- Sam Kweskin
Irving Sam Kweskin (
February 24 ,1924 ,Chicago, Illinois –June 23 ,2005 ), who sometimes worked under the name Irv Wesley, [ [http://www.comicartville.com/findingkweskin.htm "Comicartville Library" (n.d., 2002): "Behind the Lines — Untold Tales of Comic Art: Finding Sam Kweskin", by Ken Quattro] : "I was involved in my small agency, and ... I thought it best not to have possible clients (who looked down on comic magazines) associate my name with the books; I used Irv Wesley because Irving is my "actual" first name, and Wesley is the 'Anglicization' of our otherwiseLithuania n name that some earlier family settlers used in their business".] was an Americanadvertising andcomic book artist .Biography
Early life and career
Growing up in Chicago, Kweskin drew as a child, and at 16 won a scholarship to a local academy, the Studio School of Art. He enrolled for a summer course at the
Chicago Academy , where one classmate was the future celebrated militarycartoonist Bill Mauldin . Afterhigh school , Kweskin worked as acopyboy for "Chicago Tribune "newspaper , and then entered theU.S. Army .From February 1943 to September 1944, during
World War II , Private Kweskin served with the Third Chemical Mortar Battalion. Afterward, through December 1945, [Date per [http://www.military.com/HomePage/TitleHistories/1,10982,704517%7C705839,00.html Military.com: Sam Kweskin] , the source for this article's data on his World War II service. However, Kweskin, in the 2002 article cited below, says he attended the Art Institute of Chicago from January 1945 to early 1949, earning a four-year degree.] he was the wartime artist for the 83rd Chemical Mortar Battalion. After his discharge, studied at theArt Institute of Chicago , receiving aBachelor of Fine Arts degree in early 1949. He worked for year with formerWalt Disney Pictures animator Sam Singer, doing two children's cartoon series for the local ABC-TV station. Kweskin then left to develop his own local children's-TV programs.He later drew comic-book
bible stories forDavid Cook Publishing inElgin, Illinois . A friend put Kweskin in touch withNew York City 's Atlas Comics, the 1950s precursor ofMarvel Comics , and Kweskin "flew into NYC in August or September of 1952"Quattro,Ibid. ] to met with Atlas editor-in-chiefStan Lee . Kweskin did well on a sample story, and continued to freelance comic-book art for the company from back home in Chicago. Shortly thereafter, Kweskin, his wife and their two small children, moved to New York City.Atlas and advertising
Kweskin's earliest confirmed credits include
penciling and self-inking stories in three Atlas comics cover-dated February 1953: The horror/mystery books "Strange Tales " #15 and "Adventures Into Terror" #16, and the war comic "Battlefront" #9. He continued drawing stories for such Atlas horroranthologies as "Journey Into Mystery ", "Marvel Tales ", and "Uncanny Tales ", Western titles including "Kid Colt, Outlaw" and "Wild Western", and even "Bible Tales for Young Folk".After about a year, during a downturn in the comics industry, Kweskin returned to the Midwest. He worked as a studio artist, then became an
art director for a maker of industrial films. All the while he freelanced book-cover art and other illustrations. He then become an art director for anadvertising agency that specialized in theLatin American market. He later art directed onTV commercials at a different agency while continuing freelance, doing medical illustrations for the "Merck Manual of Diagnosis and Therapy ". He later began a small agency of his own.In 1957, he freelanced briefly again for Atlas, on the
science fiction anthology "World of Fantasy ".Marvel Comics
In the early 1970s, Kweskin briefly returned to freelancing for what was now formally Marvel Comics. He both wrote and penciled a six-page horror tale, "Revenge from the Rhine", in "Journey into Mystery" vol. 2, #3 (Feb. 1973), and then succeeded
Sub-Mariner creatorBill Everett on that character's comic-book title following Everett's death; Kweskin and Everett together penciled issue #58 (Feb. 1973), with Everett inking and Kweskin penciled or laid out #59-60 and 62-63.As Kweskin wrote in a 2002 e-mail excerpted in an article by comics historian Ken Quattro:
Later career
Afterward he spent three years as an art director at
Ziff-Davis magazines, and then freelanced for 10 years as an ad-agencystoryboard artist. Kweskin also painted, and exhibited at art galleries. In 1993, he moved toBoca Raton, Florida , and until his death continued to freelance, including doing the cover of theVeterans of Foreign Wars magazine, and to paint, doing a commissioned canvas for a military museum inLouisiana .Footnotes
Awards and honors
*
Croix de Guerre References
* [http://www.comicartville.com/kweskinatatlas.htm "Comicartville Library" (2002): "Sam Kweskin at Timely/Atlas", by Dr. Michael J. Vassallo]
* [http://lambiek.net/artists/k/kweskin_sam.htm The Lambiek Comiclopedia: Sam Kweskin]
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