Infobox musical artist
Name = Ramones
Img_capt = Ramones performing in 1980
Img_size = 250
Landscape = Yes
Background = group_or_band
Origin = Forest Hills,
Queens, New York, USA
Years_active = 1974–1996
Label = Sire
(US & UK, 1976–1992)
Associated Acts =
URL = [http://www.ramones.com www.ramones.com]
Dee Dee Ramone Johnny Ramone Joey Ramone Tommy Ramone Marky Ramone Richie Ramone
The Ramones were an American rock band often regarded as the first
punk rockgroup.cite web|url=http://www.mtv.com/music/artist/ramones/artist.jhtml#bio|title=The Ramones|work= MTV.com|accessdate=2008-04-11] cite web | url=http://www.rockhall.com/inductee/ramones | date=September 15, 2004 (last update) | title=Ramones | publisher=Rock and Roll Hall of Fame + Museum | accessdate=2007-07-25] Formed in Forest Hills, Queens, New York, in 1974, all of the band members adopted stage names ending with "Ramone", though none of them were actually related. They performed 2,263 concerts, touring virtually nonstop for 22 years. In 1996, after a tour with the Lollapaloozamusic festival, the band played their final show and then disbanded. A little more than eight years after the breakup, the band's three founding members—lead singer Joey Ramone, guitarist Johnny Ramone, and bassist Dee Dee Ramone—were dead. [cite web|url=http://www.mp3.com/artist/the-ramones/summary/|title=The Ramones|work=MP3.com|accessdate=2008-04-11]
The Ramones were a major influence on the punk rock movement both in the United States and Great Britain, though they achieved only minor commercial success. Their only record with enough U.S. sales to be certified gold was the
compilation album" Ramones Mania". [cite web|url=http://www.osakapopstar.com/raw/raw_gold.html|title=Ramones Raw Signing & Gold Award Presentation at Tower Records|work=OsakaPopstar.com|accessdate=2008-04-11] Recognition of the band's importance built over the years, and they are now regularly represented in many assessments of all-time great rock music, such as the " Rolling Stone" lists of the 50 Greatest Artists of All Time [cite web
title = The Immortals: The First Fifty
work = Rolling Stone Issue 946
publisher = Rolling Stone
accessdate=2008-04-11] and 25 Greatest Live Albums of All Time, [cite web |url= http://www.rollingstone.com/photos/gallery/17411224/rock_list_the_twentyfive_best_li|title= Rock List: The Twenty-Five Best Live Albums: An unranked collection of incredible shows captured on record, with audio
VH1's 100 Greatest Artists of Hard Rock, [cite web
url=http://www.vh1.com/shows/dyn/the_greatest/62188/episode_wildcard.jhtml?wildcard=/shows/dynamic/includes/wildcards/the_greatest/hardrock_list_full.jhtml&event_id=862769&start=81 |title=100 Greatest Artists of Hard Rock|work=VH1.com|accessdate=2008-04-11] and "Mojo"'s 100 Greatest Albums. [cite web
url=http://rateyourmusic.com/lists/list_view?list_id=1756&show=50&start=0 |title=Mojo Magazine's 100 Greatest Albums (August 1995 Issue)|work=RateYourMusic.com|accessdate=2008-04-11] In 2002, the Ramones were voted the second greatest rock and roll band ever in "Spin", trailing only
The Beatles. [cite web|url=http://www.rocklistmusic.co.uk/spin100.html#Greatest%20Bands| title=50 Greatest Bands Of All Time|work=Spin Magazine|month=February | year=2002|accessdate=2008-04-11] On March 18, 2002, the Ramones—including the first four members and drummer Marky —were inducted into the Rock and Roll Hall of Fame. [cite web | url=http://www.vh1.com/news/articles/1452979/20020319/pearl_jam.jhtml | title=Vedder Rambles, Green Day Scramble As Ramones Enter Hall | accessdate=2007-07-25 | date=March 19, 2002 | publisher= VH1.com | author=Jennifer Vineyard]
Early days: 1974–1975
The original members of the band met in and around the middle-class neighborhood of Forest Hills in the
New York Cityborough of Queens. John Cummings and Thomas Erdelyi had both been in a high-school garage band circa 1966–67 known as the Tangerine Puppets. They became friends with Douglas Colvin, whose family had recently moved to the area. Jeffrey Hyman was in the short-lived early 1970s glam rockband Sniper.
The Ramones began taking shape in early 1974 when Cummings and Colvin invited Hyman to join them in a band. The initial lineup featured Colvin on lead vocals and rhythm guitar, Cummings on lead guitar, and Hyman on drums. Colvin, who soon switched from rhythm guitar to bass, was the first to adopt the name Ramone, dubbing himself Dee Dee Ramone. He was inspired by
Paul McCartney's use of the pseudonym Paul Ramone during his Silver Beatles days. ["McCartney" Sandford, C: London, Century, 2006. ISBN 1844136027. p.11.] Dee Dee convinced the other members to take on the name and came up with the idea of calling the band the Ramones. [cite web|url=http://www.punkbands.com/interviews.php?id=71|title=Interview with Marky Ramone|date=November 30, 1999|work=PunkBands.com|accessdate=2008-04-11] Hyman and Cummings became Joey Ramone and Johnny Ramone, respectively.
A friend of the band—Monte A. Melnick, later their tour manager—helped to arrange rehearsal time for them at
Manhattan's Performance Studios. Johnny's former bandmate Erdelyi was set to become their manager. Soon after the band was formed, Dee Dee realized that he could not sing and play bass at the same time; Joey became the band's new lead vocalist. Dee Dee would continue, however, to count off each song's tempo with his signature rapid-fire shout of "1-2-3-4!" Joey soon similarly realized that he could not sing and play drums simultaneously and left the position of drummer. While auditioning prospective replacements, Erdelyi would often take to the drums and demonstrate how to play the songs. It became apparent that he was able to perform the group's music better than anyone else, and he joined the band as Tommy Ramone.
The Ramones played before an audience for the first time on March 30, 1974, at their rehearsal space. The songs they played were very fast and very short; most clocked in at under two minutes. Around this time, a new music scene was emerging in New York centered around two clubs in downtown Manhattan—
Max's Kansas Cityand, most famously, CBGB(usually referred to as CBGB's). The Ramones made their CBGB's debut on August 16. Legs McNeil, who co-founded "Punk" magazine the following year, later described the impact of that performance: "They were all wearing these black leather jackets. And they counted off this song...and it was just this wall of noise…. They looked so striking. These guys were not hippies. This was something completely new." [cite web|url=http://www.pbs.org/independentlens/endofthecentury/legacy.html|title=End of the Century: The Ramones|publisher=PBS|accessdate=2008-09-03]
The band swiftly became regulars at the club, playing there seventy-four times by the end of the year. After garnering considerable attention for their performances—which averaged about seventeen minutes from beginning to end—the group was signed to a recording contract in autumn 1975 by
Seymour Steinof Sire Records. Stein's wife, Linda Stein, had seen the band play at CBGB's; she would later co-manage them along with Danny Fields.cite book
title=Ramones: An American Band
St. Martin's Press
isbn=0312093691] By this time, the Ramones were recognized as leaders of the new scene that was increasingly being referred to as "punk".
Spearheading punk: 1976–1977
In February 1976, the Ramones recorded their self-titled debut album—of its fourteen songs, the longest barely surpasses two-and-a-half minutes. While the songwriting credits were shared by the entire band, Dee Dee was the primary writer. The record, coproduced by Tommy and
Craig Leonon an extremely low budget, about $6,400, was released in April. The now iconic front cover photograph of the band was taken by Roberta Bayley, who shot regularly for "Punk" magazine.
"Ramones" made little commercial impact, reaching only number 111 on the "
Billboard" album chart. The two associated singles, " Blitzkrieg Bop" and "I Wanna Be Your Boyfriend", failed to chart at all. At the band's first major gig outside of New York, a June date in Youngstown, Ohio, approximately ten people showed up. [Ramone, Dee Dee, and Veronica Kofman (2000). "Lobotomy: Surviving the Ramones". New York: Thunder's Mouth Press, p. 77. ISBN 1560252529.] It wasn't until they made a brief tour of England that they began to see the fruits of their labor: a performance at The Roundhouse in London on July 4, 1976 (second-billed to the Flamin' Groovies), organized by Linda Stein, was a resounding success. [cite news|url=http://www.variety.com/article/VR1117975182.html?categoryid=25&cs=1|title=Linda Stein, 62, Manager/Real Estate Broker: Pioneer of Punk Music Killed in N.Y. Apartment|date=2007-11-01|work=Variety|accessdate=2007-11-09] Their Roundhouse appearance and a club date the following night helped galvanize the burgeoning UK punk rock scene, inspiring future punk stars, including members of the Sex Pistols, The Clash, and The Damned. [cite web|url=http://www.fastnbulbous.com/punk.htm|title=A History of Punk|work=Fastnbulbous.com|accessdate=2008-04-11] The Flamin' Groovies/Ramones double bill was successfully reprised at The Roxy in Los Angeles the following month, fueling the punk scene there as well. The Ramones were becoming an increasingly popular live act—a Toronto performance in September energized yet another growing punk scene.
Their next two albums, "
Leave Home" and " Rocket to Russia", were released in 1977. Both were coproduced by Tommy and Tony Bongiovi, the second cousin of Jon Bon Jovi. [Chris Jones (January 24, 2008). [http://www.bbc.co.uk/music/release/cz54/ The Ramones Leave Home] . " BBC".co.uk. Accessed 2008-04-11.] "Leave Home" met with even less chart success than "Ramones", though it did include "Pinhead", which became one of the band's signature songs with its chanted refrain of "Gabba gabba hey!" "Rocket to Russia" was the band's highest charting album to date, reaching number 49. In " Rolling Stone", critic Dave Marshcalled it "the best American rock & roll of the year". [cite web | url=http://www.rollingstone.com/artists/theramones/albums/album/209183/review/5946204/rocket_to_russia | publisher=Rolling Stone | accessdate=2007-07-26 | title=Album Reviews: Ramones: Rocket to Russia | date=December 15, 1977 | author=Dave Marsh] The album also featured the first Ramones single to break into the "Billboard" charts (albeit only as high as number 81): " Sheena Is a Punk Rocker". The follow-up single, "Rockaway Beach", climbed to number 66—the highest any Ramones single would ever reach in America. On December 31, 1977, the Ramones recorded "It's Alive", a live concert double album, at the Rainbow Theatre, London, which was released in April 1979 (the title is a reference to a 1974 horror movie).
Recordings turn more pop: 1978–1983
In early 1978, Tommy, tired of touring, left the band, though he continued as the Ramones' record producer. His position as drummer was filled by Marc Bell, who had been a member of the early 1970s hard rock band Dust and punk icon
Richard Hell's backing band, The Voidoids. Bell became Marky Ramone. Later that year, the band released their fourth album, and first with Marky, "Road to Ruin". The album, coproduced by Tommy with Ed Stasium, included some new sounds like acoustic guitar, several ballads, and the band's first two recorded songs longer than three minutes. It failed to crack the "Billboard" Top 100. However, " I Wanna Be Sedated", which appeared both on the album and as the B-side of a single, would become one of the band's best-known songs. [ [http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:lfxuakjkhmhm I Wanna Be Sedated] . Allmusic. URL accessed March 13 2006.] The artwork on the album's cover was done by "Punk" magazine co-founder John Holmstrom.
After the band's movie debut in
Roger Corman's " Rock 'n' Roll High School" (1979), legendary producer Phil Spectorbecame interested in the Ramones and produced their 1980 album " End of the Century". During the recording sessions in Los Angeles, Spector pulled a gun on Dee Dee, forcing him to repeatedly play a riff. [cite news
author = John Harlow
title =Spector calls ex-wife for murder defence
The Sunday Times
date = March 18, 2007
accessdate=2008-01-05] Though "End of the Century" was to be the highest-charting album in the band's history—number 44 in the United States, number 14 in Great Britain—Johnny made clear that he favored the band's more aggressive punk material. (A stance also conveyed by the title and track selection of the compilation album he later oversaw: "".) He later commented on working with Spector, "It really worked when he got to a slower song like 'Danny Says'—the production really worked tremendously. 'Rock 'N' Roll Radio' is really good. For the harder stuff, it didn't work as well."
author = Colin Devenish
title =Johnny Ramone Stays Tough: Ramones guitarist reflects on Dee Dee's death and the difficult Eighties
work = Rolling Stone
date = June 24, 2002
accessdate=2008-01-05] The syrupy, string-laden
Ronettescover " Baby, I Love You" released as a single, became the band's biggest ever hit by far in Great Britain, reaching number 8 on the charts.
In 1981, the Ramones' sixth album, "
Pleasant Dreams", came out. The record continued the trend established by "End of The Century", diluting the rawer punk sound showcased on the band's initial three albums. Slick production was again featured, this time provided by Graham Gouldmanof UK pop act 10cc. Johnny would contend in retrospect that this direction was a record company decision, a continued futile attempt to get airplay on American radio. While "Pleasant Dreams" reached number 58 on the U.S. chart, its two singles failed to register at all. On August 1, 1981, however, the Ramones became the first band to be interviewed on the newly formed cable network MTV, which temporarily provided a more receptive outlet for the band's music.
Subterranean Jungle", produced by Ritchie Cordell and Glen Kolotkin, was released in 1983. Billy Rogers, who had performed with Johnny Thunders and The Heartbreakers, played drums on the album's second single, a cover of The Chambers Brothers' " Time Has Come Today". "Subterranean Jungle" peaked at number 83 in the United States—it would be the last album by the band to crack the "Billboard" Top 100.
Shuffling members: 1983–1989
After the release of "Subterranean Jungle", Marky Ramone was fired from the band because of his alcoholism; he was replaced by Richard Reinhardt, who adopted the name Richie Ramone. The first album the Ramones recorded with Richie was "
Too Tough to Die" in 1984, with Tommy Erdelyi (who had dropped his "Ramone") returning as producer. The album was largely considered a return to form after the unflattering pop-production techniques that characterized the previous three full-length releases. Some rock critics contend that it represents their final high-quality album. [cite web
title=Too Tough to Die|work=AllMusic.com|accessdate=2008-04-11]
In 1986, the Ramones were invited to record the soundtrack to the film "
Sid and Nancy". During their work, some management problems developed, and the deal was cancelled.Fact|date=April 2008 However, a handful of songs created for this movie were included in their 1986 album " Animal Boy". Produced by Jean Beauvoirof the Plasmatics, it included a mix of hard and poppier punk songs.
In 1987, the band recorded their last album with Richie, "
Halfway to Sanity". The record was produced by Daniel Rey, formerly a guitarist with the late-1970s punk band Shrapnel. Richie left in August 1987, upset that after being in the band for four years, the other members would still not give him a share of the money they made selling T-shirts.From the film ""] Richie was replaced by Clem Burkefrom Blondie, which was disbanded at the time. According to Johnny, the performances with Burke—who took on the name Elvis Ramone—were a disaster. He was fired after two shows because his drumming could not keep up with the rest of the band. Marky, now clean and sober, returned.
Dee Dee Ramone left after 1989's "Brain Drain"—coproduced by Beauvoir, Rey, and
Bill Laswell—to pursue a brief solo career as a rapper, adopting the name Dee Dee King. [cite web| author =D'Angelo, Joe and Gideon Yago| title =Dee Dee Ramone Found Dead In Los Angeles| publisher =MTV News| date = 2002-06-06| url =http://www.mtv.com/news/articles/1455048/20020606/ramones.jhtml| accessdate=2008-01-05] He was replaced by Christopher Joseph Ward (C.J. Ramone), who performed and recorded with the band until their break-up. However, Dee Dee continued contributing to the Ramones' music by lending his lyrics for use.
Final years: 1990–1996
After 16 years at
Sire Records, the band moved to new label Radioactive Recordswith their 1992 album " Mondo Bizarro", which also reunited them with producer Ed Stasium. "Mondo Bizarro" was followed the next year by " Acid Eaters", which consisted entirely of cover songs.
In 1993, the Ramones appeared on an episode of "
The Simpsons" ("Rosebud"). They were booked to sing "Happy Birthday" at Mr. Burns's birthday party, where they showed their distaste for the gig, shouting, "I'd just like to say this gig sucks!" (Joey), "Hey, up yours, Springfield!" (Johnny), and "Go to Hell, you old bastard!" (C.J.); though Marky quipped, "Hey, I think they liked us!" Afterwards, Mr. Burns mistakenly ordered Smithers to "have The Rolling Stoneskilled."
In 1995, they came out with "
¡Adios Amigos!"—it would turn out to be their last studio album, After a spot in the 1996 Lollapaloozafestival, the Ramones went on a short club tour and then disbanded, reportedly due to ongoing personality clashes and frustration at not achieving commercial success commensurate with their influence.
Their final show was on August 6, 1996, at the Palace in Hollywood. [cite web|url=http://www.roughedge.com/live/ramones.htm|title=Ramones|work=RoughEdge.com|accessdate=2008-04-11] The show was recorded, and later released on video and CD as "
We're Outta Here!". The show featured several special guests such as Lemmyfrom Motörhead, Eddie Vedderfrom Pearl Jam, Tim Armstrongand Lars Frederiksenof Rancid, and Chris Cornell, then in Soundgarden.
Aftermath and deaths
On July 20, 1999, Dee Dee, Joey, Johnny, Marky and Tommy appeared together at the
Virgin Megastorein New York City for an autograph signing. This was the last occasion on which the ex-members of the group appeared together before Joey's death. Joey Ramone died of lymphomaon April 15, 2001, in New York. Joey's last partially finished works were compiled as a posthumoussolo album, " Don't Worry About Me".
In 2002, Dee Dee, Joey, Johnny, Marky and Tommy Ramone were inducted into the
Rock and Roll Hall of Fame. At the ceremony, the surviving inductees spoke on behalf of the band. Tommy spoke first, saying how honored the band felt, but how much it would have meant for Joey. Johnny thanked the band's fans and blessed George W. Bushand his presidency, Dee Dee humorously congratulated and thanked himself, while Marky thanked Tommy for influencing his drumstyle. This was one of Dee Dee's last public appearances; two months later he was found dead at his Hollywoodhome on June 5, 2002, from a heroin overdose. Also at the ceremony, Green Dayplayed "Teenage Lobotomy" and "Blitzkrieg Bop" as a tribute to the Ramones, demonstrating the Ramones' continuing influence on later punk rock bands.
In the summer of 2004, the Ramones documentary "" was released in theaters. Johnny Ramone, who had been privately battling prostate cancer, died on September 15, 2004, in
Los Angeles, California, almost exactly as the film was released.
On the same day as Johnny's death, the world's first and only Ramones Museum opened its doors for the public. [cite web
title= Ramones Museum
accessdate=2008-04-11] Located in Berlin, Germany, the Ramones Museum Berlin features more than 300 original memorabilia items from the Ramones, including a pair of stage-worn jeans from Johnny Ramone, a stage-worn glove from Joey Ramone, Marky Ramone's sneakers and CJ Ramone's stage-worn bass strap. The Ramones were inducted into the
Long Island Music Hall of Famein 2007. [cite web
In October 2007, a DVD was released containing live footage. [cite web
title=DVD set to be released featuring over 4 hours of The Ramones live at work
It's Alive 1974-1996" includes 118 songs from 33 performances over the span of the group's career.
Conflicts between members
The Ramones always had a certain amount of tension, mainly between Joey and Johnny. The pair were highly politically antagonistic, Joey being a liberal and Johnny a conservative. There was also tension caused by their very different personalities; Johnny was a military brat who lived by a code of self-discipline, while Joey struggled with
obsessive-compulsive disorder. It was Johnny who "stole" Joey's girlfriend Linda, whom he later married. Despite still playing in the same band, Joey and Johnny stopped talking to each other because of this. [cite web
title=Johnny Ramone, Signal Guitarist for the Ramones, Dies at 55|work=
New York Times|date=September 16, 2004|accessdate=2008-04-11] It is believedFact|date=July 2008 the song " The KKK Took My Baby Away", written by Joey, alludes to this enmity. Johnny did not call Joey before his death in 2001, but said in the documentary "End of the Century" that he was depressed for "the whole week" after the singer's death. Aside from Joey and Johnny's animosities, Dee Dee's constant addictions, relapses, and bipolar disorder had put significant strain on the band's interactions. [cite book
title=On The Road with the Ramones
author=Monte A. Melnick
isbn=97818477721037] Furthermore, the methods of payment and exact positions in overall band image for later members were also matters of dispute. [ [http://www.concertlivewire.com/interviews/ramonecj.htm Livewire's one on one] (December 3, 2001). "Concertlivewire.com" Accessed 2008-04-11.]
minimalist, loud, fast musical style was influenced by pop musicthat the band members grew up listening to in the 1950s and 1960s, such as The Beach Boys, The Beatles, The Kinks, The Ronettes, The Rolling Stonesas well as what are now known as proto-punkbands like The Stoogesand the New York Dolls. [cite news
title = The musical misfits
date = April 16, 2001
accessdate=2008-01-05] [cite news
author =Chris Morris
title =Joey Ramone, Punk's First Icon, Dies
work = Billboard
date = April 29, 2001
accessdate=2008-01-05] [cite web|url=http://www.bbc.co.uk/music/artist/3463/|title=BBC - Music Profiles - New York Dolls>] It was also a reaction against the bombastic, complex, and heavily produced pop and rock music -- ranging from
Led Zeppelinto progressive rock, as well as the smooth sounds of Los Angelesstudio musicians later termed yacht rock-- which dominated the charts in the 1970s. The Ramones were considered leaders in the punk rockscene, although others considered them power popJohn Holmstrom (December 2004). [http://www.ramonesmania.com/ramones-interviews.html Happy Family Interviews] . "RamonesMania.com". Accessed 2008-04-11.] or pop punk. [http://www.punk77.co.uk/groups/ramonesdiscographylps.htm Ramones Discography LPs] "punk77.co.uk". Accessed 2007-10-08.] [http://www.pbs.org/independentlens/endofthecentury/legacy.html End of the Century: The Ramones] " PBS.org". Accessed 2008-03-24.] The Ramones' later 1980s career also veered into hardcore punkterritory, integrated into albums like "Too Tough to Die" and "Halfway to Sanity".
On stage, the band adopted a focused approach directly intended to increase the audience's concert experience. Johnny's instructions to C.J. when preparing for his first live performances with the group were to play facing the audience, to stand with the bass slung low between spread legs, and to walk forward to the front of stage at the same time as he did. Johnny Ramone was not a fan of guitarists who performed facing their drummer, amplifier or other band members.David Fricke (1999). "Hey Ho Let's Go!: The Anthology" liner notes. Rhino Entertainment, R2 75817.]
Due to a similar musical style, many bands were claimed to be "an answer to the Ramones" by critics in the late 1970s. There were the "English answer" (
The Lurkers), the "Irish answer" ( The Undertones), [cite web|url=http://www.salon.com/weekly/jamside960729.html|title=Teenage Kicks|author=Gavin McNett|work=Salon.com|accessdate=2008-04-11] the "Canadian answer" (Teenage Head), and the "Mexican answer" (The Zeros).
The Ramones' art and visual imagery complemented the themes of their music and performance. The band members adopted a uniform look of long hair, leather jackets, t-shirts, torn jeans, and sneakers. This fashion emphasized minimalism, which was a powerful influence on the New York punk scene of the 1970s and reflected the band's short, simple songs.cite book
author =Stephen Colegrave
coauthors =Chris Sullivan
title =Punk: The Definitive Record of a Revolution
publisher =Thunder's Mouth Press
location =New York
pages =p. 67
isbn =1-56025-369-X] Tommy Ramone recalled that, both musically and visually, "we were influenced by
comic books, movies, the Andy Warholscene, and avant-gardefilms. I was a big "Mad Magazine" fan myself."
The band's logo was created by New York City artist Arturo Vega, a longtime friend who had allowed Joey and Dee Dee to move into his loft.cite book
coauthors =Gillian McCain
title =, 2nd ed.
location =New York
pages =p. 211
isbn =0 14 02.6690 9] Vega produced the band's
t-shirts, their main source of income, basing most of the images on a black-and-white self-portrait photograph he had taken of his American bald eagle belt bucklewhich had appeared on the back sleeve of the Ramones' first album.cite book
title=Ramones: An American Band
St. Martin's Press
isbn=0312093691] He was inspired to create the band's logo after a trip to
Washington, D.C.:The scroll in the eagle's beak originally read "Look out below", but was later changed to "Hey, ho! Let's go!" after the opening lyrics of the band's first single " Blitzkrieg Bop", while the arrowheads on the shield came from a design on a polyestershirt Vega had bought. The name "Ramones" was spelled out in block capitals above the logo using plastic stick-on letters. Where the presidential seal read "Seal of the President of the United States" clockwise in the border around the eagle, Vega instead placed the stage names of the four band members: Johnny, Joey, Dee Dee, and Tommy. Over the years the names in the border would change as the band's lineup fluctuated. Vega went on to serve as the band's lighting director and sold their merchandise. In 2003 he had the original logo tattooed across his back with his own nickname, "Arty", in place of Tommy.cite web
author =Arturo Vega
title =My Ramones World
The Ramones' first British concert was held on July 4, 1976. Prior to the performance, the band hung out with fans who turned out to be members of the
Sex Pistolsand The Clash. During the meeting Paul Simononclaimed The Clash had not played a show yet because they felt they were not good enough, to which Johnny Ramone responded, "We stink. You don't have to be good, just get out there and play". Later that day The Clash would play their first show. [cite web|url=http://www.mtv.com/news/articles/1470448/20030310/clash.jhtml|title=The Clash: Ducking bottles, asking questions|author=Kurt Loder|work= MTV.com|accessdate=2008-04-11] Likewise another band who met with the Ramones that day, The Damned, played their first show two days later. [cite web|url=http://www.bbc.co.uk/music/sevenages/events/punk/the-ramones-play-the-roundhouse/|title= BBC _ Seven Ages of Rock: The Ramones play The Roundhouse, July 4, 1976|work= BBC.co.uk|accessdate=2008-04-11] Similarly, early Ramones concerts in Californiainspired early California punkgroups like Black Flag, The Descendents, The Germs, the Dead Kennedys, [cite web
author =Gregg Turkington
title =Dead Kennedys: A concise History For Consumers Everywhere
work = Alternative Tentacles
Bad Religion, [cite web
author =Dennis Lyxzén
coauthors =Stuart Green
title = Bad Religion's Brett Gurewitz Exclusively Interviewed by (International) Noise Conspiracy's Dennis Lyxzén - Back To The Beginning
work = Exclaim!
month = June | year = 2004
The seminal hardcore band
Bad Brainstook its name from a Ramones song. Later punk bands such as Screeching Weasel, The Vindictives, The Queers, The Huntingtons, The Mr. T Experience, John Cougar Concentration Campand the Beatnik Termiteshave all recorded covers of entire Ramones albums; including "Ramones", "Leave Home", "Rocket to Russia", "File Under Ramones", "Road to Ruin", ""Too Tough to Die" and "Pleasant Dreams", respectively.
The Ramones also influenced the sound of the
New Wave Of British Heavy Metal, including that of bands such as Motörheadand Iron Maiden. Motörhead lead singer Lemmyfirst met the Ramones in 1976. His band composed and performed the song "R.A.M.O.N.E.S" as a tribute, and Lemmy would perform at the final Ramones concert in 1996. [cite web | url=http://www.staythirstymedia.com/200707w/html/0707lemmy.html | publisher=Thirsty | date=May 14, 2007 | title=The Head Cat: Lemmy interview | first=Sarah L. | last=Myers | accessdate=2007-07-26] The simplicity of the Ramones' approach also influenced electronica pioneers Kraftwerk.
The first Ramones tribute album by multiple bands was released in 1991 under the title "", featuring tracks recorded by such notable bands as L7,
Mojo Nixon, and Bad Religion. Many more tribute albums followed, " We're a Happy Family" being the most well-known, with artists such as Green Day, Kiss, Metallica, The Offspring, Red Hot Chili Peppers, U2, and Rob Zombie(who also did the album cover artwork). Green Day members have gone as far as naming their children in honor of the band. Billie Joe Armstrongnamed his son Joey as tribute to Joey Ramone, and Tré Coolnamed his daughter Ramona for similar reasons. [cite web|url=http://www.geekstinkbreath.net/greenday/article/tres-support-system/|title=Tré's Support System|work=GeekStinkBreath.net|accessdate=2008-04-11]
Dee Dee Ramone– bass, vocals (1974–1989)
Johnny Ramone– guitar (1974–1996)
Joey Ramone– lead vocals (1974–1996)
Tommy Ramone– drums (1974–1978)
Marky Ramone– drums (1978–1983, 1987–1996)
Richie Ramone– drums, vocals (1983–1987)
*Elvis Ramone – drums (1987)
C. J. Ramone– bass, vocals (1989–1996)
* [http://www.ramones.com The official Ramones website]
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