Carlo Bergonzi

Carlo Bergonzi

Carlo Bergonzi (born 13 July 1924) is an Italian operatic tenor. Although he performed and recorded some bel canto and verismo roles, he is above all associated with the operas of Giuseppe Verdi, including a large number of the composer's lesser-known works that he helped revive. Essentially a lirico-spinto tenor, Bergonzi was greatly admired during the peak of his career for his beautiful diction, smooth legato, warm timbre and elegant phrasing.


Bergonzi was born in Vidalenzo, near Parma. He began his vocal studies at the age of 14. During World War II, he was interned in a German prisoner-of-war camp. After the war, he returned to Italy and studied at the Boito Conservatory in Parma.

In a 1985 interview with "Opera Fanatic"'s Stefan Zucker, Bergonzi cited 1948 as the date of his professional debut, as a baritone, in the role of Figaro in Rossini's "Il barbiere di Siviglia". Other baritone roles that he undertook included: "Arlesiana " (Metifio), "Don Pasquale " (Dottor Malatesta), "L'elisir d'amore" (Belcore), "Lucia di Lammermoor" (Lord Enrico Ashton), "Le astuzie di Bertoldo" (Ghirlino), "Pagliacci" (Silvio), "L'amico Fritz" (Fritz Kobus), "Cavalleria rusticana" (Alfio), "Werther" (Albert), "La bohème" (Marcello), "La fanciulla del West" (Sonora), "Madama Butterfly" (Sharpless), "Manon Lescaut" (Lescaut), "Mignon" (Laerte), "Rigoletto" (Rigoletto) and "La traviata" (Giorgio Germont).

In 1951, after retraining his voice, he made his debut as a tenor in the title role of "Andrea Chénier" in Bari. That same year, to mark the 50th anniversary of Giuseppe Verdi's death, the Italian state radio network RAI engaged Bergonzi for a series of broadcasts of the lesser-known Verdi operas "I due Foscari", "Giovanna d'Arco", and "Simon Boccanegra".

In 1953, Bergonzi made his La Scala and London debuts, the latter as Alvaro in "La forza del destino" at the Stoll Theatre. His American debut was at the Lyric Opera of Chicago in 1955, and his Metropolitan Opera debut (as Radames in "Aïda") came the following year. His Covent Garden debut, again as Alvaro, ensued in 1962.

Bergonzi pursued a busy international career in the opera house and recording studio during the 1960s. His chief Italian tenor rivals in this period were Franco Corelli and Mario Del Monaco, both of whom made a bigger, more thrilling sound, and Giuseppe Di Stefano, whose once lovely lyric voice had gone into a terminal decline. Bergonzi outlasted all three of these rivals, continuing to sing through the 1970s at major opera houses. But in the 1980s, as his own vocal quality deteriorated inevitably with age, he concentrated on recital work.

In 1996, Bergonzi participated in conductor James Levine's 25th anniversary gala at the Metropolitan Opera. He gave his American farewell concert at Carnegie Hall on 17 April that same year. However, an announcement that on 3 May 2000, he was to sing the title role in a concert performance of "Otello", conducted by Eve Queler and the Opera Orchestra of New York attracted intense interest, particularly because he had never performed the demanding role on stage. Bergonzi was unable to finish the performance, supposedly suffering irritation from the air-conditioning in his dressing-room. A substitute singer took over. An audio recording of the dress rehearsal of "Otello" revealed Bergonzi's voice sounding surprisingly fresh for a man of 75 years.

Now retired, Bergonzi spends most of his time at "I due Foscari", his hotel in Busseto, which also hosts the "Accademia Verdiana". Bergonzi is credited, too, with mentoring the tenors Roberto Aronica, Vincenzo La Scola, Filippo Lo Giudice, Philip Webb, Giorgio Casciari, Paul Caragiulo, Lance Clinker and Salvatore Licitra.

Bergonzi has left a legacy of many recordings of complete operas, including works by Verdi, Puccini, Mascagni and Leoncavallo. They confirm the exceptional quality of his voice, his good taste and the high standard of his musicianship.

Repertory as tenor

*"Andrea Chénier". Bari, Teatro Petruzzelli, 18 January 1951
*"Giovanna d'Arco". Milan, RAI, 26 May 1951
*"Pagliacci". Milan, RAI, 10 June 1951
*"La forza del destino". Milan, RAI, 16 July 1951
*"Un ballo in maschera". Milan, Teatro Nuovo, 15 August 1951
*"Simon Boccanegra". Rome, RAI, 21 November 1951
*"I due Foscari". Milan, RAI, 5 December 1951
*"Adriana Lecouvreur". Prato, Teatro Metastasio, 31 December 1951
*"Faust". Bari, Teatro Petruzzelli, 8 January 1952
*"Jenůfa" (Steva). Rome, Teatro dell'Opera, 17 April 1952
*"Ifigenia". Napoli, San Carlo, 1 June 1952
*"Mefistofele". Roma, Baths of Caracalla, 1 July 1952
*"Madama Butterfly". Cagliari, August 1952
*"Masaniello". Milan, Scala, 25 March 1953
*"Rigoletto". Livorno, Teatro Goldoni, 20 May 1953
*"Aïda". Buenos Aires, Colón, 24 July 1953
*"Tosca". Buenos Aires, Colón, 7 August 1953
*"Manon Lescaut". Rovigo, Teatro Sociale, 24 October 1953
*"Turandot". Catania, Massimo Teatro Bellini, 19 November 1953
*"Loreley". Reggio Emilia, Teatro Municipale, 2 February 1954
*"L'incoronazione di Poppea". Milan, RAI, 7 March 1954
*"Carmen". Monte Carlo, Salle Garnier, 30 January 1955
*"Lucia di Lammermoor". Brescia, Teatro Grande, 3 Fenruary 1955
*"Don Carlo". Buenos Aires, Teatro Colón, August 1955
*"La traviata". Salsomaggiore, Teatro Nuovo, 10 September 1955
*"Il tabarro". Chicago, Lyric, 16 November 1955
*"Cavalleria rusticana". Chicago, Lyric, 26 November 1955
*"L'amore dei tre re". Chicago, Lyric, 28 November 1955
*"La Gioconda". Trieste, Castello di San Giusto, 16 July 1956
*"Il trovatore". New York, MET, 13 November 1956
*"Fior di Maria". Milan, RAI, 30 January 1957
*"La bohème". Caracas, Teatro Municipal, October 1957
*"Macbeth". New York, MET, 5 February 1959
*"L'elisir d'amore". San Sebastian, Victoria Eugenia, 26 August 1959
*"Ernani". New York, MET, 26 November 1962
*"La Wally". New York, Carnegie Hall, 13 March 1968
*"Werther". Naples, Teatro San Carlo, 11 February 1969
*"Norma". New York, MET, 3 March 1970
*"Luisa Miller". Genoa, Teatro Margherita, 20 September 1972
*"Edgar". New York, Carnegie Hall, 13 April 1977
*"I Lombardi alla prima Crociata". San Diego, Russ Auditorium, 22 June 1979
*"Il corsaro". New York, Town Hall, 16 December 1981
*"Attila". Tulsa, Chapman Music Hall, 6 March 1982
*"Otello". New York, Carnegie Hall, 3 May 2000


*cite book|first=Gustavo|last=Marchesi|title=Carlo Bergonzi, I suoi personaggi|publisher=Azzali Editori|location=Parma|year=2003
* [ Discography on Capon's Lists of Opera Recordings]

Wikimedia Foundation. 2010.

См. также в других словарях:

  • Carlo Bergonzi — Naissance 13 juillet 1924 Vidalenzo,  Italie Activité principale artiste lyrique Ténor …   Wikipédia en Français

  • Carlo Bergonzi — Saltar a navegación, búsqueda Carlo Bergonzi (nacido en Vidalenzo de Polesine Farnese, cerca de Parma (Italia, el 13 de julio de 1924), cantante Italiano. Es uno de los tenores más admirados de la Postguerra. Aunque ha interpretado y grabado… …   Wikipedia Español

  • Carlo Bergonzi — (* 13. Juli 1924 in Vidalenzo, Italien) ist ein ehemaliger italienischer Opernsänger in der Stimmlage Tenor. Leben Bergonzi begann seine Bühnenkarriere nach Studium am Konservatorium „Arrigo Boito“ in Parma als Bariton und debütierte 1948 am… …   Deutsch Wikipedia

  • Carlo Bergonzi (luthier) — Carlo Bergonzi (21 December 1683 ndash; 9 February 1747) was an Italian luthier who apprenticed with Hieronymus Amati, collaborated with Joseph Guarneri, and is considered the greatest pupil of Antonio Stradivari.Bergonzi is the first and most… …   Wikipedia

  • Carlo Bergonzi (Geigenbauer) — Carlo (I.) Bergonzi (getauft 21. Dezember 1683 in Cremona; † 9. Februar 1747 ebenda) war ein italienischer Geigenbauer. Über seine Jugend und Lehrzeit ist kaum etwas bekannt. Lange wurde er für einen Schüler des Hieronymus (II.) Amati gehalten,… …   Deutsch Wikipedia

  • Carlo Bergonzi (disambiguation) — Carlo Bergonzi may refer to:*Carlo Bergonzi (tenor) (b. 1924), Italian opera singer *Carlo Bergonzi (luthier) (1683 1747), Italian luthier …   Wikipedia

  • Bergonzi — ist der Name von: Carlo Bergonzi (Geigenbauer), (1683–1747) italienischer Geigenbauer und Schüler von Hieronimus Amati. Carlo Bergonzi, (* 1924) italienischer Sänger Jerry Bergonzi, (* 1947) US amerikanischer Jazz Saxophonist …   Deutsch Wikipedia

  • Bergonzi, Carlo —    , Cremona, 1712 to 1750. Considered by authorities to be the best pupil of Stradiuarius. He made instruments of the same beautiful and brilliant tone which has rendered the productions of his master famous throughout the world. Constructed on… …   Violins and Violin Makers. Biographical Dictionary

  • Carlo Schöb — (* 14. März 1953 in St. Gallen) ist ein Schweizer Jazz Saxophonist. Schöb studierte von 1978–1980 und 1983 am Berklee College of Music in Boston (USA) bei Andy McGhee und Joe Viola Komposition und Arrangement bei Phil Wilson und Michael Gibbs. Er …   Deutsch Wikipedia

  • Bergonzi, Michael Angelo —    , Probably another son of Carlo. He, also, has the credit of being a pupil of Stradiuarius, though that seems rather doubtful, because the latter died in 1737, at which time, if a son of Carlo, he would not have been old enough …   Violins and Violin Makers. Biographical Dictionary

Поделиться ссылкой на выделенное

Прямая ссылка:
Нажмите правой клавишей мыши и выберите «Копировать ссылку»