- Culture of India
India's languages, religions, dance, music, architecture, food and customs differ from place to place within the country, but nevertheless possess a commonality. India is the only country in the world to have so many religions and beliefs. The culture of India is an amalgamation of these diverse sub-cultures spread all over the Indian subcontinent and traditions that are several millennia old.
Regarded by many historians as the "oldest living civilization of Earth", the Indian tradition dates back to 8000 BC and has a continuous recorded history since the time of the Vedas, believed variously to be 3,000 to over 5,500 years ago. Several elements of India's diverse culture — such as Indian religions, yoga and Indian cuisine — have had a profound impact across the world.
Religions and spirituality
India is the birth place of Hinduism, Buddhism, Jainism and Sikhism, collectively known as Indian religions. Indian religions, also known as Dharmic religions are a major form of world religions along with Abrahamic ones. Today, Hinduism and Buddhism are the world's third- and fourth-largest religions respectively, with over 2 billion followers altogether, and possibly as many as 2.5 or 2.6 billion followers. India is also the birthplace for the Lingayat and Ahmadiyya faiths.
India is one of the most religiously diverse nations in the world, with some of the most deeply religious societies and cultures. The first Indian language is tamil(தமிழ் ).Which was found 2000 years ago.
The religion of 80% of the people is Hinduism. Islam is practiced by around 13% of all Indians. Sikhism, Jainism and especially Buddhism are influential not only in India but across the world. Christianity, Zoroastrianism, Judaism and the Bahá'í Faith are also influential but their numbers are smaller. Despite the strong role of religion in Indian life, atheism and agnostics also have visible influence along with a self-ascribed tolerance to other people.
According to industry consultant Eugene M. Makar, traditional Indian culture is defined by a relatively strict social hierarchy. He also mentions that from an early age, children are reminded of their roles and places in society. This is reinforced by the fact that many believe gods and spirits have an integral and functional role in determining their life. Several differences such as religion divide the culture. However, a far more powerful division is the traditional Hindu bifurcation into non-polluting and polluting occupations. Strict social taboos have governed these groups for thousands of years. In recent years, particularly in cities, some of these lines have blurred and sometimes even disappeared. Important family relations extend as far as gotra, the mainly patrilinear lineage or clan assigned to a Hindu at birth. In rural areas & sometimes in urban areas as well, it is common that three or four generations of the family live under the same roof. The patriarch often resolves family issues.
Family plays a significant role in the Indian culture. For generations, India has had a prevailing tradition of the joint family system. It is a system under which extended members of a family – parents, children, the children’s spouses and their offspring, etc. – live together. Usually, the eldest male member is the head in the joint Indian family system. He makes all important decisions and rules, and other family members abide by them. 
For centuries, arranged marriages have been the tradition in Indian society though men and women have always had the choice of who they want to marry. Even today, the vast majority of Indians have their marriages planned by their parents and other respected family-members, with the consent of the bride and groom. Arranged matches are made after taking into account factors such as age, height, personal values and tastes, the backgrounds of their families (wealth, social standing), their castes and the astrological compatibility of the couples' horoscopes.Generally this is done to reduce culture shock for the bride and groom as most families are extended families.
In most marriages the bride's family provide a dowry to the bride to safe guard herself and her children in the event of her husband passing prematurely. In most families the inheritance of family estates pass down the male line.
In India, the marriage is thought to be for life, and the divorce rate is extremely low — 1.1% compared with about 50% in the United States. The arranged marriages generally have a much lower divorce rate, although divorce rates have risen significantly in recent years for love marriage. The divorce rates of marriage is increasing nowadays (3.5%)
- "Opinion is divided over what the phenomenon means: for traditionalists the rising numbers portend the breakdown of society while, for some modernists, they speak of a healthy new empowerment for women."
Namaste, namaskar or Namaskara or Namaskaram (Telugu), Vanakkam (Tamil), Nomoshkaar (Bengali), Nomoskar (Assamese) ) is a common spoken greeting or salutation in the Indian subcontinent. Namaskar is considered a slightly more formal version than Namaste but both express deep respect. It is commonly used in India and Nepal by Hindus, Jains, Buddhists and Sikhs, and many continue to use this outside the Indian subcontinent. In Indian and Nepali culture, the word is spoken at the beginning of written or verbal communication. However, the same hands folded gesture is made usually wordlessly upon departure. Taken literally, it means "I bow to you". The word is derived from Sanskrit (namah): to bow, obeisance, reverential salutation, and respect, and (te): "to you". As explained by an Indian scholar, in literal terms Namaste refers to 'That which is of God in me bows to that which is of God in you'. Also in orthodox families, younger men and women are taught to seek the blessing of their elders by reverentially bowing to their elders. This custom is known as Pranāma
Other greetings include Adab (associated with the culture of south Asian Muslims) and Sat Shri Akal (Punjabi, used by followers of Sikhism) and Jai Jinendra, a common greeting used across the Jain community.
India, being a multi-cultural and multi-religious society, celebrates holidays and festivals of various religions. The four national holidays in India, the Independence Day, the Republic Day, the Gandhi Jayanti,and 1st may are celebrated with zeal and enthusiasm across India. In addition, many states and regions have local festivals depending on prevalent religious and linguistic demographics. Popular religious festivals include the Hindu festivals of Navratri, Diwali, Ganesh Chaturthi, Durga puja, Holi, Rakshabandhan and Dussehra. Several harvest festivals, such as Sankranthi, Pongal, Raja sankaranti swinging fesival, and Onam,"Nuakhai" are also fairly popular.
Certain festivals in India are celebrated by multiple religions. Notable examples include Diwali, which is celebrated by Hindus, Sikhs and Jains, and Buddh Purnima, celebrated by Buddhists and Hindus. Islamic festivals, such Eid ul-Fitr, Eid al-Adha and Ramadhan, are celebrated by Muslims across India.Muslims won't celebrate any other fest except these two. Sikh Festivals, such as Guru Nanak Jayanti, Baisakhi are celebrated with full fanfare by Sikhs and Hindu. Adding colors to the culture of India, the Dree Festival is one of the tribal festivals of India celebrated by the Apatanis of the Ziro valley of Arunachal Pradesh, which is the easternmost state of India.
Names and language
Indian names are based on a variety of systems and naming conventions, which vary from region to region. Names are also influenced by religion and caste and may come from the Indian epics. India's population speaks a wide variety of languages.Such as Tamil ·Assamese · Bengali · Bodo · Chhattisgarhi · Dogri · Garo · Gujarati · Standard Hindi · Kannada · Kashmiri · Khasi · Kokborok · Konkani · Maithili · Malayalam · Manipuri · Marathi · Mizo · Nepali · Oriya · Punjabi · Sanskrit · Santali · Sindhi · Telugu · Tulu · Urdu ·
.Hinduisim is beware of cats and porks.
The varied and rich wildlife of India has had a profound impact on the region's popular culture. Common name for wilderness in India is Jungle which was adopted by the British colonialists to the English language. The word has been also made famous in The Jungle Book by Rudyard Kipling. India's wildlife has been the subject of numerous other tales and fables such as the Panchatantra and the Jataka tales.
In Hinduism, the cow is regarded as a symbol of ahimsa (non-violence), mother goddess and bringer of good fortune and wealth. For this reason, cows are revered in Hindu culture and feeding a cow is seen as an act of worship.'
The cuisine in India is classified into three major categories. Sattva, Rajas, and Tamas. Sattva which stand for balance, Rajas stands for passion, and Tamas stands for indulgence. Food is consumed according to the lifestyle of the person. For example: A King has to be aggressive to defend his country, he would be taking food which would give much passion and that aggressiveness which is required. When a person tries to lead his life in want of self realisaiton, he would prefer a Satvic food or known as Sattvic diet, which would help to keep his mind in balance. Tamasic food or known as Static foods is to be taken only if its required, like consumption of Alcohol. This is the reason why many Indians try to abstain drinking.
The multiple varieties of Indian cuisine are characterized by their sophisticated and subtle use of many Spices and Herbs. Each family of this cuisine is characterized by a wide assortment of dishes and cooking techniques. Though a significant portion of Indian food is vegetarian, many traditional Indian dishes also include: chicken, goat, lamb, fish, and other meats.
India is known for its love for food and spices, and it plays a role in everyday life as well as in festivals. Indian cuisine varies from region to region, reflecting the varied demographics of the country. Generally, Indian cuisine can be split into five categories — northern, southern, eastern, western and north-eastern.
Despite this diversity, some unifying threads emerge. Varied uses of spices are an integral part of food preparation, and are used to enhance the flavor of a dish and create unique flavors and aromas. Cuisine across India has also been influenced by various cultural groups that entered India throughout history, such as the Persians, Mughals, and European colonists. Though the tandoor originated in Central Asia, Indian tandoori dishes, such as chicken tikka made with Indian ingredients, enjoy widespread popularity.
Indian cuisine is one of the most popular cuisines across the globe. In most Indian restaurants outside India the menu does not do justice to the enormous variety of Indian cuisine available - the most common cuisine served on the menu would be Punjabi cuisine (chicken tikka masala is a very popular dish in the United Kingdom). There do exist some restaurants serving cuisines from other regions of India, although these are few and far between. Historically, Indian Spices and Herbs were one of the most sought after trade commodities. The Spice trade between India and Europe led to the rise and dominance of Arab traders to such an extent that European explorers, such as Vasco da Gama and Christopher Columbus, set out to find new trade routes with India leading to the Age of Discovery. The popularity of curry, which originated in India, across Asia has often led to the dish being labeled as the "pan-Asian" dish.
Traditional clothing in India greatly varies across different parts of the country and is influenced immensely by local culture, geography and climate. Popular styles of dress include draped garments such as sari for women and dhoti or lungi for men; in addition, stitched clothes such as churidar for women and kurta-pyjama and European-style trousers and shirts for men, are also popular.
In India, a person's social status is perceived to be symbolized by his or her attire. Indian dress etiquette discourages exposure of skin and wearing transparent or tight clothes. Most Indian clothes are made from cotton which is ideal for the region's hot weather. Since India's weather is mostly hot and rainy, majority of Indians wear sandals.
Worn by women on their forehead, the bindi is considered to be a highly auspicious mark in Hindu religion. Traditionally, the red bindi (or sindoor) was worn only by the married Hindu women, but now it has become a part of women's fashion. Some Indian traditions consider the bindi to be representative of the third eye.
India's clothing styles have continuously evolved over the course of the country's history. Ancient Vedic texts mention clothes made from barks and leaves (known as phataka). The 11th century BC Rig-veda mentions dyed and embroidered garments (known as paridhan and pesas respectively) and thus highlights the development of sophisticated garment manufacturing techniques during the Vedic age. In 5th century BC, Greek historian Herodotus describes the richness of the quality of Indian cotton clothes. By 2nd century AD, muslins manufactured in southern India were imported by the Roman Empire and silk cloth was one of the major exports of ancient India along with Indian spices. Stitched clothing in India was developed before 10th century AD and was further popularized in 15th century by Muslim empires in India. Draped clothing styles remained popular with India's Hindu population while the Muslims increasingly adopted tailored garments.
During the British Raj, India's large clothing and handicrafts industry was left paralyzed so as to make place for British industrial cloth. Consequently, Indian independence movement leader Mahatma Gandhi successfully advocated for what he termed as khadi clothing — light colored hand-woven clothes — so as to decrease reliance of the Indian people on British industrial goods. The 1980s was marked by a widespread modification to Indian clothing fashions which was characterized by a large-scale growth of fashion schools in India, increasing involvement of women in the fashion industry and changing Indian attitudes towards multiculturalism. These developments played a pivotal role in the fusion of Indian and Western clothing styles.
Languages and literature
Time is always referred as Kaala Chakra in India. In Ancient India the time was divided in Four yugas. The calendar which most Indians follows goes in accordance to this. There by, measuring the dates of Vedas came in later days.
With its oldest core dating back to as early as 1500 BC, the Rigvedic Sanskrit is one of the oldest attestations of any Indo-Iranian language, and one of the earliest attested members of the Indo-European language family, the family which includes English and most European languages. Sanskrit has had a profound impact on the languages and literature of India. Hindi, India's most spoken language, is a "Sanskritized register" of the Khariboli dialect. In addition, all modern Indo-Aryan languages, Munda languages and Dravidian languages, have borrowed many words either directly from Sanskrit (tatsama words), or indirectly via middle Indo-Aryan languages (tadbhava words). Words originating in Sanskrit are estimated to constitute roughly fifty percent of the vocabulary of modern Indo-Aryan languages, and the literary forms of (Dravidian) Telugu, Malayalam and Kannada. Part of the Eastern Indo-Aryan languages, the Bengali language arose from the eastern Middle Indic languages and its roots are traced to the 5th century BC Ardhamagadhi language.
Tamil, one of India's major classical languages, descends from Proto-Dravidian languages which was spoken around the third millennium BC in peninsular India. Tamil literature has existed for over two thousand years and the earliest epigraphic records found date from around the third century BC.
Another major Classical Dravidian language, Kannada is attested epigraphically from the mid-1st millennium AD, and literary Old Kannada flourished in the 9th to 10th century Rashtrakuta Dynasty. As a spoken language, some believe it to be even older than Tamil due to the existence of words which have more primitive forms than in Tamil. Pre-old Kannada (or Purava HazheGannada) was the language of Banavasi in the early Common Era, the Satavahana and Kadamba periods and hence has a history of over 2000 years. The Ashoka rock edict found at Brahmagiri (dated to 230 BC) has been suggested to contain a word in identifiable Kannada.
According to 2001 India census, Hindi is the most spoken language in India, followed by Bengali, Telugu, Marathi and Tamil. In contemporary Indian literature, there are two major literary awards; these are the Sahitya Akademi Fellowship and the Jnanpith Award. Seven Jnanpith awards have been awarded in Kannada, six in Hindi, five in Bengali, four in Malayalam, three each in Marathi, Gujarati, Urdu and Oriya and two each in Telugu and Tamil,.
The Rāmāyaṇa and the Mahābhārata are the oldest preserved and well-known epics of India. Versions have been adopted as the epics of Southeast Asian countries like Thailand, Malaysia and Indonesia. The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas), and tells the story of Rama (an incarnation or Avatar of the Hindu preserver-god Vishnu), whose wife Sita is abducted by the demon king of Lanka, Ravana. This epic played a pivotal role in establishing the role of dhárma as a principal ideal guiding force for Hindu way of life. The earliest parts of the Mahabharata text date to 400 BC and is estimated to have reached its final form by the early Gupta period (ca. 4th c. AD). Other regional variations of these, as well as unrelated epics include the Tamil Ramavataram, Kannada Pampa Bharata, Hindi Ramacharitamanasa, and Malayalam Adhyathmaramayanam. In addition to these two great Indian epics, there are five major epics in the classical Tamil language — Silappatikaram, Manimekalai, Civaka-cintamaniand Valayapathi.
Indian dance too has diverse folk and classical forms. Among the well-known folk dances are the bhangra of the Punjab, the bihu of Assam, the chhau of Jharkhand, the Odishi of Orissa, the ghoomar of Rajasthan, the dandiya and garba of Gujarat, the Yakshagana of Karnataka and lavani of Maharashtra and Dekhnni of Goa. Eight dance forms, many with narrative forms and mythological elements, have been accorded classical dance status by India's National Academy of Music, Dance, and Drama. These are: bharatanatyam of the state of Tamil Nadu, kathak of Uttar Pradesh, kathakali and mohiniattam of Kerala, kuchipudi of Andhra Pradesh, manipuri of Manipur, odissi of the state of Orissa and the sattriya of Assam.
Drama and theatre
Indian drama and theatre has a long history alongside its music and dance. Kalidasa's plays like Shakuntala and Meghadoota are some of the older dramas, following those of Bhasa. One of the oldest surviving theatre traditions of the world is the 2,000 year old Kutiyattam of Kerala. It strictly follows the Natya Shastra. Nātyāchārya Māni Mādhava Chākyār is credited for reviving the age old drama tradition from extinction. He was known for mastery of Rasa Abhinaya. He started to perform the Kalidasa plays like Abhijñānaśākuntala, Vikramorvaśīya and Mālavikāgnimitra; Bhasa's Swapnavāsavadatta and Pancharātra; Harsha's Nagananda.
The music of India includes multiple varieties of religious, classical, folk, popular and pop music.
The oldest preserved examples of Indian music are the melodies of the Samaveda (1000 BC) that are still sung in certain Vedic Śrauta sacrifices; this is the earliest account of Indian musical hymns. It proposed a tonal structure consisting of seven notes, which were named, in descending order, as Krusht, Pratham, Dwitiya, Tritiya, Chaturth, Mandra and Atiswār. These refer to the notes of a flute, which was the only fixed frequency instrument. The Samaveda, and other Hindu texts, heavily influenced India's classical music tradition, which is known today in two distinct styles: Carnatic and Hindustani music. Both the Carnatic music and Hindustani music systems are based on the melodic base (known as Rāga), sung to a rhythmic cycle (known as Tāla); these principles were refined in the nātyaśāstra (200 BC) and the dattilam (300 AD).
Prominent contemporary Indian musical forms included filmi and Indipop. Filmi refers to the wide range of music written and performed for mainstream Indian cinema, primarily Bollywood, and accounts for more than 70 percent of all music sales in the country. Indipop is one of the most popular contemporary styles of Indian music which is either a fusion of Indian folk, classical or Sufi music with Western musical traditions.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphst it was common for households to paint their doorways or indoor rooms where guests resided.
Cave paintings from Ajanta, Bagh, Ellora and Sittanavasal and temple paintings testify to a love of naturalism. Most early and medieval art in India is Hindu, Buddhist or Jain. A freshly made coloured flour design (Rangoli) is still a common sight outside the doorstep of many (mostly South Indian) Indian homes. Raja Ravi Varma is one the classical painters from medieval India.
Madhubani painting, Mysore painting, Rajput painting, Tanjore painting, Mughal painting are some notable Genres of Indian Art; while Nandalal Bose, M. F. Husain, S. H. Raza, Geeta Vadhera, Jamini Roy and B.Venkatappa are some modern painters. Among the present day artists, Atul Dodiya, Bose Krishnamacnahri, Devajyoti Ray and Shibu Natesan represent a new era of Indian art where global art shows direct amalgamation with Indian classical styles. These recent artists have acquired international recognition. Jehangir Art Gallery, Mumbai, Mysore Palace has on display a few good Indian paintings.
The first sculptures in India date back to the Indus Valley civilization, where stone and bronze figures have been discovered. Later, as Hinduism, Buddhism, and Jainism developed further, India produced some extremely intricate bronzes as well as temple carvings. Some huge shrines, such as the one at Ellora were not constructed by using blocks but carved out of solid rock.
Sculptures produced in in the northwest, in stucco, schist, or clay, display a very strong blend of Indian and Classical Hellenistic or possibly even Greco-Roman influence. The pink sandstone sculptures of Mathura evolved almost simultaneously. During the Gupta period (4th to 6th century) sculpture reached a very high standard in execution and delicacy in modeling. These styles and others elsewhere in India evolved leading to classical Indian art that contributed to Buddhist and Hindu sculpture throughout Southeast Central and East Asia.
Indian architecture encompasses a multitude of expressions over space and time, constantly absorbing new ideas. The result is an evolving range of architectural production that nonetheless retains a certain amount of continuity across history. Some of its earliest production are found in the Indus Valley Civilization (2600–1900 BC) which is characterised by well planned cities and houses. Religion and kingship do not seem to have played an important role in the planning and layout of these towns.
During the period of the Mauryan and Gupta empires and their successors, several Buddhist architectural complexes, such as the caves of Ajanta and Ellora and the monumental Sanchi Stupa were built. Later on, South India produced several Hindu temples like Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura, Brihadeeswara Temple, Thanjavur, the Sun Temple, Konark, Sri Ranganathaswamy Temple at Srirangam, and the Buddha stupa (Chinna Lanja dibba and Vikramarka kota dibba) at Bhattiprolu. Angkor Wat, Borobudur and other Buddhist and Hindu temples indicate strong Indian influence on South East Asian architecture, as they are built in styles almost identical to traditional Indian religious buildings.
The traditional system of Vaastu Shastra serves as India's version of Feng Shui, influencing town planning, architecture, and ergonomics. It is unclear which system is older, but they contain certain similarities. Feng Shui is more commonly used throughout the world. Though Vastu is conceptually similar to Feng Shui in that it also tries to harmonize the flow of energy, (also called life-force or Prana in Sanskrit and Chi/Ki in Chinese/Japanese), through the house, it differs in the details, such as the exact directions in which various objects, rooms, materials, etc. are to be placed.
With the advent of Islamic influence from the west, Indian architecture was adapted to allow the traditions of the new religion. Fatehpur Sikri, Taj Mahal, Gol Gumbaz, Qutub Minar, Red Fort of Delhi are creations of this era, and are often used as the stereotypical symbols of India. The colonial rule of the British Empire saw the development of Indo-Saracenic style, and mixing of several other styles, such as European Gothic. The Victoria Memorial or the Chhatrapati Shivaji Terminus are notable examples.
Indian architecture has influenced eastern and southeastern Asia, due to the spread of Buddhism. A number of Indian architectural features such as the temple mound or stupa, temple spire or sikhara, temple tower or pagoda and temple gate or torana, have become famous symbols of Asian culture, used extensively in East Asia and South East Asia. The central spire is also sometimes called a vimanam. The southern temple gate, or gopuram is noted for its intricacy and majesty.
Contemporary Indian architecture is more cosmopolitan. Cities are extremely compact and densely populated. Mumbai's Nariman Point is famous for its Art Deco buildings. Recent creations such as the Lotus Temple, and the various modern urban developments of India like Chandigarh, are notable.
Sports and Martial arts
Field Hockey is the national Sport in India, and the India national field hockey team won the 1975 Men's Hockey World Cup and 8 gold, 1 silver and 2 bronze medals at the Olympic games. Cricket is the most popular Sport in India. The India national cricket team won the 1983 Cricket World Cup, the 2011 Cricket World Cup and the 2007 ICC World Twenty20, and shared the 2002 ICC Champions Trophy with Sri Lanka. Domestic competitions include the Ranji Trophy, the Duleep Trophy, the Deodhar Trophy, the Irani Trophy and the Challenger Series. In addition, BCCI conducts the Indian Premier League, a Twenty20 competition.
Chess is commonly believed to have originated in northwestern India during the Gupta empire, where its early form in the 6th century was known as chaturanga. Other games which originated in India and continue to remain popular in wide parts of northern India include Kabaddi, Gilli-danda, and Kho kho. Traditional southern Indian games include Snake boat race and Kuttiyum kolum.
Indian martial arts
One of the best known forms of ancient Indian martial arts is the Kalarippayattu from Kerala. This ancient fighting style originated in southern India in 12th century BC and is regarded as one of the oldest surviving martial arts. In this form martial arts, various stages of physical training include ayurvedic massage with sesame oil to impart suppleness to the body (uzichil); a series of sharp body movements so as to gain control over various parts of the body (miapayattu); and, complex sword fighting techniques (paliyankam). Silambam, which was developed around 200 AD, traces its roots to the Sangam period in southern India. Silambam is unique among Indian martial arts because it uses complex footwork techniques (kaaladi), including a variety of spinning styles. A bamboo staff is used as the main weapon. The ancient Tamil Sangam literature mentions that between 400 BC and 600 AD, soldiers from southern India received special martial arts training which revolved primarily around the use of spear (vel), sword (val) and shield (kedaham).
In northern India, the musti yuddha evolved in 1100 AD and focussed on mental, physical and spiritual training. In addition, the Dhanur Veda tradition was an influential fighting arts style which considered the bow and the arrow to be the supreme weapons. The Dhanur Veda was first described in the 5th century BC Viṣṇu Purāṇa and is also mentioned in both of the major ancient Indian epics, the Rāmāyaṇa and Mahābhārata. A distinctive factor of Indian martial arts is the heavy emphasis laid on meditation (dhyāna) as a tool to remove fear, doubt and anxiety.
Indian martial arts techniques have had a profound impact on other martial arts styles across Asia. The 3rd century BC Yoga Sutras of Patanjali taught how to meditate single-mindedly on points located inside one's body, which was later used in martial arts, while various mudra finger movements were taught in Yogacara Buddhism. These elements of yoga, as well as finger movements in the nata dances, were later incorporated into various martial arts. According to some historical accounts, Indian Buddhist monk Bodhidharma was one of the main founders of the Shaolin Kungfu.
Indian television started off in 1959 in New Delhi with tests for educational telecasts. Indian small screen programming started off in the mid 1970s. At that time there was only one national channel Doordarshan, which was government owned. 1982 saw revolution in TV programming in India, with the New Delhi Asian games, India saw the colour version of TV, that year. The Ramayana and Mahabharat were some among the popular television series produced. By the late 1980s more and more people started to own television sets. Though there was a single channel, television programming had reached saturation. Hence the government opened up another channel which had part national programming and part regional. This channel was known as DD 2 later DD Metro. Both channels were broadcasted terrestrially.
In 1991, the government liberated its markets, opening them up to cable television. Since then, there has been a spurt in the number of channels available. Today, Indian silver screen is a huge industry by itself, and has thousands of programmes in all the states of India. The small screen has produced numerous celebrities of their own kind some even attaining national fame for themselves. TV soaps are extremely popular with housewives as well as working women, and even men of all kinds. Some lesser known actors have found success in Bollywood. Indian TV now has many of the same channels as Western TV, including stations such as Cartoon Network, Nickelodeon, HBO, FX, and MTV India.
Bollywood is the informal name given to the popular Mumbai-based film industry in India. Bollywood and the other major cinematic hubs (in Bengali, Kannada, Malayalam, Marathi, Tamil, Punjabi and Telugu) constitute the broader Indian film industry, whose output is considered to be the largest in the world in terms of number of films produced and number of tickets sold.
India has produced many critically acclaimed cinema-makers like K. Vishwanath, Bapu, Satyajit Ray, Ritwik Ghatak, Guru Dutt, K. Vishwanath, Adoor Gopalakrishnan, Shaji N. Karun, Girish Kasaravalli, Shekhar Kapoor, Hrishikesh Mukherjee, Shankar Nag, Girish Karnad, G. V. Iyer et al. (see Indian film directors). With the opening up of the economy in the recent years and consequent exposure to world cinema, audience tastes have been changing. In addition, multiplexes have mushroomed in most cities, changing the revenue patterns.
- North Indian Culture
- Ancient Dravidian culture
- Culture of the Indian subcontinent
- Etiquette of Indian dining
- Indian religions
- Lists of Indians by state
- South Asian ethnic groups
- Atithi Devo Bhav
- Cultural Zones of India
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- ^ "Tandoori Village Restaurant Brisbane". AsiaRooms.com. http://www.asiarooms.com/travel-guide/australia/brisbane/what-where-to-eat/indian-restaurants-in-brisbane/tandoori-village-restaurant-brisbane.html.
- ^ "Indian food now attracts wider market.". Asia Africa Intelligence Wire. 2005-03-16. http://www.accessmylibrary.com/coms2/summary_0286-19130531_ITM.
- ^ Louise Marie M. Cornillez (Spring 1999). "The History of the Spice Trade in India". http://www.english.emory.edu/Bahri/Spice_Trade.html.
- ^ "Meatless Monday: There's No Curry in India". http://www.meatlessmonday.com/site/PageServer?pagename=dyk_curry.
- ^ de Bruyn, Pippa (2010). Frommer's India. Frommer. ISBN 0470556102. http://books.google.com/?id=qG-9cwHOcCIC&printsec=frontcover.
- ^ Kalman, Bobbie (2009). India: The Culture. Crabtree Publishing Company. ISBN 0778792870. http://books.google.com/?id=UuDBEsOF6G4C&printsec=frontcover.
- ^ Shankar, Madhulika (2002). Becoming American, being Indian. Cornell University Press. ISBN 0801488079. http://books.google.com/?id=jZsZKj0FrBgC&printsec=frontcover.
- ^ Chary, Manish (2009). India: Nation on the Move. iUniverse. ISBN 1440116350. http://books.google.com/?id=vjI6IZt8tuwC&printsec=frontcover.
- ^ Kamat's Potpourri: The Significance of the holy dot (Bindi)
- ^ Verma, S.P. (2005). Ancient system of oriental medicine. Anmol Publications PVT. LTD.. ISBN 8126121270. http://books.google.com/?id=pAyz6c-pmrcC&printsec=frontcover.
- ^ Beveridge, Henry (1867). A comprehensive history of India. Blackie and son. ISBN 8185418454.
- ^ a b Jayapalan, N. (2008). Economic History of India. Atlantic Publishers & Distributors. ISBN 8126906979. http://books.google.com/?id=TCKserudM2AC&printsec=frontcover.
- ^ Tarlo, Emma (1996). Clothing matters: dress and identity in India. C. Hurst & Co. Publishers. ISBN 1850651760. http://books.google.com/?id=8wyM5heEc9gC&printsec=frontcover.
- ^ Trivedi, Lisa (2007). Clothing Gandhi's nation: homespun and modern India. Indiana University Press. ISBN 025334882X. http://books.google.com/?id=Z3idJ_IZWZ4C&printsec=frontcover.
- ^ Craik, Jennifer (1994). The face of fashion: cultural studies in fashion. Routledge. ISBN 0203409426. http://books.google.com/?id=8m2FwzNSUl8C&printsec=frontcover.
- ^ Macdonell (2004:?)
- ^ Burrow (2001:?)
- ^ a b Stall 1963, p. 272
- ^ Chatterji 1942, cited in Stall 1963, p. 272
- ^ Shah 1998, p. 11
- ^ Keith 1998, p. 187
- ^ Zvelebil 1992, p. 12: "...the most acceptable periodisation which has so far been suggested for the development of Tamil writing seems to me to be that of A Chidambaranatha Chettiar (1907–1967): 1. Sangam Literature – 200BC to AD 200; 2. Post Sangam literature – AD 200 – AD 600; 3. Early Medieval literature – AD 600 to AD 1200; 4. Later Medieval literature – AD 1200 to AD 1800; 5. Pre-Modern literature – AD 1800 to 1900"
- ^ Maloney 1970, p. 610
- ^ Kamath (2001), p. 5–6
- ^ (Wilks in Rice, B.L. (1897), p490)
- ^ Pai and Narasimhachar in Bhat (1993), p103
- ^ Iravatham Mahadevan. "Early Tamil Epigraphy from the Earliest Times to the Sixth Century AD". Harvard University Press. http://www.hup.harvard.edu/catalog/MAHEAR.html. Retrieved 2007-04-12.
- ^ The word Isila found in the Ashokan inscription (called the Brahmagiri edict from Karnataka) meaning to shoot an arrow is a Kannada word, indicating that Kannada was a spoken language in the third century BC (Dr. D.L. Narasimhachar in Kamath 2001, p5)
- ^ Abstract of speakers' strength of languages and mother tongues – 2000, Census of India, 2001
- ^ "Narayan, Kelkar and Shastri chosen for Jnanpith award", All India Radio, November 22, 2008.
- ^ Dutt 2004, p.198
- ^ a b Brockington 2003
- ^ Van Buitenen; The Mahabharata – 1; The Book of the Beginning. Introduction (Authorship and Date)
- ^ "South Asian arts: Techniques and Types of Classical Dance"
- ^ "Indian Dance Videos: Bharatanatyam, Kathak, Bhangra, Garba, Bollywood and various folk dances"
- ^ Māni Mādhava Chākyār (1996). Nātyakalpadrumam. Sangeet Natak Akademi, New Delhi. p. 6.
- ^ K. A. Chandrahasan, In pursuit of excellence (Performing Arts), "The Hindu", Sunday March 26, 1989
- ^ Mani Madhava Chakkyar: The Master at Work (film- English), Kavalam N. Panikar, Sangeet Natak Akademi, New Delhi, 1994
- ^ Emmie te Nijenhuis (1974). Indian music, Part 2, Volume 6. BRILL. ISBN 9004039783. http://books.google.com/?id=NrgfAAAAIAAJ&printsec=frontcover.
- ^ A Study of Dattilam: A Treatise on the Sacred Music of Ancient India, 1978, p. 283, Mukunda Lāṭha, Dattila
- ^ "Plans to start India music awards". BBC News. 10 December 2009. http://news.bbc.co.uk/1/hi/world/south_asia/8405891.stm. Retrieved 2 May 2010.
- ^ Asha Kasbekar (2006). Pop culture India!: media, arts, and lifestyle. ABC-CLIO. ISBN 1851096361. http://books.google.com/?id=Sv7Uk0UcdM8C&printsec=frontcover.
- ^ Kamath (2003), p. 283
- ^ Bindloss, Joe (2007). India. Lonely Planet. ISBN 1741043085. http://books.google.com/?id=T7ZHUhSEleYC&printsec=frontcover.
- ^ Umaid Bhawan Palace, Famous Palace Stay at Umaid Bhawan in Jodhpur, Famous Palace Attractions in Jodhpur
- ^ Leibs (2004), p. 92
- ^ Robinson & Estes (1996), p. 34
- ^ Murray, H.J.R. (1913). A History of Chess. Benjamin Press (originally published by Oxford University Press). ISBN 0-936317-01-9. OCLC 13472872.
- ^ Bird 1893, p. 63
- ^ a b Zarrilli, Phillip B. (1998). When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art. Oxford: Oxford University Press. ISBN 0195639405.
- ^ S.S. Rath (2005-05-01). Martial Arts: A Critical Analysis of Orissan. Gyan Books, 2005. ISBN 8178352826. http://books.google.com/?id=7uPsVGfBXMgC&printsec=frontcover.
- ^ a b Raj, J. David Manuel (1977). The Origin and the Historical Developlment of Silambam Fencing: An Ancient Self-Defence Sport of India. Oregon: College of Health, Physical Education and Recreation, Univ. of Oregon. pp. 44, 50, 83.
- ^ Thomas A. Green (2001). Martial arts of the world: en encyclopedia. R – Z, Volume 2. ABC-CLIO. ISBN 1576071502. http://books.google.com/?id=v32oHSE5t6cC&printsec=frontcover.
- ^ Jim Ollhoff (2008). Martial Arts Around the Globe. ABDO Group. ISBN 1599289792. http://books.google.com/?id=a9GmhwcHTRoC&printsec=frontcover.
- ^ Sulaiman Sharif (2009). 50 Martial Arts Myths. new media entertainment ltd. ISBN 0967754623. http://books.google.com/?id=BrttF8DY3JcC&printsec=frontcover.
- ^ J. R. Svinth (2002). A Chronological History of the Martial Arts and Combative Sports. Electronic Journals of Martial Arts and Sciences
- ^ Cephas, Shawn (Winter 1994). "The Root of Warrior Priests in the Martial Arts". Kungfu Magazine.
- ^ "A Snapshot of Indian Television History". Indian Television Dot Com Pvt Ltd. http://www.indiantelevision.com/indianbrodcast/history/historyoftele.htm. Retrieved 2006-06-01.
- Auboyer, Jeannine (2002). Daily Life in Ancient India, from 200 BC to 700 AD. (originally published in French in 1961), Phoenix Press, London ISBN 1-84212-591-5
- Basham A.L.(1954). The Wonder that was India. Sidgwick and Jackson, London.
- Bhalla, Prem P. (2006). Hindu Rites, Rituals, Customs & Traditions. Pustak Mahal. ISBN 812230902X.
- Gajrani, S. (2004). History, Religion and Culture of India: In 6 Volumes. Gyan Publishing House, New Delhi, India. ISBN 8182050626.
- Grihault, Nicki. India – Culture Smart!: a quick guide to customs and etiquette. (ISBN 1-85733-305-5)
- Kamath, Suryanath U. (2001) . A concise history of Karnataka: from pre-historic times to the present. Bangalore: Jupiter books. OCLC 7796041. LCCN 809-5179.
- Naipaul, V.S. India: A Million Mutinies Now. (ISBN 0-7493-9920-1)
- Narasimhacharya, R (1988). History of Kannada Literature. New Delhi, Madras: Asian Educational Services. ISBN 81-206-0303-6. http://books.google.com/books?id=nOTmIt3wumwC.
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- Tully, Mark. No Full Stops in India. (ISBN 0-14-010480-1)
- Ukil, Manjari Foreign Influence on Indian Culture (c.600 BC to AD 320), (ISBN 81-88629-60-X)
- Varma, Pavan K. Being Indian: Inside the Real India. (ISBN 0-434-01391-9)
- Vimalananda, Swamini; Krishnakumar, Radhika. In Indian Culture Why do We?.
- Indian Govt. Site devoted to preserving manuscripts and making them available
- Society for Promotion of Indian Art and Culture amongst Youth (SPIC MACAY)
- Treasure House of India's Art and Culture
- IndianCultureOnline.com – Indian Culture Photos+Detail Information
- North India Culture
- Culture Coverage
- An Introduction to Indian Culture
- Culture of India
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