Danny Malboeuf

Danny Malboeuf

Danny Malboeuf (born 1960) is a visual artist and musician from Statesville, North Carolina. As kolaboy he is a member of the breedArt collective and a Senior Member of deviantART, where four of his paintings have received the site’s top award. His musical project is Cowgirl in the Snow.

Contents

Art

Danny Malboeuf is a self-trained artist/illustrator.[1][2] Working mainly in acrylics, he paints in an allegorical figurative style that combines surrealist, symbolist and pre-Raphaelite sensibilities,[1] often in conjunction with subtle pop-culture references.[2] Malboeuf counts music and literature as his greatest sources of inspiration; specific artistic influences include the painters Arnold Boecklin, John Martin, Ferdinand Khnopff, and Leon Frédéric.[1] While many of his paintings deal with mythological and religious themes, the frequent incorporation of sci-fi and pop-culture imagery from the artist's youth establishes tentative connections with movements such as pop surrealism. He has a strong bias towards painting female subjects, "perhaps because the essence of female is more poetic, and the male more prosaic."[3]

Malboeuf is represented by The Queen’s Gallery and Art Center in Charlotte, North Carolina, and is a member of the international Surreal Visionary Art Collective. In the past twenty years, his work has been exhibited in numerous solo and joint exhibitions, including one at the Huntington Museum of Art, and his paintings can now be found in private collections in Europe, America, Asia and Australia.[4]

Malboeuf's outsider leanings and penchant for dark themes and forbidden mixtures can be disquieting or even controversial. “If you've never contemplated the odd, spellbinding paintings by Charlotte original Danny Malboeuf, now's your chance to catch up. An uneasy feeling mixed with awe at the artist's painterly skill is not unusual with these acrylics. Holy Water and Consecration of St. Joan both deliver a biting admixture of religion and sexuality.”[5] Another critique reads "This artist's idiosyncratic slice of surrealism, dark and Gothic, is imbued with a strong dose of high-techno metallica in a strange quasi-religious vein that incites uneasy thoughts. If Edgar Allan Poe and H.P. Lovecraft rose from the dead and co-wrote a series of stories — and Max Ernst collaborated with Dante Gabriel Rossetti using Giger's Alien as a prototype to illustrate these collaborative tales — the result might resemble Malboueuf's series of images. [...] Malboeuf's intensely symbolic paintings do occasionally depict a sunnier mood, [...] but more common is a decaying, bittersweet morbidity — futuristic pre-Rapahelite paintings corrupted by the forces of the darkside. There's a repellent attraction to this work that's compelling."[2]

Online, where he uses the screen-name kolaboy, Malboeuf is a member of the breedArt collective; he also holds Senior Member status at deviantART, where his online gallery has had over 213 000 page-views and is subscribed to by some 2700 members.[6] He is listed in deviantART's Top Artists directory[7] and has four times won the site’s top Daily Deviation award, a recent win being accompanied by the editorial observation "One of dA's finest Surreal artists, kolaboy never ceases to amaze."[8]

Three of Malboeuf’s paintings have been published in Mostro, an Italian-language literary/art journal, with one gracing the cover.[9] His paintings have also been featured on the cover of OLOGY magazine, with the editorial comment "Speaking of things that are sweet, check out this issue’s cover artist, Danny Malboeuf. Take a good look, folks, because long after we are all dead, people will still be talking about his work."[10] The same outlet has also showcased some of Malboeuf's writing.[11] His artwork is featured on the cover of Bandersnatch, a hardcover anthology of horror stories,[12] as well as on the cover of the Ruby Vileos album This is the Day. His painting The Eternal was featured in Web Digest Weekly.[13] Three of his paintings are reproduced in the literary/arts journal Antithesis Common.[14]

Malboeuf has also provided two invited pieces for the Pornsaints website;[15] his art was included in their 2008 exhibition at A&D Gallery in central London, and their 2010 exhibition at the Birdhouse Gallery in Austin, Texas. Firebird was chosen to illustrate the exhibition review in the Austin Chronicle; as arts critic Wayne Brenner observed, "[M]ost of the depictions of saintly pornstars are depictions of women. Which is fine by this (admittedly biased) reviewer ... especially when the artwork is as gorgeous as Danny Malboeuf's finely detailed and cyberpunky Firebird painting".[16] Also in 2010, guest curators Heinali and Matt Finney reviewed Malboeuf's work (in a series whose other subjects were Jackson Pollock, Francis Bacon, and Raymond Pettibon) for The 405, describing him as "a Surrealist for our times".[17] The October 2010 issue of visual arts magazine n-sphere featured Malboeuf's art on the cover and in the lead article [1], accompanied by a 26-work exhibition in The Spheres guest gallery. On the academic front, Malboeuf's painting Holy Water is the subject of a Master's dissertation.[18] Early in 2011, Malboeuf published an illustrated book, Saestralle - A Tale of the North, [2] which presents a poetic legend imagined in the Arctic region.

Solo exhibitions (incomplete, 1990-1995 only)

  • 1990 First Union National Bank, Statesville, NC.
  • 1995 Beauties of Provenient Grace, Queens Gallery and Art Center, Charlotte, NC.
  • 1995 Exposure of Conviction, Rowe Art Gallery, Univ. North Carolina at Charlotte, NC.

Music

A singer/songwriter and instrumentalist, Malboeuf’s solo music project is Cowgirl in the Snow; it straddles the indie, twee, and shoegaze genres, releasing candy-coated dream pop songs in the spirit of Sarah Records and 4AD. Musical influences include Ultra Vivid Scene and The Records. A review reads: “Cowgirl in the Snow makes addictive lo-fi indie pop, with guitars drenched in effects … Twee pop at its finest.”[19] Danny Malboeuf's brother is David, who is the musician D.M. Frankin Kane and his father is the bluegrass fiddler "Red" Tommy Malboeuf.[20]

References

  1. ^ a b c Artist's statement at the beinArt International Surreal Art Collective; retrieved 26 January 2008
  2. ^ a b c Brown, L.L. (1995) Tales of the Darkside, Creative Loafing (Charlotte), 9 Sept 1995. Extensive print-only review of a 27-painting Malboeuf exhibition, Charlotte, NC.
  3. ^ Artist comment, 20 January 2008; retrieved 26 January 2008
  4. ^ Artist's biography at Saatchi Online and at MyArtSpace; retrieved 3 September 2008.
  5. ^ Brown, L.L. (2002) New art: the real and the invented, Creative Loafing (Charlotte), Arts Feature 17 April 2002; retrieved 26 January 2008.
  6. ^ dA Gallery Stats; retrieved 7 Mar 2010
  7. ^ deviantART Top Artists Directory; retrieved 27 August 2008
  8. ^ Daily Deviation, 24 June 2003; Daily Deviation, 04 January 2008; Daily Deviation, 08 May 2009; Daily Deviation, 10 August 2010.
  9. ^ Mostro Numero 17, Inverno 2005, cover & pp. 40-41.
  10. ^ OLOGY Issue 15, 10 October 2006
  11. ^ Malboeuf, D. (2006) When shadows were more than shadows, OLOGY Issue 15. Retrieved 26 January 2008.
  12. ^ Comment 6 September 2007 from editor Jack M. Haringa; retrieved 26 January 2008.
  13. ^ Web Digest Weekly, The Gallery, 98th Edition, October 12, 2008.
  14. ^ Malboeuf, D. (2005) Antithesis Common Issue 2 (Winter) p.30 Retrieved 9 February 2008.
  15. ^ Ashley Fires & Nana. Retrieved 30 August 2008.
  16. ^ Brenner, Wayne A. (2010) Arts Review, "Pornsaints", 2 April 2010. Retrieved 4 April 2010. Scan of print article.
  17. ^ Heinali and Matt Finney (2010) Guest Curators' Review, "Danny Malboeuf", 8 September 2010. Retrieved 16 September 2010.
  18. ^ Raines, Julie (1994?) M.A. thesis, West Virginia.[citation needed]
  19. ^ Editorial review at CNET Download.com. Retrieved 26 January 2008.
  20. ^ Thomson, J. (2007) Indie hipster gives songs a reason to exist, goTriad review 01 October 2007; retrieved 26 January 2008.

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External links


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