- Giya Kancheli
Giya Kancheli ( _ka. გია ყანჩელი), born
August 10 1935 inTbilisi , is a Georgian composer resident inBelgium .Kancheli is his country's most famous living
composer and arguably its best-known cultural export. His music is very communicative and immediate and often has a spiritual quality, which leads some to compare him (not always helpfully) to composers such asArvo Pärt andJohn Tavener . There are several instances of folk and religious inspiration in his music, notably in the opening to the Third Symphony or his more recent work Magnum Ignotum, but the effect of Georgian folk elements on his style is in spirit rather than substance, should not be overemphasised.In his symphonies, his musical language typically consists of slow, haunting scraps of minor-mode melody against long, subdued, anguished string discords. These passages are occasionally punctuated with 'battle scenes' involving martial brass and percussion. His music post-1990 has become more refined and generally more subdued and nostalgic in character. Some commentators talk about his music in cinematic terms; one can find equivalents of dissolve (in his ubiquitous blurred tonal transitions), zoom (such as the long crescendo a third of the way into the Sixth Symphony), abrupt cuts (jumping from very quiet to very loud, as in the opening of the Fifth Symphony), and so on.
Rodion Shchedrin speaks of Kancheli as "anascetic with the temperament of a maximalist; a restrainedVesuvius ".Ainslie, Sarah. " [http://www.schirmer.com/default.aspx?TabId=2419&State_2872=2&ComposerId_2872=2423 Giya Kancheli] ". schirmer.com, 2006. Retrieved on31 January ,2007 .Work
Kancheli has written seven symphonies, and what he terms a
liturgy forviola and orchestra, called "Mourned by the Wind ". His Fourth Symphony received its American premiere, with thePhiladelphia Orchestra , underYuri Temirkanov , in January 1978, not long before thecultural freeze in the United States against Soviet culture.Glasnost allowed Kancheli to regain exposure, and he began to receive frequent commissions, as well as performances within Europe and America. His Sixth Symphony is considered by many to be his most notable work to date. His Seventh Symphony was emphatically subtitled 'Epilogue' and he is unlikely to write any more named symphonies, but he has described his orchestral work "Trauerfarbenes Land" ('The Land Stained with Mourning') as "almost an Eighth Symphony".Championed internationally by the likes of
Dennis Russell Davies , the lateJansug Kakhidze ,Gidon Kremer ,Yuri Bashmet ,Kim Kashkashian ,Mstislav Rostropovich , and theKronos Quartet , Kancheli has seen world premieres of his works in Seattle, as well as with theNew York Philharmonic underKurt Masur . He continues to receive regular commissions. New CDs of his recent works are regularly released, notably on the ECM label.In Georgia, Kancheli's work is well-known in the theatre, from which he draws much of his musical composition. For two decades, he served as the music director of the
Rustaveli Theatre in Tbilisi. His opera "Music for the Living ", written in collaboration with Rustaveli directorRobert Sturua , has been praised within Europe and the former Soviet Union since its premiere in June 1984, and in December 1999, the opera was restaged for theDeutsches National Theater inWeimar . He has written music for dozens of films, many of them well-known in the Russian-speaking world but virtually unknown outside it, such asGeorgi Daneliya 's sci-fi cult hitKin-dza-dza! .Since 1991, Kancheli has lived in Western Europe: first in Berlin, and since 1995 in
Antwerp , where he is composer-in-residence for the Royal Flemish Philharmonic Orchestra.Selected Works
Early Works
* "Concerto for orchestra" (1961)
*"Symphony No. 1" (1967)Orchestral
*"Symphony No. 2: Songs" (1970)
*"Symphony No. 3" (1973)
*"Symphony No. 4 "To the Memory of Michelangelo" (1974)
*"Symphony No. 5 "To the Memory of My Parents" (1977)
*"Symphony No. 6" (1978-1980)
*"Symphony No. 7 "Epilogue" (1986)
*"Mourned by the Wind (Vom Winde Beweint)", liturgy for viola and orchestra (1989)
*"Rokwa" (1999)
*"Styx" (1999)Chamber Music
*"Morning Prayers" for chamber orchestra and tape (1990)
*"Midday Prayers" for soprano, clarinet and chamber orchestra (1990)
*"Night Prayers" for string quartet (1992)
*"Caris Mere" for soprano and viola (1994)
*"Valse Boston" for piano and strings (1996)
*"Instead of a Tango" for violin, bandoneon, piano and double bass (1996)
*"In L'Istesso Tempo" for piano quartet (1997)
*"Sio" for strings, piano and percussion (1998)Choral/Opera
*"Music for the living", opera in two acts (1982-1984)
*"Bright Sorrow" Requiem (to the 40th Anniversary of the Victory over Fascism) (1984)
*"Evening Prayers" for eight alto voices and chamber orchestra (1991)
*"Psalm 23" for soprano and chamber orchestra (1993)
*"Lament", concerto for violin, soprano and orchestra (1994)
*"Diplipito" for cello, counter-tenor and chamber orchestra (1997)
*"And Farewell Goes Out Sighing..." for violin, countertenor and orchestra (1999)
*"Styx" for viola, mixed choir and orchestra (1999)Notes
External links
* [http://home.wanadoo.nl/ovar/kancheli.htm List of works]
* [http://composers21.com/compdocs/kanchelg.htm Entry at The Living Composers Project]
* [http://www.siue.edu/~aho/musov/kancheli/kancheli1.html "Music under Soviet Rule", by Ian McDonald]
* [http://www.schirmer.com/default.aspx?TabId=2419&State_2872=2&ComposerId_2872=2423 Kancheli at Schrimer]
* [http://members.optusnet.com.au/~robert2600/azimute/music/kancheli_absence.html "The Space of Absence in the Music of Giya Kancheli", by Dylan Trigg]
* [http://www.azimute.org/music/kancheli_nostalgia.html "Giya Kancheli and the Aesthetics of Nostalgia", by Dylan Trigg]
* [http://www.ecmrecords.com/Catalogue/New_Series/1700/1767.php?lvredir=712&cat=%2FArtists%2FKancheli+Giya%23%23Giya+Kancheli&catid=0&doctype=Catalogue&order=releasedate&rubchooser=901&mainrubchooser=9 Kancheli at ECM Records]
* [http://www.imdb.com/name/nm0437151/ Gia Kacheli at IMDB]
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