- Brenda Pye
Brenda Pye also known by her earlier married name of Brenda Landon or her maiden name of Brenda Capron (29 November, 1907–26 April, 2005) was an English portrait painter and landscape artist. She exhibited at the
Royal Academy, the Paris Salon, the Royal Society of Portrait Painters, the Royal Society of British Artistsand the Association of Women Artists; she was also a member of the Association of Sussex Artists.
name = Brenda Pye("formerly" Landon, "originally" Capron)
caption = Brenda Pye (then Landon) photographed circa 1930
birth_date = 29 November 1907
birth_place = Somerset, England
death_date = 26 April 2005
death_place = London, England
occupation = Portrait and landscape painter
spouse = 1st E A R Landon, 2nd C A Pye
parents = Walter Evelyn Capron and Mary Capron (nee Whistler)
children = 1 daughter
She was born on
29 November 1907, and died in Londonat the age of 97 on 26 April 2005.
She was the youngest child of a barrister called Walter Capron who was himself the youngest son of a
landed gentryfamily seated at SouthwickHall in Northamptonshire. Her mother’s maiden name was Whistler, and through her she was a distant cousin of the English artist Rex Whistlerand his brother the glass engraver Sir Laurence Whistler; she was also more distantly related to the Anglo-American artist James McNeill Whistler.
Her earliest years were spent at her birthplace: Shortwood House, Litton, in
Somerset, to which her father had retired from his London practice. A three-quarter length portrait of her in the gardens of Shortwood House in the summer of 1914, was painted by Henry Strachey, at that time the art critic of the Spectator, who lived nearby. However, from 1916 until her death, she lived in Londonand Sussex.
She was educated privately and at
EastbourneLadies College, Sussex, before taking up a scholarship to study at Eastbourne College of Art. At Eastbourne College of Art, her tutors included Eric Raviliousand she was gold medallist. This entitled her to a further scholarship at Chelsea School of Artin London where she continued her studies as a pupil of Graham Sutherlandand others. She also had a travelling scholarship to Paris.
Her paintings at this time were mainly figure paintings in oil on canvas, but she also excelled in pencil portraits and studies, and a pencil nude was her first major exhibited work, at the
Royal Academy summer exhibitionof 1932, when she was 24. She had by then (on 12 November 1929) married her first husband, E A R Landon, and is therefore listed in the published volumes of "Royal Academy Exhibitors 1905-1970" (1973-82), and in "The Dictionary of British Artists" 1880-1940 (1976)), under her married name of Brenda Landon. The marriage ended in divorce during the Second World War. As a wartime resident of Lewes, she helped Mrs Byng-Stamper in the well-known art gallery she and her sister set up during the War in the stables of their house at Millers, in Lewes, and through her came across Duncan Grant, and sat for his life class as a model.
After the war, she was art mistress at Fairdene School for Girls, where she set up a pottery. Later, she established and ran the pottery at
GlyndePlace (near Glyndebourne). Most of her pottery is from this period.
As Brenda Pye
In 1961, she married again. Her second husband, with whom she was to live for the next 33 years, until he died in 1994, was Cecil Pye, the stepfather of the playwright Sir
Alan Ayckbournand nephew of the founder of the Pyeradio and television manufacturing business. He had a studio built for her in the grounds of his Jacobean farmhouse in Buxted, Sussex, and Brenda Pye (as she now was), entered her most prolific period as an artist.
She was commissioned to paint many portraits, including the journalist and broadcaster Fyfe Robertson and the Headmaster of the
London Oratory SchoolJohn McIntosh OBE. Her portraits were exhibited in London at the Royal Society of Portrait Paintersand in Paris at the Paris Salon.
However, most of her work was now landscape painting in oil on canvas (sometimes, however, with palette knife or on wood), and she particularly loved
Ashdown Forest, which she painted over and over again. She also painted during travels with her husband in Scotland and France, and to a lesser extent in Wales, Portugal, Italy and South Africa.
Her style became softer and more impressionistic than her work during and before the war, but it was only occasionally purely abstract. Her favoured medium was always oil on canvas, but she also painted on board or wood (mainly flowers), and (especially in the later 1970s and 1980s) in watercolour. After her second marriage, she favoured brighter colours and a softer, less precise draughtsmanship than before the War and she was a very rapid worker, whether painting portraits or landscape. She always painted directly from life: never from photographs and usually without preparatory drawings.
Her landscapes and flower paintings were exhibited at the
Paris Salon, and in London by the Royal Society of British Artistsand the Association of Women Artists. She also had one-woman exhibitions of her work in Sussex.
Her last full scale portrait, of a young
barristerin wig and gown, was painted in 1987. After that, she was affected by cataracts in both eyes which, with some physical frailty, forced her to stop painting from life. However, she continued to paint abstract designs in watercolour.
Brenda Landon Pye Portrait Prize
Chelsea College of Art and Designawards an annual prize for portraiture called the Brenda Landon Pye Portrait Prize in her memory. The winners have been:
* 2006 Tom Downes and Adelita Husni-Bey (joint winners)
* 2007 Keiji Ishida
* 2008 Margot Sanders
* "Royal Academy Exhibitors 1905-1970" (1973-82)
* "Dictionary of British Artists 1880-1940" (1976)
* "The Society of Women Artists Exhibitors 1855-1996" (1996)
* Interview in "Sussex Express" 10 May 1968
* [http://blpye.org.uk/ Brenda Landon Pye Portrait Prize] website
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