- Ichikawa Danjūrō I
name = Ichikawa Danjūrō I
imagesize = 220px
caption = Ichikawa Danjūrō I in the role of
Soga Gorō, in a print by Torii Kiyomasu. This is likely one of the most famous early " ukiyo-e" actor prints.
birthdate = 1660
deathdate = death date|1704|2|19|df=y
deathplace = Edo, Japan
othername = Ichikawa Ebizō I, Saigyū, Mimasu Hyōgo, Naritaya
notable role =
Soga Gorō, Narukami, hero of " Shibaraku"
Ichikawa Danjūrō I (初代市川段十郎 [It may interest the reader to note that the kanji (Chinese characters) used to write the name Danjūrō have changed over the generations. Danjūrō I used 段十郎, which he changed to 團十郎 in 1693; this was then simplified in later generations to 団十郎.] , "shodai Ichikawa Danjūrō") (1660-1704) was an early
kabukiactor in Japan. He remains today one of the most famous of all kabuki actors and is considered one of the most influential. His many influences include the pioneering of the " aragoto" style of acting which came to be largely associated with Edokabuki and with Danjūrō and his successors in the Ichikawa Danjūrōline.
Like many actors, Danjūrō also dabbled in playwriting, which he did under the "
haimyō" (poetry name) Mimasuya Hyōgo. "Mimasu" (三升) is the name for the "mon" of the Ichikawa family; many actors in the Danjūrō line have since used "Mimasu" or "Sansho", an alternate reading of the same characters, as their "haimyō".
As the originator of the most celebrated and prestigious stage name in kabuki, there have been a great many descendants of Danjūrō I in the kabuki world, some of them quite famous and accomplished themselves. Danjūrō's father, Horikoshi Juzō, was not involved in the theatre, but was an "
otokodate", something of a street ruffian, but nevertheless a man very much a part of Edo popular urban culture; though not in the theatre himself, he may have been a patron of various types of performances, as well as of the closely related sex industry.
The sons of Danjūrō I were known as Ichikawa Danjūrō II and Ichikawa Sen'ya. The fourth Danjūrō was his grandson; the fifth his great-grandson. His great-great-grandsons, as well as their sons and grandsons were kabuki actors of the Ichikawa family as well. Danjūrō I also had a great many disciples.
A devout follower of Fudō Myōō, one of Japan's
Thirteen Buddhas, Danjūrō was the first to perform as Fudō onstage, and founded the actors' guild Naritaya, named after the Fudō temple Narita Fudōson.
Life and career
Born in Japan's capital of
Edoin 1660, he first performed at the age of 13 at the Nakamura-za, under the name Ichikawa Ebizō. The first to take the name Ebizō, he was thus the founder or originator of this prestigious actor lineage as well. This 1673 performance of "Shitennō Ochigodachi", in which Ebizō played Sakata Kintoki marks not only his first performance, but also the first use of red and black striped makeup, now called " kumadori", and thus the nascent origins of the "aragoto" style.
Two years later, taking the name Danjūrō, he performed in the first kabuki presentation based on the Tale of the Soga Brothers. The famous actor print seen here, though produced for a 1697 performance, depicts Danjūrō in the same role, that of
Soga Gorō. Serving as playwright as well as actor, Danjūrō produced a number of works, several of which were early forms of plays extremely popular later in the Edo periodand still performed today, though they have undergone great changes over the centuries. Two of these such plays are " Narukami", written and premiered in 1684, and " Shibaraku", in 1697.
Genrokuperiod marked the peak of Edo period extravagance and hedonism. Danjūrō was one of the most popular actors in Edo in this period, alongside Nakamura Shichisaburō Iand Nakamura Denkurō I. The first "aragoto" performance in Kyotowas that of "Genji Musha Homare no Seiriki" in 1694; the following year, Danjūrō would be featured in the Edo " hyōbanki", a popular publication ranking actors and performances, as "jō-jō-kichi" (上々吉, higher-higher-excellent) and his annual salary would reach 500 " ryō".
Over the course of his career, Danjūrō performed in, and wrote, a great number of plays. Unlike many later actors, he was not particularly faithful to any one theater, and moved back and forth between them many times. He also performed alongside his son, Ichikawa Kuzō, who would later take his father's name and become
Ichikawa Danjūrō II. Danjūrō is said to have also been the first kabuki actor to write haikuand to take a poetry name ("haimyō").
While performing at the
Ichimura-zaon 19 February 1704, Danjūrō was stabbed and killed onstage by fellow actor Ikushima Hanroku.
References and notes
*Frederic, Louis (2002). "Japan Encyclopedia." Cambridge, Massachusetts:
Harvard University Press.
* [http://www.kabuki21.com/danjuro1.php Ichikawa Danjūrō I at Kabuki21.com]
NAME=Ichikawa Danjūrō I
ALTERNATIVE NAMES=Ichikawa Ebizō I, Saigyū, Mimasu Hyōgo, Naritaya, 初代市川団十郎 , 段十郎 , 團十郎 , 団十郎 , shodai Ichikawa Danjūrō
DATE OF BIRTH=1660
PLACE OF BIRTH=
DATE OF DEATH=
February 19 1704
PLACE OF DEATH=
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