Money (novel)


Money (novel)
1st edition (Jonathan Cape)

Money: A Suicide Note is a 1984 novel by Martin Amis. Time magazine included the novel in its "100 best English-language novels from 1923 to the present".[1]

Contents

Plot summary

Money tells the story of, and is narrated by, John Self, a successful director of commercials who is invited to New York by Fielding Goodney, a film producer, to shoot his first film. Self is an archetypal hedonist and slob; he is usually drunk, an avid consumer of pornography and prostitutes, eats too much and, above all, spends too much, encouraged by Goodney.

The actors in the film, which Self originally titles Good Money but which he eventually wants to re-name Bad Money, all have some kind of emotional issue which clashes with fellow cast members and with the parts they've signed on for - the principal casting having already been done by Goodney. For example: the strict Christian, Spunk Davis (whose name is intentionally unfortunate), is asked to play a drugs pusher; the ageing hardman Lorne Guyland has to be beaten up; the motherly Caduta Massi, who is insecure about her body, is asked to appear in a sex scene with Lorne, whom she detests, and so on.

Self is stalked by "Frank the Phone" while in New York, a menacing misfit who threatens him over a series of telephone conversations, apparently because Self personifies the success Frank was unable to attain. Self is not frightened of Frank, even when he is beaten by him while on an alcoholic bender. (Self, characteristically, is unable to remember how he was attacked.) Towards the end of the book Self arranges to meet Frank for a showdown, which is the beginning of the novel's shocking denouement; Money is similar to Amis' five-years-later London Fields, in having a major plot twist.

Self returns to London before filming begins, revealing more of his humble origins, his landlord father Barry (who makes his contempt for his son clear by invoicing him for every penny spent on his upbringing) and pub doorman Fat Vince. Self discovers that his London girlfriend, Selina, is having an affair with Ossie Twain, while Self is likewise attracted to Twain's wife in New York, Martina. This increases Self's psychosis and makes his final downfall even more brutal.

After Selina has plotted to destroy any chance of a relationship between him and Martina, Self discovers that all his credit cards have been blocked and, after confronting Frank, the stars of film angrily claim that there is no film. It is revealed that Goodney had been manipulating him - all the contracts signed by Self were loans and debts, and Goodney fabricated the entire film. He is also revealed to be Frank and responsible for the visions of Self's mother. He supposedly chose Self for his behaviour on the first plane to America, where Goodney was sitting close to him. The New York bellhop, Felix, helps him escape the angry mob in the hotel lobby and fly back to England, only to discover that Barry is not Self's real father.

There are some hilarious set pieces, such as when Self wakes to find he has skipped an entire day in his inebriated state, the tennis match and the attempts to change Spunk's screen name. The writing is also full of witty one-liners and silly names for consumer goods, such as Self's car, the Fiasco, and the Blastfurters which he snacks on.

Amis writes himself into the novel as a kind of overseer and confidant in Self's final breakdown. He is an arrogant character, but Self is not afraid to express his rather low opinion of Amis, such as the fact that he earns so much yet "lives like a student." Amis, among others, tries to warn Self that he is heading for destruction but to no avail. Felix becomes Self's only real friend in America and finally makes Self realise the trouble he is in: "Man, you are out for a whole lot of money."

The novel's subtitle, "A Suicide Note", is clarified at the end of the novel. It is revealed that Barry Self is not John Self's father; his father is in fact Fat Vince. As such, John Self no longer exists. Hence, in the subtitle, Amis indicates that this cessation of John Self's existence is analogous to suicide, which of course, results in the death of the self. A Suicide Note could also relate to the novel as a whole, or money, which Self himself calls suicide notes within the novel.

After learning that his father is Fat Vince, John realises that his true identity is that of Fat John, half-brother of Fat Paul. The novel ends with Fat John having lost all his money (if it ever existed), yet he is still able to laugh at himself and is cautiously optimistic about his future.

Background

The novel is derived in part from Amis's experience working on the film Saturn 3, of which he was scriptwriter.[2] The character of Lorne Guyland was based on the star of the film, Kirk Douglas. (His name is a play on the way the place-name "Long Island", where the character lives, is pronounced in certain New York-area accents.).[3] Amis said of his work that "Money makes a break from the English tradition of sending a foreigner abroad in that (a) John Self is half American, and (b) as a consequence cannot he scandalized by America. You know the usual Pooterish Englishman who goes abroad in English novels and is taken aback by everything. Well, not a bit of that in John Self. He completely accepts America on its own terms and is perfectly at home with it."[4]

In 2010, Time Magazine called Amis' book "the best celebrity novel I know: the stars who demand and wheedle their way across his plot seem less like caricature and more like photorealism every year."[5]

2010 BBC television adaptation

On November 11, 2009, The Guardian reported that the BBC has adapted Money for television as part of their early 2010 schedule for BBC 2.[6] The programme was shown in May 2010. Spaced/Shaun of the Dead/Hot Fuzz actor Nick Frost played John Self,[7] and Vincent Kartheiser portrayed Fielding Goodney. Emma Pierson played Selina Street,[8] and Jerry Hall played Caduta Massi.[9] The adaptation, by Tom Butterworth and Chris Hurford, was in two parts.[10]

Footnotes

External links


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