Conchita (opera)

Operas by Riccardo Zandonai
Conchita (1911) Francesca da Rimini (1914) I cavalieri di Ekebù (1925) La farsa amorosa (1933)
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Conchita is an opera in four acts and six scenes by composer Riccardo Zandonai. The work uses an Italian language libretto by Maurizio Vaucaire and Carlo Zangarini which is based on Pierre Louÿs's 1898 novel La femme et le pantin. The work premièred in Milan at the Teatro dal Verme on 14 October 1911 with soprano Tarquinia Tarquini, who later married Zandonai in 1917, in the title role.^[1] Her portrayal was lauded by critics and she went on to perform Conchita at the Royal Opera, London (1912), the Cort Theatre in San Francisco (1912), the Philarmonic Auditorium in Hollywood (1912), the Heilig Theatre in Portland (1912), the Metropolitan Opera House in Philadelphia (1912), the Chicago Grand Opera Company (1913), the Metropolitan Opera in New York City (1913), and the Teatro di San Carlo in Naples (1913).^[2]

Roles

The cover of the score of Conchita which was printed by G. Ricordi & Co in 1912.

Role	Voice type	Premiere Cast, 14 October 1911[3] (Conductor: Ettore Panizza)
Conchita	soprano	Tarquinia Tarquini
Mateo	tenor	Piero Schiavazzi
Rufina	mezzo-soprano	Ida Zinolfi
Dolores	soprano	Elvira Lucca-Cannetti
A merchant	tenor	Giuseppe Sala
A guide	tenor	Giuseppe Sala
Garcia	bass	Enrico Vannuccini
Sereno	bass	Enrico Vannuccini
Inspector	bass	Enrico Vannuccini
Tonio	bass	Aurelio Viale
A bull fighter	baritone
Anna	soprano
Pepita	mezzo-soprano
Enrichetta	mezzo-soprano
Estella	mezzo-soprano
Mother of Conchita	mezzo-soprano
1rst Englishman	baritone
2nd Englishman	baritone
1rst spectator	tenor
2nd spectator	tenor
3rd spectator	baritone
Overseer	mezzo-soprano
A woman	mezzo-soprano
A girl	soprano
A young man	tenor

Synopsis

The story takes place in Sevilla.

Conchita Pérez, a poor cigar maker, is wooed by Matteo, but she resists his advances. Matteo pays her mother some money to relieve their poverty. Offended, Conchita escapes and becomes a somewhat famous flamenco dancer. Matteo tracks her down and continues his advances as she resists them. To prove his love, she organizes a meeting with a fake lover in front of Matteo who becomes very irate by this She finally has proof of his love for her, which she now can correspond.

References

1. ^ Waterhouse, John CG (1992), 'Zandonai, Riccardo' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7
2. ^ Tarquinia Tarquini at www.amadeusonline.net
3. ^ Conchita at www.amadeusonline.net