Guitar (album)

Infobox Album |
Name = Guitar
Type = Live Album
Artist = Frank Zappa


Released = April 26, 1988
May 2 1995
Recorded = March 31, 1979 – December 18, 1984
Genre = Instrumental rock, hard rock
Length = 80:58 (vinyl)
131:38 (reissue)
Label = Barking Pumpkin Records
Capitol Records
Producer = Frank Zappa
Reviews =
*Allmusic Rating|4|5 [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:tp4uak2k5m3m link]
Last album = "London Symphony Orchestra, Vol. 2
(1987)
This album = "Guitar"
(1988)
Next album = "You Can't Do That on Stage Anymore, Vol. 1
(1988)

"Guitar" is a 1988 album by Frank Zappa. It is assumably the follow-up to 1981's "Shut Up 'n Play Yer Guitar"; like that album it features Zappa's guitar solos excerpted from live performances, recorded between 1979 and 1984. "Guitar" was originally released as a 19-track double album on Zappa's Barking Pumpkin label, and was expanded to 32 tracks on Rykodisc's 1995 reissue. The original release garnered Zappa his 6th Grammy nomination for "Best Rock Instrumental Performance".fact|date=December 2007

Aside from "Watermelon in Easter Hay" and the opener "Sexual Harassment in the Workplace", all tracks were derived from performances of other songs, as on "Shut Up 'n Play Your Guitar". Solos were taken here from "The Black Page", "Let's Move to Cleveland", "Drowning Witch", "Zoot Allures", "Whipping Post", "City of Tiny Lites", "Advance Romance", "Hot-Plate Heaven at the Green Hotel", "King Kong", "Easy Meat", "Ride My Face to Chicago", "Sharleena", "A Pound for a Brown on the Bus", and "Inca Roads".

Track names, though ostensibly unrelated to the actual compositions, make many references to popular culture and world history. "Do Not Pass Go" refers to the "Monopoly" phrase that appears to prevent players from collecting a monetary bonus; "Jim & Tammy's Upper Room" recalls televangelists Jim Bakker and his wife Tammy Faye Messner; "Were We Ever Really Safe in San Antonio?", "Sunrise Redeemer" and "Hotel Atlanta Incidentals" are references to the locations of the venues in which the pieces were played; "Move It or Park It" is a colloquialism that could express frustration with an apprehensive driver of a motor vehicle; "Orrin Hatch on Skis" refers to Utah Republican Senator Orrin Hatch; "But Who Was Fulcanelli?" refers to an alias apparently used by a 19th century French alchemist and author; "For Duane", one of Zappa's many readings of "Whipping Post", references Duane Allman; "GOA" is unclear in its reference, and knowledge of the title's origin likely died with the composer; "Do Not Try This at Home" refers to the disclaimer often associated with dangerous or risky feats on television or video.

"Chalk Pie" was Zappa's planned title for a 1982 release of which its tracks eventually appeared on "Ship Arriving Too Late to Save a Drowning Witch" and "The Man from Utopia". [ [http://www.arf.ru/Notes/Guitar/chp.html ARF: Notes and Comments: GUITAR: Chalk Pie ] ]

"In-A-Gadda-Stravinsky" refers both to Iron Butterfly's "In-A-Gadda-Da-Vida" and 20th century composer Igor Stravinsky, one of Zappa's influences. During the piece, bassist Scott Thunes plays the well-known motif from "In-A-Gadda-Da-Vida, while Zappa plays a line from Stravinsky's "The Rite of Spring". "Taps" is also quoted by Thunes. [ [http://www.arf.ru/Notes/Guitar/inagas.html ARF: Notes and Comments: GUITAR: In-A-Gadda-Stravinsky ] ]

"Variations on Sinister #3", though derived from a version of "Easy Meat", gained its name from the interpolation of themes from "Theme from the 3rd Movement of Sinister Footwear" from "You Are What You Is".

"Canadian Customs" almost certainly refers to the Canada Border Services Agency. Zappa is said to have experienced problems with the CBSA and created a routine around them with Napoleon Murphy Brock and André Lewis circa 1975. [ [http://www.arf.ru/Notes/Guitar/canc.html ARF: Notes and Comments: GUITAR: Canadian Customs ] ]

"It Ain't Necessarily the Saint James Infirmary" is a portmanteau of "It Ain't Necessarily So", written by George and Ira Gershwin with libretto by DuBose Heyward for "Porgy and Bess" and "St. James Infirmary Blues", a composition with no officially recorded writer, famously recorded by Louis Armstrong and later by Cab Calloway. "Guitar" credits the latter to Joe Primrose, but the song's author is unverified. Both songs are quoted on the track. [ [http://www.arf.ru/Notes/Guitar/sainj.html ARF: Notes and Comments: GUITAR: It Ain't Necessarily The Saint James Infirmary (Gershwin/Gershwin/Primrose) ] ]

"The Real Frank Zappa Book", Zappa's autobiography, contains the following statement, which most likely accounts for the track name "Winos Do Not March": [Zappa, Frank and Peter Occhiogrosso. (1989). "The Real Frank Zappa Book". New York: Poseidon Press. ISBN 0-671-63870-X] [ [http://www.arf.ru/Notes/Guitar/winosn.html ARF: Notes and Comments: GUITAR: Winos Do Not March ] ]

Longer edits of "But Who Was Fulcanelli?" and "For Duane" and a shorter edit of "Things That Look Like Meat" appear on the 1987 compilation "The Guitar World According to Frank Zappa". One of its tracks, "A Solo from Heidelberg", derived from "Yo' Mama", was originally intended to appear on "Guitar".fact|date=December 2007

Track listing

All tracks composed by Frank Zappa, except where noted.

Original version

ide one

#"Sexual Harassment in the Workplace" – 3:42 (1981-12-12) [ [http://globalia.net/donlope/fz/lyrics/Guitar.html Guitar ] ]
#"Republicans" – 5:08 (1984-11-10)
#"Do Not Pass Go" – 3:37 (1982-06-19)
#"That's Not Really Reggae" – 3:17 (1984-09-25)
#"When No One Was No One" – 4:41 (1982-05-21)

ide two

#"Once Again, without the Net" – 3:58 (1984-12-20)
#"Outside Now (Original Solo)" – 5:29 (1979-03-31)
#"Jim & Tammy's Upper Room" – 3:11 (1982-06-01)
#"Were We Ever Really Safe in San Antonio?" – 2:50 (1984-12-10)
#"That Ol' G Minor Thing Again" – 4:39 (1982-06-24)

ide three

#"Move It or Park It" – 5:43 (1982-06-11)
#"Sunrise Redeemer" – 3:53 (1984-11-30)
#"But Who Was Fulcanelli?" – 2:58 (1982-05-21)
#"For Duane" – 3:25 (1984-11-25)
#"GOA" – 4:46 (1984-11-23)

ide four

#"Winos Do Not March" – 3:14 (1984-12-04)
#"Systems of Edges" – 5:32 (1979-03-27)
#"Things That Look Like Meat" – 6:55 (1981-12-07)
#"Watermelon in Easter Hay" – 4:00 (1984-08-16)

1995 reissue

Disc one

#"Sexual Harassment in the Workplace" – 3:42
#"Which One Is It?" – 3:04 (1982-06-26)
#"Republicans" – 5:07
#"Do Not Pass Go" – 3:36
#"Chalk Pie" – 4:51 (1981-12-07)
#"In-A-Gadda-Stravinsky" – 2:50 (1984-11-25)
#"That's Not Really Reggae" – 3:17
#"When No One Was No One" – 4:48
#"Once Again, without the Net" – 3:43
#"Outside Now (Original Solo)" – 5:28
#"Jim & Tammy's Upper Room" – 3:11
#"Were We Ever Really Safe in San Antonio?" – 2:49
#"That Ol' G Minor Thing Again" – 5:02
#"Hotel Atlanta Incidentals" – 2:44 (1984-11-25)
#"That's Not Really a Shuffle" – 4:23 (1982-05-11)
#"Move It or Park It" – 5:43
#"Sunrise Redeemer" – 3:58

Disc two

#"Variations on Sinister #3" – 5:15 (1984-08-11)
#"Orrin Hatch on Skis" – 2:12 (1984-11-30)
#"But Who Was Fulcanelli?" – 2:48
#"For Duane" – 3:24
#"GOA" – 4:51
#"Winos Do Not March" – 3:14
#"Swans? What Swans?" – 4:23 (1981-12-12)
#"Too Ugly for Show Business" – 4:20 (1981-12-10)
#"Systems of Edges" – 5:32
#"Do Not Try This at Home" – 3:46 (1982-07-07)
#"Things That Look Like Meat" – 6:57
#"Watermelon in Easter Hay" – 4:02
#"Canadian Customs" – 3:34 (1984-12-18)
#"Is That All There Is?" – 4:09 (1982-05-22)
#"It Ain't Necessarily the Saint James Infirmary" (Gershwin, Gershwin, Heyward, Primrose) – 5:15 (1982-07-08)

Personnel

*Frank Zappa - guitar
*Ray White - guitar
*Steve Vai - guitar
*Tommy Mars - keyboards
*Bobby Martin - keyboards
*Ed Mann - percussion
*Scott Thunes - bass guitar
*Chad Wackerman - percussion
*Ike Willis - guitar
*Alan Zavod - keyboards
*Denny Walley - guitar
*Warren Cuccurullo - guitar
*Arthur Barrow - bass guitar
*Vinnie Colaiuta - percussion
*Peter Wolf - keyboards

References

External links

* [http://globalia.net/donlope/fz/lyrics/Guitar.html Album information]
* [http://www.lukpac.org/~handmade/patio/vinylvscds/guitar.html Release details]

ee also

*Goa (disambiguation)