Malaipaṭukaṭām


Malaipaṭukaṭām
Topics in Sangam literature
Sangam literature
Akattiyam Tolkāppiyam
Patiṉeṇmēlkaṇakku
Eṭṭuttokai
Aiṅkurunūṟu Akanaṉūṟu
Puṟanāṉūṟu Kalittokai
Kuṟuntokai Naṟṟiṇai
Paripāṭal Patiṟṟuppattu
Pattuppāṭṭu
Tirumurukāṟṟuppaṭai Kuṟiñcippāṭṭu
Malaipaṭukaṭām Maturaikkāñci
Mullaippāṭṭu Neṭunalvāṭai
Paṭṭiṉappālai Perumpāṇāṟṟuppaṭai
Poruṇarāṟṟuppaṭai Ciṟupāṇāṟṟuppaṭai
Patiṉeṇkīḻkaṇakku
Nālaṭiyār Nāṉmaṇikkaṭikai
Iṉṉā Nāṟpatu Iṉiyavai Nāṟpatu
Kār Nāṟpatu Kaḷavaḻi Nāṟpatu
Aintiṇai Aimpatu Tiṉaimoḻi Aimpatu
Aintinai Eḻupatu Tiṉaimoḻi Nūṟṟu Aimpatu
Tirukkuṛaḷ Tirikaṭukam
Ācārakkōvai Paḻamoḻi Nāṉūṟu
Ciṟupañcamūlam Mutumoḻikkānci
Elāti Kainnilai
Tamil people
Sangam Sangam landscape
Tamil history from Sangam literature Tamil literature
Ancient Tamil music Sangam society
edit

Malaipatukatam, is a Tamil poetic work in the Pathinenmaelkanakku anthology of Tamil literature, belonging to the Sangam period corresponding to between 100 BCE – 100 CE. Malaipatukatam contains 583 lines of poetry in the Achiriyappa meter. The poems were written by the poet Perunkosikanaar from Perunkunrur. In praise of a minor chieftain named Nannan Venmaan. Malaipatukatam belongs to the Pattupattu collection and follows the Arruppadtai style, a device used by most of the books in the Pattupattu collection.

Arruppatai poems read like travelogues in which poets who were returning with gifts received from a king, encourage other poets to do the same by describing in glowing terms the king and his country. This gives the opportunity to the poet, among other topics, to describe in great detail the natural beauty, fertility, and resources of the territory that has to be traversed to reach the palace of the patron.

Malaipatukatam describes the various sounds generated and echoed in a mountainous terrain and uses the analogy of an elephant for the mountain to explain these sounds. It also describes the lifestyle of the folk dancers of the ancient Tamil country

References



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