Hotep Idris Galeta

Hotep Idris Galeta

Hotep Idris Galeta (born in 1941) is a South African jazz pianist and educator. His legal name at birth was Cecil Galeta, but according to local custom he was more commonly known as a child and young man as Cecil Barnard, his father's first name being used instead of a last name.

In his teens he played with some of the best jazz musicians in South Africa; Abdullah Ibrahim (then known as Dollar Brand) and Lamie Zukufu introduced him to bebop and hard bop. In 1961 he left South Africa clandestinely, following many other South African performers to the United Kingdom (severe restrictions on public gatherings following the Sharpeville massacre had made entertainment careers impossible for any but white artists, and the already poor quality of life for non-whites was deteriorating rapidly as apartheid became ever stricter). After a year in the United Kingdom he moved to the United States, where he remained till 1991, when he returned to South Africa following the collapse of apartheid.

In the United States he played and recorded with Herb Alpert, John Handy, Bobby Hutcherson, Elvin Jones, Hugh Masekela, Jackie McLean, Mario Pavone, Joshua Redman, and Archie Shepp. Outside jazz he performed and recorded with David Crosby and the Byrds. In 1985, Jackie McLean invited him to teach at The Hartt School of the University of Hartford, where he taught until his return to South Africa. He continues to record, perform, and teach in South Africa. His teaching engagements have included four years on the faculty of the University of Fort Hare, the musical directorship of a national music education program for high schools, and co-ordination of music outreach programs in Cape Town.Including his performance and visiting lecturer schedules he is currently the Project Manager for the establishment of a school of jazz and a multi media audio visual production center at the University of Fort Hare's new urban campus in the east coast South African city of East London in the Eastern Cape Province.


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