also provide the voices of Beast and Belle, respectively, in the film.

In the Greek version of the film, the Beast's voice is provided by Yiannis Palamidas, the same actor who provided the voice of Rex in the Greek release of Toy Story. Belle's voice is provided by the well-known Greek actress Christy Stasinopoulou.

Production

Early versions

Walt Disney sought out other stories to turn into feature films after the success of Snow White and the Seven Dwarfs, and Beauty and the Beast was among the stories he considered.[5][12] Attempts to develop the Beauty and the Beast story into a film were made in the 1930s and 1950s, but were ultimately given up because it "proved to be a challenge" for the story team.[5] Peter M. Nichols states Disney may later have been discouraged by Jean Cocteau having already done his version.[13]

Decades later, after the success of Who Framed Roger Rabbit in 1988, the Disney studio resurrected Beauty and the Beast as a project for the satellite animation studio it had set up in London, England to work on Roger Rabbit.[14] Richard Williams, who had directed the animated portions of Roger Rabbit, was approached to direct, but declined in favor of continuing work on his long-gestating project The Thief and the Cobbler.[14] In his place, Williams recommended his colleague, English animation director Richard Purdum, and work began under producer Don Hahn on a non-musical version of Beauty and the Beast set in Victorian France.[14] At the behest of Disney CEO Michael Eisner, Beauty and the Beast became the first Disney animated film to use a screenwriter. This was an unusual production move for an animated film, which is traditionally developed on storyboards rather than in scripted form.[15] Linda Woolverton wrote the original draft of the story before storyboarding began, and worked with the story team to retool and develop the film.[15]

Script rewrite and musicalization

Upon seeing the initial storyboard reels in 1989, Walt Disney Studios chairman Jeffrey Katzenberg ordered that the film be scrapped and started over from scratch.[14] A few months after starting anew, Purdam resigned as director, and was replaced by first-time feature directors Kirk Wise and Gary Trousdale. Wise and Trousdale had previously directed the animated sections of Cranium Command, a short film for a Disney EPCOT theme park attraction.[14] In addition, Katzenberg asked songwriters Howard Ashman and Alan Menken, who had written the song score for Disney's recent success The Little Mermaid, to turn Beauty and the Beast into a Broadway-style musical film in the same vein as Mermaid. Ashman, who at the time had learned he was dying of AIDS, had been working with Disney on a pet project of his, Aladdin, and only reluctantly agreed to join the struggling production team.[14]

To accommodate Ashman's failing health, pre-production of Beauty and the Beast was moved from London to the Residence Inn in Fishkill, New York, close to Ashman's New York City home.[14] Here, Ashman and Menken joined Wise, Trousdale, Hahn, and Woolverton in retooling the film's script.[5][15] Since the original story had only two major characters, the filmmakers enhanced them, added new characters in the form of enchanted household items who "add warmth and comedy to a gloomy story" and guide the audience through the film, and added a "real villain" in the form of Gaston.[5] These ideas were somewhat similar to elements of the 1946 French film version of Beauty and the Beast, which introduced the character of Avenant, an oafish suitor somewhat similar to Gaston[16] as well as inanimate objects coming to life in the Beast's castle.[17] The animated objects were, however, given distinct personalities in the Disney version. By early 1990, Katzenberg had approved the revised script, and storyboarding began again.[5][15] The production flew story artists back and forth between California and New York for storyboard approvals from Ashman, though the team was not told the reason why.[5]

A frame from the "Beauty and the Beast" ballroom dance sequence. The background is animated with CAPS in order to give the illusion of a dollying film camera.

Animation

Production of Beauty and the Beast had to be completed on a compressed timeline of two years rather than four because of the loss of production time spent developing the earlier Purdam version of the film.[7] Most of the production was done at the main Feature Animation studio, housed in the Air Way facility in Glendale, California. A smaller team at the Disney-MGM Studios theme park in Lake Buena Vista, Florida assisted the California team on several scenes, particularly the "Be Our Guest" number.[5]

Beauty and the Beast was the second film produced using CAPS (Computer Animation Production System), a digital scanning, ink, paint, and compositing system of software and hardware developed for Disney by Pixar.[5][14] The software allowed for a wider range of colors, as well as soft shading and colored line effects for the characters, techniques lost when the Disney studio abandoned hand inking for xerography in the late 1950s.[7] CAPS also allowed the production crew to simulate multiplane effects: placing characters and/or backgrounds on separate layers and moving them towards/away from the camera on the Z-axis to give the illusion of depth, as well as altering the focus of each layer.

In addition, CAPS allowed easier combination of hand-drawn art with computer-generated imagery, which before had to be plotted to animation cels and painted traditionally.[5][18] This technique was put to significant use during the "Beauty and the Beast" waltz sequence, in which Belle and Beast dance through a computer-generated ballroom as the camera dollies around them in simulated 3D space.[5][7] The filmmakers had originally decided against the use of computers in favor of traditional animation, but later, when the technology had improved, decided it could be used for the one scene in the ballroom.[13] The success of the ballroom sequence helped convince studio executives to further invest in computer animation.[19]

Music

Ashman and Menken wrote the Beauty song score during the pre-production process in Fishkill, the opening operetta-styled "Belle" being their first composition for the film.[5] Other songs included "Be Our Guest", sung to Maurice (in this early stage) by the objects when he becomes the first visitor to eat at the castle in a decade, "Gaston", a solo for the swaggering villain, "Human Again", a song describing Belle and Beast's growing love from the objects' perspective, the love ballad "Beauty and the Beast", and the climactic "The Mob Song".

As story and song development came to a close, full production began in Burbank while voice and song recording began in New York City.[5] The Beauty songs were mostly recorded live with the orchestra and the voice cast performing simultaneously rather than overdubbed separately, in order to give the songs a cast album-like "energy" the filmmakers and songwriters desired.[7]

During the course of production, many changes were made to the structure of the film, necessitating the replacement and re-purposing of songs. After screening a mostly animated version of the "Be Our Guest" sequence, story artist Bruce Woodside suggested that the objects should be singing the song to Belle rather than her father.[5] Wise and Trousdale agreed, and the sequence and song were retooled to replace Maurice with Belle.[5]

"Human Again" was dropped from the film before animation began, as its lyrics caused story problems about the timeline over which the story takes place.[5] This required Ashman and Menken to write a new song in its place. "Something There", in which Belle and Beast sing (via voiceover) of their growing fondness for each other, was composed late in production and inserted into the script in place of "Human Again".[7] Menken would later revise "Human Again" for inclusion in the 1994 Broadway stage version of Beauty and the Beast, and another revised version of the song was added to the film itself in a new sequence created for the film's Special Edition re-release in 2002.[5][7]

Ashman died of AIDS-related complications on March 14, 1991, eight months prior to the release of the film. He never saw the finished film, and his work on Aladdin was completed by another lyricist, Tim Rice.[14] A tribute to the lyricist was included at the end of the credits crawl: "To our friend, Howard, who gave a mermaid her voice, and a beast his soul. We will be forever grateful. Howard Ashman: 1950–1991".

A pop version of the "Beauty and the Beast" theme, performed by Céline Dion and Peabo Bryson over the end credits, was released as a commercial single from the film's soundtrack, supported with a music video. The Dion/Bryson version of "Beauty and the Beast" became an international pop hit, reaching the Top Ten of the singles charts in the United States and the United Kingdom[20][21] Later home video releases of Beauty and the Beast would include, as bonus features, new music videos featuring covers of the title song by Jump 5 (for the 2002 DVD release) and Jordin Sparks (for the 2010 Blu-Ray/DVD release).

Musical numbers

  1. "Belle (Bonjour)" - Belle, Gaston, and Townspeople
  2. "Belle" (Reprise) - Belle
  3. "Gaston" - Gaston, LeFou, and Townspeople
  4. "Gaston" (Reprise) - Gaston and LeFou
  5. "Be Our Guest" - Lumière, Mrs. Potts, and the Enchanted Objects
  6. "Something There" - Belle, Beast, Lumière, Cogsworth, and Mrs. Potts
  7. "Human Again" (added in the 2002 special edition) - Lumière, Cogsworth, Mrs. Potts, Wardrobe, Chip, and Enchanted Objects
  8. "Beauty and The Beast" - Mrs. Potts
  9. "The Mob Song" - Gaston, LeFou, and Townspeople
  10. "Transformation (Beauty and the Beast - Reprise)" - Chorus

Release

The film was shown at the New York Film Festival in September 1991. Because the animation was only about 70% complete, the film was shown as a "work in progress." Storyboards and pencil tests were used in place of the remaining 30%. In addition, parts of the film that were finished were "stepped back" to previous versions of completion. The "work-in-progress" version of Beauty and the Beast played to a standing ovation from the film festival audience.[14] The completed film would also be screened out of competition at the 1992 Cannes Film Festival.[22] The finished film premiered at the El Capitan Theatre in Hollywood on November 13, 1991, and went into wide release through Walt Disney Pictures on November 22.

Disney initially planned a re-release of the film to be released theatrically in December 1998 in an attempt of counterprogramming against DreamWorks' The Prince of Egypt. The idea to restore the "Human Again" sequence was originally for this re-issue. However, due to impending competition from the aforementioned Prince of Egypt as well as The Rugrats Movie, Babe: Pig in the City and Jack Frost as well as Disney's own holiday release schedule being quite full with Enemy of the State, A Bug's Life and Mighty Joe Young, the re-release was delayed to spring 1999. When Disney decided to bump Doug's 1st Movie from direct-to-video to a theatrical release, that film took the re-release's date, delaying it to the holiday season. Presumably due to competition, like the year before, and Disney's own efforts to promote Toy Story 2, this release date was also canceled.

In 2002, Beauty and the Beast was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant." The film was restored and remastered for its New Year's Day, 2002 re-release in IMAX theatres in a special edition edit including a new musical sequence. For this version of the film, much of the animation was cleaned up, a new sequence set to the deleted song "Human Again" was inserted into the film's second act, and a new digital master from the original CAPS production files was used to make the high resolution IMAX film negative.

A sing along edition of the film, hosted by Jordin Sparks, was released in select theaters on September 29 and October 2, 2010. Prior to the showing of the film Sparks showed an exclusive behind-the-scenes look at the newly restored high definition animated classic and the making of her all-new Beauty and the Beast music video. There was also commentary from producer Don Hahn, interviews with the cast and an inside look at how the animation was created.[23]

A 3D version of the film was originally scheduled to be released in US theatres on February 12, 2010, but the project was postponed.[24] On August 25, 2011, Disney announced that the 3D version of the film would make its cinematic debut in the United States at Hollywood's El Capitan Theatre from September 2-15, 2011.[25] After the successful 3D re-release of The Lion King, Disney announced a wide 3D re-release of Beauty and the Beast for the United States beginning January 13, 2012.[26]

Home media releases

Blu-ray Diamond edition cover

The film was released to VHS and Laserdisc on October 30, 1992 as part of the Walt Disney Classics series, and was later put on moratorium. This version contains a minor edit to the film: skulls that appear in Gaston's pupils for two frames during his climatic fall to his death were removed for the original home video release.[7] No such edit was made to later reissues of the film. The "work-in-progress" version screened at the New York Film Festival was also released on VHS and Laserdisc at this time.

Beauty and the Beast: Special Edition, as the enhanced version of the film released in IMAX/large-format is called, was released on 2-Disc "Platinum Edition" DVD and VHS on October 8, 2002. The DVD set features three versions of the film: the extended IMAX Special Edition with the "Human Again" sequence added, the original theatrical version, and the New York Film Festival "work-in-progress" version. This release went to "Disney Vault" moratorium status in January 2003, along with its direct to video follow-ups Beauty and the Beast: The Enchanted Christmas and Belle's Magical World.

The film was released from the Disney vault on October 5, 2010 as the second of Disney's Diamond Editions, in the form of a 3-disc Blu-ray Disc and DVD combination pack;[27] representing the first release of Beauty and the Beast on home video in high-definition format.[28] This edition consists of four versions of the film: the original theatrical version, an extended version, the New York Film Festival storyboard-only version, and a fourth iteration displaying the storyboards via picture-in-picture alongside the original theatrical version.[29][30] However, one revised shot from the special extended edition appeared in all 4 versions of the film. This was the shot at the very end of the musical number "Something There" where Mrs. Potts said to Chip, "I'll tell you when you're older" and kissed him on the nose. A two-disc DVD edition was released on November 23, 2010.[27] A 5-Disc Combo Pack, featuring Blu-Ray 3D, Blu-Ray 2D, DVD and Digital copy, was released on October 4, 2011. The 3D combo pack is identical to the original Diamond Edition except for the added 3D disc and digital copy.[31]

Reception

Upon the theatrical release of the finished version, the film was universally praised, with Roger Ebert giving it four stars out of four and saying that "Beauty and the Beast reaches back to an older and healthier Hollywood tradition in which the best writers, musicians and filmmakers are gathered for a project on the assumption that a family audience deserves great entertainment, too." He ranked the film as the third best film of 1991. James Berardinelli gave the film a four out of four stars and says, "As a romance, Beauty and the Beast is a delightful confection, creating a pair of memorable, three-dimensional characters and giving us reason to root for their union." Berardinelli has called the film the greatest animated film of all time and has ranked it #56 in his Top 100 Films, ahead of other famous films like #71 The Wizard of Oz, #80 To Kill a Mockingbird, and #94 Lawrence of Arabia. The film received mostly positive reviews, among them some of the best notices the studio had received since the 1940s.[14] Rotten Tomatoes, a film review aggregator, shows Beauty and the Beast with a 92% approval rating as of July 2011 averaged from 63 reviews of the original theatrical release and later theatrical and home video versions.[32] The use of computer animation, particularly in the "Beauty and the Beast" ballroom sequence, was singled out in several reviews as one of the film's highlights.[7]

Smoodin writes in his book Animating Culture that the studio was trying to make up for earlier gender stereotypes with this film.[33] Smoodin also states that, in the way it has been viewed as bringing together traditional fairy tales and feminism as well as computer and traditional animation, the film’s "greatness could be proved in terms technology narrative or even politics".[34] Another author writes that Belle "becomes a sort of intellectual less by actually reading books, it seems, than by hanging out with them," but says that the film comes closer than other “Disney-studio” films to "accepting challenges of the kind that the finest Walt Disney features met".[35] David Whitley writes in The Idea of Nature in Disney Animation that Belle is different from earlier Disney heroines in that she is mostly free from the burdens of domestic housework, although her role is somewhat undefined in the same way that "contemporary culture now requires most adolescent girls to contribute little in the way of domestic work before they leave home and have to take on the fraught, multiple responsibilities of the working mother".[36] Whitley also notes other themes and modern influences, such as the film's critical view of Gaston’s chauvinism and attitude towards nature, the cyborg-like servants, and the father’s role as an inventor rather than a merchant.[36]

Betsy Hearne, editor of The Bulletin of the Center for Children's Books, writes that the film belittles the original story's moral about "inner beauty", as well as the heroine herself, in favor of a more brutish struggle; "In fact," she says, "it is not Beauty's lack of love that almost kills Disney's beast, but a rival's dagger."[37]

Stefan Kanfer writes in his book Serious Business that in this film "the tradition of the musical theater was fully co-opted", such as in the casting of Broadway performers Angela Lansbury and Jerry Orbach.[38]

IGN named Beauty and the Beast as the greatest animated film of all time, directly ahead of Wall-E.[39]

Box-office performance

During its initial release in 1991, the film was a significant success at the box office, with $145,863,363 in revenues in North America alone.[40] Therefore, it ranked as the third most-successful film of 1991 in North America, surpassed only by the summer blockbusters Terminator 2: Judgment Day and Robin Hood: Prince of Thieves.[41] Additionally, Beauty and the Beast was the most successful animated Disney film released to date, and the first animated film to reach $100 million in North America.[42] In its IMAX re-release, it earned $25,487,190 in North America and $5,546,156 in other territories for a worldwide total of $31,033,346.[43] It has also earned $2,899,723 from its 3D re-release overseas.[44] Therefore, as of October 2011, it has earned a total of $171,350,553 in North America and an estimated $206,000,000 in other territories for a worldwide total of $377,350,553.[45]

Merchandise and spin-offs

Beauty and the Beast merchandise covered a wide variety of products, among them storybook versions of the film's story, a comic book based on the film published by Disney Comics, toys, children's costumes, and other items. In addition, the character of Belle has been integrated into the "Disney Princess" line of Disney's Consumer Products division, and appears on merchandise related to that franchise.

In 1995, a live-action children's series entitled Sing Me a Story with Belle began running in syndication, remaining on the air through 1999. Two direct-to-video midquels (which take place during the timeline depicted in the original film) were produced by Walt Disney Television Animation: Beauty and the Beast: The Enchanted Christmas in 1997 and Belle's Magical World in 1998.

Stage musical

On Monday, April 18, 1994, a stage adaptation, also titled Beauty and the Beast, premiered on Broadway at the Palace Theatre in New York City. The show transferred to the Lunt-Fontanne Theatre on November 11, 1999. The commercial (though not critical) success of the show led to productions in the West End, Toronto, and all over the world. The Broadway version, which ran for over a decade, received a Tony Award, and became the first of a whole line of Disney stage productions. The original Broadway cast included Terrence Mann as the Beast, Susan Egan as Belle, Burke Moses as Gaston, Gary Beach as Lumiere, Heath Lamberts as Cogsworth, Tom Bosley as Maurice, Beth Fowler as Mrs. Potts, and Stacey Logan as Babette the feather duster. Many celebrities also starred in the Broadway production during its thirteen year run including Kerry Butler, Deborah Gibson, Toni Braxton, Andrea McArdle, Jamie-Lynn Sigler, Christy Carlson Romano, Ashley Brown, and Anneliese van der Pol as Belle; Chuck Wagner, James Barbour, and Jeff McCarthy as the Beast; Meshach Taylor, Jacob Young, and John Tartaglia as Lumiere; and Marc Kudisch, Christopher Sieber, and Donny Osmond as Gaston. The show ended its Broadway run on July 29, 2007 after 46 previews and 5,464 performances.

Video games

German language cover of Europe's 1994 Beauty and the Beast

There are several video games are loosely based on the film:

  • Beauty and the Beast is an action, platformer developed and publisher by Hudson Soft for the NES. It was released in Europe in 1994.[46] Gaston, logically, is the final boss of the game because he wants to kill the Beast, marry Belle and force her to give birth to nothing but baby boys (that look like Gaston).
  • Disney's Beauty and the Beast is an action, platformer for the SNES. It was developed and published by Hudson Soft in North America and Europe in November 1994 and February 23, 1995, respectively. The game was published by Virgin Interactive in Japan on July 8, 1994.[47] The entire game is played through the perspective of the Beast. As the Beast, the player must get Belle to fall in love so that the curse cast upon him and his castle will be broken, she will marry him and become a princess. The final boss of the game is Gaston, a hunter who will try to steal Belle from the Beast. There is even a snowball fight scene in the middle of the game and cutscenes between stages that tells the story of Beauty and the Beast. In Japan, this game was referred to as Bijo to Yajuu (美女と野獣?, "Beauty and the Beast").[48]
  • Beauty & The Beast: Belle's Quest is an action, platformer for the Sega Mega Drive/Genesis. Developed by Software Creations, the game was released in North America in 1993.[49] It is one of two video games based on the film that Sunsoft published for the Genesis,[46] the other being Beauty & The Beast: Roar of the Beast. Characters from the film like Gaston can help the player past tricky situations. As Belle, the player must reach the Beast's castle and break the spell to live happily ever after. To succeed, she must explore the village, forest, castle, and snowy forest to solve puzzles and mini-games while ducking or jumping over enemies. Belle's health is represented by a stack of blue books, which diminishes when she touches bats, rats, and other hazards in the game. Extra lives, keys and other items are hidden throughout the levels. While there is no continue or game saving ability, players can use a code to start the game at any of the seven levels.[50]
  • Beauty & The Beast: Roar of the Beast is the title of a side-scrolling video game for the Sega Genesis/Mega Drive. The game was one of two games based on the film released for the Sega Genesis, the other game being Beauty & The Beast: Belle's Quest, both of which were produced by Sunsoft and released in 1993. As the Beast, the player must successfully complete several levels, based on scenes from the film, in order to protect the castle from invading villagers and forest animals and rescue Belle from the evil Gaston.[51] Intermission screenshots between each level help to move the story along, as do mini-games. The Beast can crouch, jump, swing his fists, and use a special roar attack that will freeze the on-screen enemies for a brief period. He can sometimes locate items within a level to restore some of his health, and the game provides unlimited continues. It was often described as having a high difficulty level.[52]
  • Disney's Beauty & The Beast: A Boardgame Adventure is a Disney Boardgame adventure for the Game Boy Color.
  • Kingdom Hearts is an RPG game series crossing over the universes of its original characters, Final Fantasy and various Disney settings. Among the huge cast of characters are several from Beauty and the Beast, with a world based on the movie (Beast's Castle) featuring prominently in Kingdom Hearts II and Kingdom Hearts: 358/2 Days. Featured characters are Belle, Beast, Lumiere, Cogsworth, Mrs. Potts, Chip and Madame la Grande Bouche. Notably, their home world breaks the tradition of each world featuring a boss fight against the film's respective villain, since Gaston does not make single appearance in the series.

Awards and nominations

Academy Awards

Alan Menken and Howard Ashman's song "Beauty and the Beast" won the Academy Award for Best Music, Song, while Menken's score won the award for Best Music, Original Score. Two other Menken and Ashman songs from the film, "Belle" and "Be Our Guest", were also nominated for Best Music, Song. Beauty and the Beast was the first picture to receive three Academy Award nominations for Best Song, a feat that would be repeated by The Lion King (1994), Dreamgirls (2006), and Enchanted (2007). Academy rules have since been changed to limit each film to two nominations in this category.

The film was also nominated for Best Sound and Best Picture. It was the first animated film ever to be nominated for Best Picture, and remained the only animated film nominated until 2010, when the Best Picture field was widened to ten nominees. It lost to the critically acclaimed thriller The Silence of the Lambs.

With six nominations, the film currently shares the record for the most nominations for an animated film with WALL-E (2008), although, with three nominations in the Best Original Song category, Beauty and the Beast's nominations span only four categories, while WALL-E's nominations cover six individual categories.

Award[53] Recipient
Best Music, Original Score Alan Menken
Best Music, Original Song ("Beauty and the Beast") Alan Menken & Howard Ashman
Nominated:
Best Picture Don Hahn
Best Music, Original Song ("Belle") Alan Menken & Howard Ashman
Best Music, Original Song ("Be Our Guest") Alan Menken & Howard Ashman
Best Sound Terry Porter, Mel Metcalfe, David J. Hudson & Doc Kane

Golden Globes

Beauty and the Beast was the first animated film to win a Golden Globe for Best Picture - Musical or Comedy. This feat was repeated by The Lion King and Toy Story 2.

Award Result
Best Motion Picture - Musical or Comedy Won
Best Original Score Won
Best Original Song (For "Beauty and the Beast") Won
Best Original Song (For "Be Our Guest") Nominated

Grammy Awards

Award Result
Best Album for Children Won
Best Pop Performance by a Group or Duo With Vocal (For "Beauty and the Beast") Won
Song of the Year (For "Beauty and the Beast") Nominated
Best Instrumental Composition Written for a Motion Picture Won
Best Song Written Specifically for a Motion Picture or for Television (For "Beauty and the Beast") Won
Record of the Year (For "Beauty and the Beast") Nominated
Best Pop Instrumental Performance (For "Beauty and the Beast") Won
Album of the Year Nominated

Other awards

In June 2008, the American Film Institute revealed its "Ten top Ten" lists of the best ten films in ten "classic" American film genres based on polls of over 1,500 people from the creative community. Beauty and the Beast was acknowledged as the 7th best film in the animation genre.[54][55] In previous lists, it ranked #22 on the Institutes's list of best musicals and #34 on its list of the best romantic American films. On the list of the greatest songs from American films, Beauty and the Beast ranked #62.

Award Result
ASCAP Film and Television Music Awards: Most Performed Songs in a Motion Picture Won
Academy of Science Fiction, Fantasy, and Horror Films: Best DVD Classic Film Release Won
Academy of Science Fiction, Fantasy, and Horror Films: Best Music Won
Annie Awards: Best Animated Feature Won
BAFTA Awards: Best Original Film Score Nominated
BAFTA Awards: Best Special Effects Nominated
BMI Film and TV Awards: BMI Film Music Award Won
DVD Exclusive Awards: Best Overall New Extra Features, Library Release Won
DVD Exclusive Awards: Best Menu Design Nominated
Hugo Awards: Best Dramatic Presentation Nominated
Kansas City Film Critics Circle Awards: Best Animated Feature Won
Los Angeles Film Critics Association Awards: Best Animation Won
Motion Picture Sound Editors: Best Sound Editing, Animated Feature Won
National Board of Review: Special Award for Animation Won
Satellite Awards: Best Youth DVD Nominated
Young Artist Awards: Outstanding Family Entertainment of the Year Won

American Film Institute recognition:

  • AFI's 100 Years...100 Movies - Nominated
  • AFI's 100 Years...100 Passions - #34
  • AFI's 100 Years...100 Heroes and Villains:
    • Belle - Nominated Hero
  • AFI's 100 Years...100 Songs:
    • Beauty and the Beast - #62
    • Be Our Guest - Nominated
  • AFI's Greatest Movie Musicals - #22
  • AFI's 100 Years...100 Movies (10th Anniversary Edition) - Nominated
  • AFI's 10 Top 10 - #7 Animated film

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External links


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