- Italo Disco
Infobox Music genre
Disco Space disco Eurodisco Hi-NRG Synthpop Electropop
cultural_origins=Early 1980s Italy
instruments= Keyboard, vocals, others
Eurobeat Italo house
other_topics= Italo-Disco, is a very wide term, that describes the 80's non UK European Disco productions. It is one of the world's first form of electronic dance music. It evolved during the late 70's / early 1980s in
Italy, Spain, Germany, and other parts of Europe, and later influenced most of the 80's disco productions of the world. Italo discomusic has a distinct, futuristic and spacey sound, which was created using synthesizers, drum machines, and vocoders. During the 1980s, the term "Italo-disco" was used in Europeto describe all the non-UK and non-US based dance productions. In North Americaand the UK, Italo-Disco was mostly an underground phenomenon that could only be heard at night clubs or through homemade DJ mixes.
The name "Italo disco" originates from the "Italo Boot Mix" series - a megamix featuring Italian and German produced disco music - created in 1983 by
Bernhard Mikulski, the founder of German-based ZYX Music. Prior to 1983, the genre was simply referred to as 'disco music' or 'dance music' from Europe. The presenters of the Italian music show "Discoring" (produced by RAI), usually referred to the Italian productions of what later would became Italo Disco as "Rock Elettronico" and "Balli da Discoteca" (disco dance). This first version of Italo Disco sounded like a down tempo version of Space Disco, a short lived Eurodisco instrumentalstyle with futuristic sound effects and lyrics heavily influenced by David Bowie's Ziggy Stardust and the Spiders from Marsband.
Technically speaking, Italo Disco was simply the
80sversion of Eurodisco. Today, the term ' Euro Disco' refers to all disco music produced in Europe during the 70sand the 80s. But during the 1980sthis term was used to describe the 1970sand early 1980s European disco productions, especially those from Germany( Boney M, Eruption, Dschinghis Khan, etc).
In the mid 80s, the
Stock Aitken Watermanteam created a commercial music genre in the UK labelled as " Eurobeat". Those first hits ( Dead or Alive, Bananarama, Jason Donovan, Sonia, Kylie Minogue, etc) were heavily based on how Italo Disco sounded to the Brits. Once arriving in the USA, the Eurobeat hits helped the evolution of New York's "Freestyle". In USA, eurobeatwas marketed as Hi-NRG.
Eurobeatalso used in Japan(around 1987) to describe all Italo Disco and Eurobeat imports. Italo Disco became very successful in Japan and when 80s Eurodisco ended and the music switched to Eurohouse and New Beat, "Super Eurobeat" produced especially for Japan's market, as a kind of Japanese successor of the Italo Disco (called "Eurobeat" by the Japanese fans). During the 90s, another spinoff successor appeared called Eurobeat Flash. Both the Super Eurobeat and Eurobeat Flash genres are virtually unknown outside Japan.
During the 90s,
disco polocreated in Poland heavily based on the Italo Disco sound.
* The vocals of early Italo disco productions usually contained English lyrics and were performed by non-native English-speaking singers. After 1985, other European languages became common, especially Italian, Spanish, French and Greek. At the same time, most of the German-produced Italo disco songs had both English and German-speaking versions.
* The German variant of Italo disco, very popular during the 1980s, was often danced to in the
discofoxstyle. In European countries where German was spoken, this variant of Italo disco was often played on dancefloors with German schlagermusic, which around 1988 began to sound similar. Around this time, older Germans, Austrians and Swiss, started referring to Schlagerand the German Italo disco productions as " Discofox" after the style of dance which often accompanied both types of music.
* Later Japanese productions (often called Super
Eurobeat) frequently had incomprehensible lyrics.
* Despite the fact that the music is called "Italo disco," it has never generated significant popularity in Italy.
Electronic dance music started to develop in the mid/late 1970s when traditional sounding
Discobands began to experiment with synthesizersand other electronic effects. This early form of electronic dance musichad 2 flavors: The North American one ( Hi-NRGdisco) and the European one ( Space Disco). The second one was a short lived Euro Discovariation and took that name due to its odd synthetic sounds, sci-ficostumes, the space (new age) related themes and to the overall (non sexual like Hi-NRG) dance feeling: This kind of music seems to expand the listener's surrounding to a very large space with the utilization of new music shaping technologies by the artists. This "expansive" characteristic combined with dance hall's lighting display provide a new experience to the listeners and also to the dancers. One of the main influences during this period was Italian producer Giorgio Moroderand French musician Didier Marouani, followed by a couple of hits by the French drummer Cerrone, as well as the cynical styles of such electropopacts as Telex, Devo, and Gary Numan, and the early Hi-NRGalbums released by San Franciscoproducer Patrick Cowleywith such singers as Sylvester and Paul Parker.
1980, Italo appeared as a fully developed form in Italyand other parts of Europe, with artists releasing completely electronic songs using drum machinesand other equipment. Synthpop, New Wave and the New Romantic genres were the foundations for Italo taking off, as these became very popular around the world at this particular time. Typical songs were simple with catchy melodies, and were often sung using vocoders and overdubs. Much of the genre featured love-song lyrics sung in English with heavy foreigner accents. English was more often than not the artists' second language, creating lyrics that were often considered to be almost nonsensical. Along with love, italo disco themes deal with robots and space, sometimes combining all three in songs including "Robot is Systematic" (1982) by 'Lectric Workers and "Spacer Woman"(1983) by Charlie.
1982 and 1983 saw the releases of the irony-laden "Dirty Talk," "Wonderful," and "The M.B.O. Theme," three tracks cited as influential in the development of house, by Klein & M.B.O., a side-project developed by Davide Piatto of the Italo disco duo [http://www.myspace.com/noiamusic N.O.I.A.] , with vocals by Piatto and Rossana Casale.
Many see 1983 as the height of Italo, with frequent hit singles and many labels starting up around this time. Such labels included American Disco, Crash, Merak, Sensation, and X-Energy. The popular label Disco Magic released more than thirty singles within the year. It was also the year that the term italo disco was reputedly coined by Bernhard Mikulski, the founder of ZYX Music (
Germany), when ZYX released their first volume of "The Best of Italo Disco" series.
Derivative styles, 1982–1989
During the late 1980s Italo began fading away and some groups moved into the late 80s
Hi-NRGgenre (a speeded up version of Eurodisco with Eurobeat elements) and Italo NRG (a.k.a Italo House) which combined high-paced Italo and house. The Hi-NRG style is evident in the productions of such artists as Divine, Roni Griffith, Tony Caso, and the Flirts, all of whom were produced by Bobby Orlando, as well as many Stock Aitken Watermanacts, notably those of Sinitta, Hazell Dean, Kylie Minogue, Mel and Kim, Sabrina Salerno, Samantha Fox, and Dead or Alive (see Eurobeat). Canada, particularly Quebec, produced several remarkable Italo disco acts, including Trans X("Living on Video"), Lime ("Angel Eyes"), Pluton & the Humanoids("World Invaders"), and Purple Flash Orchestra("We Can Make It"). Those productions called "Canadian Disco" during 1980-1984 in Europe and Hi-NRGdisco in USA.
Germany, a variation of Italo disco under the nickname Discofoxdeveloped, early 1984. It was characterized by an emphasis on melody, exaggerated overproduction, and a more earnest approach to the themes of love; examples may be found in the works of Modern Talking, Fancy, Bad Boys Blue, Joy, and Lian Ross.
Also during the mid-1980s
spacesynthdeveloped, mostly as a sub-genre of italo. This style is the crossover of Italo disco and Space Discoand it was mostly instrumental, with a focus on space sounds than the earlier pop-oriented songs, as exemplified by the sounds of Koto, Proxyon, Rofo, Cyber People, Hipnosis, and Laserdance.
Evolved and inter-related genres
When Italo Disco hits lost their popularity in Europe, the Japanese market forced Italian and German producers to evolve the sound to what end up under the term "
Eurobeat" and later Super Eurobeatand EurobeatFlash. Those music styles, under the term Eurobeat, are sold only in Japan due to the Para Paraculture there. Italian producers are still producing songs for the Japanese (super) Eurobeatmarket in 2007. This evolving sound of Italo disco, involves a much higher BPM, as well as more rapid synth-lines and faster vocals. The genre itself upped the BPM in the late 80s, all the way into the 2000s. While the genre has seen many recent releases with slower BPM, the sound still remains true to what the Japanese fans call "the Eurobeat style". The two most famous labels of this genre include A-Beat-C Records and Hi-NRG Attack. Two record labels that produced Italo Disco in the past, S.A.I.F.A.M. and Time, now produce Eurobeat music for Japan.
Around 1989, the Italian scene of Italo Disco, evolved into
italo house, which fused with other parts of Europe and eventually lead to euro house music, marketed in U.S.A. during the mid 90s as "Eurodance", a term that existed before and used as a short for the "European Dance Charts". The Italian Italo Disco artists began experimenting with harder beats and the "house" sound, which fans believed made Italo Disco sound dated and it was the reason the German production stopped around 1989.
Poland, a variation called disco poloappeared during the early 90s. It was characterized by an emphasis on melody, exaggerated overproduction, and a more earnest approach to the themes of love; examples may be found in the works of Modern Talking, Fancy, Bad Boys Blue, Joy, and Lian Ross. This music is also labeled as Euro Disco, and Italo Disco in the USA (labelling all non American Hi-NRGdance tunes as Italo Disco).
During the mid-1980s,
spacesynthdeveloped as a sub-genre of Space Disco/ Italo Disco. This style existed in Scandinavia, but grew immensely popular in the Netherlands. It was mostly instrumental and focused more on space sounds than the earlier more pop-oriented songs, as exemplified by the sounds of Koto, Proxyon, Rofo, Cyber People, Hipnosis, and Laserdance.
Revival, 1993– (electro)
A big comeback of the German variation of Italo Disco, began in 1998, when
Modern Talkingre-united. Various German italo-disco artists ( C.C.Catch, Bad Boys Blue, Fancy, Sandraetc), Italian italo-disco artists ( Gazebo, Savage, Ken Laszlo, etc) and countless other italo-disco artists from all over Europe, remixed all their biggest italo-disco hits in a late-90s-eurohouse style, giving new life to them and a new fan base, especially in Eastern and Southern Europe. Rete4channel in Italy and Prosiebenchannel in Germany, start airing from their archives 80s recording of those hits, followed by Spanish TVE's "Nostalgia" channel and the late MTV Classic in Poland (now replaced by VH1 Polska). German music channels like "hits 24" and "Goldstar TV" air lots of 70s and 80s italo-disco hits, such as "Melody" from France and MCM Pop (mainly on the "MCM Kitch" specials). This has caused new interest in eurodisco in general, since most of these videos were very rarely seen, even back in the 80s Greeceseems to have the biggest revival in italo-disco music, with 3 terrestrial radio stations airing Italo-Disco hits in Athens in 2007 (Blue Space, Radio Boom Boom and Free FM) and many Discoteques re-open after decades of non existence in most Greek Cities (Among them 4 in Athens (Disco Nightclub, Vinilio, Dizzy Discoclub, Boom Boom Discoteque) 2 in Salonica (Blue Space, Figaro) 2 in Volos (Velvet, Queens), 1 in Drama (Velvet), 1 in Patra and 3 in Creta). Italo-Disco based parties take place twice a month in Athens and the 80s eurodisco music as a whole can be considered as "mainstream" in dance clubs. As of 2005several online radio stations stream the genre, and underground clubs are playing the records widely again. Its renewed popularity is inspiring re-releases and new mixes on many of the record labels that initially released Italo Disco. ZYX records has released many new CD mixes since 2000. and labels like Panama Records and Radius Records have gone through great lengths to find the original artists of obscure Italo tracks for re-release on vinyl.
The German group I-Robots has released several mixes incorporating obscure Italo Disco tracks, and in 2006 released a
German-languagecover of Charlie's "Spacer Woman" called "Spacer Frau."
Master Blastergroup, released in 2003 an album called "I love Italo Disco". Many hits of that group are italo-disco covers with an upliftinghouse twist. In the UK, that twist seems to lead to " Scouse house"
The Swiss artist [http://www.harremoney.ch/ Harre Money] (pronounced Àrmani, like the world wide famous Italian stylist) released in 2006 an album called "The Picture of Dorian Gray", which included many Italo Disco like tracks. His shows are also characterized by a theatrical performance remembering the 80s odd-style.
Freemasons (band), a British based Group, remix popular hits to italo disco style. The latest hit of Beyonce - Green Light, in the "Freemasons mix" (broadcasted in MTV Dance, Flaunt and other British music channels) are a perfect example.
Sally Shapirohas made Italo-disco music which has been championed in the indie community, particularly by Pitchfork Media.
Contemporary artists influenced by Italo Disco:
* Savas Pascalidis — "Fly With The Wind" (remix of Peter Jacques band's song with the same title)
Authentic related styles
Reaction, Revival, and inspired by:
The Hague electro sound
Disco NouveauEvolved into:
* House (
List of Italo Disco artists and songs
* [http://www.iventi.net Dutch Italo disco Fanclub with lots of recordlabel information]
* [http://www.myspace.com/italodisco1 Italo Disco: The Detailed History] - Including streaming classics. Retrieved
January 26 2007.
* [http://www.discogs.com/group/1203 Discogs Hi-Nrg] - Discussion forum about Euro Disco, Italo Disco and Hi-Nrg
* [http://WWW.DEATHDISCORADIO.COM Death Disco Radio, "WWW.DEATHDISCORADIO.COM']
* [http://www.euro-flash.net/italo.php Euroflash. 'Unofficial History Of Italo Disco', "www.euro-flash.net"] . Retrieved
June 25 2005.
* [http://www.ishkur.com/articles/italodisco.php www.ishkur.com Ishkur. 'The Return of Italo Disco", "ishkur.com"] . Retrieved
June 25 2005.
* [http://www.webdjsitalodisco.ch Webdjsitalodisco.Ch Schmid, DJ. "Italo Disco"] . Retrieved
June 25 2005.
* [http://www.myspace.com/iloveitalodisco Italo Disco on Myspace *under construction*]
* [http://www.scheul.de/Index2.htm scheul.de] - Chart positions of Italo-Disco artists internationally.
* [http://www.discovideos.com Italo disco video on DVD] - Selling, trading videos from the 80s (italo, eurodisco)
* [http://www.myspace.com/italodisco84 North American Italodisco Myspace page] - songs and links to videos from the Italo Disco era (1981-87)
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Look at other dictionaries:
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Italo-disco — L Italo Disco était un genre musical provenant majoritairement de l Italie du Nord, mais aussi d Allemagne, de Suisse et même d Espagne qui développa sa propre variante, le sonido Sabadell. En fait, ce terme désignait plus largement toute musique … Wikipédia en Français
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Italo disco — … Википедия
Italo disco — noun A broad genre of Western European electronic dance music of the 1970s and early 1980s, with a futuristic sound created by synthesizers and vocoders … Wiktionary
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