Darkwater: Voices From Within the Veil

For other uses, see Dark Water.

1st edition (publ. Harcourt Brace)

Darkwater: Voices From Within the Veil is a literary work by W.E.B. Du Bois. Published in 1920, the text incorporates autobiographical information as well as essays, spirituals, and poems that were all written by Du Bois himself. It has been re-published in electronic form by Project Gutenberg. ^[1]

Written when he was 50, Darkwater is the first of Du Bois's three autobiographies and was followed by Dusk of Dawn: An Autobiography of a Race Concept, and The Autobiography of W. E. B. Du Bois: A Soliloquy on Viewing My Life from the Last Decade of its First Century.

Several of its essays are personal in nature, with obvious emotional rhetoric. The style maintains a religious tone and his spirituality is a common thread in many of the individual essays. Described in varying tones of black and brown, a Christ-like figure of racial hope is prevalent, signifying the coming moment of racial confrontation and eventual salvation. This figure is one which Du Bois characterizes as the bearer of eternal freedom from discrimination, poverty, and from the color line itself.^[2] The stories within Darkwater also revolve around discontent with the way that democracy was viewed and handled among people of different ethnic, racial, and social groups. ^[3]

Darkwater: Voices From Within the Veil was well received by audiences after it was first published, opening the eyes of all who read it to the problems of racial discrimination in America. In his review of Darkwater in the popular magazine The Survey Robert Foerster writes, “Actually it is a book so skillfully put together, so passionately felt, so lyrically expressed, that it will be read widely.” ^[4]

Du Bois' writing goals

Du Bois maintained that the book was written to develop an understanding of the complications of the color-line with emphasis on its political implications.

“I venture to write again on themes on which great souls have already said greater words, in the hope that I may strike here and there a half-tone, newer even if slighter, up from the heart of my problem and the problems of my people.”^[5]

In his chapter called "The Damnation of Women," Du Bois seeks to elevate women by acknowledging their labor in the home, the workplace and the black church. The chapter has been described as one of the first proto-feminist analyses by a male intellectual.^[6] In the chapter, Du Bois gives the black mother even more glorification for her role as child bearer. He calls for women to seek a life of economic independence, and argues that women have a right to control their own bodies and reproductive choices. Yet in his description of women he often describes their physical traits first such as his description of journalist Mary Shadd Cary whom Du Bois described as a "ravishing dream-born beauty." ^[7]

Structure

Darkwater opens with "Credo," which was frequently reprinted in contexts other than within the book. The chapter structure of Darkwater follows a consistent pattern of a narrative section and a poetic section, both within one chapter. The narrative sections are frequently autobiographical or are otherwise works of speculative fiction. In this text Du Bois compiles previously written works from The Atlantic, the Independent, The Crisis, and The Journal of Race Development.

References

1. ^ http://www.gutenberg.org/ebooks/15210
2. ^ Du Bois, W.E.B. (1920). Darkwater: Voices from Within the Veil. New York: Washington Square Press. pp. 214. ISBN 9780743460606. 
3. ^ http://www.webdubois.org/wdb-darkwater.html
4. ^ Williams, Robert W., "Darkwater", "WEBDuBois.org", 23 Oct. 2011
5. ^ Darkwater. New York: Washington Square Press, 2004; xxiii.
6. ^ Feagin, Joe R. "Introduction." Darkwater: Voices from Within the Veil. By W. E. B. Du Bois. New York: Humanity Books, 2003, pg. 27.
7. ^ Du Bois, W. E. B. Darkwater : Voices from within the Veil, The Oxford W.E.B. Du Bois. New York: Oxford University Press, 2007, p. 85.