Málaga Cathedral

Málaga Cathedral
Cathedral of Málaga
Santa Iglesia Catedral Basílica de la Encarnación


Coordinates: 36°43′12″N 4°25′12″W / 36.720042°N 4.42012°W / 36.720042; -4.42012
Country Spain
Denomination Roman Catholic
Website http://www.diocesismalaga.es/index.php?mod=catedral
Architecture
Groundbreaking 1528
Completed 1782
Specifications
Height 84 metres (276 ft)

Cathedral of Málaga is Renaissance church in Málaga, Andalusia, southern Spain. It is located inside the limits that the missing Arab wall marked, forming a great architectonic set with the nearby Alcazaba and the Castle of Gibralfaro. It was constructed between 1528 and 1782, following the plans by Diego de Siloe. The interior of the cathedral is also in Renaissance style.

Contents

Description

The cathedral, with a rectangular plan, is composed by a nave and two aisles, the former being wider, though having the same height of the aisles. The set of chairs in the choir is a work of Pedro de Mena.

The facade, on the contrary, is baroque style and it is divided in two floors, on the floor below there are three arcs and inside of them there are doors separated by marble columns. Over the door there are some medallions. Those of the laterals doors represent the patron saints of Málaga, St Ciriaco and St. Paula, while the one in the center represents the announcement of God.

The north tower rises until the 84 metres of height and is the second-highest cathedral in Andalusia, behind the Giralda of Seville. The south tower is unfinished. Some claims such as a sign at the base of the tower state that funds were used to aid the British colonies gain independence from Great Britain, while other investigations of registries deduce that the money may have been used in the preparation of the “Way of Antequera”. The fact is that this condition of being unfinished gives to the Cathedral the nickname of “La Manquita”, meaning in English, "The One-Armed Lady".[1][2][3]

Internally a series of artworks fills the temple, among them are the gothic altarpiece of the Chapel of Santa Barbara and the 16th century tombs of the Chapel of San Francisco. The Chapel of Incarnation shows a neoclassic altarpiece of 1785, work of Juan de Villanueva and carved by Antonio Ramos and Aldehuela with sculptures of Salazar and Palomino, and The Beheading of Saint Paul painted by Enrique Simonet in 1887 during his stay in Rome.

References

Sources

  • EISMAN, E. L.: "Traducción de una bula de la catedral de Málaga", Jábega, nº 41, Diputación Provincial de Málaga, 1983, pp. 17–21.
  • GONZÁLEZ SÁNCHEZ, V.: 'Catálogo general de la documentación del Archivo Histórico de la Iglesia Catedral de Málaga. Málaga: Edinford, 1994.
  • RIESCO TERRERO, Á.: "El Archivo Catedral de Málaga: hacia una nueva reorganización y catalogación de fondos", Baetica: Estudios de arte, geografía e historia, nº 9, Universidad de Málaga, 1985, pp. 269–286.
  • RIESCO TERRERO, Á.: "Colaboración del Obispo y Cabildo Catedral de Málaga a la empresa real de selección y edición de obras de San Isidoro de Sevilla (Edic. Regia 1597-99) y al enriquecimiento de dos grandes centros documentales: El Archivo General de Simancas y a la Biblioteca de El Escorial", Baetica, nº 11, Universidad de Málaga, 1988, pp. 301–322.
  • SÁNCHEZ MAIRENA, A.: "El Archivo de la Catedral de Málaga: su primera organización a partir del inventario de 1523", E-Spania: Revue électronique d'études hispaniques médiévales, ISSN 1951-6169, nº 4, 2007. [1]
  • SÁNCHEZ MAIRENA, A.: "Notas sobre el Archivo de la Catedral de Málaga en el siglo XVI" en M.ª Val González de la Peña (ed.), Estudios en memoria del profesor Dr. Carlos Sáez: Homenaje. Madrid: Universidad de Alcalá de Henares, 2007; pp. 621–650.
  • VEGA GARCÍA-FERRER, M.ª J.: "Los cantorales de gregoriano en la catedral de Málaga", F. J. Giménez Rodríguez et alii (coord.), El patrimonio musical de Andalucía y sus relaciones con el contexto ibérico. Granada: Universidad de Granada, 2008; pp. 111–126.

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