Sun Blindness Music

Infobox Album
Name = Sun Blindness Music
Type = Compilation Album
Artist = John Cale and the Theatre of Eternal Music

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Released = 1965-68
Recorded = 1965-68
Genre = Drone, Experimental Rock, Avant Garde
Length = 64:24
Label = Table of the Elements
Reviews =
* Allmusic Rating|4.5|5 [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:kxfexqw0ldse]
* Pitchfork Media (8.5/10) [http://www.pitchforkmedia.com/article/record_review/15946-john-cale-sun-blindness-music]
Artist = John Cale
Last album = "Day Of Niagara"
This album = New York in the 1960's Volume 1, Sun Blindness Music (1965)
Next album = "Dream Interpretation (Album)" (1965)

New York in the 1960s: Sun Blindness Music, better known as Sun Blindness Music, is an album by John Cale. It is the first of a loose anthology of experimental albums recorded during Cale's tenure with the Theatre of Eternal Music during the mid 1960s. The pieces included on the album were recorded between 1965 and 1968. Albums following in the anthology include the collaborative effort Day Of Niagara, and the Cale compilations Dream Interpretation and Stainless Gamelan. Each song in the trilogy is an exemplar of the burgeoning Minimalist genre, emphasizing atonality, drone, and noise.

With some of the earliest recordings of this music being recorded ten years before Lou Reed's avant garde Metal Machine Music (which itself was credited as a huge influence on noise music and punk), Cale was ahead of his time in many respects. He was not alone in this though - frequent collaborators La Monte Young, Terry Riley, original Velvet Underground drummer Angus Maclise, Tony Conrad, and Marian Zazeela also contributed to the genre. Cale and these artists themselves owed a debt to early 'anti' music composer John Cage.

These albums were originally in the personal possession of Tony Conrad as part of his tape collection, and were thought lost. Not until very recently were these minimalist artifacts discovered and released by the independant record label Table of the Elements.

Track Listing

#"Sun Blindness Music" - 42:44
#"Summer Heat" - 11:07
#"The Second Fortress" - 10:38

Analysis

Sun Blindness Music, the set's centerpiece, is a nearly three-quarters of an hour of a single chord, which shifts gradually between tones and timbres over the expansive time allotted to it. Cale produced the otherworldly sound with his Vox organ. Reviewer Thom Jurek notes that "Sun Blindness Music is easily the most demanding and perhaps most rewarding piece on the disc... There are times when the full-bodied chord is so complete and forceful in its presence it is nearly unbearable..."

Summer Heat is an extended, distorted solo for electric guitar. It is perhaps the rawest track on the album, indicating where the more avant garde elements of The Velvet Underground's future songs (especially on White Light/White Heat) may have originated.

The Second Fortress is an enigmatic set for, what the linear notes say are, "electronic sounds." It is actually Cale's Vox organ again, looped through tape recorders and layered heavily until distorted beyond recognition.

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[1] [http://www.answers.com/topic/new-york-in-the-1960s-vol-1-sun-blindness-music] "Answers.com article on the album"

[2] [http://www.allmusicguide.com/cg/amg.dll?p=amg&sql=10:kxfexqw0ldse~T0] "AllMusic review"----