Nonesuch Records


Nonesuch Records
Nonesuch Records
Nonesuch-logo.png
Parent company Warner Music Group
Founded 1964
Founder Jac Holzman
Status Active
Distributor(s) Warner Bros. RecordsUnited States
(In the US)
WEA International Inc.
(Outside of the US)
Genre Classical
World
Jazz
Musical theatre
Singer-songwriter
Folk
Alternative rock
Country of origin United States
Location New York City
Official Website nonesuch.com

Nonesuch Records is an American record label, owned by Warner Music Group and distributed by Warner Bros. Records.

Contents

Company history

Nonesuch was founded in 1964 by Jac Holzman to produce "fine records at the same price as a trade paperback",[1] which would be half the price of a normal LP. To achieve this he initially licensed European recordings of classical music as it would be too expensive to record new material.[2] Originally the label concentrated heavily on chamber and baroque music, often with (then) unique repertory, and typically sold at less-than-premium prices. Upon its formation, Nonesuch operated as a subsidiary label of Elektra Records—which Holzman launched in 1950. In 1970, Holzman sold Elektra and Nonesuch to Kinney National Company, which later became Warner Communications and later part of Time Warner's Warner Music. In 2004, Warner Music Group (WMG) became an independently owned, publicly traded company.

Holzman's tastes led to several firsts for the label, including early electronic releases. Nonesuch commissioned Morton Subotnik's 1967 album Silver Apples of the Moon (made on the Buchla 100),[3] and in 1968 released a 2-LP set of Moog sounds with 16-page booklet called The Nonesuch Guide to Electronic Music (which spent 26 weeks in Billboard's Top 100 chart)[4] ... both preceding the enormous popularity of Wendy Carlos' Switched-On Bach.

Teresa Sterne was the coordinator of the company from 1965 until 1979; she was responsible not only for all of the artists & repertory decisions but also for overseeing the increasingly distinctive look of the record jackets.[5] Her abrupt termination in 1979 ushered in a period of uncertainty and decline. She was replaced by the founder's younger brother,[6] Keith Holzman, who had been the production chief and who had no musical background. With the hiring of Robert Hurwitz as president in 1984[7] the company's fortunes began to stabilize. The label was known as Elektra Nonesuch from 1987 to 1995.

In the late 1990s, after Elektra underwent restructuring at the executive level, Nonesuch was shifted under the umbrella of Warner Music International. In the early 2000s, Nonesuch briefly operated under Atlantic Records. Warner Bros. Records took over handling its business affairs, and distribution, in 2004 — it, however, technically remains a subsidiary of Elektra Records, due to its numbering system and UPC prefix.

Nonesuch Explorer Series

In the late 1960s, the Explorer Series made the label a pioneer in the field of world music before the term had even been coined. The series, which Nonesuch released from 1967[8] to 1984, consisted of field recordings made primarily in Asia, Africa, the Caribbean, Central and South America, and Eastern Europe.

For American non-travelers, it was the first exposure to musical idioms such as music produced by a gamelan. In 1977, a few of the recordings were chosen for the Voyager Golden Record, and sent into outer space aboard the Voyager spacecraft. In 2008, one of the first Explorer Series albums, Music from the Morning of the World (1967), comprising early field recordings that the British musicologist David Lewiston had made in Bali in 1966, was added to the National Recording Registry by the Library of Congress.[9]

The analog original recordings of the Nonesuch Explorer Series albums have been digitized. The series, remastered and with new packaging, is currently being re-released in CD format.

Company logos

See also

References

  1. ^ Jac Holzman and Gavan Daws: Follow the Music (1998) p97
  2. ^ A sister label, called Checkmate, was formed in 1967 with a higher list price and which did record classical repertoire, but only ten LPs were produced.
  3. ^ Pinch, Trevor; Frank Trocco (2004). Analog Days: The Invention and Impact of the Moog Synthesize. Harvard University Press. pp. 100. ISBN 0674016173. 
  4. ^ Pinch 2004, p.126.
  5. ^ Tommasini, Anthony (December 12, 2000). "Teresa Sterne, 73, Pioneer In Making Classical Records". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9801E7D6153FF931A25751C1A9669C8B63. 
  6. ^ http://www.followthemusic.com/whobook.html
  7. ^ Shorto, Russell (October 3, 2004). "The Industry Standard". The New York Times. http://www.nytimes.com/2004/10/03/magazine/03NONESUCH.htm?_r=1&sq=russell%20shorto%20nonesuch&st=cse&scp=1&pagewanted=all&position=. 
  8. ^ "Nonesuch to Release First 4-LP Pkg.". Billboard 79 (32): 48. Aug 12, 1967. ISSN 0006-2510. 
  9. ^ http://www.loc.gov/rr/record/nrpb/nrpb-masterlist.html

External links


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