Rodgers and Hart


Rodgers and Hart

Rodgers and Hart were an American songwriting partnership consisting of the composer Richard Rodgers (1902 – 1979) and the lyricist Lorenz Hart (1895 – 1943).

They worked together on about thirty musicals from 1919 until Hart's death in 1943. Their breakthrough came in 1925 with The Garrick Gaieties, which featured the hit song "Manhattan."

Their many other hits include "Here In My Arms," "Mountain Greenery," "The Blue Room," "My Heart Stood Still," "You Took Advantage of Me," "Ten Cents a Dance," "Dancing on the Ceiling," "Spring is Here," "Lover," "Mimi," "Isn't It Romantic?" "Blue Moon," "Easy To Remember" "The Most Beautiful Girl In The World," "My Romance," "Little Girl Blue," "There's a Small Hotel," "I Wish I Were in Love Again," "Where Or When," "My Funny Valentine," "Johnny One Note," "The Lady is a Tramp," "Have You Met Miss Jones?," "This Can't Be Love," "Falling In Love With Love," "Bewitched, Bothered and Bewildered," "I Could Write a Book," and "Wait Till You See Her."

Their songs have long been favorites of cabaret singers and jazz artists. Hart's lyrics, facile, vernacular, dazzling, sometimes playful, sometimes melancholic, raised the standard for Broadway songwriting. Rodgers, as a creator of melodies, ranks with Jerome Kern and Irving Berlin.

Their shows belong to the era when musicals were revue-like and librettos weren't much more than excuses for comic turns and music cues. Still, just as the duo's tunes were a cut above, so did the team try to raise the standard of the musical form in general. Thus "A Connecticut Yankee" (1927) was based on Mark Twain's novel, and "The Boys From Syracuse" (1938) on William Shakespeare's "The Comedy of Errors."

"Pal Joey" (1940), often thought their best show, has a book by "The New Yorker" writer John O'Hara--adapting his own short stories--and features a title character who's a heel. So unflinching was the portrait that critic Brooks Atkinson famously asked in his review "Although it is expertly done, how can you draw sweet water from a foul well?" When the show was revived in 1952, audiences had learned to accept and enjoy darker material on Broadway (thanks in large part to Rodgers' work with Oscar Hammerstein) and audiences found it easier to deal with. The new production ran considerably longer than the original. Atkinson, reviewing the revival, said his original judgment had been wrong.

Comparisons between Rodgers and Hart and the successor team of Rodgers and Hammerstein are inevitable. Hammerstein's lyrics project warmth, sincere optimism, and occasional corniness. Hart's lyrics showed greater sophistication in subject matter, more use of overt verbal cleverness, and more of a "New York" or "Broadway" sensibility. The archetypal Rodgers and Hart song, "Manhattan," rhymes "The great big city's a wondrous toy/Just made for a girl and boy" in the first stanza, then reprises with "The city's glamor can never spoil/The dreams of a boy and goil" in the last. Many of the songs ("Falling in Love with Love", "Little Girl Blue", "My Funny Valentine") are wistful or sad, and emotional ambivalence seems to be perceptible in the background of even the sunnier songs. For example, "You Took Advantage of Me" appears to be an evocation of amorous joy, but the very title suggests some doubt as to whether the relationship is mutual or exploitative.

hows

*(1920 ?) "Fly With Me"
*(1925) "The Garrick Gaieties"
*(1925) "Dearest Enemy"
*(1926) "The Girl Friend"
*(1926) "Betsy"
*(1926) "Peggy-Ann"
*(1926) "The Fifth Avenue Follies"
*(1926) "Lido Lady"
*(1926) "Garrick Gaieties" - 2nd Edition
*(1927) "A Connecticut Yankee"
*(1927) "One Dam Thing After Another"
*(1928) "Present Arms"
*(1928) "Chee-Chee"
*(1928) "She's My Baby"
*(1929) "Heads Up!"
*(1929) "Spring Is Here"
*(1930) "Evergreen"
*(1930) "Simple Simon"
*(1931) "America's Sweetheart"
*(1932) "Love Me Tonight"
*(1935) "Jumbo"
*(1936) "On Your Toes"
*(1936) "The Show Is On"
*(1937) "Babes in Arms"
*(1937) "I'd Rather Be Right"
*(1938) "The Boys from Syracuse"
*(1938) "I Married an Angel"
*(1939) "Too Many Girls (musical)"
*(1940) "Higher and Higher"
*(1940) "Pal Joey"
*(1942) "By Jupiter"
*(1943) "A Connecticut Yankee" (revised, with additional songs, their last collaboration)

Best known songs

*(1925) "Manhattan", "Mountain Greenery" (from "The Garrick Gaieties")
*(1927) "Thou Swell" (from "A Connecticut Yankee")
*(1928) "You Took Advantage of Me" (from "Present Arms")
*(1929) "With a Song in My Heart" (from "Spring Is Here")
*(1932) "Lover" (from "Love Me Tonight")
*(1934) "Blue Moon" (not from a show)
*(1935) "My Romance", "Little Girl Blue", "The Most Beautiful Girl in the World" (from "Jumbo")
*(1936) "There's a Small Hotel" (from "On Your Toes")
*(1937) "Where or When", I Wish I Were in Love Again", "My Funny Valentine", "Johnny One Note", "The Lady is a Tramp" (from "Babes in Arms")
*(1938) "This Can't Be Love", "Falling in Love with Love" (from "The Boys from Syracuse")
*(1940) "Bewitched, Bothered and Bewildered", "I Could Write a Book" (from "Pal Joey")

External links

* [http://www.pbs.org/wnet/gperf/dialogue/dialogue_mrodgers.html Interview with Mary Rodgers about Rodgers and Hart for PBS (1999)]


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