Assumption of the Virgin (Correggio)

Assumption of the Virgin (Correggio)

Infobox Painting|

title=Assumption of the Virgin
artist=Antonio da Correggio
museum=Cathedral of Parma
__NOTOC__"The Assumption of the Virgin" (1526-1530) is a highly influential fresco by the Italian Late Renaissance artist Antonio da Correggio. It decorates the dome of the Cathedral of Parma, Italy and it is influenced by Melozzo's perspective.

This famous fresco portrays the Assumption of Mary to Heaven. The contract was signed by Correggio on November 3, 1522.

The dome decoration includes the decoration of the dome base, which represents the four protector saints of Parma: St. John the Baptist with the lamb, St. Hilary with a yellow mantle, St. Thomas [More likely to be Saint Joseph carrying a staff according to David Ekserdjian, in "Correggio in Parma Cathedral: Not Thomas but Joseph", "The Burlington Magazine "(1986); pp. 412+414-415.] by with an angel carrying the martyrdom palm leave, and St. Bernard, the sole figure looking upwards.

Below the feet of Jesus, the uncorrupt Virgin in red and blue robes is lofted upward by a team of angels. Ringing the base of the dome, between the windows stand the perplexed apostles, as if ringing her empty tomb. The innumerable angels (who sing or play several musical instruments) are a vortex upward. In the group of blessed can be seen: Adam and Eve, Judith with the head of Holofernes. At the centre of the dome is a foreshortened beardless Jesus descending to meet his mother.

This fresco (a painting in plaster with water-soluble pigments) would serve as a catalyst for the Baroque style of dramatically illusionistic ceiling painting. The entire architectural surface is treated as a single pictorial unit of vast proportions, equating the dome of the church with the vault of heaven. The realistic way the figures in the clouds seem to protrude into the spectators' space is an audacious and astounding use for the time of foreshortening.

This fresco inspired Carlo Cignani for his fresco "Assumption of the Virgin", in the cathedral church of Forlì.


ee also

*Vision of St. John on Patmos

External links

* [ Frescoes in Parma by Correggio]
* [ Chronology of the Cathedral of Parma (in Italian)]
* [ Page with several details of the dome frescoes]


*Carolyn Smith, "Correggio's Frescoes in Parma Cathedral", Princeton University, 1997


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Look at other dictionaries:

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  • CORREGGIO, Antonio (Antonio Allegri) — (c. 1490 1534) Antonio Correggio was the most important painter of the High Renaissance in northern Italy outside of Venice; his art combined technical control with a profound expressive effect that exercised a strong influence on the development …   Renaissance and Reformation 1500-1620: A Biographical Dictionary

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