- THD Electronics
company_name=THD Electronics, Ltd.
company_slogan="Any Tube, Any Tone, Anytime."
UniValve, BiValve-30 and Flexi-50 amplifier heads, Hot Plate power attenuator
footnotes= THD Electronics, Ltd. is a manufacturer of vacuum-tube
guitar amplifiersand amplifier accessories, and is located in Seattle, Washington. It was founded in 1986 by President and CEO Andrew Marshall. Although it specializes in hand-built, vacuum tube“boutique”-style amplifiers, it also manufactures the “world’s best selling [guitar amplifier] power attenuator,” [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.] the THD Hot Plate. The company is well known in the boutique amplifier market, and is often credited with the creation of this market in the United States. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 82.] [Buddingh, Terry. “The Flexi-50” ‘ ‘Guitar Player.’ ’ December 2004: p. 169.] THD’s line of products has stayed relatively small despite its 22-year history as a company. Of its amplifiers, THD currently makes three: the UniValve, BiValve-30 and Flexi-50.
Copyright issues prevented Marshall from naming THD Electronics after himself, (as
Marshall Amplificationhad been established in the 1960’s). Marshall also decided against naming the company after his first name because, in his words, “Who…is going to spend $2,500 on an ‘Andy Amp?’" [Schuchard, Monica. “The Secrets of Success.” ‘ ‘Experience Hendrix.’ ’ July/August 1998.] Instead he chose THD, the acronym for “ Total harmonic distortion”.
“‘(Total harmonic distortion) is one of the ways that amplifiers are rated,’ says Marshall. ‘And in the hi-fi world, where people are quite conscious of total harmonic distortion, everybody goes for the lowest possible amount of distortion. In the guitar amp world, people tend to go for the most. So it was slightly tongue-in-cheek, but more of an inside joke.’" [Schuchard, Monica. “The Secrets of Success.” ‘ ‘Experience Hendrix.’ ’ July/August 1998.]
Marshall has said that THD alternatively means “Two Hairy Dogs”, referring to his bearded collies, Truffles and Tobler [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist’ ’ March 2004: p. 85] and with the addition of a third dog, Piper, “Three Hairy Dogs”. [Schuchard, Monica. “The Secrets of Success.” ‘ ‘Experience Hendrix.’ ’ July/August 1998.]
THD amplifier heads have a unique perforated steel cage, which is removable (via captive thumbscrews) if the amplifier is added to a rack or installed in a cabinet. Aside from the different faceplates, the UniValve, BiValve-30 and Flexi-50 look nearly identical. Although THD does not offer a hard-sided carrying case, they do make a soft-sided case for their amplifier heads.
All THD amplifiers utilize vacuum tubes for their preamp and power amp sections. Until the release of the Flexi-50 amplifier, they were all Class-A, (The Flexi-50 is Class-AB). This is why early THD UniValve-prototypes were sometimes referred to as the “Pure Class A Head.” [Gill, Chris, and Art Thompson “New Gear ’94 All Stripped Down!” ‘ ‘Guitar Player.’ ’ May 1994.]
Printed Circuit Boards
Unlike the vast majority of high-end, “boutique”-style guitar amplifiers, THD amplifiers are hand-built, but not hand-wired “point-to-point”. Instead, they utilize
printed circuit boards (PCBs). There is some controversy in the guitar amplifier community about using PCBs as opposed to point-to-point wiring in tube amplifiers. THD escaped much of this criticism by using thick boards with large ground planes to reduce noise, as well as through-plating and use of Teflonwire for durability. THD also does not mount their electro-mechanical components like jacks, potentiometers, switches and tube sockets to the board. [Cotey, Stan. “Head to Head, Comparing 14 All-TubeCombo Amps.” ‘ ‘Guitar Player.’ ’ March 1992.]
An identifying feature of THD boards is the addition of famous quotes to the printing on the board. These circuit board quotes include:
*“‘A lie can travel halfway around the world while the truth is putting on its shoes.’ –
Mark Twain” [Thompson, Art. “One Tube Wonder.” ‘ ‘Guitar Player.’ ’ February 2002.]
*“‘Experience is the one thing you cannot get for nothing.’ –
Oscar Wilde” [Taylor, Mick. “‘Lexi Coology.” ‘ ‘Guitar Buyer’ ’ August 2004. p. 86.] ]
*“‘Don’t play what’s there. Play what’s not there.’ –
Miles Davis” [Buddingh, Terry. “The Flexi-50” ‘ ‘Guitar Player.’ ’ December 2004: p. 170.]
*“‘Love is a perky elf dancing a merry little jig and then suddenly he turns on you with a miniature machine gun.’ –
Matt Groening” [Buddingh, Terry. “The Flexi-50” ‘ ‘Guitar Player.’ ’ December 2004: p. 170.]
First vintage reissue amplifier
In 1987, THD Electronics put the first vintage reissue vacuum tube guitar amplifier into production, the 4-10 amp. It was modeled after a 1959
Fender Bassman[Buddingh, Terry. “The Flexi-50” ‘ ‘Guitar Player.’ ’ December 2004: p. 169.] and, unlike the “tweed” covered Peavey Classic Amplifiers of the 1970s (which were covered in vinyl made to look like “tweed”) the 4-10 was covered in authentic cotton tweed, the first since Fender and Gibson stopped production of tweed amplifiers in 1960. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.] The 4-10 was in production from 1987-1993. In 1989 a head-only and 2-10 version were released as well. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.]
The THD Plexi amplifier
The next amplifier in production was the Plexi, manufactured from 1990-1993. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.] Although it, too, was physically styled after the Fender Bassman (and was also available in tweed,) electronically and sonically, it was meant to mimic an early JMP Marshall. In 1992,
Guitar Player Magazineconducted a one-to-one test with a 1973 JMP Marshall 50-watt amplifier head, and found the two sounded “very close”. [Ellis, Andy. “A 13 Amp Shootout.” ‘ ‘Guitar Player.’ ’ December 1992.] From 1990-1991, a very limited run of THD 50-watt bass amplifiers was also produced. These bass amplifiers were dubbed the “Classic Bass Head”. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.] For the last 18 months of the Plexi’s production, several minor circuit changes were made, prompting THD to rename it the “Type-O”. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.]
The 2x12” extension cabinet
In 1990, THD also started production on a 2x12” extension cabinet for guitar amplifiers [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.] (the “2” refers to the cabinet having two speakers, the “12” refers to the size of the speakers, in this case 12 inches.) The back of the speaker cabinet is “ported,” (also known as “vented”) which tunes the cabinet to give it substantially more bass-response than either an open-back or sealed cabinet can. The two-inch “slot-port” in the back of the cabinet, “is designed to offer the air and breath you get from an open-back design,” [Taylor, Mick. “‘Lexi Coology.” ‘ ‘Guitar Buyer’ ’ August 2004. p. 84.] ] while giving more bottom end and overall efficiency than can be had from a sealed cabinet. Fifteen years after it started production, THD 2x12” extension cabinet won Guitar Player Magazine’s Reader’s Choice Award for best speaker cabinet. [Molenda, Michael. “The Better Late Than Never 2005 Reader’s Choice Awards.” ‘ ‘Guitar Player.’ ’ April 2006.] Although usually covered in black vinyl, cream, brown and blue paisley-colored 2x12” extension cabinets were manufactured as well.
The Hot Plate power attenuator
The Hot Plate was first released by THD in 1994. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.] It was designed to act as a type of master volume control for tube-based amplifiers, without sacrificing the distorted sounds such amplifiers make when they are played at full volume. The concept started in the late 1980’s as a way to in-house test the company’s amplifiers without the technicians’ suffering hearing loss. [THD Electronics. “THD Hot Plate Power Attenuator.” ‘ ‘THD Electronics, Ltd.’ ’ February 2004.] It works by being installed between the amplifier and the speaker cabinet, absorbing the majority of the signal from the amplifier and passing only a small amount to the speaker. The remaining power is converted to heat. [THD Electronics. “THD Hot Plate Power Attenuator.” ‘ ‘THD Electronics, Ltd.’ ’ February 2004.] The UniValve and BiValve-30 amplifiers have Hot Plates built into them; the Flexi-50 has a foot-switchable master volume control in lieu of a Hot Plate. The Hot Plate is manufactured in five different colors; each color corresponds to the specific amplifier impedance that the Hot Plate is optimized for (the impedances should be matched.) The colors and impedances are: gold- 2
ohms, green- 2.7 ohms, red- 4 ohms, purple- 8 ohms, and blue- 16 ohms.
Yellow Jacket tube converters
The Yellow Jacket was also released in 1994. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.] Yellow Jackets are a type of adapter that allows the existing power tubes in a guitar amplifier to be replaced with
EL84power tubes without rebiasing the amplifier. In 1994, Guitar World Magazine conducted a test in which Yellow Jackets were installed in a 100-watt Marshall Plexi Reissue. The resulting tones were “similar to those of a Vox AC30” although the amplifier was not as loud as it had been before the modification. [Gill, Chris. “Little Yellow Thrills.” ‘ ‘Guitar World.’ ’ May 1996: p. 170] There are several sets of Yellow Jacket tube converters, their designations relate to the type of amplifier they are converting.
The UniValve amplifier
The UniValve is a 15-watt amplifier head released in 2001. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.] Although it operates with only one output tube, it was designed to take a wide range of output tubes without needing to be rebiased. [Thompson, Art. “One Tube Wonder.” ‘ ‘Guitar Player.’ ’ February 2002.] The UniValve was the first-ever recipient of Guitarist Magazine’s “Guitarist Gold” award, under their revised scoring standards. [Guppy, Nick. “The UniValve Head.” ‘ ‘Guitarist.’ ’ December 2001: p. 61.] [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 83.] The etched design on the amplifier’s front panel was made to resemble the work of artists and architects
Charles Rennie Mackintoshand Frank Lloyd Wright. [Guppy, Nick. “THD UniValve Head.” ‘ ‘Guitarist.’ ’ December 2001: p. 60.] As of 2004, only around 1,300 UniValves had been produced. Their serial numbers start with 000, although model number 000 was given to the THD dealer who coined the amplifier’s name. Billy Gibbons(of the band ZZ Top) requested serial number 007, and model 666 (which is written on the back of the UniValve chassis in red ink) is owned by a former THD employee. [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.]
The BiValve-30 amplifier
As the name would suggest, the BiValve-30 amplifier head is a 30-watt amplifier with two output valves. It was released by THD in 2002. Like the UniValve, the BiValve-30 was designed be auto-biasing. It is one of only a very few
single-endedparallel tube amplifiers ever produced, and is the only one with separate primary windings on the output transformer for each power tube, allowing different tube types to blend in the magnetic realm instead of simply connecting the plates of the two power tubes. It, too, has a chemically-etched stainless steel faceplate, although THD chose a marine theme for the BiValve-30. Also, the BiValve-30 uses screen printingon the faceplate in addition to etching. [Guppy, Nick. “THD BiValve-30 Head.” ‘ ‘Guitarist.’ ’ 2002.] In 2002, the BiValve-30 received a “Guitarist Choice” award from Guitarist Magazine, after being rated a 4.5 out of 5 possible stars. [Guppy, Nick. “THD BiValve-30 Head.” ‘ ‘Guitarist.’ ’ 2002.] In that test, the BiValve-30 was given a slightly lower score in the “value for money” category, and the accompanying written review stated: “…definitely an amp for the well-heeled purist”.
The Flexi-50 amplifier
The Flexi-50 amplifier head was released in 2003, and made its debut at that year’s [http://www.musiclive.co.uk Music Live] event in the UK. It is a 50-watt, class AB amplifier, meant to “create an idealized (Marshall) ‘Plexi’ tone”. [Guppy, Nick. “THD Flexi-50 Head.” ‘ ‘Guitarist.’ ’ April 2004: p. 144] As a “subtle homage” to the Plexi, the Flexi’s faceplate is gold
Plexiglas. [Guppy, Nick. “THD Flexi-50 Head.” ‘ ‘Guitarist.’ ’ April 2004: p. 144] Like its predecessors, the Flexi-50 was designed to take the same range of vacuum tubes that the UniValve and BiValve-30 can. However, the Flexi is not self-biasing. Instead, it has three bias test-points on the rear panel for manually biasing the amplifier when the tubes are changed. It received a Guitarist Choice Award from Guitarist Magazine in April of 2004, [Guppy, Nick. “THD Flexi-50 Head.” ‘ ‘Guitarist.’ ’ April 2004: p. 144] and a Guitar Player Magazine’s Editor’s Pick Award in December of that year as well. [Buddingh, Terry. “The Flexi-50” ‘ ‘Guitar Player.’ ’ December 2004: p. 169.]
THD has traditionally shied away from formal endorsers. [Schuchard, Monica. “The Secrets of Success.” ‘ ‘Experience Hendrix.’ ’ July/August 1998.] However, the company does have many professional customers. Some clients include:
Jeff Beck( The Yardbirds)
Peter Buck( R.E.M.)
John Fogerty( Credence Clearwater Revival)
Billy Gibbons( ZZ Top) [Guppy, Nick. “Pure Gold.” ‘ ‘Guitarist.’ ’ March 2004: p. 85.]
Paul Gilbert( Mr. Big) [Blackett, Matt. “Paul Gilbert.” ‘ ‘Guitar Player.’ ’ September 2008: p. 66]
Kirk Hammett( Metallica)
Mick Jagger( The Rolling Stones)
Mark Knopfler( Dire Straits)
Mick Mars( Mötley Crüe)
Bob Mould( Hüsker Dü, Sugar)
Jimmy Page( Led Zepplin)
Chris Poland( Megadeth, Ohm)
Brian Setzer( Stray Cats, Brian Setzer Orchestra)
Dan Spitz( Anthrax)
Eddie Van Halen( Van Halen)
Stevie Ray VaughnThe “ [http://www.thdelectronics.com/artist_list.html THD Artist List] ” (located on the THD official website) is a much more comprehensive list of THD customers.
* [http://www.thdelectronics.com The THD Official Website]
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