The Kandy-Kolored Tangerine-Flake Streamline Baby

The Kandy-Kolored Tangerine-Flake Streamline Baby

Infobox Book
name = The Kandy-Kolored Tangerine-Flake Streamline Baby
title_orig =
translator =

image_caption =
author = Tom Wolfe
illustrator =
cover_artist =
country = United States
language = English
series =
genre = New Journalism
publisher = Farrar, Straus & Giroux
release_date = 1965
media_type = Print (Hardback)
pages = 368
isbn = ISBN 0553380583
preceded_by =
followed_by =

"The Kandy-Kolored Tangerine-Flake Streamline Baby" (ISBN 0-553-38058-3) is the title of Tom Wolfe's first collected book of essays, published in 1965. The book is named for one of the stories in the collection that was originally published in "Esquire magazine" in 1963 under the title "There Goes (Varoom! Varoom!) That Kandy-Kolored (Thphhhhhh!) Tangerine-Flake Streamline Baby (Rahghhh!) Around the Bend (Brummmmmmmmmmmmmmm)..." Wolfe's essay for "Esquire" and this, his first book, are frequently heralded as early examples of New Journalism.


In the introduction to the book, Wolfe says that when writing the titular essay for "Esquire" in 1963, a look at the world of custom cars, he suffered from a severe case of writer's block. As his deadline approached, Wolfe compiled his notes, without much concern for the standard conventions of writing, and submitted them to his editor Byron Dobell. Dobell is said to have simply removed the salutation "Dear Byron" and run Wolfe's notes as the article. [Harvnb|Ragen|2002|p=12]

Wolfe's account of the custom car culture centers on Ed Roth, one of the fathers of the Kustom Kulture movement and George Barris, who had a completely different philosophy of customizing cars (a pure art approach, as compared to Roth's cars that were still designed for drivers), but called himself the "King of the Kustomizers." [Harvnb|Ragen|2002|p=12]

The 22 essays in the book share no particular unifying theme other than Wolfe's experimental techniques in non-fiction writing. Subjects that crop up in this work, and continue throughout Wolfe's career, include his interests in status, culture, form and style. [Harvnb|Ragen|2002|p=60] ["The Wolfe-Man", "Newsweek", June 28, 1965, p. 90. In Harvnb|Shomette|1992|p=5–6.]

Other major essays in the collection include, "Las Vegas (What?) Las Vegas (Can't hear you! Too noisy) Las Vegas!!!!", an early look at how outrageous Las Vegas was becoming, before the city was as well-known as it is today; or "The Fifth Beatle" and "The First Tycoon of Teen" which profiled pop-music figures Murray the K and Phil Spector. [Harvnb|Ragen|2002|p=61–64]

The essay that many critics have considered the strongest is "The Last American Hero," a profile of Junior Johnson, an early star of the stock car racing world and NASCAR. In looking at a single day at the races, Wolfe also examines the rise of the race day culture, how it is a stark contrast to the Grand Prix motor racing popular in Europe. "The Last American Hero" was made into a film in 1973, starring Jeff Bridges as the Johnson character.

Writing style

As the title of the book indicates, Wolfe liberally uses colorful language. In addition, he makes frequent use of onomatopoeia, and uses all manner of type: capitalization, italics, multiple exclamation points, dashes, etc. Another characteristic of Wolfe's writing is switching from highly technical or scientific explanations to very colloquial turns of phrase, often within a single sentence. And, just as Wolfe uses medical jargon when describing the body, he uses commercial language when describing products and slang and vulgarity when chronicling sub-cultures. [Harvnb|Ragen|2002|p=59–61] [Smith, William James. "The Kandy-Kolored Tangerine-Flake Streamline Baby", "Commonweal", September 17, 1965, pp. 670–72. In Harvnb|Shomette|1992|9–10.]

Most of these techniques remain hallmarks of Wolfe's writing style throughout his career, including in his publications following "The Kandy-Kolored Tangerine-Flake Streamline Baby": "The Pump House Gang", another collection of essays, and "The Electric Kool-Aid Acid Test", Wolfe's chronicle of Ken Kesey and the Merry Pranksters.


When first published, "The Kandy-Kolored Tangerine-Flake Streamline Baby" directed booksellers to stock the book in the sociology section of book stores. Many versions of the book are headed by an incomplete quotation from Kurt Vonnegut: "Verdict: Excellent book by a genius." Vonnegut's full quotation was "Verdict: Excellent book by a genius who will do anything to get attention." [Harvnb|Ragen|2002|p=59] [Vonnegut, Kurt, Jr. " [ Infarcted! Tabescent!] " "The New York Times Book Review", June 27, 1965. Retrieved on January 13, 2008.]

[Capouya, Emile. "True Facts and Artifacts", "Saturday Review", July 31, 1965, pp. 23–24. In Harvnb|Shomette|1992|7–8.]


* Citation
title = Tom Wolfe; A Critical Companion
last = Ragen
first = Brian Abel
year = 2002
publisher = Greenwood Press
isbn = 0313313830

* Citation
title = The Critical Response to Tom Wolfe
last = Shomette
first = Doug
year = 1992
publisher = Greenwood Press
isbn = 0313277842

External links

* [ The Kandy-Kolored Tangerine-Flake Streamline Baby] on

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