Boys in the Sand

Infobox Film
name = Boys in the Sand


caption = Original newspaper ad
director = Wakefield Poole
producer =
writer = Wakefield Poole
starring = Casey Donovan
Peter Fisk
Danny Di Cioccio
Tommy Moore
music =
cinematography =
editing =
distributor = Poolemar
released = December 29, 1971
runtime = 90 min.
country = USA
awards =
language = English
budget = $8,000 USD (estimated)
preceded_by =
followed_by = Boys in the Sand II
amg_id =
imdb_id = 0181990

"Boys in the Sand" is a landmark [cite news
last =Powell
first =Mimi
coauthors =Scott Dagostino and Bhisham Kinha
title =The Porn Power List
work =FAB magazine
pages =
publisher =
date =
url =http://www.fabmagazine.com/features/312/power_list.html
accessdate = 2008-03-06] American gay pornographic film. The 1971 [cite web
last =
first =
authorlink =
coauthors =
title =40 Years of Gay History: the Early Seventies
work =
publisher =Advocate.com
date =
url =http://www.advocate.com/40/timeline70_74.asp
format =
doi =
accessdate = 2007-11-05] film was directed by Wakefield Poole and stars Casey Donovan. "Boys in the Sand" was the first gay porn film to achieve crossover success and one of the earliest porn films of any stripe to gain mainstream credibility, preceding 1972's "Deep Throat" by nearly a year.

Produced on a budget of $8,000, the film is a loose collection of three segments depicting Donovan's sexual adventures at a gay beach resort community. Promoted by Poole with an advertising campaign unprecedented for a pornographic feature, "Boys in the Sand" premiered in New York City in 1971 and was an immediate critical and commercial success. The film brought star Donovan international recognition. A sequel, "Boys in the Sand II", was released in 1986 but was unable to match the success of the original.

The film's title is a parodic reference to the Mart Crowley play and film "The Boys in the Band".cite news
last = Halter
first = Ed
title = Return to Paradise
work = Village Voice
pages =
publisher =
date = 2002-06-18
url = http://www.villagevoice.com/film/0225,halter,35764,20.html
accessdate = 2007-03-06]

Production

Poole was inspired to make the film after some friends he went to see a film called "Highway Hustler". [Edmonson p. 1] "I said to my friend, 'This is the worst, ugliest movie I've ever seen! Somebody oughta be able to do something better than this.'" Poole was convinced that he was that somebody. "I wanted [to make] a film that gay people could look at and say, 'I don't mind being gay - it's beautiful to see those people do what they're doing.'" [Teal, D. "No Degradation": Wakefield Poole Adds New Dimension to Porn", 1972-03-01, "The Advocate" p. 16-17; quoted in Capino, Jose B., "Seminal Fantasies: Wakefield Poole, pornography, independent cinema and the avante-garde", collected in Holmlund, Chris and Wyatt, Justins (eds.), "Contemporary American Independent Film: From The Margins To The Mainstream", Routledge, 2004, p. 133 ISBN 0415254868] Poole enlisted his lover, Peter Fisk, and another man, and they first shot a ten-minute segment entitled "Bayside." [Edmonson p. 74]

The success of that initial shoot convinced Poole to plan two more segments and seek theatrical distribution for the completed work. Poole hired Tommy Moore and Casey Donovan for the third segment, "Inside." When Fisk's scene partner from "Bayside" heard about the potential distribution deal, he refused to sign release forms until he was guaranteed 20% of the profits. [Edmonson p. 75] Instead, Poole decided to scrap the segment and re-shoot with Fisk and Donovan. [Rutledge (1989) p. 229] The resulting footage was so good that Poole decided to use Donovan for the second segment as well, entitled "Poolside," and construct the loose storyline around him. The three segments were filmed on a budget of $8,000 over three successive weekends in August of 1971 in the gay resort area of Fire Island, New York. [Edmonson p. 2]

Plot summary

"Boys in the Sand" is composed of three segments set on Fire Island.

In the first segment, "Bayside," the dark, bearded Peter Fisk walks along the wooded paths of the island until reaching a beach. He strips and sunbathes on a blanket. Suddenly, out in the water, the blond naked Donovan appears and runs up onto the beach to Fisk. Fisk performs oral sex on Donovan, who then leads Fisk into the woods. Fisk grabs the blanket and follows, catching up to Donovan in a clearing. They kiss and touch each other, then Donovan takes a studded leather strap from Fisk's wrist and attaches it around Fisk's genitalia. They continue the scene, with each performing oral sex on the other and Donovan penetrating Fisk. Following Donovan's climax he returns to servicing Fisk orally and, as Fisk is climaxing, momentary flashes of previous scenes are intercut. The scene ends with Fisk taking the strap from his genitals and attaching it around Donovan's wrist. Fisk runs into the ocean and vanishes, mirroring Donovan's entrance. Donovan dons Fisk's abandoned clothes and heads off down the beach.

"Poolside," the second segment, opens with Donovan on a pier, holding a newspaper. He returns to his house, strips by the pool and begins reading. Intrigued by an ad in the back of the paper, Donovan writes a letter in response. After a number of days pass (marked by the cliché device of fluttering calendar pages), he receives a reply in the form of a package. Inside is a tablet, which he throws into the pool. The water starts to churn and the dark-haired Danny Di Cioccio emerges to Donovan's delight. The two couple by the pool, with each performing oral sex on the other and Donovan penetrating Di Cioccio in a variety of positions. Di Cioccio turns the tables and tops Donovan until Donovan's climax. The scene closes with the two engaged in horseplay in the pool and then walking off together down a boardwalk.

The third segment, "Inside," opens with shots of Donovan showering, toweling off and wandering idly around his room, intercut with shots of African-American telephone repairman Tommy Moore checking various poles and lines outside, Donovan spots Moore from his balcony. Moore sees Donovan as well. The remainder of the segment consists of Donovan's fantasized sexual encounters with Moore throughout the house intercut with shots of Donovan sniffing poppers and penetrating himself with a large black dildo. The segment ends following Donovan's climax with the dildo, with the real Moore coming inside the house and closing the door behind them.

Popular and critical reception

"Boys in the Sand" had its theatrical debut on December 29, 1971, at the 55th Street Playhouse in New York City. [Rutledge (1989) p. 63] Poole engaged in an unprecedented pre-release publicity campaign, including screening parties and full-page ads in "The New York Times" and "Variety".

The film made back most of its production and promotions budget the day it opened, grossing close to $6,000 in the first "hour", [Rutledge (1992) p. 1] and nearly $25,000 during its first week, landing it on "Variety"'s list of the week's top 50 grossing films.Burger p. 16] Positive word of mouth spread and the film was favorably reviewed in "Variety" ("There are no more closets!"Stevenson p. 113] ), "The Advocate" ("Everyone will fall in love with this philandering fellator." [cite news | last =Saint Ives| first =Jesse| title =Casey's bat scores in 'Boys in the Sand' | work =Advocate | pages = | publisher = | date =1972-01-05 | url = | accessdate = ] ) and other outlets, which previously had completely ignored the genre. While some critics were less impressed, others saw the film as akin to the avant-garde work of directors like Kenneth Anger and Andy Warhol. [Rutledge (1989) p. 229] Within six months the film had grossed $140,000 and was continuing to open in theatres across the United States and around the world.

The film's mainstream popularity helped usher in the era of "porno chic," a brief period of mainstream cultural acceptability afforded hardcore pornographic film, having been cited as "very much a precursor" to the following year's crossover success of "Deep Throat". [cite news | last =Bailey | first =Cameron | title =Blow-by-blow accounts
work =NOW Toronto | pages = | publisher = | date =2005-02-10-16
url = http://www.nowtoronto.com/issues/2005-02-10/movie_reviews.php
accessdate = 2008-03-18] [Weitzer p. 52] The film would continue to attract critical and scholarly attention from pornography historians and researchers for years after its release. [cite news | last =Jennings | first =Luke | title =Rebirth of Poole | work =The Guardian UK | pages = | publisher = | date =2006-03-26 | url = http://film.guardian.co.uk/features/featurepages/0,,1739528,00.html | accessdate = 2008-03-18] The film is credited with beginning the trend of giving pornographic films titles that spoof the names of non-porn films.

With the success of "Boys in the Sand", Casey Donovan became an underground celebrity. While he never achieved the mainstream film career for which he'd hoped, he continued his career in pornography and translated his fame into some appearances on the legitimate stage, including a successful national tour in the gay-themed play "Tubstrip" [cite news
last =Taylor
first =Robert
coauthors =
title =Tub be or not tub be
work =Oakland Tribune
pages =
language =
publisher =
date =1974-08-29
url =
accessdate = ] and an unsuccessful attempt to produce a revival of "The Ritz". [cite web
last =
first =
authorlink =
coauthors =
title =The Ritz
work =
publisher =Internet Broadway Database
date =
url = http://www.ibdb.com/production.asp?ID=4223
format =
doi =
accessdate = 2007-11-06] His fame also allowed him success as a high-priced escort. [Edmonson p. 171] He remained a bankable commodity in the adult industry, making films for the next fifteen years [cite web
last =
first =
authorlink =
coauthors =
title =Calvin Culver (I)
work =
publisher =Internet Movie Database
date =
url =http://www.imdb.com/name/nm0191724/
format =
doi =
accessdate = 2007-11-05] prior to his death in 1987.

equel and DVD

Poole and Donovan had long wanted to make a sequel to "Boys in the Sand". In 1984 they finally shot "Boys in the Sand II". [cite web
last =
first =
authorlink =
coauthors =
title =Boys in the Sand II
work =
publisher =Internet Movie Database
date =
url =http://www.imdb.com/title/tt0179689/
format =
doi =
accessdate = 2007-11-06] Also filmed on Fire Island, Donovan was the only cast member from the original to return. The original opening sequence, "Bayside," was recreated for the sequel, with Pat Allen performing the run from the water. Litigation tied up the release of "Boys in the Sand II" until 1986 and with the advent of the home video market, there was a glut of gay porn titles available. "Boys in the Sand II" did not distinguish itself from the competition and was not particularly successful. [Edmonson p. 218] In 2002, TLA Releasing released "The Wakefield Poole Collection". The two-DVD set includes a digitally remastered "Boys in the Sand" and "Boys in the Sand II" along with a third Poole/Donovan collaboration, "Bijou", and various other shorts and material shot by Poole. [cite web
last =
first =
authorlink =
coauthors =
title =Recommended DVDs
work =E-Newsletter Vol. II no. 49
publisher =Calumus Bookstore
date =11-04-2002
url =http://calamusbooks.com/newsletters/v2_49/
format =
doi =
accessdate = 2007-11-05] The collection won a 2003 GayVN Award for "Best Classic Gay DVD." [cite web
last =
first =
authorlink =
coauthors =
title =2003 GayVN Award Winners Announced
work =
publisher =ManNet.com
date =2003-05-08
url =http://mannet.com/cgi-bin/ultimatebb.cgi?ubb=get_topic&f=1&t=000099
format =
doi =
accessdate = 2008-03-06]

Notes

References

* Burger, John Robert (1995). "One-Handed Histories: The Eroto-Politics of Gay Male Video Pornography". New York: Haworth. ISBN 1560248602.
* Edmonson, Roger (1998). "Boy in the Sand: Casey Donovan, All-American Sex Star" New York: Alyson. ISBN 1555834574.
* Holmlund, Chris and Justin Wyatt (eds.), (2004). "Contemporary American Independent Film: From the Margins to the Mainstream", Routledge. ISBN 0415254868
* Rutledge, Leigh (1989). "The Gay Fireside Companion". New York: Alyson. ISBN 1555831648.
* Rutledge, Leigh (1992). "The Gay Decades". New York: Penguin. ISBN 0452268109.
* Stevenson, Jack (2000). "Fleshpot: Cinema's Sexual Myth Makers & Taboo Breakers". Critical Vision. ISBN 1900486121.
* Weitzer, Ronald John (2000). "Sex for Sale: Prostitution, Pornography, and the Sex Industry". New York: Routledge. ISBN 0415922941.

ee also

* Wakefield Poole interview, " [s] Explorations" episode 5. 2005.
* Poole, Wakefield (2000). "Dirty Poole: The Autobiography of a Gay Porn Pioneer". Alyson Books. ISBN 1555835619.

External links

* [http://www.imdb.com/title/tt0181990/ "Boys in the Sand"] at Internet Movie Database