Polyester (film)

Polyester (film)

Theatrical release poster
Directed by John Waters
Produced by John Waters
Robert Shaye
Michael White
Written by John Waters
Starring Divine
Tab Hunter
David Samson
Edith Massey
Mink Stole
Music by Chris Stein
Debbie Harry
Michael Kamen
Cinematography David Insley
Editing by Charles Roggero
Studio Dreamland
Distributed by New Line Cinema
Release date(s) May 29, 1981
Running time 86 minutes
Country United States
Language English
Budget $300,000

Polyester is a 1981 comedy film directed, produced, and written by John Waters, and starring Divine, Tab Hunter, Edith Massey, and Mink Stole. It was filmed in Waters' native Baltimore, Maryland, and features a gimmick called "Odorama", whereby viewers could smell what they saw on screen through scratch and sniff cards.

The film is a satirical look at suburban life involving divorce, abortion, adultery, alcoholism, foot fetishism, and the Religious Right.



Polyester tells the story of housewife Francine Fishpaw (Divine), whose life is crumbling around her in her upper middle class suburban Baltimore home. Her husband, Elmer (David Samson), is a polyester-clad lout who owns an X-rated theater, causing anti-pornography protesters to picket the Fishpaws' house. She also states that "All the neighborhood women spit at me" whenever she is at the Shopping Mall. Francine's children are Lu-Lu (Mary Garlington), her spoiled, slutty daughter, and Dexter (Ken King), her delinquent, glue-sniffing son who derives illicit pleasure from stomping on women's feet. Also adding to Francine's troubles is her snobby, class-conscious, cocaine-snorting mother, LaRue (Joni Ruth White), who robs Francine blind and only cares about her "valuable shopping time."

Francine seeks solace in her best friend, Cuddles Kovinsky (Edith Massey), an independently wealthy, simple-minded woman and the world's oldest debutante. Cuddles was once the Fishpaws' housekeeper, but she inherited a large sum of money from a very affluent family that she used to work for and befriended Francine. This infuriates LaRue, who admonishes Francine, "She was a scrubwoman. Give her... car fare...a ham at Easter, but for God's sake, don't hang around with her!" Cuddles tries to cheer up Francine with "seize-the-day" bromides, to no avail.

Francine discovers that her husband is having an affair with his secretary, Sandra Sullivan (Mink Stole), and later confronts them during a tryst at a motel and demands a divorce. Francine then falls into alcoholism and depression, exacerbated by her children's behavior: Lu-Lu becomes pregnant by her delinquent boyfriend, Bobo (Stiv Bators), and announces to her mother, "I'm having an abortion, and I can't wait!"; and after Dexter is arrested at a supermarket for stomping on a woman's foot, the media reveal he's the "Baltimore foot stomper".

Lu-Lu goes to family planning clinic for an abortion, but is harassed by anti-abortion picketers. She flees, goes home, and tries to induce a miscarriage, causing Francine to call an unwed mothers' home. Two nuns (Mary Vivian Pearce and Sharon Niesp) arrive, cart Lu-Lu out of the house, lock her in the trunk of a car, and whisk her off to a Catholic home for unwed mothers. Meanwhile, on Halloween evening, LaRue is shot by Bo-Bo and his friend, who have come to trash the Fishpaw house. La Rue manages to retrieve the gun and shoots Bobo dead. Lu-Lu comes home from the unwed mothers' home and, upon discovering her dead boyfriend, tries to commit suicide by sticking her head in the oven. Francine comes home, sees her daughter's suicide attempt, and faints. After this, Francine's life begins to change. Dexter is released from jail, completely rehabilitated. Lu-Lu suffers a miscarriage from her suicide attempt and sees the error of her ways, turning from a high-school harlot to an artistic flower child who enthuses, "Look mother, I've discovered macramé!". Francine finally summons the strength to tell off La Rue. A beacon of light arrives in the form of lounge-suit-wearing, Corvette-driving Todd Tomorrow (Tab Hunter), lifting Francine's spirits. Todd proposes marriage to an elated Francine, who accepts.

However, it is soon revealed that Todd is romantically involved with LaRue and they are conspiring to embezzle Francine's divorce settlement and drive her insane. Meanwhile, Elmer and Sandra break into the house to kill Francine, but are felled by Dexter and Lu-Lu—Dexter steps on Sandra's foot, causing her to accidentally shoot Elmer; Lu-Lu uses her macramé to strangle Sandra. Cuddles and her German chauffeur/fiancé Heintz (Hans Kramm) arrive on the scene and strike LaRue and Todd with their limousine. The film concludes with a happy ending for Francine, her children, and Cuddles and Heintz.



Waters' usual troupe of actors, the Dreamlanders, played minor roles in Polyester compared to Waters' previous films Desperate Living, Female Trouble, and Pink Flamingos, which starred several Dreamlanders in major roles. Only two Dreamlanders, Divine and Edith Massey, received top billing in the film. Dreamlander perennials Mink Stole, Mary Vivian Pearce, Cookie Mueller, Sharon Niesp, Marina Melin, Susan Lowe, and Jean Hill each played small roles in Polyester. While their parts are integral to the plot, they are much smaller compared to their earlier roles.

Polyester was the first of Waters' films to skirt the mainstream, even garnering an R rating (his previous films were all unrated or rated X). The film was set in a middle-class suburb of Baltimore instead of its slums and bohemian neighborhoods (the setting of Waters' earlier films).

"Women’s pictures"

Polyester was meant as a send-up of “women’s pictures,” an exploitative genre of film that was popular from the 1950-60s and typically featured bored, unfulfilled, or otherwise troubled women, usually middle-aged suburban housewives, finding release or escape through the arrival of a handsome younger man. “Women’s pictures” were typically hackneyed B-movies, but Waters specifically styled Polyester after the work of the director Douglas Sirk, making use of similar lighting and editing techniques, even using film equipment and movie-making techniques from Sirk's era.[citation needed]


Odors, especially Francine's particularly keen sense of smell, play an important role in the film. To highlight this, Waters designed Odorama, a "scratch-and-sniff" gimmick inspired by the work of William Castle and the 1960 film Scent of Mystery, which featured a device called Smell-O-Vision. Special cards with spots numbered 1 through 10 were distributed to audience members before the show, in the manner of 3D glasses. When a number flashed on the screen, viewers were to scratch and sniff the appropriate spot. Smells included the scent of flowers, pizza, glue, gas, grass, and feces. For the first DVD release of the film the smell of glue was changed due to, as Waters states, "political correctness". The gimmick was advertised with the tag "It'll blow your nose!"[1]

After being prompted to scratch and sniff the bouquet of flowers, a quick swap was made substituting old ratty sneakers, resulting in a joke on the audience.

A video release omits the numbers flashing onscreen as well as the opening introduction explaining Odorama. This version, created by Lorimar Telepictures, was shown on cable TV in the United States.

In 1999, the Independent Film Channel released reproduction Odorama cards for John Waters film festivals.

In the commentary track on the film's 2004 DVD release, Waters expressed his delight at having the film's audiences actually "pay to smell shit".

Producers of Rugrats Go Wild (Paramount) used the Odorama name and logo in 2000, somewhat upsetting Waters when he learned that New Line Cinema had let the copyright lapse.[2]

The 2011 film Spy Kids: All the Time in the World uses a scratch & sniff card now called "Aromascope", which is advertised as providing the 4th dimension in its "4D" format.

Critical response

Polyester received some good reviews from the mainstream press. Said Janet Maslin of the New York Times:

Ordinarily, Mr. Waters is not everyone's cup of tea - but Polyester, which opens today at the National and other theaters, is not Mr. Waters' ordinary movie. It's a very funny one, with a hip, stylized humor that extends beyond the usual limitations of his outlook. This time, the comic vision is so controlled and steady that Mr. Waters need not rely so heavily on the grotesque touches that make his other films such perennial favorites on the weekend Midnight Movie circuit. Here's one that can just as well be shown in the daytime.

The film currently holds 88%, and an 81% Audience rating, on Rotten Tomatoes.[3]

Songs used in film

These are the only known songs for being in the film:[4]

  1. "Polyester" - Tab Hunter - Words and music by Chris Stein and Debbie Harry
  2. "Be My Daddy's Baby (Lu-Lu's theme)" - Michael Kamen - Words and music by Debbie Harry and Michael Kamen
  3. "The Best Thing" - Bill Murray - Words and music by Debbie Harry and Michael Kamen

Use in song

Samples from the film have been used in the song "Frontier Psychiatrist" by The Avalanches. The opening of the song has sound from one scene between a mother and a school principal, that starts with the latter asking "Is Dexter ill today?", and continues as follows:

"Francine Fishpaw: Why Mr. Kirk - I'm as upset as you to learn of Dexter's truancy - but surely expulsion is not the answer?
School Principal: I'm afraid expulsion is the only answer. It is the opinion of the entire staff that Dexter is criminally insane... "


  1. ^ Gaiman, Neil, Newman, Kim, Ghastly Beyond Belief, Arrow Books, 1985, ISBN 0-09-936830-7, p.193
  2. ^ Waters, John (2006). The Simpsons The Complete Eighth Season DVD commentary for the episode "Homer's Phobia" (DVD). 20th Century Fox. 
  3. ^ Polyester at Rotten Tomatoes
  4. ^ vhttp://www.imdb.com/title/tt0082926/soundtrack

External links

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