Christian ska

Christian ska
Christian ska
Stylistic origins Contemporary Christian music
Christian alternative rock
Ska
Ska-punk
Cultural origins Late 1970s, United States, United Kingdom
Typical instruments Electric guitar, electric bass guitar, trumpet, tenor trombone, tenor saxophone, drums
Mainstream popularity Late 1990s to Early 2000s
Other topics
List of Christian ska bands

Christian ska is a form of alternative Christian music, and sub-genre of ska and ska-punk which is lyrically oriented toward Christian music.[1] Though ska did not constitute a genre within the Christian music industry until after third wave ska had peaked in the general market,[2][3] Christian ska continued to thrive independently into the early 2000s.[4]

Ska music came to be seen as "an excellent vehicle for exhortation and praise due to its up front lyrical style"[5] and upbeat, energetic, joyful sound.[6][7] While there were a large number of smaller bands, ska in the Christian marketplace in the late 1990s came to be primairly represented by three bands: The Insyderz, The O. C. Supertones, and Five Iron Frenzy; all of whom were commercially successful and ministry-oriented in their own right.[8] As with third wave ska in the general market the sound was often intermingled with that of punk, swing, or rockabilly. In parallel with mainstream ska,[2] many underground Christian ska bands released one or two ska based albums before completely genre-hopping away from ska or dissolving.[9] Even the sounds of the "big three" tended to evolve. By 2002 one critic described the horn section of the Supertones as "providing color instead of the dominant sound".[10]

History

While Christian bands have played ska since the days of Jesus music,[11] one of the first well documented Christian bands to play ska was Ishmael United, which operated in the late 1970s and early '80s from the United Kingdom.[12][13] Their sound was new wave[14] or two tone, similar to other British bands such as The Specials or Madness. Another early Christian ska band was The Israelites, formed in 1989.[7] They played a traditional style of ska,[15] similar to the Skatalites or Desmond Dekker. They released two albums before Christian ska matured, and still play today.[9]

Whereas in mainstream markets the popularity of ska had peaked about 1996,[2] the Christian music marketplace is notorious for being significantly behind trends in the general market.[1][16][17] Critics usually cite The O.C. Supertones as having been the first Christian ska band to break into the national spotlight.[3][7][9][18][19] The 1996 Cornerstone Festival was pivotal for two of the bands which would come to represent Christian ska. Both Five Iron Frenzy[20] and The Insyderz played and got signed as a result, though only the latter played on an official stage.[8][21]

By early 1997 ska had achieved a large enough following within Christian music to get noticed by the mainstream Christian music media. The January issue of CCM stated that "the Christian ska revolution is in full motion",[3] and that Summer the magazine spotlighted four ska bands.[1] These were Squad 5-O (from Savannah, Georgia), Five Iron Frenzy (from Denver, Colorado), The Insyderz (from Detroit, Michigan), and the OC Supertones (from Orange County, California). Of these Squad 5-O was unique in that they were hornless, their sound would later completely move away from any form of ska, and they would eventually sign to a general market label. The remaining three bands, sometimes known as the "big three",[8] would come to dominate the ska sound in Christian markets. Each of these bands was founded and signed to record labels in or before 1996,[22] was commercially successful within Christian music,[23][24] and outlasted their contemporaries by several years.

Each of the big three were generally characterized as having unique orientations toward their audiences. The Supertones were known for being blatantly evangelical[18][24] and included segments of preaching in each performance.[25] They also had the honor of opening for Pope John Paul II during his visit to St. Louis.[26] The Insyderz best known for their renditions of ska-styled hymns and modern praise and worship songs,[27] of which they released two albums, Skalleluia! and Skalleluia Too!.[9] Five Iron Frenzy became known for their positive but serious lyrics and slapstick satirical humour.[28] Common themes included social causes such as hypocrisy, racism, big business, as well as the renewal of faith.[28]

Ska bands received a small amount of attention from Christian music award shows such as the Doves. In 1998 the Supertones's debut album was nominated in the "Alternate / Modern Rock" category, a classification which they denied.[7] The same year the video for Five Iron's "A Flowery Song" was nominated in the "short form video" category.[29] At the 1999 awards The Insyderz cover of Rich Mullins' song "Awesome God" won in the "Hard Music Song" category.[8] The W's won two Doves at the 1999 awards, for their debut as "Modern Rock Album," and "Modern Rock Song" for the song "The Devil Is Bad".[30] They played a neo-swing sound with heavy ska influences. Other career highlights opening for Christian rock heavyweight dc Talk, and for the Pope during the same visit as the Supertones (although not at the main event).[26] Christian swing music is generally congruent with the swing revival of the 1990s,[31] and includes a small number of bands. Of all the Christian bands which took part of the swing revival movement they were the best known.[30]

The sound became most widespread and visible within Christian music from 1997[1] until the early 2000s. During this period Christian ska bands regularly appeared on Billboard charts.[32] The Encyclopedia of Contemporary Christian Music characterizes ska as being "one of the more crowded genres in the Christian market" by the turn of the millennium.[21] While producing Skanktified, a compilation album released by Eclectica Music (an imprint of N-Soul) in 1998, Mark Morrison found over seventy Christian ska bands operating throughout the United States, mostly in underground scenes.[32] There were in fact an exceptional number of Christian ska bands underground,[9][21][33] creating an oversaturated market for the sound.[9][33][34] For instance one band, the Skadaddles, released three albums in 1999, with a sound evolving from ska toward punk and emo.[35]

A number of other bands released two or more albums to the national scene. Freeto Boat released one ska album in 1998 and moved to a punk sound for their sophomore release in 2000. In a move to distance themselves from ska the band changed their name twice and picked up an emo-indie-punk sound before signing to a major label.[36][37] Flight One Eighty released three albums - one of ska, one of swing, and finally a ska punk/power pop release.[38] The Dingees were a spinoff band of the Supertones who play a sound which mixes punk, ska, and reggae, and have released three albums, the final one in 2001.[39] BUCK Enterprises shows an evolution in sound more like that of the Supertones, changing their sound mix from having a dominating horn section on their national debut (1998)[40] to one which "flirts with ska" by 2001.[41][42]

The big three bands of Christian ska each continued until the early to mid 2000s. Five Iron continue to draw large crowds; a tour in 2001 drew an audience of 1,200 per night.[43] They also participated in the Vans Warped Tour in 2002 before breaking up the following year. Their final show had an attendance of over 3,500.[44] After a period of relative inactivity, The Insyderz released their final album in 2003 and continued to tour until 2005. That same year also saw the end of the Supertones, who had released their final studio album one year prior.

See also

References

  1. ^ a b c d Urbanski, David (July 1997). "One Crazy Summer". CCM Magazine 20 (1): 24–32. ISSN 1524-7848. 
  2. ^ a b c Gulla, Bob (2006). The Greenwood Encycloepdia of Rock History, Volume Six. Westport, Connecticut: Greenwood Press. pp. 47. ISBN 0-313-32981-8 
  3. ^ a b c Bonham, Chad (January 1997). "Talent Pool: A Modern Rock Romance [The Supertones]". CCM Magazine 19 (7): 60. ISSN 1524-7848. 
  4. ^ http://www.allmusic.com/artist/p210529
  5. ^ Dietor-Hartley, Shannon (March 1998). "Album Advice: Supertones Strike Back". Church Musician Today 1 (7): 31. ISSN 0009-6466. 
  6. ^ Canfield, Dave (1997). "Reviews: Five Iron Frenzy Upbeats and Beatdowns". Cornerstone 26 (112): 52. ISSN 0275-2743. 
  7. ^ a b c d Todd, Darleen (Winter 1998). "A Ska Primer". True Tunes News: 12–14. 
  8. ^ a b c d Powell 2002, "The Insyderz" pp. 435-436
  9. ^ a b c d e f Thompson, John J. (2000). "The Third Wave / The Ska Revival". Raised by Wolves. ECW Press. pp. 230. ISBN 9781550224214 
  10. ^ Thompson, John J. (October 2001). "Rock News". CCM Magazine 25 (4): 18. ISSN 1524-7848. 
  11. ^ Sabatino, David Di (1999). The Jesus People Movement: An Annotated Bibliography and General Resource. Bibliographies and Indexes in Religious Studies, Number 49. Westport, CT: Greenwood Press. ISBN 0313302685 
  12. ^ Powell 2002, "Ishmael United (a.k.a. Ishmael and Andy and Ishmael)" pp. 437-438
  13. ^ Hill, Don (1996). "Reviews / Adventures of the O.C. Supertones". Cornerstone 25 (109): 58. ISSN 0275-2743. 
  14. ^ "Reviews / Ishmael United / If You Can't Shout Saved You'll Have To Face The Penalty (Star Song)". CCM Magazine 2 (11): 20. April 1980. ISSN 1524-7848. 
  15. ^ McGovern, Brian Vincent (July/August 1998). "Album Reviews: The Israelites". HM Magazine (72). ISSN 1066-6923. Archived from the original on 2001-07-13. http://web.archive.org/web/20010713013634/http://www.hmmagazine.com/issue72/72Albums.htm. Retrieved 2007-04-24. 
  16. ^ Powell 2002, "dc Talk p. 239" Quote: "Of course the Christian market was a few years behind the rest of the world... it always is." [original emphasis]
  17. ^ Will, Scott (November / December 1998). "Tools / Music / Fourth From the Last". YouthWorker Journal XV (2): 70. ISSN 0747-3486. 
  18. ^ a b Powell 2002, "The Supertones" pp. 902-904
  19. ^ Canfield, Dave (1997). "Reviews: Israelites Washaway". Cornerstone 26 (111): 52. ISSN 0275-2743. 
  20. ^ Thompson, John J. (2003). "Five Iron Frenzy Rocking the Back Nine". Cornerstone Festival 2003 Program Guide 32 (124): 33–34. ISSN 0275-2743. 
  21. ^ a b c Powell 2002, "Five Iron Frenzy" pp. 331-332
  22. ^ Brown, Bruce A. (December 1996). "On the Beat: Rock / Alternative". CCM Magazine 19 (6): 14. ISSN 1524-7848. 
  23. ^ Strole, L. Jeanette (November / December 2001). "A Tail of Boogaloo and Varmint". HM Magazine (92): 42–43,76–77. ISSN 1066-6923. 
  24. ^ a b "Life in the Fast Lane". CCM Magazine 20 (4): 13. October 1997. ISSN 1524-7848. 
  25. ^ Hendrickson, Lucas W. (June 1996). "On Tour: The Supertones / Switchfoot / Relient K, 328 Performance Hall, Nashville, TN". CCM Magazine 23 (12): 47. ISSN 1524-7848. 
  26. ^ a b Newcomb, Brian Quincy (April 1999). "Pope Visits St. Louis". CCM Magazine 21 (10): 12–13. ISSN 1524-7848. 
  27. ^ Urbanski, Dave (November 1999). "Sequel Act" (reprint). CCM Magazine 22 (5): 46–47. ISSN 1524-7848. Archived from the original on 2000-10-17. http://web.archive.org/web/20001017115009/http://www.theinsyderz.com/press/r_ska2_ccm.html. Retrieved 2007-02-01. 
  28. ^ a b Metteer, Chris (2002-03-08). "Third Day needs to turn it up. (Reviews)". The Register-Guard. pp. T15. 
  29. ^ Price, Deborah Evans (1998-03-14). "ForeFront signs deal with indie". Billboard Magazine 110 (11): 134. 
  30. ^ a b Powell 2002, "The W's" pp. 1008-1009
  31. ^ Walker, Derek (November / December 1998). "It's A Swing Thing". 7ball (21): 26–30. ISSN 1082-3980. 
  32. ^ a b Walker, Derek (May / June 1998). "The Ska Report". 7ball (18): 18–30. ISSN 1082-3980. 
  33. ^ a b "Spotlight: Skadaddles". 7ball (26): 12. September / October 1999. ISSN 1082-3980. 
  34. ^ Bate, Peter (October 1998). "The Insyderz - Skalleluia". Cross Rhythms (47). 
  35. ^ Powell 2002, "The Skadaddles" p. 831
  36. ^ Powell 2002, "Freeto Boat" p. 346
  37. ^ Gangl, Bert (November 2003). "The Dying Art of Life". www.cmusicweb.com. http://www.cmusicweb.com/hardrock/fightingjacks/dyingartoflife.shtml. Retrieved 2007-02-26. 
  38. ^ Powell 2002, "Flight One Eighty (a.k.a. One Eighty and One Eighty, Inc)" pp. 333-334
  39. ^ Powell 2002, "The Dingees" p. 259
  40. ^ Powell 2002, "Buck (and Buck Enterprises)" pp. 120-121
  41. ^ Thompson, John J. (July 2001). "Reviews / Buck Enterprises / Business As Usual". CCM Magazine 24 (1): 18. ISSN 1524-7848. 
  42. ^ Farmer, Mike (July / August 2001). "Reviews / Business As Usual". HM Magazine (90): 79. ISSN 1066-6923. 
  43. ^ Tim A. Smith, John J. Thompson, Christina Farris (January 2002). "Spin Control". CCM Magazine 24 (7): 13–14. ISSN 1524-7848. 
  44. ^ Argyrakis, Andy (November 2003). "The End Is Here". Christianity Today. http://www.christianitytoday.com/music/interviews/2003/fiveironfrenzy-1103.html. Retrieved 2007-02-14. 
Sources
  • Powell, Mark Allan (2002). Encyclopedia of Contemporary Christian Music (First printing ed.). Peabody, Massachusetts: Hendrickson Publishers. ISBN 1-56563-679-1 .

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