- Ilya Golosov
name=Ilya Alexandrovich Golosov
death_date=death date and age|1945|1|29|1883|7|31|mf=y
MossovetArchitectural Workshop No.4 (since 1933)
Zuev Workers' Club, Yauzsky Boulevard apartment building (Moscow), Communal housing ( Ivanovo)
significant_projects=Entries to 1926 competitions (Rusgertorg, Electrobank etc.)
Ilya Alexandrovich Golosov (born 1883,
Moscow- died 1945, Moscow) was a Russian Soviet architect. A leader of Constructivism in 1925-1931, Ilya Golosov later developed his own style of early stalinist architectureknown as postconstructivism. Не was a brother of Panteleimon Golosov.
Education, World War I, Revolution
Golosov studied in the
Stroganov School of Artsand Moscow School of Painting, Sculpture and Architecture, graduating in 1912. Before World War I, he trained in the workshops of Igor Grabarand Alexey Shchusev, and collaborated with Marian Peretyatkovichand Ivan Rerbergon Northern Insurance Buildings (Moscow). In 1914-1917 Golosov served as a military engineer. In 1918, Golosov joined Moscow state architectural office led by neoclassicist Ivan Zholtovsky, and stayed with him throughout the Civil war, at the same time teaching at at the MVTU and VKhUTEMAS.
Developing style (1918-1925)
Golosov's work (like work of any architect) during the Civil war and first years of
New Economic Policywas limited to city planning projects, landscaping and repairs. A decade of hostilities (1914-1922) caused an unexpected outcome for the profession and Golosov brothers personally: their first chance to build anything emerged when they were already 40 years old. The "new generation" were, in fact, mature men with classic prerevolutionary training; the next generation ( Ivan Leonidovand the "class of 1929") was just beginning their college training.
Ilya Golosov participated in numerous architectural contests of the twenties, starting with the 1922-1923 House of Labor contest. Golosov developed a personal design style, when the building had to have a center of mass, a dominant shape; all smaller shapes and details are subordinate to the dominant and should follow a decreasing rhythm, like a ripple on water surface. Golosov himself defined this style as "symbolic
romanticism", well "before" joining the constructivist camp.
In 1924, Golosov was profoundly impressed by
Vesnin brothersdesigns of Arkosand Leningrad Pravda. He joined the constructivist movement, the OSA Groupat its inception in December, 1925. Golosov's designs of this period feature carefully thought-out exterior glass walls, emphasizing inner structure of the "dominant shape". Apart from numerous contest entries, Golosov won many practical commissions. Like the Vesnin brothers, he had a formal pre-revolutionary education and engineering experience, helping him win the real jobs. Unlike theorists like Moisei Ginzburgor Ivan Leonidov, Golosov was busy with actually managing construction sites, and abstained from theoretical the debates of 1925-1929.
As Selim Khan-Magomedov pointed out, "He created the finest examples of constructivism, yet never became a devoted constructivist. He understood that constructivist theories contradict his own architectonic concepts of early 20s... Golosov accepted constructivism as an exterior decoration trend, not as a wholesome functional style". Yet, for a brief period in 1925-1928, fellow architects perceived him as "the" leader of constructivism, due to his highly publicized completed designs like the 1925
Zuev Workers' Club(see also: [http://www.ruthenia.ru/moskva/encycl/g/images/g_dkzueva3_s.jpginterior photograph] ) and a brilliant streak of contest entries in 1926.
In 1932, when the state sent a message to abandon avant-garde in favor of neoclassical architecture, Golosov responded with a neoclassical adaptation of his "symbolic romanticism" concept. Golosov and his followers deliberately replaced the proven historical details (columns, capitals,
friezes and cornices) with their own inventions - to differentiate themselves from pure Revivalists like Zholtovsky. The most common feature was a square, lean column with a simplified rectangular capital and base. For a short period, 1932-1936, this new style, postconstructivism(a term coined by Selim Khan-Magomedov), became the most common in Soviet Russia.
Ilya Golosov, assigned to lead a
Mossovetarchitectural workshop, perfected his style in numerous contests of 1932-1938. Unlike Konstantin Melnikov, who lost his job in 1936, Golosov was employed in practical construction until 1941 with typical postconstructivist building like the "Teplobeton" apartments on Spiridonovka Street (1933-34) and Yauzsky Boulevard apartments (1936-1941). In 1938, he designed and managed construction of a typical Stalinist apartment block in Nizhny Novgorod (Oktyabrskaya Street), which earned an honorable posthumous mention in "XXX years of Soviet architecture" edition in 1949.
Death and legacy
Ilya Golosov continued teaching architecture throughout
World War II. Like his brother Panteleimon, Ilya died in 1945 in Moscow and was interred at Novodevichye cemetery. [Burial at Novodevichye is a clear sign of high social status.]
*1912 - junior architect on Northern Insurance Buildings, Moscow (lead architects
Marian Peretyatkovich, Ivan Rerberg)
*1923 - Far Eastern Pavilion at the All-Russian Agricultural Exhibition, Moscow (demolished, [http://www.muar.ru/ve/expo/25.htm Concept drawing] [http://www.muar.ru/ve/expo/26.htm Chinese gates] )
Zuev Workers' Club, Moscow
*1931 - Collective House (400-unit apartment building),
Ivanovo( [http://www.tourizm.ivanovo.ru/foto?id=420 photograph] )
*1932 - Teplobeton apartment building, Spriridonovka Street, Moscow ( [http://paszec.livejournal.com/674453.html Photographs, before construction and present day] )
*1936 - Apartment building, Yauzsky Boulevard, Moscow
*1938 - Trade Union College, Moscow
*1938 - Oktyabrskaya Street apartment block,
Competition entries, unrealized drafts
*1923 - Palace of Labour, Moscow ( [http://www.ruthenia.ru/moskva/encycl/g/images/gol_dvortr_b.jpgDesign concept] ).
*1924 - USSR pavilion at the
Exposition Internationale des Arts Décoratifs et Industriels Modernes( [http://www.utopia.ru/english/item.phtml?id=217&type=graphics&sortby=view&start=0 Concept drawing 1] [http://www.muar.ru/ve/expo/18.htm Concept drawing 2] )
*1924 - Lenin House of the People,
Ivanovo(awarded to Grigory Barkhin. [http://www.tourizm.ivanovo.ru/foto?id=458 Photograph, present day] )
*1925 - House of Labor,
*1925 - Textile Building, Moscow
*1926 - Smolensky Market, Moscow
*1926 - Central Telegraph building, Moscow (awarded to
Ivan Rerberg. [http://www.arstudia.ru/rerberg/1.html Photograph, as built] )
*1926 - Electrobank building, Moscow ( [http://www.ifa.de/kunst/nbi/pics/golosov_elektrobank01.jpgConcept drawing] )
*1926 - Rusgertorg building, Moscow ( [http://www.ruthenia.ru/moskva/encycl/g/images/gol_rusger_b.jpgConcept drawing] )
*1928 - Communal housing,
*1928 - Dynamo building, Moscow (awarded to
Ivan Fomin. [http://www.arstudia.ru/fomin/5.html Photograph, as built] )
*1928 - Azneft oil pump building, Baku ( [http://www.ruthenia.ru/moskva/encycl/g/images/gol_rosneft_b.jpgConcept drawing] )
*1928 - Textile mill,
*1930 - Oblpotrebsoyuz (Regional Cooperative) building, Ivanovo
Palace of the Soviets, Moscow (awarded to Boris Iofan)
*1932 - House of Books (Ogiz publishing building), Moscow
*Selim Khan-Magomedov, "Pioneers of Soviet Architecture: The Search for New Solutions in the 1920s and 1930s", Thames and Hudson Ltd, 1986, ISBN 978-0500341025
*cite book | last = Cooke | first = Catherine, (et al)| title = Architectural Drawings of the Russian Avant-Garde| publisher =
The Museum of Modern Art| date = 1990 | |id = ISBN 0-87070-556-3
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