Oldboy


Oldboy
Oldboy

Theatrical poster
Directed by Park Chan-wook
Produced by Lim Seng-yong
Written by Hwang Jo-yun
Park Chan-wook
Lim Chun-hyeong
Lim Joon-hyung
Garon Tsuchiya
Starring Choi Min-sik
Yu Ji-tae
Kang Hye-jeong
Music by Jo Yeong-wook
Cinematography Chung Chung-hoon
Distributed by Show East
Release date(s) November 21, 2003 (2003-11-21)
Running time 120 minutes
Country South Korea
Language Korean

Oldboy (Hangul: 올드보이; RR: Oldeuboi; MR: Oldŭboi, the phonetic transliteration of "old boy") is a 2003 South Korean film directed by Park Chan-wook. It is based on the Japanese manga of the same name written by Nobuaki Minegishi and Garon Tsuchiya. Oldboy is the second installment of The Vengeance Trilogy, preceded by Sympathy for Mr. Vengeance and followed by Sympathy for Lady Vengeance.

The film follows the story of one Oh Dae-su, who is locked in a hotel room for 15 years without knowing his captor's motives. When he is finally released, Dae-su finds himself still trapped in a web of conspiracy and violence. His own quest for vengeance becomes tied in with romance when he falls for an attractive sushi chef.

The film won the Grand Prix at the 2004 Cannes Film Festival and high praise from the President of the Jury, director Quentin Tarantino. Critically, the film has been well received in the United States, with an 80% "Certified Fresh" rating at Rotten Tomatoes.[1] Film critic Roger Ebert has claimed Oldboy to be a "...powerful film not because of what it depicts, but because of the depths of the human heart which it strips bare".[2] In 2008, voters on CNN named it one of the ten best Asian films ever made.[3]

An American remake is being planned, which will be directed by Spike Lee. [4]

Contents

Plot

Korean businessman Oh Dae-su is bailed out from a local police station by his close friend Joo-Hwan after a drunken fight, on the night of Dae-su's daughter's birthday. Dae-su calls her on a public phone, but as Joo-Hwan takes the phone, Dae-su disappears. Kidnapped and confined to a shabby room with no explanation, Dae-su is not allowed any contact and is fed only fried dumplings through a narrow slot. While watching television, he discovers that his wife has been murdered, his daughter sent to foster parents and that he himself is the prime suspect. Experiencing hallucinations from the isolation, his attempts at suicide are prevented, while he is regularly being gassed into unconsciousness. Bent on revenge, he keeps himself fit and occupied with shadowboxing; hardening his knuckles by punching the wall. Over the years, he uses a chopstick to scratch an opening in the wall, hoping for a way to escape.

Shortly before his own escape plans can come to fruition, Dae-su is suddenly set free on the rooftop of a building, 15 years after his imprisonment began. Dae-su is given a cellphone by a stranger and goes to a local restaurant, where he meets young sushi chef Mi-do (Kang Hye-jeong), who brings him to her home. Dae-su realizes he is being tracked through phone calls from his unidentified captor and instant messaging on Mi-do's computer. Dae-su locates the Chinese restaurant that provided the fried dumplings during his imprisonment (following a scrap of paper found accidentally cooked into one, giving Dae-su the Chinese character "dragon" to go off of in his search), and subsequently the building he was held captive in, torturing the warden for information. He finds tape recordings of his captor that reveal little. He then fights his way out past numerous goons, suffering a knife wound to his back. When he collapses on the street, a stranger places him in a taxi, only to direct him to Mi-do's address and identify Dae-su by name.

The man, named Woo-jin (Yu Ji-tae), reveals himself as Dae-su's kidnapper and tells him that Dae-su must discover his motives. Mi-do will die if he fails, but if he succeeds, Woo-jin will kill himself. Later, Dae-su and Mi-do grow emotionally closer together and have sex. Dae-su discovers he and Woo-jin briefly attended the same high school and remembers spying on Woo-jin's incestuous relationship with his sister, Soo-ah (Yun Jin-seo). Dae-su, unaware of their familial relationship, inadvertently spread the rumor before transferring to another school in Seoul. Soo-ah's mental turmoil grew, causing physical signs of pregnancy and her eventual suicide. During the investigation, Woo-jin kills Joo-Hwan for insulting Soo-ah, enraging Dae-su further.

Dae-su confronts Woo-jin at his penthouse with the information but instead Woo-jin gives Dae-su a photo album. As Dae-su flips through the album, he witnesses his daughter grow older in the pictures, until discovering that Mi-do is actually his daughter. Woo-jin reveals that the events surrounding Dae-su were orchestrated to cause Dae-su and Mi-do to commit incest. It is also revealed that hypnosis and post-hypnotic suggestion were involved with Dae-su's imprisonment, and had been performed on Mi-do as well. A horrified Dae-su begs Woo-jin to conceal the secret from Mi-do, groveling for forgiveness before slicing out his own tongue and offering it to Woo-jin as a symbol of his silence. Woo-jin agrees to spare Mi-do from the knowledge and leaves Dae-su in his penthouse. As he rides alone in the elevator, he is struck by the vivid memory of his sister's death, in which he was complicit, and shoots himself in the head.

Dae-su sits in a winter landscape, where he makes a deal with the same hypnotist who conditioned him during his imprisonment, asking for her help to allow him to forget the secret. She reads his pleas from a handwritten letter and, touched by his words, begins the hypnosis process, lulling him into unconsciousness. Hours later, Dae-su wakes up, the hypnotist gone, and stumbles about before finally meeting with Mi-do. They embrace, and Mi-do tells Dae-su that she loves him, though whether Dae-su knows the secret is uncertain, as Dae-su smiles and his face slowly crumbles into one of anguish.

Cast

Choi Min-sik
  • Choi Min-sik as Oh Dae-su: The film's protagonist, who has been imprisoned for somewhere around 15 years. Choi Min-sik lost and gained weight for his role depending on the filming schedule, trained for six weeks and did most of his stunt work.
  • Yu Ji-tae as Lee Woo-jin: The man behind Oh Dae-su's imprisonment. Park Chan-wook's ideal choice for Woo-jin had been actor Han Suk-kyu, who previously played a rival to Choi Min-sik in Shiri and No. 3. Choi then suggested Yu Ji-tae for the role, despite Park's reservation about his youthful age.[5]
  • Kang Hye-jeong as Mi-do: Dae-su's love interest.
  • Ji Dae-han as No Joo-hwan: Dae-su's friend and the owner of an internet café.
  • Kim Byeong-ok as Mr. Han: Bodyguard of Woo-jin.
  • Oh Tae-kyung as Young Dae-su.
  • Ahn Yeon-suk as Young Woo-jin.
  • Kim Han-joon as Grace Gee's lover
  • Oo Il-han as Young Joo-hwan.
  • Yun Jin-seo as Lee Soo-ah: Woo-jin's sister.
  • Oh Dal-su as Park Cheol-woong: The private prison's manager.

Production

The corridor fight scene took seventeen takes in three days to perfect, and was one continuous take – there was no editing of any sort except for the knife that was stabbed in Oh Dae-su's back, which was computer-generated imagery. Though the scene has often been compared visually to side scrolling beat 'em up video games, director Park Chan-wook has stated that the similarity was unintentional.

Other computer-generated imagery in the film includes the ant coming out of Oh Dae-su's arm (according to the making-of on the DVD the whole arm was computer-generated imagery) and the ants crawling over Oh Dae-su afterwards. The octopus being eaten alive was not computer-generated; four were used during the making of this scene. Actor Choi Min-sik, a Buddhist, said a prayer for each one. It should also be noted that the eating of live octopuses (called sannakji (산낙지) in Korean) as a delicacy is not unheard of in East Asia, although it is usually cut, not eaten whole. When asked if he felt sorry for the actor Choi Min-sik, director Park Chan-wook stated he felt more sorry for the octopus.

The final scene's snowy landscape was filmed in New Zealand. The ending is deliberately ambiguous, and the audience is left with several questions: specifically, how much time has passed, if Dae-Su's meeting with the hypnotist really took place, and whether he successfully lost the knowledge of Mi-do's identity and whether he will continue his relationship with Mi-do. In an interview (included with the European release of the film) director Park Chan-Wook says that the ambiguous ending was intended to generate discussion; it is completely up to each individual viewer to interpret.

The motif phrase "laugh, and the world laughs with you; weep, and you weep alone", from Solitude by Ella Wheeler Wilcox, is referenced several times throughout the film.

Response

Critical reception

Oldboy received generally positive reviews from Western critics. The review aggregator Rotten Tomatoes reported that 80% of critics gave the film positive reviews, based on 125 reviews.[6] Metacritic reported the film had an average score of 74 out of 100, based on 31 reviews.[7]

Roger Ebert of the Chicago Sun-Times gave the film four stars (out of four). Ebert remarked: "We are so accustomed to 'thrillers' that exist only as machines for creating diversion that it's a shock to find a movie in which the action, however violent, makes a statement and has a purpose."[2] James Berardinelli of ReelViews gave the film three stars (out of four), saying that it "isn't for everyone, but it offers a breath of fresh air to anyone gasping on the fumes of too many traditional Hollywood thrillers."[8]

Stephanie Zacharek of Salon.com praised the film, calling it "anguished, beautiful, and desperately alive" and "a dazzling work of pop-culture artistry."[9] Peter Bradshaw gave it 5 stars (out of 5), commenting that this is the first movie in which he could actually identify with a small live octopus. Bradshaw summarizes his review by referring to Oldboy as "cinema that holds an edge of cold steel to your throat."[10] David Dylan Thomas points out that rather than simply trying to "gross us out," Oldboy is "much more interested in playing with the conventions of the revenge fantasy and taking us on a very entertaining ride to places that, conceptually, we might not want to go."[11] Sean Axmaker of the Seattle Post-Intelligencer gave Oldboy a score of "B-," calling it "a bloody and brutal revenge film immersed in madness and directed with operatic intensity," but felt that the questions raised by the film are "lost in the battering assault of lovingly crafted brutality."[12]

MovieGazette lists 10 features on its "It's Got" list for Oldboy and summarizes its review of Oldboy by saying "Forget ‘The Punisher’ and ‘Man on Fire’ – this mesmerising revenger’s tragicomedy shows just how far-reaching the tentacles of mad vengeance can be." MovieGazette also comments that it "needs to be seen to be believed."[13] The BBC movie review calls it a "sadistic masterpiece that confirms Korea's current status as producer of some of the world's most exciting cinema."[14] Manohla Dargis of the New York Times gave a lukewarm review, saying that "there is not much to think about here, outside of the choreographed mayhem."[15] J.R. Jones of the Chicago Reader was also not impressed, saying that "there's a lot less here than meets the eye."[16] This film is ranked #18 in Empire magazines "The 100 Best Films Of World Cinema" in 2010.[17]

Box office performance

In South Korea, the film was seen by 3,132,000 filmgoers. (It ranks fifth place for the highest grossing film of 2003[18] and 44th in all-time national film box-office records.)

It grossed a total of US$14,980,005 worldwide.[19]

Awards and nominations

Soundtrack

Old Boy Original Motion Picture Soundtrack
Soundtrack album
Released December 9, 2003 (South Korea)
Recorded 2003
Genre Soundtrack
Length 60:00
Label EMI Music Korea Ltd.

Nearly all the music cues composed by Choi Seung-hyun, Lee Ji-Soo and Shim Hyun-Jung are titled after films, many of them film noirs.

  1. Look Who's Talking (Opening song)
  2. Somewhere in the Night
  3. The Count of Monte Cristo – A novel by Alexandre Dumas, adapted many times to film
  4. Jailhouse Rock
  5. In a Lonely Place
  6. It's Alive
  7. The Searchers
  8. Look Back in Anger
  9. Vivaldi – Four Seasons Concerto Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter)
  10. Room at the Top
  11. Cries and Whispers (Woo-Jin's theme)
  12. Out of Sight
  13. For Whom the Bell Tolls
  14. Out of the Past
  15. Breathless
  16. The Old Boy (Dae-Su's theme)
  17. Dressed to Kill
  18. Frantic
  19. Cul-de-Sac
  20. Kiss Me Deadly
  21. Point Blank
  22. Farewell, My Lovely
  23. The Big Sleep
  24. The Last Waltz (Mi-do's theme)

DVD release

Tartan Asian Extreme has released several editions of the film in Region One territories, including a single-disc edition, featuring the film and a small amount of special features.

A three-disc collector's edition has also been released, featuring:

  • Three Audio Commentary Tracks with the Director, Cinematographer and Cast
  • Five Behind-the-Scenes Documentaries
  • Deleted Scenes
  • The first issue of the manga that the film is based upon.
  • Interviews with the Cast and Crew
  • A Featurette titled: "Le Grand Prix at Cannes"
  • And a three-and-a-half hour making-of documentary entitled "The Autobiography of Oldboy"[27]

Oldboy is also available on Blu-ray.

Differences from the manga

  • The manga, which precedes the film, is considerably tamer and less violent.
  • Oh Dae-su is significantly different from Shinichi Goto, his manga counterpart. Goto is considerably less tormented than Oh Dae-su; Goto is remarkably calm and stoic, even during his captivity, unlike Oh Dae-su. Also, Goto is a towering 30-something year old man in peak physique at the time of his release; Oh Dae-su is also on peak physique, albeit smaller and appearing to be at least in his late forties; Goto was imprisoned for ten years, while Oh Dae-su was imprisoned for fifteen.
  • Mi-Do's counterpart Eri is not Shinichi Goto's daughter, as Mi-Do is with Oh Dae-Su. Eri was hypnotically lured to Goto just as a mean of surveillance and to burden Goto. As a result, Goto and his allies move her out of Kakinuma's reach so she does not become a target.
  • Oh Dae-Su and Lee Woo-jin's former schoolmate No Joo-hwan's counterpart, Tsukamoto, is a professional acquaintance of Sinichi Goto, and is not introduced to Lee Woo-jin's counterpart, Takaaki Kakinuma until later in the story. Tsukamoto, a bartender, unlike No Joo-hwan, who runs an internet cafe, survives the ordeal.
  • Kakinuma, unlike Lee Woo-jin in the film, is not successful in his ruse against Goto; in fact, he is unable to break and ruin Goto and his tactics ultimately collapse miserably. Their reasons to kidnap and imprison Goto and Oh Dae-su respectively are completely different also: Goto unknowingly shattered Kakinuma's self esteem and leaves him emotionally scarred for life by feeling sorry and openly crying in music class when he realized Kakinuma's loneliness in the manga; Oh Dae-su created a rumor that turned vicious against Lee Woo-jin's sister. Kakunima, unlike Lee Woo-jin, has no relatives to speak of.
  • Albeit victorious against Kakinuma, Goto is left plagued by hypnotic episodes at the end of the manga which worries him about Eri, who was still vulnerable to hypnotic suggestion, as the hypnotist found her to be mentally locked by Kyoko Kataoka, Kakinuma's "assistant" and under what extent they were both hypnotized. On the other hand, Oh Dae-Su's fate is left unknown.
  • No one dies in the manga except Lee Woo-jin's counterpart, Takaaki Kakinuma, also by a self-inflicted gunshot on the temple
  • Mr. Han, Lee Wo-Jin's bodyguard's counterpart is an unnamed "Secret Service" agent that reports directly to Kakinuma and directs his surveillance operations targeting Goto.
  • Many major and minor characters in the manga do not have a counterpart in the film, such as Yayoi Kusama, Goto and Kakinuma's 6th grade teacher turned novelist, to whom Kakinuma entrapped to document the conflict; Kyoko Kataoka, Kakinuma's "assistant" and lastly, Kakinuma's "Referee".

Other adaptations

An American remake previously had director Justin Lin attached.[28] In November 2008, DreamWorks and Universal were securing the rights to the remake, which Will Smith has expressed interest in starring, with Steven Spielberg as director.[29] Mark Protosevich was in talks to write the script, although the acquisition to the remake rights were not finalized.[30] Smith has clarified Spielberg will not be remaking the film though: he is adapting the manga itself,[31] which lacks the octopus eating and incest invented for the film.[32] In June 2009, the comic's publisher launched a lawsuit against the Korean film's producers for giving the film rights to Spielberg without their permission.[33] Later in November 2009, it was reported that DreamWorks, Steven Spielberg and Will Smith had stepped back from the project.[34] The producing team announced on 10 November 2009 that the project was dead.[35] On July 11, 2011, Mandate Pictures sent a press release stating that Spike Lee will direct a remake of Oldboy, with a screenplay written by Protosevich.[4] It has been reported that Josh Brolin will star in the remake as the lead character, while Christian Bale is reportedly in talks to portray the antagonist character.[36]

Controversy over Zinda

Zinda, the Bollywood film directed by writer-director Sanjay Gupta, also bears a striking resemblance to Oldboy but is not an officially sanctioned remake. It was reported in 2005 that Zinda was under investigation for violation of copyright. A spokesman for Show East, the distributor of Oldboy, said, "if we find out there's indeed a strong similarity between the two, it looks like we'll have to talk with our lawyers."[37]

See also

References

  1. ^ "Consensus of Oldboy reviews". Rottentomatoes.com. http://www.rottentomatoes.com/m/oldboy/. Retrieved 2007-04-11. 
  2. ^ a b "Ebert review". Roger Ebert. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050324/REVIEWS/50310001/1023. Retrieved 2007-04-11. 
  3. ^ "CNN: ‘Himala’ best Asian film in history – INQUIRER.net, Philippine News for Filipinos". Showbizandstyle.inquirer.net. http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20081112-171695/CNN-Himala-best-Asian-film-in-history. Retrieved 2010-03-27. 
  4. ^ a b "Spike Lee Confirmed to Direct 'Oldboy'". /Film. 2011-07-11. http://www.slashfilm.com/spike-lee-confirmed-direct-oldboy/. 
  5. ^ Cine21 Interview about Park's revenge trilogy; April 27, 2007.
  6. ^ "Oldboy Movie Reviews, Pictures – Rotten Tomatoes". Rotten Tomatoes. http://www.rottentomatoes.com/m/oldboy/. Retrieved 2008-05-20. 
  7. ^ "Oldboy (2005): Reviews". Metacritic. http://www.metacritic.com/film/titles/oldboy. Retrieved 2008-05-20. 
  8. ^ Review by James Berardinelli, ReelViews
  9. ^ Review by Stephanie Zacharek, Salon.com
  10. ^ [1]
  11. ^ http://www.filmcritic.com/reviews/2003/oldboy/
  12. ^ Review by Sean Axmaker, Seattle Post-Intelligencer
  13. ^ http://movie-gazette.com/970/oldboy
  14. ^ http://www.bbc.co.uk/films/2004/09/20/old_boy_2004_review.shtml
  15. ^ Review by Manohla Dargis, New York Times
  16. ^ Review by J.R. Jones, Chicago Reader
  17. ^ "The 100 Best Films Of World Cinema". Empire. http://www.empireonline.com/features/100-greatest-world-cinema-films/default.asp?film=18. 
  18. ^ Korean Movie Reviews for 2003: Save the Green Planet, Memories of Murder, A Tale of Two Sisters, Old Boy, Silmido, and more
  19. ^ "Oldboy (2005)". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=oldboy.htm. Retrieved 2008-05-20. 
  20. ^ "All The Awards (2004)". Cannes Film Festival. Archived from the original on 2006-11-30. http://web.archive.org/web/20061130015337/http://www.festival-cannes.fr/archives/prix.php?langue=6002&edition=2004. Retrieved 2007-04-10. 
  21. ^ "Grand Bell Awards, South Korea (2004)". IMDb.com. http://www.imdb.com/Sections/Awards/Grand_Bell_Awards_South_Korea/2004. Retrieved 2007-04-10. 
  22. ^ "Asia-Pacific Film Festival (2004)". IMDb.com. http://www.imdb.com/Sections/Awards/Asia-Pacific_Film_Festival/2004. Retrieved 2007-04-10. 
  23. ^ "Sitges – Catalonian International Film Festival (2004)". IMDb.com. http://www.imdb.com/Sections/Awards/Sitges_-_Catalonian_International_Film_Festival/2004. Retrieved 2007-04-10. 
  24. ^ "Awards (2004)". Bergen International Film Festival. Archived from the original on 2007-02-13. http://web.archive.org/web/20070213220235/http://www.biff.no/2006/index.php3?ID=Priser&Eng=Ja. Retrieved 2007-04-10. 
  25. ^ "Winners (2004)". The British Independent Film Awards. Archived from the original on 2007-04-07. http://web.archive.org/web/20070407022609/http://www.bifa.org.uk/winners.php?ceremony=9. Retrieved 2007-04-10. 
  26. ^ "The Nominations (2004)". The European Film Awards. Archived from the original on 2006-12-09. http://web.archive.org/web/20061209130435/http://www.europeanfilmacademy.org/htm/4Nominations2004.html. Retrieved 2007-04-10. 
  27. ^ "asiaextremefilms.com". asiaextremefilms.com. http://www.asiaextremefilms.com/pg_films_detail.asp?fid={CB23120D-531C-4501-9C1B-6EF8E5255CED}. Retrieved 2010-03-27. 
  28. ^ "Justin Lin Talks 'Fast & Furious 4' Gig and 'Oldboy' Departure". JustPressPlay.net. http://www.justpressplay.net/movies/the-fast-and-the-furious-4/news/justin-lin-talks-fast--furious-4-gig-and-oldboy-departure.html. 
  29. ^ Michael Fleming (2008-11-06). "Spielberg, Smith in talks for 'Oldboy'". Variety. http://www.variety.com/article/VR1117995429.html?categoryid=13&cs=1. Retrieved 2008-11-07. 
  30. ^ Jay A. Fernandez and Steven Zeitchik (2008-11-19). "DreamWorks sets up 'Old Boy' club". The Hollywood Reporter. http://www.hollywoodreporter.com/hr/content_display/news/e3ia94c7ef2006ea33d10029e7153ab1f22. Retrieved 2008-11-19. [dead link]
  31. ^ Brian C. Gibson (2008-11-21). "Will Smith Says Oldboy Won't be Adaptation of Chan-wook Park's Film". Film School Rejects. http://www.filmschoolrejects.com/news/exclusive-will-smith-talks-oldboy.php. Retrieved 2008-11-21. 
  32. ^ Elisabeth Rappe (2008-11-21). "Will Smith Definitely Starring In 'Oldboy,' Says Steven Spielberg Film Won't Be A Remake". MTV Movies Blog. http://splashpage.mtv.com/2008/11/21/will-smith-definitely-starring-in-oldboy-says-steven-spielberg-film-wont-be-a-remake/. Retrieved 2008-11-21. 
  33. ^ "Old Boy Publisher Sues Korean Studio Over U.S. Film Rights". Anime News Network. 20099-06-17. http://www.animenewsnetwork.com/news/2009-06-17/old-boy-publisher-sues-korean-studio-over-u.s-film-rights. Retrieved 2009-06-18. 
  34. ^ "Will Smith & Steven Spielberg’s Old Boy DEAD!". Latino Review. 2009-11-09. http://www.latinoreview.com/news/exclusive-will-smith-steven-spielberg-s-old-boy-dead-8502. Retrieved 2009-11-09. 
  35. ^ Oldboy Remake Not Proceeding After All
  36. ^ Deadline.com. August 28, 2011. http://www.deadline.com/2011/08/josh-brolin-to-star-in-spike-lees-oldboy-redo-for-mandate/. 
  37. ^ Oldboy Makers Plan Vengeance on Zinda, TwitchFilm

External links

Preceded by
Uzak
Grand Prix, Cannes
2004
Succeeded by
Broken Flowers

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Look at other dictionaries:

  • oldboy — {{/stl 13}}{{stl 7}}[wym. oldboj] || {{/stl 7}}oldboj {{/stl 13}}{{stl 8}}rz. mos V, lm M. e, D. ów {{/stl 8}}{{stl 7}} sportowiec, który po zakończeniu kariery zawodnika występuje okazjonalnie w zawodach sportowych organizowanych dla sportowców… …   Langenscheidt Polski wyjaśnień

  • Oldboy — Filmdaten Deutscher Titel Oldboy Originaltitel 올드보이 (Oldeuboi) Produktions …   Deutsch Wikipedia

  • Oldboy — 올드보이 Oldeuboy Título Oldboy (España) Cinco días para vengarse (México) Ficha técnica Dirección Chan wook Park Producción Lim Seng yong …   Wikipedia Español

  • Oldboy — Old Boy Old boy Titre original Oldboy (올드보이) Réalisation Park Chan wook Acteurs principaux Choi Min sik Yu Ji tae Kang Hye jeong Ji Dae han Scénario Hwang Jo yun Park Chan wook Lim Chun hyeong Lim Joon hyung Garon Tsuchiya Musique …   Wikipédia en Français

  • Oldboy — …   Википедия

  • oldboy — old boy n. 1. Chiefly British. A graduate of a public school for boys. 2. A man who is a member of an old boy network. * * * …   Universalium

  • oldboy — OLD BOY s.n. (Sport) Jucător retras din sportul competiţional datorită vârstei, care joacă într un meci amical sau demonstrativ. [pron. ould boi, pl. old boys. / < engl. old boy]. Trimis de LauraGellner, 26.06.2005. Sursa: DN  OLD BOY ULD… …   Dicționar Român

  • oldboy — old|boy sb. (fk.), s, sene, i sms. oldboys , fx oldboyshold, oldboyskamp …   Dansk ordbog

  • oldboy — s ( en, s) …   Clue 9 Svensk Ordbok

  • Park Chan-wook — This is a Korean name; the family name is Park. Park Chan wook Park Chan wook at the 2009 Cannes Film Festival Born August 23, 1963 (1963 08 23 …   Wikipedia


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