Robert Levin (Norwegian pianist)

Robert Levin (June 6, 1912–October 29, 1996) was a Norwegian classical pianist and composer. Although he was an accomplished solo pianist and composer in his own right, Levin received international acclaim for his work as an accompanist with several of the world's most celebrated vocal and instrumental performers.

Childhood

Levin was born in Kristiania (now Oslo), and grew up in the immigrant neighborhood in Grünerløkka, the child of David and Marie Levin, Jewish refugees from Lithuania who had immigrated in 1905. Levin's father supported his family through various means, including peddling sewing notions and carting coal. In spite of its modest financial means and minority status, the family maintained a traditional religious household.

Levin caught interest in the piano when he was four and a half years old, at his grandmother's home where there was an instrument that was disused. By the time he was five, he had taught himself well enough for his first public performance, using his fist at times to reach the black keys. He did not receive formal lessons until he was ten, and when he was twelve he was accepted by the pre-eminent music teacher of the time, Nils Larsen. On several occasions, his parents hocked their wedding rings to pay for music lessons.

Levin did his part to support the family by performing at restaurants, bars, and movie theaters during the silent film era. He only finished the first six years of public schooling and spent much of it in fights by his own recollection. He learned at the synagogue for his bar mitzvah, but was mostly occupied with his music. He was also an avid reader of diverse literature.

Early professional career

Like many of the classical musicians of pre-World War II era, Levin played at restaurants to support himself. He rose through the unofficial ranks as a teenager, overcoming strong antisemitic barriers. He took private lessons with Gustav Lange and notably Fartein Valen, being exposed to a wide range of musical traditions and innovations. Levin was the last living silent movie veteran when he died in 1996. He also became an accomplished accordion player during this time.

Levin had his performance debut on January 26, 1932 to widespread acclaim. (A critic, reflecting anti-Semitic prejudice of the time, speculated that Levin owed his success to his "father's money bag.")

Levin was introduced to several strains of modern music when he was engaged in the orchestra at Theatercafeen, where the Norwegian exponent of neo-Classical music Sparre Olsen, played. But the orchestra also introduced Levin to jazz music.

War years

Robert and Solveig Levin were married in 1938 and had their first daughter in 1939. After Norway was occupied by Nazi Germany in 1940, Levin continued to perform but was subjected to daily threats and restrictions on the venues and music he could play. Some of his best friends joined the Nazi party, a terrible disappointment for him.

When Nazi authorities in occupied Norway started arresting and deporting Jews, Levin went under cover with friends and eventually fled to Sweden, hiding in a load of hay. The rest of his family arrived in Sweden a few days later, but many of Levin's closest relatives were murdered in Auschwitz.

Levin became a proponent of Norwegian music and culture while in exile in Sweden. He wrote the music to several patriotic Norwegian songs, including "Kirkenesmarsjen", a march to commemorate the liberation of the Northern Norwegian town of Kirkenes by Soviet troops on October 25, 1944.

Sponsored by the Norwegian exile government or Svenska Norgeshjälpen, Levin performed for Norwegian resistance fighters in Sweden along with Herberth Ballarini and his wife Solveig, Randi Heide Steen, Ernst Glaser, Gunnar Sønstevold, Hugo Kramm, Gunnar Reiss Andersen, Axel Kielland, Lauritz Falk, Sonja Mjøen, and others. Levin also sent packages to musical colleagues in Oslo under the pseudonym "Banjo-Lasse".

When the family Levin returned to one of the central train stations in Oslo in June 1945, the orchestra Robert had to leave nearly three years earlier awaited him at the platform, performing at their arrival.

Post-war career

After the war, Levin decided to concentrate more on a classical career, and after he accompanied Gösta Kjellertz, his career as an accompanist took off. He accompanied such diverse international artists as Elisabeth Schwarzkopf, Yehudi Menuhin, Roberta Peters, Rita Streich, Henryk Szeryng, Ann Brown, Kim Borg, Camilla Wicks, Felicia Weathers; and a panorama of Norwegian artists that included Ingrid Bjoner, Knut Skram, Arve Tellefsen, Terje Tønnesen, Elise Båtnes, Aase Nordmo Løvberg, Edith Thallaug, and Ole Bøhn.

He took part in performing tours all around the world. Notably, on May 22nd of 1984, he and the American pianist by the same name, Robert Levin, performed together in Carnegie Hall in a concert called "From Grieg to Gershwin" with then Crown Prince Harald and Crown Princess Sonja in attendance. The two, along with other musicians including Ole Bøhn, Knut Skram, Felicia Weathers, and Ingrid Bjoner performed pieces by Edvard Grieg, Richard Hageman, Harry Owens, Aaron Copland, Celius Dougherty, Oley Speaks, George Gershwin, and others.

He became one of the most respected classical musicians of his time in Norway. He took an active part in music education at all ages, led the Norwegian composers' association (NOPA), and promoted the art of accompaniment.

He was the first rector of the Norwegian Academy of Music when it was founded in 1973, where he was also a professor of interpretation. When the academy moved to its new facilities in Majorstuen in 1989, one of the performance halls was named after Levin.

References

* Mona Levin: "Historien om Robert Levin", article published in the magazine for the association of Norwegian composers (NOPA)
* Mona and Robert Levin: "Med livet i hendene", ISBN 82-02-09034-2
* Cappelens musikkleksikon, article about Robert Levin

External links

* [http://www.mic.no/mic.nsf/home/forsiden?opendocument&url=http://www.mic.no/mic.nsf/doc/art2002092514535514317692 Music Information Center article on Robert Levin]