name = Sanjuro
Toshirō Mifune Tatsuya Nakadai Keiju Kobayashi Yuzo Kayama
distributor = Toho Company Ltd.
January 1, 1962(Japan) May 7, 1963(US)
runtime = 96 minutes
language = Japanese
amg_id = 1:42821
imdb_id = 0056443
nihongo|"Sanjuro"|椿三十郎|"Tsubaki Sanjūrō" is a 1962 black and white Japanese
samurai filmdirected by Akira Kurosawaand starring Toshirō Mifune. It is a sequelto Kurosawa's previous film "Yojimbo", with Mifune reprising his role as a wandering " ronin". The film combines action and humour, and is lighter in tone than its predecessor.
Shugoro Yamamoto's novel "Peaceful Days", the story begins with nine young samurai, who are worried about corruption in the leadership of their clan. Although they know of two elders who are "bad," the youths misjudge who the real mastermind behind these two is, and end up asking that wrong one for help. As the nine meet secretly at a temple and discuss their problem, a ronin(Mifune) suddenly appears from another room. The ronin explains the stupidity and naiveté of their conclusions and decides to help them.
The plot then unfolds as he tries to outwit the three evil elders and their minions, with the young samurai constantly ruining his plans. Despite evidence to the contrary, some of them continue to regard the ronin as a problem figure: he has bad manners, behavior unbecoming a
samurai, weird ways to express his thoughts, and bizarre attitude to violence. He obviously has no compunction killing people, often unnecessarily.
A key objective is the rescue of Mutsuta, an honest official, and his family. Mutsuta's wife (played by
Takao Irie) is rescued early on, but remains strangely oblivious to the danger around her, and maintains a cheery civility in comic contrast to the tension of the young samurai. She asks the ronin's name; looking out the window at "tsubaki" ( camellia) trees, he invents the name "Tsubaki Sanjūrō" (from "sanjū" 'thirty', because he is thirty-odd years old). The lady insists – as if advising him on table manners– that Mr Tsubaki refrain from unnecessary killing. The lady shows insight when she compares Sanjuro to a "glittering sword" and remarks that "the best sword stays in its scabbard."
The nine young samurai begin as innocent idealistic greenhorns who judge on appearances, are easily duped by a more experienced elder, and are quick to stumble into danger without even knowing what they are doing. They end wiser: they have learned the virtues of patience.
The famous final scene of his duel with Hanbei, the henchman of the corrupt superintendent, is poignant. Throughout the story, Sanjuro poses as a bad ronin who is after making a quick score. He is so convincing that Hanbei (
Tatsuya Nakadai) swallows his line and becomes the unwitting accomplice of his own demise. He cannot stand being made a fool and challenges Sanjuro to a duel. Sanjuro is reluctant to fight and tries to dissuade Hanbei saying that if they do fight, one of them would die and there is nothing to be gained from that.
Hanbei insists and the two face each other. And then, in a flash, it's over: a fountain of blood gushes from Hanbei and he slumps to the ground, lifeless. When the young
samuraicheer his victory, Sanjuro becomes extremely agitated and angry at their naive insensitivity . In the most revealing remark, he states that dead adversary was exactly like him, so that at least he now has an understanding of what he really represents. Sanjuro then leaves towards an unspecified direction with his distinctive farewell of, "See ya later".
According to the documentary "Akira Kurosawa: It is Wonderful to Create" for this film Originally "Sanjuro" was to be a straight adaptation of the novel "Peaceful Days". After the success of "Yojimbo" the studio decided to resurrect its popular
antihero, and Kurosawa reimagined the script accordingly.
The scene where a single blossom falls into a rushing stream raised severe problems on how to pull it off. Originally the crew considered using piano wire but were afraid the light glinting on it would show up on film. A female costume designer suggested unraveling a woman's stocking and using the nylon due to its strength and invisibility. When it worked, Kurosawa said the happiness he felt at that moment was "indescribable".
In the same documentary Nakadai and production designer Yoshirô Muraki relate that the notorious "blood explosion" at the film's end was done in one take. At the moment that the compressor hose attached to actor Tatsuya Nakadai was activated it blew a coupling causing a much larger gush of fluid than planned. In fact it was so strong that it nearly lifted him off the ground and it took all his might to finish the scene.
* [http://www.criterion.com/asp/release.asp?id=53&eid=69§ion=essay Criterion Collection essay by Michael Sragow]
* " [http://www.jmdb.ne.jp/1962/cl000010.htm Sanjuro] " ja icon at the
Japanese Movie Database
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