Cuarteto Patria

Cuarteto Patria is one of the leading musical groups in Santiago de Cuba. It was founded in 1939 by Francisco Cobas la O (Pancho Cobas), director, with Emilia Gracia, Rigoberto Hechaverría (Maduro) and Rey Caney (Reinaldo Hierrezuelo la O).^[1] The original style was traditional trova, with boleros and some música campesina (countryside music). In due course, the members and the music changed. By far the greatest change was the arrival of Eliades Ochoa, who has proved to be an inspired choice.

Ochoa was invited by Cobas to become leader in 1978, and, before accepting, he got agreement to introduce new musical works into the repertoire. At that time Cobas continued with the group, and Hilario Cuadras and Amado Machado joined.^[2] Ochoa introduced the son as the staple diet of the group, and beefed up the percussion to balance the guajiro content with an African element. Even more important was his personal qualities. He is a truly outstanding acoustic guitarist, with a warm singing style.^[3] For all that, it took a long time for music lovers outside Cuba to hear about the group. Here the Buena Vista experience played a decisive part.^[4] In the series of CD albums that followed the film, Ochoa played an increasingly prominent part, and this was reflected in increased sales for the Cuarteto Patría albums, and in many foreign tours for the man and his group.

The group now consists of Eliades Ochoa (leader, vocals, guitar); Humberto Ochoa (second guitar, coro); Eglis Ochoa (maracas, güiro, coro); William Calderón (double bass); Roberto Torres (bongos, conga, coro). Others who have played on some albums include: former leader Franciso Cobas de la O (second guiter, coro); Aristóteles Limonta (d. bass, coro); Enrique Ochoa: (second guitar, coro); María Ochoa (voice); Aníbal Avila Pacheco (trumpet, claves); José Ángel Martínez (d. bass); ex-member of Cuarteto Patria, and tresero Rey Cabrera. Famous old-timers have recorded with the group include: Faustino Oramas (El Guayabero); Compay Segundo and Rey Caney, who led the group for a while in his younger days. The group is now dominated by the Ochoa family, and is expanded for recordings and tours as required.

The group has toured Guadeloupe, Martinique, Granada, Curaçao, Nicaragua, Brazil, Dominican Republic, USA (Carnegie Hall NY), Canada, Spain, France (Olympia de Paris), Holland, Italy and Japan.^[5] In 2001 they were awarded the Premio de la música de la Sociedad General de Autores y Editores de España (SGAE) y la Asociación de Intérpretes y Ejecutantes de España (AIE) [Musical prize of the Spanish society of authors, editors and musical performers] for the best album of traditional music.^[6]

Discography

• A una coqueta - 1993 (Corason COCD106)
• The lion is loose - 1995 (Cubason CORA125)
• CubAfrica with Manu Dibango - 1998 (Mélodie 79593.2)
• Sublime Ilusión - 1999 (Virgin DGVIR 85) which was nominated for a Grammy in 2000
• Tribute to the Cuarteto Patria - 2000 (Higher Octave)
• Estoy como nunca - 2002 (Higher Octave)
• A la Casa de la Trova - 2005 (Escondida/Ultra)
• La collección cubana: Eliades Ochoa - 2006 compilation (Nascente NSCD 114).

References

1. ^ Giro, Radamés 2007. Diccionario enciclopédico de la música en Cuba. La Habana. p212. Some web reports have Emilia Gracia as the founder; we go with the Cuban authority.
2. ^ Giro vol 3, p212
3. ^ Galindo, Bruno 1999. Liner notes to Sublime illusion (Virgin DGVIR 85).
4. ^ Leymarie, Isabelle 2002. Cuban fire: the story of salsa and Latin jazz. Continuum, London; orig. publ. Paris 1997.
5. ^ Giro vol 3, p212
6. ^ "Recibe Eliades Ochoa el más importante premio discográfico de España." Granma, La Habana, 21 May 2001.