Kottakkal Sivaraman

Kottakkal Sivaraman is an acclaimed performing artiste who revolutionalised the portrayal of female roles in Kathakali, the classical dance-drama from Kerala in southern India. [http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=2005111101390300.htm&date=2005/11/11/&prd=fr&] He did have a forerunner in that mission in the form of the late Kudamaloor Karunakaran Nair, but Sivaraman indisputably took stree vesham (female roles) to hitherto-unimaginable prominence.

Kathakali, being a largely masculine dance form with an all-male presence (at least till the end of the first half of the 20th century), tended to give female roles a secondary status. This is despite some of its classical stories having dense and slow-paced songs (padams) set for female characters like Lalitha (in Kirmeeravadham, Bakavadham) or Urvashi (in Kalakeyavadham) besides characters like Damayanti (Nalacharitam) or Mohini (Rugmangadacharitam) or Sairandhri (or Malini in Keechakavadham) which demanded fertile imagination and a insight about their profile for brighter enactment.

The 1936-born Sivaraman, a disciple of his uncle-guru Padma Shri Vazhenkada Kunchu Nair at the PSV Natyasangham in Kottakkal in north-central Kerala's Malappuram district, decided to change all this subordination. By the 1960s, he had experimented those ideas on stage with success, much to the appreciation of aesthetes not only in his native Valluvanad, an erstwhile central-Kerala fiefdom which has been the homestead for the refined Kalluvazhi style of Kathakali, but across Kerala and subsequently the rest of the world. His Karalmanna village, north of Cherpulassery, in Palakkad district thus further affixed its name on the Kathakali map.

Over the years, Sivaraman has acted with actors of several generations across north and south Kerala, but it was with Kalamandalam Gopi that he teamed up well to gain repute as a phenomenal pair on the Kathakali stage. Together they acted, with Sivaraman as Damayanti and Gopi as Nala, as Kunti-Karna, as Mohini-Rugmangada. Sivaraman's portrayal of Sairandhri (Draupadi in disguise as a maid) in Keechakavadham opposite Padma Bhushan Kalamandalam Ramankutty Nair (as Keechaka) also earned him lots of stages and fame. Sivaraman is one among the rare leading Kathakali artistes to have not taught in any leading performing-art institutions.

Of late, Sivaraman has been cast more in male roles, where the magic of make-up would help him hide his advancing age. He still does female roles, but is also seen performing as Krishna (Kuchelavrittam) or Pushkara (Nalacharitam). He has choreographed a new storyplay (aattakkatha), Pingala, which is based on the 11th canto of the epic Bhagavatham. In its inaugural show, he enacted the lead role of Pingala.

An artiste with keen interest in reading books, ranging from the Puranas to the latest works in his native Malayalam literature, Sivaraman is known as a garrulous talker even while being a deep-sighted thinker of his art form. Filmmaker M.R. Rajan has made a documentary on the master. The work, Nokku, went on to bag a national award in 2007.

Many Kathakali buffs see a successor to Sivaraman in Margi Vijayakumar.

Sivaraman, who has won the Central Sangeet Natak Akademi award, lives in his modest tile-roof home in Karalmanna with his wife Bhavani and family.

[ [http://www.hinduonnet.com/thehindu/fr/2005/07/01/stories/2005070102250200.htm The Hindu : Entertainment Thiruvananthapuram / Dance : Consummate performer of female roles ] ]

[cite web
url=http://www.india9.com/i9show/61639.htm
title=Kottakkal Sivaraman
accessdate=2006-10-27] .

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External links

* [http://www.hindu.com/fr/2005/11/11/stories/2005111101390300.htm Redefining the nayika ]