Austrian literature

Austrian literature

Austrian literature is the literature written in Austria, which is mostly, but not exclusively, written in the German language. Some scholars speak about Austrian literature in a strict sense from the year 1803 on when Francis II disbanded the Holy Roman Empire and established the Austrian Empire. A more liberal definition incorporates all the literary works written on the territory of today's and historical Austria, especially when it comes to authors who wrote in German. Thus, the seven volume History of Austrian literature by the editors Herbert Zeman and Fritz Peter Knapp is titled "History of the Literature in Austria". The Austrian literature must be considered in close connection with German literature in general, and the borderline between proper German literature and the Austrian one is fuzzy, due to rich and complex cultural exchanges.

Origin and background

There are and have been many tries to work out a complete definition of Austrian literature. Something most people can agree on is that there are certain differences and distinctive motives common in this literature which make it stand apart from other literary traditions.

The Austrian literature can be divided into two main divisions, namely the period up until the mid-20th century, and the period subsequent, in which both the Austro-Hungarian and German empires were gone. Austria went from being a major European power, to being a small country. In addition, there is a body of literature which some would deem Austrian, but is not written in German.

Complementing its status as a land of artists, Austria is a country where great poets, writers and novelists lived and created their literary works. It was the home of novelists / short-story writers Adalbert Stifter, Arthur Schnitzler, Franz Werfel, Stefan Zweig, Franz Kafka, Thomas Bernhard, Joseph Roth, or Robert Musil, of poets Georg Trakl, Rose Ausländer, Franz Grillparzer, Rainer Maria Rilke or Paul Celan. Famous contemporary playwrights and novelists are Elfriede Jelinek and Peter Handke, well-known essayists are Robert Menasse and Karl-Markus Gauß.

This article tries to provide some definitions which together may give a better understanding of authors and literature in Austria and its territorial predecessors.

The search for a definition

The main problem of defining a dynamic development may be that any definition will fall short of the various currents which lead to a certain type of literature. Through the centuries, there have been many different approaches, but most of them have been criticised to be biased - cultural, ideological or political. The Austrian literature developed out of a symbiosis of different regional traditions and languages.

In the Middle Ages, there was a homogeneous zone along the Danube river, spanning from Bavaria down to the eastern territories. Travellers and bards moved along this route, bringing with them new influences. At the same time Alps had their forbidding little valleys, which were virtually untouched - they developed their own regional culture.

This is important, because it remains characteristic through the centuries. On the one hand, there were writers strictly in the tradition of a region (like towns, countries etc.), language or culture, on the other hand there was a continuous influence on each others writing and thinking.

The multi-ethnic Habsburg Monarchy, Austrian Empire and eventually Austro-Hungarian Empire should therefore not be reduced to the German parts of the empire. There were large ethnic or religious minorities in nearly all regional capitals, like Prague, Budapest or Vienna - microcosmoses with their own traditions and characteristics.

Franz Kafka may be a good example: while in some of his writings he was declaring himself to be "German" this was meant more in relation to the ethnic minority living in Prague than as a declaration for another part of the empire. So perhaps he was a "German-speaking-secular-Jewish-born-in-Prague-Austro-Hungarian-Austro-Czech writer" - a term which best shows the difficulties that are to be faced.

Besides the national differences between the provinces, there were also different regions which influenced the writing style. There were Alps with their distinctive traditions, the deep woods, the coastal regions around Trieste (now Italy and Slovenia) and the Croatian islands, which served as the Austro-Hungarian equivalent to the French Cote d'Azur, a centre for writers, painters and other artists.

Literature through the centuries


If we speak about "literatury of today's Austrian territory", as does the seven volume literary history by Herbert Zeman and Fritz Peter Knapp, it is to point out there have been some writings in ancient times, notably in Latin and Hebrew, while almost no celtic texts survived. Some scholars like to mention that the Roman emperor Marcus Aurelius lived several years in Carnuntum and Vienna and wrote most of his "Meditations" here.

Celtic culture represents a substrate also in Austrian popular culture and in literature. Celtric myths and legends are seen as the starting point for many characters of fairy tales and popular legends, as well as sources for literary topics in medieval times.

Since the major body of Austrian literature has been written in German, usually its beginning is set with the arrival of the Bavarian tribes, which brought the language with them that later became German.

Middle Ages

From the beginnings to the end of the early Middle Ages (about 750-1170)

Before and during the early Middle Ages poetry was spread verbally most of the time. Out of this reason it has been lost nearly completely. The texts conserved are limited to the scripts in monasteries.
Materials were expensive and their production difficult. Therefore nearly only works of value - and that often meant religious texts - were written down. In addition most texts were also translated into latin before the were put down (e.g. Germanic tribal laws).
Different sources however suggest that there also existed aristocratic historical records (like Heldenlieder), lyric folklore (dance, love songs, spells). Only by accident individual texts were preserved in monasteries. Examples for this are the "Merseburger Zaubersprüche", two Germanic spells being the only written proofs for pagan religion in the German speaking lands. The "Hildebrandslied" is important as voucher of Germanic hero literature.

The first German texts were written to translate Latin religious books around 750 in the early Middle Ages. The Benedictine communities in Melk and Salzburg were carrying on notable literary and religious activities. Ava (1060-1127), who was the first known female writing in German, wrote in this religiously inspired tradition and lived in the territories which were then and now within borders of Austria.

High and Late Middle Ages (1170 - 1500)

With the crusades around 1160, the knights became more important and prosperous. The oral minnesang was a new form, dealing with their live. The topics of the ballads were also more worldly with themes ranging from love and war to political criticism. There was a lot of travelling along the Danube river, with travelling bards (Minnesänger) bringing news and new songs. The towns were getting rich and independent. The first representatives of this movement and first known male writers in German were Der von Kürenberg and Dietmar von Aist (12th century). At the end of 12th century one of the most important literary works of the times, Nibelungenlied, emerged. It was created by an unknown minnesang poet most probably in the territories of Austria. As the tradition of minnesang grew, the older poets started teaching younger ones. For example probably the most known German bard Walther von der Vogelweide (13ht century) learnt his craft from Reinmar von Hagenau at the court in Vienna. Among other known minnesang poets are Neidhart, Jans der Enikel, Ulrich von Liechtenstein, and Oswald von Wolkenstein.

In the 12th century, satire was also developing. Seifried Helbling was an example of a writer who wrote texts of this type.

Later on the minnesang, that was cultivated by knights, became a craft practiced by burghers – meistersingers. Its centre was more to the west, in Nuremberg. Michael Beheim was a meistersinger poet strongly connected with the court in Vienna. Yet another form that developed at that time was drama. Especially, presentations of Passion were regularly played. "Das Wiener Passionsspiel" is worth mentioning here.

An Austrian representative of the Holy Grail literature is "Heinrich von dem Tuerlîn" (also written "Türlin"). He wrote the poem Diu Crône, which has about 30,000 lines. The edition of the original text in Middle High German has completed recently by the Viennese Germanists Fritz Peter Knapp, Manuela Niesner (Part I, Altdeutsche Textbibliothek, Tübingen 2000), Alfred Ebenbauer and Florian Kragl (Part II, Altdeutsche Textbibliothek, Tübingen 2005), who are preparing a translation to Modern German.


Around 1600, the humanism, with his rediscovery of the ancient cultures and ideals spread from Italy throughout Europe. Emperor Maximilian I was a big supporter of this movement. He managed to gather around his court in Vienna humanists such as Conrad Celtes – the founder of "Collegium Poetarum" or in the later time "poet laureat" Vadian (Joachim von Watt) who wrote in Latin. Eleonore of Austria translated to German a widely read French adventure novel "Pontus et la belle Sidonie". Big figures of the Catholic Church of that time Nicholas of Cusa and Petrus Canisius were connected with Austrian court and a few of their works wrote in German.


The 30 year war gripped Europe the and the writers reacted: while some of them dealt with the gruel situation or turned to God, others wrote about a beautiful and peaceful world readers could flee to. The humorous stories (Schelmenromane) brought smiles to the suffering people. Abraham a Sancta Clara (around 1650) wrote religious and comical works. Catharina Regina von Greiffenberg (around 1650) wrote religious poems at that time.

As a reaction to the protestant movements of Renaissance, many catholic schools emerged on the territories of Austria. These colleges lead by the Jesuit order developed plays and operas that were based on Italian style and impressed most by their luxurious equipment. Sermon was an important genre of the catholic literature of baroque. The mentioned above Benedictine monk Abraham a Sancta Clara was a notable preacher of the times. A Jesuit, Georg Scherer, is another example of a monk the sermons of whom were published and had a wider audience.

Another literaric form were improvised plays called "Hanswurstspiele". This direction was represented by Josef Anton Stranitzky, Gottfried Prehauser, Joachim Perinet and Josef Felix von Kurz-Bernardon.

Examples of baroque epic are the knight novels and "Schelmenromane" of Johann Beer, which represent a realistic description of the reality at that time.


With the start of Enlightenment around 1720, philosophy and the need of literature to educate the reader (Lehrdichtung, Bildungsroman) were two new and strong motivations for literature.

Aristotle and his school of thinking was revived. These ideas developed on the territories of Austria during the rule of Maria Theresa and her son Joseph II. Around 1790 the ideas of Enlightenment were firmly rooted and the ancient classic cultures (Greek and Roman) were the inspiration for poets, artists, architects and writers. Harmony and Beauty were some of the ideals of that time.

The Austrian literature also was under the strong influence of Freemasonry and strongly connected with the criticism towards clergy. All these circumstences caused that the literature started to be more educative and instructional. The satire started to be one of the most frequently used literary genres.

The literary life of Enlightenment concentrated around an almanac "Wienerischer Musen-Almanach". It was started in 1777 (from 1786 under a changed title "Wiener Musen-Almanach") by Joseph Franz von Ratschky and Gottlieb von Leon. Aloys Blumauer was also its editor since 1781 (he even edited a few editions alone).
A notable place in the Austrian literature of this period has Johann Baptist von Alxinger who wrote chivalric epics "Doolin von Maynz" (1787) and "Bliomberis" (1791) which were inspired by the tradition of Freemasonry. Alxinger also wrote poetry based on anticlerical ideas.
The writings of a might-have-been monk Johann Pezzl also had a profile of this kind. He wrote journalistic and epic texts.
Classical vision of poetry promoted by Joseph Schreyvogel strongly influenced later authors (for instance Franz Grillparzer). Schreyvogel improved considerably the quality of the Austrian theatre. He was a dramatic adviser at the Wiener Burgtheater from 1814-32.
Another important dramatist was Johann Nepomuk von Kalchberg, but historical themes of his dramas give his work the flavour of Romanticism.

First half of 19th century

Around 1790 these ideas were firmly rooted and the ancient classic cultures (Greek and Roman) were the inspiration for poets, artists, architects and writers. Harmony and Beauty were some of the ideals of that time. There was a lot of philosophical and aesthetic writing which accumulated in the Romantic era around 1820 (mostly writers from the nobility). With the Napoleonic Wars going on, a lot of people wanted literature which took them away in a fantasy world. A lot of religious writing was also providing people with new hope. Klemens Maria Hofbauer, Eduard von Bauernfeld and Franz Grillparzer are but three of the writers influenced by these events. The German writer Karl Wilhelm Friedrich von Schlegel also lived and worked in Vienna around 1809.

Between the years 1815, the end of the Napoleonic Wars, and 1848, the year of the European revolutions the Biedermeier contrasted with the Romantic era which preceded it partly. Biedermeier can be identified with two trends in early nineteenth-century history.

The first trend is growing urbanisation and industrialisation leading to a new urban middle class. The early Lieder of Schubert, which were performable at the piano without substantial musical training, serve as examples. Further, Biedermeier writers were mainly middle-class, as opposed to the German Romantics, who were mainly drawn from the nobility. The second trend is the growing political oppression following the end of the Napoleonic Wars prompting people to concentrate on the domestic and the non-political.


Biedermeier refers to work in the fields of literature, music, the visual arts and interior design in the period between the years 1815 (Vienna Congress), the end of the Napoleonic Wars, and 1848, the year of the European revolutions and contrasts with the Romantic era which preceded it.

Biedermeier can be identified with two trends in early nineteenth-century German history.

The first trend is growing urbanization and industrialization leading to a new urban middle class. The early Lieder of Schubert, which were performable at the piano without substantial musical training, serve as examples. Further, Biedermeier writers were mainly middle-class, as opposed to the Romantics, who were mainly drawn from the nobility.

The second trend is the growing political oppression following the end of the Napoleonic Wars prompting people to concentrate on the domestic and (at least in public) the non-political. The strict publication rules and the censorship had the consequence, that the main topics written about were unpolitical, eg Historical Fiction or Books about the quiet life in the countryside. This does not mean that there was not a lot of political discussion going on, but it happened at home and in the presence of close friends. This explosive situation finally lead to the revolutions in Europe in the year 1848.

Poets of that time in Austria were Nikolaus Lenau (1802-1850) or the poems of Adalbert Stifter und Franz Grillparzer. The latter is often mentioned as a representative of "Austrian Classicism" in literature.

Playwrights at that time were Franz Grillparzer (1791-1872), Friedrich Halm (1806-1871), also an accomplished writer of "Novellen" (novellas / short stories), Johann Nepomuk Nestroy (1801-1862) and Ferdinand Raimund (1790-1836). Grillparzer wrote tragedies in the tradition of the "Weimarer Klassik", Nestroy and Raimund were representatives for the "Wiener Volksstück" mainly played at the Viennese theater "Volkstheater Wien".

Charles Sealsfield - a pseudonym of Karl Postl - lived a long time in the US and wrote novels set in the Wild West. On the other hand he managed to write about Austria and to criticize the Austrian absolutism during Biedermeier without being recognized by Austrian authorities.

The end of Biedermeier is marked by the writings of Adalbert Stifter (1805-1868). His first work "Nachsommer" was published in 1857, but was still believed to be on of the finest works of biedermeier. Stifter not only influenced Peter Rosegger but also German writers like Ganghofer, Heyse, Freytag, Wildenbruch and later authors (the time of "Bürgerlichen Realismus") like Storm, Fontane and through them Thomas Mann and Hesse.


Austrian writers of Realism are primarily the writer of short novels Ferdinand von Saar, Marie von Ebner-Eschenbach and the already mentioned Adalbert Stifter. Marie von Ebner-Eschenbach is known for her psychological novels and novellas as well as for her social engagement. Ferdinand Kürnberger was a novellist, such as Leopold von Sacher-Masoch, who became famous with "Venus in Furs" - the erotic behavior he described, would later be called masochism according to his name.

Another writer to mention is Bertha von Suttner. She wrote social novels whose literary quality usually is not appreciated highly by literary critiques and Germanists, but Suttner received the Nobel Prize for Peace for her novel "Die Waffen nieder (Lay down your arms)" in 1905.

While in Germany Realism paved the way for Naturalism, a similar literary movement has never developed in Austria. Instead, the successors were Jugendstil and Expressionism.

The 20th Century

First half of the 20th century

The Jugendstil movement was primarily a cultural movement of architecture and decorative arts. On the other hand, especially the Viennese Jugendstil was marked by the presence of artists of every genre, thus also compositors and writers. The Viennese writers, such as Arthur Schnitzler and Stefan Zweig, are often mentioned in this context. Arthur Schnitzer may be named a very typical writer of that time. He wrote his major works between 1890 and the end of World War I, namely novels, short stories and theater plays.

A very important center of Austrian literature during the ca. 20 years before the end of World War I was Prague. It was the center of many German speaking, mostly Jewish, authors who did not only give important impulses to the entire Austrian and partly even to world literature, but represent a very important part of Austrian literature; their influence endure until the 1930ies. Authors to mention are Oskar Baum, Max Brod, Franz Kafka, the journalist Egon Erwin Kisch, Gustav Meyrink, Robert Musil, Rainer Maria Rilke, Franz Werfel, and Oskar Wiener.

Expressionism was presented primarily by the poet Georg Trakl and the dramatist and narrator Hugo von Hofmannsthal, both originating from Salzburg.

The end of World War I reduced Austria to a very small and mainly German speaking country. Some Austrian (and German writing) authors opted for the new emerging countries, such as Kafka and Werfel for Czecoslovakia, others migrated, such as Robert Musil to Berlin and Vienna, Rainer Maria Rilke to Vienna and later Paris, Elias Canetti to Vienna. The political rupture and the fact that this small German speaking Austria had lost most of its territory, industry and agriculture, led to the fatal conviction of many Austrians that only a union with Germany would be able to save the country from a total downfall, a conviction which paved the way to the later annexation by Hitler in 1938. The texts of some writers give an insight to this conviction. Hence, Robert Musil and Hugo von Hofmannsthal expressed their "German centric" point of view, while others, such as Stefan Zweig and Franz Werfel, strictly spoke up for Austria and Austrian tradition and culture.

The time between the two world wars gave way to a very rich literature in Austria. Robert Musil wrote the well-known novel "The Man without Qualities", Stefan Zweig published a multitude of essays, stories and novels, Karl Kraus edited the magazine "Die Fackel (The Torch)", for which he wrote almost all articles by himself, Franz Werfel wrote some of his best novels, e.g. "The Forty Days of Musa Dagh" which narrates the Armenian tragedy of 1915, and after Franz Kafka's death, his life-time friend Max Brod began to publish Kafka's unfinished novels. Later Nobel Prize winner Elias Canetti studied and lived in Vienna and wrote his only novel "Auto-da-Fe"; before the Anschluss he fled to England. In analogy to Musil's "Kakania" (from the anagram for the "k. u. k.", i.e. "imperial and royal" monarchy till 1918), Fritz von Herzmanovsky-Orlando created "Tarockania" for the weird figures of his humorous novels and stories.

Austrofascism and Nazi Dictatorship

Catholic and conservative Austrofascism came into power after the Austrian Civil War and revitalized censorship. A more important influence on Austrian literature resulted however from Nazi empowerment in Germany in 1933. It has to be understood that not only the majority of German speaking readers live in Austria, but almost all large and important publishers for literature in the German language are situated in Germany as well. In 1933 it came to a breakup at the P.E.N. conference in Dubrovnik. The members discussed an official protest against the prosecution of writers and the burning of books by the Nazis. In consequence the German delegation left the conference and referred to the organization's principle not to interfere with politics. Some members of the Austrian delegation solidarized with the Germans, while others supported the resolution. This breakup continued afterwards in Vienna and led to a separation of liberal and "German nationalistic" authors; the latter left the Austrian PEN Club and later worshipped Hitler and his annexation of Austria. Nazi Germany observed the events carefully, boycotted immediately the liberal authors, who couldn't go on publishing in Germany and lost most of their readers. After the annexation, these authors were prosecuted as well as their German counterparts since years, and many of them, especially the Jewish, were murdered or forced to emigration.

Stefan Zweig flew to Brazil, Franz Werfel escaped to the US together with the German writer Heinrich Mann, Elias Canetti to England. Others, like Jura Soyfer, were killed by the Nazis. In 2007, the Theodor Kramer Society published an anthology of Austrian poetry written in exile, under the title "In welcher Sprache träumen Sie? (In which language do you dream?)". The editors present 278 authors whose names in many cases have been wiped out. The better known among them are Ilse Aichinger, Franz Theodor Csokor, Albert Drach, Albert Paris Gütersloh, Hermann Hakel, Theodor Kramer, Josef Luitpold Stern, Felix Pollak, Paula von Preradović, Joseph Roth, Hilde Spiel, Wilhelm Szabo, Hans Weigel, Stefan Zweig.

During the Nazi dictatorship, which had factually wiped out the Austrian state, the Austrian PEN Club was in exile in London and continued its work in Austria from 1946 on. Until 1973, PEN was the only Austrian writers' organization of importance.

After World War II - Group of Vienna

The literature after World War II combined much different movements. While some authors were in search for reorientation, such as Ilse Aichinger, Ingeborg Bachmann, Heimito von Doderer, Gerhard Fritsch and Hans Lebert, others came back from concentration camps, such as Jean Améry, from former (in times of monarchy) Austrian territories, such as Rose Ausländer and Paul Celan, or from exile, such as Hans Weigel and Friedrich Torberg, while others again did not come back from exile, such as Hermann Broch or Franz Werfel. On the other hand, some former "Nazi" writers kept their positions, such as Max Mell, Franz Nabl and Karl Heinrich Waggerl. The latter and other, catholic, writers began to form a very conservative block within the Austrian literature. Through the Austrian PEN Club they even seemed to control statal subsidies for literature as well as literary awards till the 1970ies.

Some authors had good relations to the Group 47 based in Germany or were members. Among them Ilse Aichinger who published the novel "Die größere Hoffnung (Greater Hope)" and the narrator and poet Ingeborg Bachmann. Both were awarded the Group 47 Prize for Literature. Other Austrian members of the Group 47 were Paul Celan and Erich Fried. While Celan, after some time in Vienna, went to live in Paris, Fried moved to Berlin. In 1954, the Wiener Gruppe (Group of Vienna) was formed by H. C. Artmann and others. Friedrich Achleitner, Konrad Bayer, Gerhard Rühm and Oswald Wiener belonged to the group, as well as Ernst Jandl and Friederike Mayröcker.

Hans Lebert wrote the novel "Wolfshaut (Wolf's Skin)", in which he described a fictional village named "Schweigen (Silence)", an allegory for the silence of many Austrians after the Nazi dictatorship, who pretended to know nothing about what had happened in their country.

Several volumes of Diaries contain the war memories of Heimito von Doderer. However, this author got best-known for his novels, which he designed meticulously, for example "The Studlhofstiege", "The Demons", "The Waterfalls of Slunj", and "The Merowingians". Doderer influenced many other authors with his novelistic art, e.g. Robert Schindel.


In 1973, a new writers' association was founded in Graz (Styria), mostly as a protest against the conservativism of P.E.N. and their controlling position, e.g. concerning literature prizes. The new association was called Grazer Autorenversammlung (GAV). Among its founders and first members, you find names, such as Barbara Frischmuth, Peter Handke, Ernst Jandl, Alfred Kolleritsch, Friederike Mayröcker, Michael Scharang, etc. Eventually, the GAV became the largest writers' association in Austria, with more than 500 members.

The end of the 1960s and eventually the 1970s were characterized by experimental theater plays. Peter Handke tried out new ways of theater communication with his play "Offending the Audience" in 1966. "Kaspar" and "The Ride Across Lake Constance" are two further examples. Ernst Jandl and Friederike Mayröcker wrote a new sort of experimental poetry, "Konkrete Poesie", at a first glance working rather with the sounds of speech than with semantics.

One of the most important writers after World War II was Thomas Bernhard (1931-1989). He wrote nine novels, several books of stories and short prose as well as some autobiographical works, and numerous plays. Repeatedly, his works triggered public controversies, since Bernhard constantly attacked a typical Austrian manner of treating the Nazi past in simply ignoring what had happened. One of the dramas is called "Heldenplatz", an open allusion to Vienna's central imperial place, from which Adolf Hitler had held his first speech after the country's annexation by Nazi German troops, in front of hundreds of thousands of cheering Austrians.

Marianne Fritz (1948-2007) got known as a novelist. Her third novel, "Dessen Sprache du nicht verstehst (Whose speech you don't understand)", was published in 1985. On more than three thousand pages, Fritz describes a linguistic and fictional universe that deals with the decline of the Austrian empire. More than that, she used a very artificial language breaking many linguistic norms, in order to achieve a much more rhythmic speech. Marianne Fritz intensified this individual esthetics with her fourth and fifth novel, which jointly have more than ten thousand pages.

During the 1980ies, especially after the political scandal around former UN secretary and eventually Austrian federal president Kurt Waldheim, a new and more distinctive Jewish literature formed. Robert Schindel published the novel "Gebirtig", which deals with a contemporary Jewish society within Austria and the difficult memories of the Shoah. Robert Menasse is known for his novels and especially for his essays on Austria. Another author who works with Jewish topics, is Doron Rabinovici.

Christoph Ransmayr mixes historical facts with fiction. The acclaimed novel "Morbus Kithara" creates a scenario, in which Austria did not get aid from the Marshall Plan after World War II and was condemned to become an exclusively agrarian country. On this background, the author writes about the time after the war, about ex-soldiers, ex-nazis and concentration camp survivors, and thus depicts the complexity of post-war Austria.

Josef Haslinger wrote the novel "Opernball", in which he described a fictitious attack at the Vienna Opera Ball, in which all attendants, incl. the entire Austrian government, is killed by combat gas. This attack brings a new fascist party to power, which a handful of idealistic journalists try to tell to the world. Haslinger is also the author of an essay about the Waldheim affair. Also Milo Dor, a born Serb who wrote all of his books in German and became a very important figure in Austria's literary scene, chose the danger of ultra right wing parties as topic for one of his narrative texts, "Wien, Juli 1999". Other books describe the destiny of immigrants after the world war.

Essays have also a tradition in Austrian literature. While the roots may be found with Franz Grillparzer, Hermann Bahr and especially Karl Kraus, one of the most important essayists after World War II is Jean Améry whose oeuvre primarily consists of essays, articles and critiques. The historian and scholar Friedrich Heer is the author of about fifty thousand pages, most of them essays on Austrian and European topics, on history and philosophy as well as on religion and literature. A younger representative of Austrian essayism is Karl-Markus Gauß who writes for several newspagers and magazines in Austria, Switzerland and Germany. His books speak about Central and Eastern European peoples, cultures and literatures. He is also the editor in chief of the magazine Literatur und Kritik.

Authors in the Slovenian language, originating in Carinthia, are Florjan Lipuš, Cvetka Lipuš and Janko Messner. Usually they write either exclusively in Slovenian, or in Slovenian and German. Another famous Carinthian writer, Peter Handke, has translated several works from Slovenian to German.

Nobel Prizes for Literature

In 1981, Elias Canetti (1905-1994) received the Nobel Prize for Literature. While his birth place today belongs to Bulgaria, he spent much time, especially between the two world wars, in Vienna and wrote all books in German. After his (forced) emigration to London, he became a British subject. The last years of his life, he lived in Zurich, Switzerland. The most important works are the novel "Auto-da-Fe", the essay "Crowds and Power", and his vast Diary. Three volumes of memoirs give an insight of Austrian society until World War II and describe the contacts the author had within the literary scene.

In 2004, Elfriede Jelinek (*1946) received the Nobel Prize for Literature for her "musical flow of voices and counter-voices in novels and plays that, with extraordinary linguistic zeal, reveal the absurdity of society's clichés and their subjugating power". She lives in Vienna and Munich. Her works comprise novels, such as "The Piano Teacher", "Lust" and "Die Kinder der Toten (Children of the Dead)", as well as theater plays, such as "Clara S.", "Burgtheater" and "Bambiland". However, in the 1960ies she began to write poetry and stories.

The 21st Century

While some of the well-known authors, such as Franzobel, Peter Handke, Peter Henisch, Elfriede Jelinek, Gerhard Roth, Robert Schneider, still publish regularly, there are rich literary movements, mostly driven by a younger generation. In some cases, literary magazines play an important role in gathering writers and fostering their works.

Literary magazines and publishers

Literatur und Kritik and Erostepost are published in Salzburg, Manuskripte, Sterz, Schreibkraft and Lichtungen in Graz, Wespennest and Kolik in Vienna, Cognac & Biskotten in Innsbruck, DUM in Lower Austria. They count among the most traditional and important literary magazines in contemporary Austria.

Publishing houses to mention are Residenz, Droschl, Zsolnay, Deuticke, and Haymon. Residenz played an important role during the 1970ies and 1980ies, when numerous important Austrian writers were published there. Especially smaller publishers, such as Arovell, FZA-Verlag, Pichler, Ritter, Skarabaeus, Wieser, etc. bring emerging and younger authors to the public. On the other hand, many Austrian writers publish their books in Germany, which offers much larger and powerful publishing houses. Of course, the economic regrouping of publishing houses and their mergers have also an influence on Austrian publishers. Thus, Zsolny and Deuticke already belong to the German publishing house Hanser.

Literature Awards and Subsidies

In addition to subsidies and awards financed and organized by the Austrian and federal governments, several smaller literary prizes award Austrian and other German writing authors. Alfred-Gesswein-Literaturpreis, Erostepost-Literaturpreis, Franz-Kafka-Preis, Feldkircher Lyrikpreis, Wiener Werkstattpreis, Anton-Wildgans-Preis, and Manuskripte-Preis belong to this aspect of Austrian literature.

Authors of the New Century

Book publications, magazines, public readings and literary prizes chronicle and divulge a multitude of writers, i.e. novelists, playwrights, prosaists, essayists and poets, such as Reinhold Aumaier, Zedenka Becker, Adelheid Dahimène, Dimitré Dinew, Martin Dragosits, Klaus Ebner, Günter Eichberger, Olga Flor, Karin Geyer, Thomas Glavinic, Constantin Göttfert, Egyd Gstättner, Klaus Händl, Ludwig Laher, Gabriel Loidolt, Wolfgang Kauer, Daniel Kehlmann, Michael Köhlmeier, Melamar, Wolfgang Pollanz, Doron Rabinovici, Gudrun Seidenauer, Linda Stift, Vladimir Vertlib, Christine Werner, Peter Paul Wiplinger. Usually, these authors do not only publish in Austria, but also in Germany and Switzerland.

The Cultural Melting Pot

In its history, the country and the Austrian literature have been a cultural melting pot that put together different ethnicities, mentalities and cultures. Today, this element has shrunk enormously but is still not wiped out. Thus, novelist Zdenka Becker emigrated from Slovakia, Dimitré Dinev from Bulgaria, and Vladimir Vertlib was born in Ukraine. Very often their topics have to do with immigration and interculturality.

There is some literature written by members of the autochthonous minorities in Austria. To mention the daughter of Florjan Lipuš, the poet Cvetka Lipuš, who actually lives in the US. Her poetry has been published in Slovenian and in German.

Another aspect is the fact that some authors have chosen to live in other countries than Austria, while still writing literature in the German language. Their experiences living in another country do have some impact on their writing. For example, Marlene Streeruwitz and Ann Cotten live in Berlin, Raoul Schrott lived several years in Ireland and also Christoph Ransmayr has moved there.

ee also

*List of Austrian writers

External links

* [ eLibrary Austria Project (eLib Austria etxt in German)]
* [ WikiReader Austrian Literature (German)]
* [ IG Autoren (interest group of all Austrian writers and professional associations of writers)]
* [ Österreichischer Schriftstellerverband (writers' association)]
* [ P.E.N.-Club (writers' association)]
* [ Grazer Autorenversammlung (writers' association)]
* [ Österreichische Gesellschaft für Literatur (Austrian Society for Literature)]

ources (books)

*Heer, Friedrich: Der Kampf um die österreichische Identität. Böhlau Verlag, Wien 1981/1996/2001, ISBN 3-205-99333-0
*Herz-Kestranek, Miguel, Konstantin Kaiser and Daniela Strigl (Ed.): In welcher Sprache träumen Sie? Österreichische Exillyrik. Verlag der Theodor Kramer Gesellschaft, Wien 2007, ISBN 978-3901602252
*Zeman, Herbert and Fritz P. Knapp (Ed.): Geschichte der Literatur in Österreich. 7 volumes, Akademische Druck- und Verlagsanstalt, Vienna 1994ff., Vol. 1: ISBN 978-3201016117, Vol. 2: ISBN 978-3201017213 and ISBN 978-3201018128, Vol. 7: ISBN 978-3201016872
*Zeyringer, Klaus: Österreichische Literatur seit 1945. Haymon Verlag, Innsbruck 2001, ISBN 978-3852183794
*Žmegac, Viktor (Ed.): Kleine Geschichte der deutschen Literatur. Von den Anfängen bis zur Gegenwart. Marix, Wiesbaden 2004. ISBN 3-937715-24-X

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