Norwich School (art movement)

For the independent fee-paying school, see Norwich School (educational institution).

The Norwich School^[1][2] of painters, founded in 1803 in Norwich, was the first provincial art movement in Britain. Artists of this school were inspired by the natural beauty of the Norfolk landscape and owed some influence to the work of landscape painters of the Dutch Golden Age such as Hobbema and Ruisdael.

History

The Norwich Society of Artists was founded in 1803 by John Crome and Robert Ladbrooke as a club where local artists could meet to exchange ideas. Its aims were "an enquiry into the rise, progress and present state of painting, architecture, and sculpture, with a view to point out the best methods of study to attain the greater perfection in these arts." The society's first meeting was in a tavern called "The Hole in the Wall"; 2 years later it was able to move to its own premises which allowed it to offer members work and exhibition space. The first exhibition opened in 1805, and was such a success that it became an annual event until 1825. The original building was then demolished but the society reopened 3 years later, in 1828, at a different venue as "The Norfolk and Suffolk Institution for the Promotion of the Fine Arts", and exhibitions continued until 1833.^[3]

The leading light of the movement was undoubtedly John Crome who attracted many friends and pupils until his death in 1821. The mantle of leadership then fell on John Sell Cotman (a member of the society since 1807) who continued to keep the Society together until he left Norwich for London in 1834 to take up a post at King's College School. The Society effectively ceased to exist from that date.

The Norwich School's great achievement was that a small group of self-taught working class artists were able to paint with vitality the hinterland surrounding Norwich, assisted by meagre local patronage. Far from creating pastiches of Dutch seventeenth century, Crome and Cotman, along with Joseph Stannard, established a school of landscape painting which deserves far greater fame; the broad washes of Cotman's water-colours anticipate French impressionism.

The reason the Norwich School are not as well known as other painters of the period, notably Constable and Turner, is primarily because the majority of their canvases were collected by the industrialist J. J. Colman (of Colman's mustard fame), and thereafter have been on permanent display in Norwich Castle Museum since the 1880's. This lack of exposure was remedied in 2001, when many of the major works by the Norwich School were exhibited for the first time outside of Norwich at the Tate Gallery, London.

In 1986 Norwich Castle museum acquired a late masterwork by John Crome entitled Back of New Mills Evening dated circa 1812-1819. It is interesting to note that the composition of this painting includes a small boy trailing a toy boat from the stern of a boat. This identical motif also occurs in Joseph Stannard's masterwork Thorpe Water Frolic of 1828. Stannard had in fact requested Crome for tuition in painting as a young man, Crome had refused and in turn Stannard had broken away from the 'Norwich School', his relatives and friends never forgiving Crome for the snub to Stannard. Such was the intense rivalry between the major painters of the Norwich School.

Members & Associates

• John Crome
• John Sell Cotman
• James Stark
• John Berney Crome ("Young Crome")
• George Vincent
• Robert Ladbrooke,
• James Sillett
• John Thirtle
• John Joseph Cotman
• Joseph Stannard
• Alfred Stannard
• Emily Stannard
• Edward Thomas Daniell
• Henry Bright.
• David Hodgson
• Robert Dixon

London members of the society included:

• John Burnet
• Sir Martin Archer Shee.

See also

• English art
• English school of painting

Bibliography

• Peter Kennedy Scott. A Romantic Look at Norwich School Landscapes: By a Handful of Great Little Masters. (Dec 1998) ISBN-10: ISBN 0953471101. ISBN-13: ISBN 978-0953471102
• Holme Geoffrey (Ed.). The Norwich School (The Studio Ltd., 1920).
• Fawcett, Trevor. The rise of English provincial art: artists, patrons, and institutions outside London, 1800-1830 (Clarendon Press, 1974). ISBN 0198173288
• Rajnai, Miklos & Stevens, Mary. The Norwich Society of Artists, 1805-1833: a dictionary of contributors and their work (Norfolk Museums Service for the Paul Mellon Centre for Studies in British Art, 1976).
• Moore, Andrew W. The Norwich School of Artists (HMSO/Norwich Museums Service, 1985, repr. 1995).
• Walpole, Josephine. Art and artists of the Norwich School (Antique Collectors’ Club, 1997). ISBN 1851492615

Brown, D. B. & Hemingway, Andrew & Lyles, Anne. Romantic Landscape, The Norwich School of Painters (Tate Gallery Publishing, 2000).

References

1. ^ Norfolk Museums
2. ^ Norwich school of painters ("Literary Norfolk")
3. ^ Holme, p. 1.

External links

• The Norwich School (Andrew Graham Dixon archive)
• Norfolk Museums service