Léner Quartet

Léner Quartet

The Léner String Quartet, sometimes written the Lehner String Quartet, was a very famous musical ensemble of Hungarian origin, founded in Budapest in 1918, which for most of its pre-war career operated in or from London. The Léner made the first complete recorded cycle of Beethoven quartets.

Personnel

The original founding lineup of the Quartet, which lasted throughout the 1920s and into the 1930s, was as follows:

1st violin: Jenö Léner (or Lehner)
2nd viloin: Joszef Smilovits
viola: Sándor Roth
violoncello: Imre Hartmann

In later manifestations of the ensemble, Paul Rolland (viola) and Laszlo Varga (cello) were players in the Léner Quartet.

Origins

Jenö Léner was born at Szabadka, Hungary (later annexed to Jugoslavia), on 24 June 1894. He studied at the Royal High School for Music in Budapest. He founded the quartet in 1918 and was its leader.

Recordings

The Léner Quartet recorded extensively during the 1920s and 1930s for Columbia Records, a partnership which received a strong impetus from the centenary of Beethoven's death in 1927, when a core of the Beethoven quartets were recorded or begun (L series). This was followed up in 1928 with the Schubert centenary, for which the Léner recorded the Octet. The LX prefix records below were mainly issued between 1933 and 1936. Their principal recordings of complete works (all 78rpm Columbia) in that period are as follows:
* Beethoven, op 18 nos 1 & 4 (L 1842-1847); op 18 nos 2 & 3 (L 1901-1914); op 18 no 6 (L 1915-1917).
* Beethoven, op 59 no 1 (L 1837-1841); op 59 no 2 (L 1856-1859); op 59 no 3 (L 1860-1863); op 74 (LX 319-322).
* Beethoven, op 95 (L 1926-1928); op 127 (L 1921-1925); op 130 (L1929-1933); op 131 (LX 294-298); op 132 (LX 463-467); Grosse Fuge op 133 (LX 103-104); op 135 (L 1918-1920).
* Beethoven: Septet in E flat major op 20 (Léner, Roth and Hartmann with Claude Hobday (bass), Charles Draper (clarinet), E.W. Hinchcliffe (bassoon), Aubrey Brain (French horn)). (LX 109-113). (Before 1933).
* Haydn: op 3 no 5 (9658-9659); op 76 no 3 (LX 451-4); op 76 no 5 (L 2257-2259). (Before 1933).
* Mozart: Quartet in D minor K421 (L 1965-1967); in B flat major K458 (L 2261-2263); in G major K387 (LX 24-27). (all before 1933).
* Mozart: Quintet in G minor K516, with L. d'Oliveira, viola (LX 61-64). (Before 1933).
* Mozart: Quintet in A major K581, with Charles Draper, clarinet (L 2252-2255). (Before 1933).
* Mozart: Quartet in F major K370, with Leon Goossens, oboe (LX 256-257). (Before 1933).
* Schubert: Octet in F major op 166, with Claude Hobday (bass), Charles Draper (clarinet), E.W. Hinchcliffe (bassoon), Aubrey Brain (French horn). (L 2108-2113). (For Schubert centenary 1928).
* Schumann: Quintet in E flat major op 44, with Mme Olga Loeser-Lebert, piano (LX 266-269).
* Brahms: Quartet in C minor op 51 no 1 (LX 228-31); in A minor op 51 no 2 (LX 163-166); in B flat op 67 (L 2357-2361). (all before 1933).
* Brahms: Quintet in F minor op 34, with Mme Olga Loeser-Lebert, piano (L 2040-2044). (Before 1933).
* Brahms: Quintet in B minor op 115, with Charles Draper, clarinet (L 2228-2232). (Before 1933).
* Dvořák: Quartet in F op 96 (LX 183-185). (Before 1933).
* Dvořák: Quintet in A major, with Mme Olga Loeser-Lebert, piano (LX 150-153). (Before 1933).
* Debussy: Quartet in G minor op 10 no 1 (L 2141-2144). (Before 1933).
* Ravel: Quartet in F major (LX 270-273). (Before 1936).

Sources

* R.D. Darrell, "The Gramophone Shop Encyclopedia of Recorded Music" (New York 1936).
* A. Eaglefield-Hull, "A Dictionary of Modern Music and Musicians" (Dent, London 1924).
* A. Glazounow (foreword), "The Music Lovers Gramophone Library, Vol I, Schubert centenary issue of Columbia Records". (Columbia Graphophone Co, London 1928).
* "Catalogue of Columbia Records up to and including Supplement no 252" (Columbia, London 1933)

External links

* [http://www.nypl.org/research/lpa/mus/pdf/muslener.pdf The Lener Quartet Papers] are located in the [http://www.nypl.org/musicdiv Music Division] of [http://www.nypl.org/research/lpa/lpa.html The New York Public Library for the Performing Arts] .


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