Canibus

Canibus

Infobox musical artist
Name = Canibus
Background = solo_singer



Img_capt =
Birth_name = Germaine Williams
Born = 1974, Jamaica
Genre = Hip hop
Occupation = Rapper
Years_active = 1995 to present
Label = Universal, Mic Club Music, Archives Music, Babygrande, Gladiator
Associated_acts = Jedi Mind Tricks, Ras Kass, Kurupt, Killah Priest, Sun God, Royce Da 5'9", K-Solo, Pharoahe Monch, Chino XL, Kool G Rap
URL = [http://www.myspace.com/canibus Official MySpace]

Germaine Williams, better known by his stage name Canibus, is an American rapper. He is a member of supergroup The HRSMN.

Early life

Germaine Williams was born in Jamaica in 1974. [http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:wjftxqwhldae~T1 allmusic ((( Canibus > Biography )))] . All Music Guide. Accessed February 22 2008.] [Parker, Lyndsey (August 7 2000). [http://music.yahoo.com/read/interview/12026742 Exclusive LAUNCH Artist Chat] . Yahoo! Music. Accessed February 22 2008.] His father, Basil Williams, is a former Jamaican cricketer. [ [http://www.riotsound.com/hip-hop/rap/interviews/canibus/index.php Canibus : Rap, Hip-Hop Interview] . Riot Sound. Accessed February 22 2008.] The family moved frequently, living in The Bronx, Washington, D.C., Atlanta, Miami, and MontrealMillner, Denene (September 18 1998). [http://www.nydailynews.com/archives/entertainment/1998/09/08/1998-09-08_the_canny_canibus____rapper_.html The Canndy Canibus Rapper's No Dope, As Rep Goes From Bad To Verser With Release of his First Solo Album] . The "Daily News". Accessed February 22 2008.] due to his mother's career requiring constant relocation. Canibus stated that he was an introverted child growing up.Johnson Jr, Billy (February 16 1999). [http://music.yahoo.com/read/interview/12048009 A World Wide Phenomenon] . Yahoo! Music. Accessed February 22 2008.] After completing high school in 1992, he spent a year working for AT&T and another year as a data analyst for the U.S. Department of Justice. His interest in computers and the Internet led him to study computer science at DeKalb College in Atlanta.Strauss, Neil (May 10 1998). [http://query.nytimes.com/gst/fullpage.html?res=9B02E5DD1731F933A25756C0A96E958260 POP/JAZZ; A Rising Rap Star Puts Content Ahead of Style] . "The New York Times". Accessed February 22 2008.] His stage name is derived from the marijuana plant, cannabis, because he likes to think of his lyrics as "activating the mind" in the way the plant does.

Music career

Early career (1995–1997)

He began rhyming in the mid-'90s and by 1995 formed a duo called T.H.E.M. (The Heralds of Extreme Metaphors) with Atlanta rapper Webb (now called C.I., also known as Central Intelligence). While he was with Webb, he took part in a legendary cypher with the Wu Tang Clan family in Buffalo, New York, which earned him respect from the rap veterans. In 1996, T.H.E.M. split and Canibus teamed with businessman Charles Suitt. In 1997, Canibus started earning respect in the hip hop world after making numerous guest appearances Fact|date=July 2008 with artists including The Lost Boyz, Common, Wyclef Jean, Kurupt, Ras Kass, Heltah Skeltah and The Firm.

Debut album, LL Cool J feud and second album (1997–2000)

For the first part of 1997, he was managed by the Fugees' Wyclef Jean, who was introduced to him by Jay-Z. It was at this time that the intense rivalry between him and rapper LL Cool J began. The battle stemmed from a collaboration with LL titled "4, 3, 2, 1" from LL's 1997 album "Phenomenon". LL took offense to the lines, "L, is that a mic on your arm? Let me borrow that", which referenced his tattoo of a microphone on his arm – and which Canibus claimed was his own way of showing the rap veteran respect – and wrote an indirect to Williams: "The symbol on my arm is off limits to challengers" and "Now let's get back to this mic on my arm / If it ever left my side, it'd transform into a time bomb / You don't wanna borrow that, you wanna idolize." Before the song was released, LL Cool J asked Canibus to change his lines. Canibus claims that LL vowed to modify his own lines as well, but the latter denied this and pointed out that nobody would know who he was talking about if only Canibus' line was changed. The original version eventually leaked, and fans started to piece the lines together.

After inking a deal with Universal Records in 1998, Canibus released his debut single, "Second Round K.O.", in which Williams commenced an all-out assault on LL for dissing him on "4, 3, 2, 1", insulting his family, his TV show, and his attitude. The rivalry continued, with both sides releasing further diss tracks (LL Cool J's "The Ripper Strikes Back" and "Back Where I Belong", and Canibus' own "Rip the Jacker", among others), but eventually the feud fizzled down to each artist taking subliminal shots at each other.

Canibus' debut album "Can-I-Bus" came out in September 1998. While "Second Round K.O.", produced by Wyclef Jean, was a success, with the song and video featuring Wyclef and a cameo appearance by boxer Mike Tyson, the album itself was a commercial failure. Despite eventually being certified Gold, critics (including "The Source") also panned the album, criticizing both Canibus' subject matter and Wyclef's beats, most of which were considered inferior to both "Second Round K.O." and the artists' previous collaborations.

Because Wyclef produced the grand majority of the tracks, Williams blamed him for the general dissatisfaction with "Can-I-Bus" and cut ties with him, going as far as to diss Wyclef, most notably on the title track of his second album ("You mad at the last album? I apologize for it / Yo, I can't call it, motherfucking Wyclef spoiled it!"). Said album, "2000 B.C.", was also released to mixed feelings and reviews – the latter once more focusing on the lack of topical variety and uninspired production – also suffering from very little promotion by Universal Records.

"2000 B.C." featured the first collaboration between Canibus and Kurupt, Ras Kass and Killah Priest, a rap supergroup collectively known as The HRSMN (referring to the Four Horsemen of the Apocalypse), on the track "Horsementality". Though following "2000 B.C."'s release it had been announced that the group would be releasing an album, these plans never materialized, with only an EP of outtakes from 2001 entitled "The Horsemen Project" released by Killah Priest's management in 2003. Since 2000, however, the members of the group have worked together on various songs and rumors of a full-length HRSMN album are rampant to this day and include speculation about collaborations with Pharoahe Monch, Common and Rakim, among others.

Though much bitterness between Canibus and Wyclef Jean remained for a period of time, the two artists finally settled their differences at the end of 2004; they have since worked together on two remixes of the Machel Montano song "Carnival Survivors". In an interview with HipHopsite.com conducted in November of 2005, Williams revealed that he had recorded five songs with Wyclef and Jerry 'Wonder' Duplessis at Platinum Studios in New York for the upcoming Fugees reunion album. Whether or not those recordings will appear on the album hasn't been determined yet.

"C True Hollywood Stories" (2001)

In 2001, Canibus released his third album, "C True Hollywood Stories", the title and some of the content deriving from the television show "E! True Hollywood Story". It was released on Archives Music, an independent label owned by Williams' future business partner, Louis Lombard III. It was a controversial release due to the album's overall concept, which to this day remains quite unclear to some. Many listeners interpreted it as Canibus' botched attempt at becoming a commercial and mainstream artist and wrote him off as a one-hit wonder, while others have called it a concept album in which the rapper satirized the mainstream hip-hop scene. Most explanations since the album's release seem to lean towards the latter; when Canibus' new official website, MicClub.net, appeared online towards the end of 2002, the summary of "C True Hollywood Stories" in the "Merchandise" section called it "an introspective look into the ultimate fan "Stan's" take on the current state of hip hop".

"C True Hollywood Stories" was the album that brought to light Canibus' rivalry with Hip-Hop superstar Eminem. The beef with Eminem was similar to his rivalry with LL, only less publicized: it stretched back to before the late 90s, when Wyclef heard that Eminem had ghostwritten "The Ripper Strikes Back", LL's response to "Second Round K.O.", and told Canibus to confront him about it. When Bis confronted him, Em didn't like his attitude, so he held it against him. On the CTHS song "U Didn't Care", Canibus takes the roll of Stan, the titular character from the Eminem song of the same name, explaining that he has changed and no longer looks at Em as his role model. While still speaking from the viewpoint of Stan, the song makes an explicit reference to the "Ripper Strikes Back" incident: "Clef stepped to him and told him he should step to you / that you was ghostwriting for L, but that wasn't true". The Stan character was referenced throughout the album, often used to mock Eminem. Eminem would later respond simply by referring to him as "Canibitch" on a few songs, with Bis subliminally dissing him on a select number of songs. The only full-fledged diss track to be heard from either of them was Em's "Can-I-Bitch", which was supposedly recorded in 2002 but leaked onto the Internet and file sharing networks in 2004. The song sees Eminem commenting on the rivalry in a humorous tone, with a number of explicit references to Canibus' rapping style. Like the beef with LL, the rivalry with Eminem eventually fizzled out.

In an interview conducted in 2005, Williams' former promoter, Pak-Man, who worked on over half of the album with the rapper, spoke on the record, with his explanation leaning toward the album being intended as satire: "At that time Canibus was in the studio recording a lot of songs and [I] mean a lot, but he didn't want to make the fans wait no more so he did" C True Hollywood Stories "and he wanted to have fun wit, so thats what we did we had fun wit". In an interview on AllHipHop.com posted on April 8 2005, Williams was asked what direction he was trying to take with that album; in his response, he stated "That album depicts the state of affairs in my life at the time - nothing more, nothing less".

Despite, or perhaps partly due to, the varying interpretations of the release, it is still regarded as one of Canibus' weakest releases; reviewers noted that Canibus attempted to alter his voice, possibly in order to gain mainstream appeal, and that the production, handled by mostly unknown individuals, was significantly lacking in quality.

"Mic Club: The Curriculum" and "Rip the Jacker" (2002–2003)

After the critical and commercial failure of "C True Hollywood Stories", Canibus was subject to criticism and ridicule from the rap industry until the release of "", his fourth full-length album, towards the end of 2002. Although the production was handled almost entirely by little-known producers, some of them from Europe, the record proved to be a greater critical success than the previous year's release. "Mic Club" also saw Canibus return to a more scientific and complex rapping style, with a number of concept tracks and few songs with a chorus. The album was released on Mic Club Music, Canibus' own label, but failed to chart, selling relatively few copies.

Following the release of "Mic Club: The Curriculum", it was announced that Williams decided to join the United States Army, an unexpected decision which confused much of his fan base. Before commencing his work with the military, however, he recorded a number of tracks which he intended to be released on his next album, entitled "Rip the Jacker". Stoupe the Enemy of Mankind was given the task of producing the entire record, equipped solely with Canibus' pre-recorded vocals. Due to his military obligations, Canibus himself only managed to review the album after having acquired a copy.

Upon release, "Rip the Jacker" received rave reviews from the majority of critics, who noted that Williams' largely scientific lyrics and distinctive, rough delivery was finally matched by equally fine production, as Canibus had a history of working with badly selected producers. Unlike "Mic Club", "Rip the Jacker" charted on both "Billboard"'s R&B/hip-hop charts and the ""Billboard" 200", peaking at #34 and #197, respectively, although commercially, it retained the tendency to sell few copies.

Critics highlighted various aspects of "Rip the Jacker"'s originality, both in terms of beats and lyrics; Stoupe had employed a large number of samples from often obscure compositions, while Canibus himself undertook a variety of topics from various perspectives. Of note was the inclusion of "Poet Laureate II", a song exceeding seven minutes in length and lacking a chorus, with several changes of beat throughout; the track was frequently singled out as one of the strongest in Canibus' career and the album as a whole convinced listeners and the industry alike that the rapper hadn't lost his potential.

"Mind Control", Cloak n Dagga and "Hip-Hop for Sale" (2005–2006)

Following "Rip the Jacker" and Canibus' subsequent discharge from the army, an album entitled "Mind Control" (2005) was released to negative reviews. Canibus had never planned for it to be compiled as a separate record, but agreed to release it through the independent Gladiator Music label as part of a contractual agreement; most of the vocals for "Mind Control" had been recorded prior to the release of "C True Hollywood Stories". A collection of previously recorded material (with only three of the songs being unreleased) produced entirely by Mark Sparks, the album failed to chart and is rarely considered an official Canibus release by the rapper's fans.

Also in 2005, a collaboration between Williams and underground rapper Phoenix Orion, who had also been known for scientific lyrics, yielded the album "", released on the independent Head Trauma Records label, owned by K-1 boxer Dewey Cooper. The record featured guest appearances from Kool G Rap, K-Solo, and former 106 & Park host Free, among others. As Cloak N Dagga, the duo briefly toured the United States promoting the release.

The following month, after numerous delays, Canibus' seventh solo album, "Hip-Hop for Sale", was released, but was panned by critics, who dismissed it as yet another failed attempt to gain mainstream recognition. Additionally, due to the earlier release of "Mind Control" and the leaking of most of the material in the form of a mixtape entitled "The Vitruvian Man", the release date had been pushed back to November, the original date having been May. The production on "Hip-Hop for Sale" was handled in part by Virginia-based producer Nottz, with several relatively unknown producers handling the remaining tracks after Nottz had cut ties with Canibus due to the appearance of "The Vitruvian Man".The day of "Hip-Hop for Sale"'s release, "Mic Club Master Volume One", a separate mixtape, appeared in stores, many of the songs receiving more praise than those present on the full-length album.

"For Whom the Beat Tolls" (2007)

In January 2007, it was announced that Canibus would release new material in 2007 exclusively on his own imprint, Mic Club Music, in a joint venture with Legion Entertainment and distributed via his former major label, Universal Music Group. A pair of mixtapes, titled "Nothing to Prove" and "Nothing to Lose", were slated for release in March 2007, but were eventually scrapped; instead, Canibus decided to use the best material from each mixtape to create a new full-length album entitled "For Whom the Beat Tolls".

When the record was originally announced in March, there was only one confirmed track – the third installment in Canibus' "Poet Laureate" series, "Poet Laureate Infinity". The track has 1,000 bars, in the form of five 200 bar verses, and is layered in such a way that "when you mix it and spread it throughout five channels, [you have the ability] to mix the track differently every time". [Heinzelman, Bill (March 19 2007). [http://www.xxlmag.com/online/?p=8450 Canibus My Life] . "XXL" magazine. Accessed March 24 2008.] On April 8, 2007, the track was uploaded, by Canibus himself, to a [http://www.poetlaureateinfinity.com website] where the listener could mix the track differently on a digital mixing board. The website is now down, but the fansite Canibus-Central.com provided a [http://www.canibus-central.com/site/media/pli_mixing_board/ backup] .

"For Whom the Beat Tolls" was originally set for release in May 2007, but was pushed back one month, and a released on June 12 2007 (though it wasn't distributed by Universal as previously reported). The album has 16 tracks and includes contributions from Killah Priest and Vinnie Paz, among others, and featured two personally made mixes of the "Poet Laureate Infinity" track ("Poet Laureate Infinity v003" and "Poet Laureate Infinity v004").

Following the release of "For Whom the Beat Tolls", Bis went on a sporadic tour in the U.S. to promote the record. In August of 2007, Bis made an announcement on his Myspace page that he had cut ties with his business partner Louis Lombard: "To my friends, family and fans, Just wanted everybody to know I no longer do business with Louis Lombard, III & Mic Club Music".

Upcoming releases

In the past few years, Canibus has an assorted number of projects that have been announced, but, as of October 2007, it is largely unknown which ones will be released. Fact|date=August 2008 It was officially reported that in 2006, Williams would release "Mic Club, Vol. 2", the sequel to "Mic Club: The Curriculum", as well as a sequel to "Rip the Jacker". In October 2005, Dewey Cooper announced that Canibus would release a solo album on Head Trauma Records in 2006; this was to be entitled "Caesar Germanicus". Canibus had gone on to state that all three albums were in production and that "Caesar Germanicus" would be his final release. However, it has been announced that Canibus has parted ways with both Head Trauma and Babygrande Records, as well as Mic Club Music, which may have an effect on the decision to ultimately release "Caesar Germanicus" and "Mic Club Vol. 2". Williams also announced on the fansite Canibus-Central.com that he would be releasing an entirely new album on a newly-created independent label, InterDependent Media; the album was said to be called "The 'C' of Tranquility", and while no official date has been made as of July 2008, Canibus has stated at his recent live shows that it'll be out in September.

On April 4 2007, shortly before the release of "For Whom the Beat Tolls", "XXL" magazine released information on the previously mentioned "Rip the Jacker" sequel. Canibus said the album will be "Rip The Jacker II: Infinity" and will follow the formula of "Poet Laureate Infinity" for an entire album. Canibus went on to say that "this record is going to mimic the same format, but it's going to be for an album. So you are going to get an infinite album. And I don't know if that’s ever been done, but I'm gonna do it". [ [http://www.xxlmag.com/online/?p=8912 Canibus Working On New Album, Rip The Jacker II: Infinity] . "XXL" magazine (April 4 2007). Accessed March 24 2008.]

Military career

In 2002, Canibus signed up for the United States Army. In a 2005 interview, Canibus stated "I enlisted because I wanted to get away from the music.... I wanted to do something that gave me a separate definition from what I had done all through my teens and twenties. I was 28 when I enlisted". [Rivera, Zayda (December 2 2005). [http://sohh.com/articles/article.php/7955 SOHH Where Have You Been?: Canibus] . SOHH. Accessed March 24 2008.] In May of 2003, two months before his fifth album, "Rip the Jacker", was released to rave reviews, he graduated from Fort Knox and began working as a Cavalry Scout.

Discography

*1998: "Can-I-Bus"
*2000: "2000 B.C."
*2001: "C True Hollywood Stories"
*2002: ""
*2003: "Rip the Jacker"
*2005: "Mind Control"
*2005: "Hip-Hop for Sale"
*2007: "For Whom the Beat Tolls"

Filmography

*2000: "Bamboozled"
*2004: "Beef 2"
*2004: "The MC: Why We Do It"

References

External links

*myspace|canibus


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