List of concert arias, songs and canons by Wolfgang Amadeus Mozart

This is a list of short vocal works by Wolfgang Amadeus Mozart.

Arias, canzonettas, cavatinas, recitatives

oprano

* Conservati fedele: Aria with orchestra, K. 23 (1765-10), libretto by Metastasio: Aria with piano, K. Zu 23 (1766-01), libretto by Metastasio
* A Berenice, K. 70=61c (1767-02 or 1769-02): Recitative for soprano and orchestra, librettist unknown
* Sol nascente, K. 70=61c (1767-02 or 1769-02): Aria for soprano and orchestra, librettist unknown
* Non curo l'affetto, K⁶ 74b (1771): Aria for soprano and orchestra, librettist unknown
* Misero me!, K. 77=73e (1770-03): Recitative for soprano and orchestra, libretto by Metastasio
* Misero pargoletto, K. 77=73e (1770-03): Aria for soprano and orchestra, libretto by Metastasio
* O temerario Arbace!, K. 78=73b (1766): Recitative for soprano and orchestra, libretto by Metastasio
* Per pietà, bell'idol mio, K. 78=73b (1766): Aria for soprano and orchestra, libretto by Metastasio
* Per quel paterno amplesso, K. 79-73d (1766): Aria for soprano and orchestra, libretto by Metastasio
* Se ardire, e speranza, K. 82=73o (1770-04-25): Aria for soprano and orchestra, libretto by Metastasio
* Se tutti i mali miei, K. 83=73p (1770): Aria for soprano and orchestra, libretto by Metastasio
* Fra cento affanni e cento, K. 88=73c (1770): Aria for soprano and orchestra, libretto by Metastasio
* Der Liebe himmlisches Gefühl, K. 119=382h (1782): Arrangement of aria for soprano and orchestra, librettist unknown
* Ridente la calma, K. 152=210a (Between 1772 and 1775): Canzonetta for soprano and piano accompaniment, libretto by G. Migliavacca: Piano arrangement of Josef Mysliveček's aria 'Ridente la calma' for the opera "Armida"
* Voi avete un cor fedele, K. 217 (1775-10-26: Aria for soprano and orchestra, libretto by Carlo Goldoni
* Ah, lo previdi!, K. 272 (1777-08): Recitative for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi
* Ah, t'invola agl'occhi miei, K. 272 (1777-08): Aria for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi
* Deh, non varcar quell'onda, K. 272 (1777-08): Cavatina for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi
* Alcandro, Io confesso, K. 294 (1778-02-24): Recitative for soprano and orchestra, libretto by Metastasio
* Non sò d'onde viene, K. 294 (1778-02-24): Aria for soprano and orchestra, libretto by Metastasio
* Basta, vincesti, K. 295a (1778-02-28): Recitativo for soprano and orchestra, libretto by Metastasio
* Ah, non lasciarmi, no, K. 295a (1778-02-28): Aria for soprano and orchestra, libretto by Metastasio
* Popoli di Tessaglia!, K. 316=300b (1779-01-08): Recitative for soprano and orchestra, libretto by Ranieri de' Calzabigi.
* Io non chiedo, eterni Dei, K. 316=300b (1779-01-08): Aria for soprano and orchestra, libretto by Ranieri de' Calzabigi.
* Ma che vi fece, o stelle, K. 368 (1781-01): Recitavo for soprano and orchestra, libretto by Metastasio
* Sperai vicino il lido, K. 368 (1781-01): Aria for soprano and orchestra, libretto by Metastasio
* Misera, dove son!, K. 369 (1781-03-08): Recitative for soprano and orchestra, libretto by Metastasio
* Ah! non son io che parlo, K. 369 (1781-03-08): Aria for soprano and orchestra, libretto by Metastasio
* A questo seno deh vieni, K. 374 (1781-04): Recitative for soprano and orchestra, libretto by Giovanni de Gamerra
* Or che il cielo a me ti rende, K. 374 (1781-04): Aria for soprano and orchestra, libretto by Giovanni de Gamerra
* Nehmt meinen Dank, ihr holden Gönner, K. 383 (1782-04-10): Aria for soprano and orchestra, librettist unknown
* Mia speranza adorata, K. 416 (1783-01-08): Recitavo for soprano and orchestra, libretto by Gaetano Sertor
* Ah, non sai qual pena, K. 416 (1783-01-08): Aria for soprano and orchestra, libretto by Gaetano Sertor
* Vorrei spiegarvi, oh Dio!, K. 418 (1783-06-20): Aria for soprano and orchestra, librettist unknown
* No, che non sei capace, K. 419 (1783-06): Aria for soprano and orchestra, librettist unknown
* In te spero, oh sposo amato, K. 440=383h (1782-02): Aria for soprano and orchestra, libretto by Metastasio
* Ch'io mi scordi di te?, K. 505 (1786-12-26): Recitative for soprano and orchestra, librettist unknown
* Bella mia fiamma, addio!, K. 528 (1787-11-03): Recitative for soprano and orchestra, libretto by D. Michele Sarcone
* Resta, oh cara!, K. 528 (1788-03-04): Aria for soprano and orchestra, libretto by Metastasio
* Ah se in ciel, benigne stelle, K. 538 (1788-03-04): Aria for soprano and orchestra, libretto by Metastasio
* Ohne Zwang aus eignem Triebe, K. 569 (?): Aria for soprano, "LOST"
* Alma grande e nobil core, K. 578 (1789-08): Aria for soprano and orchestra, libretto by Giuseppe Palomba
* Schon lacht der holde Fruhling, K. 580 (1789-09-17): Aria for soprano and orchestra, librettist unknown
* Chi sà, chi sà, qual sia, K. 582 (1789-10): Aria for soprano and orchestra, libretto by Lorenzo Da Ponte
* Vado, ma dove? oh Dei!, K. 583 (1789-10): Aria for soprano and orchestra, libretto by Lorenzo Da Ponte
* Io ti lascio, oh cara, addio, NMA II/7/4 Anh III (?): Cavatina for soprano and orchestra, libretto by Metastasio
* Cara, se le mie pene, NMA II/7/1 No. 7 (1769): Aria with soprano, 2 horns, violin, viola & bass, librettist unknown
* "Aria for Gretl Marchard", K. deest: Aria for soprano, "LOST"
* "Aria for daughter of Joseph Wolf", K. deest: Aria for soprano, "LOST"

Contralto

* Ombra felice!, K. 255 (1776-09): Recitativo for contralto and orchestra, libretto by Giovanni de Gamerra
* Io ti lascio, e questo addio, K. 255 (1776-09): Aria for contralto and orchestra, libretto by Giovanni de Gamerra

Tenor

* Va, dal furor portata, K. 21=19c (1765): Aria with Orchestra, libretto by Metastasio
* Or che il dover, K. 36=33i (1766-12): Recitative for tenor and orchestra, librettist unknown
* Tali e cotanti sono, K. 36=33i (1766-12): Aria for tenor and orchestra, librettist unknown
* Ah, più tremar non voglio, K. 71 (1769 or 1770): Aria for tenor and orchestra, libretto by Metastasio
* Si mostra la sorte, K. 209 (1775-05-19): Aria for tenor and orchestra, librettist unknown
* Con ossequio, con rispetto, K. 210 (1775-05): Aria for tenor and orchestra, librettist unknown
* Clarice cara mia sposa, K. 256 (1776-09): Aria for tenor and orchestra, librettist unknown
* Se al labbro mio non credi, KV 295 (1778-02-28): Aria for tenor and orchestra, libretto by Antonio Salvi
* Per pietà, non ricercate, K. 420 (1783-06-21): Aria for tenor and orchestra, librettist unknown
* Misero! O sogno, K. 431=425b (1783): Recitative for tenor and orchestra, librettist unknown
* Aura, che intorno spiri, K. 431=425b (1783): Aria for tenor and orchestra, librettist unknown

Bass

* Un dente guasto e gelato, K⁶ 209a (1775): Aria for bass and orchestra, librettist unknown
* Così dunque tradisci, K. 432=421a (1783): Recitative for bass and orchestra, libretto by Metastasio
* Aspri rimorsi atroci, K. 432=421a (1783): Aria for bass and orchestra, libretto by Metastasio
* Warnung: "Maenner suchen stets zu naschen", K. 433=416c (1783): Aria for bass and orchestra, librettist unknown
* Alcandro, Io confesso, K. 512 (1787-03- [18 or 19] ): Recitativo for bass and orchestra, libretto by Metastasio
* Non so d'onde viene, K. 512 (1787-03- [18 or 19] ): Aria for bass and orchestra, libretto by Metastasio
* Mentre ti lascio, oh figlia, K. 513 (1787-03-23): Aria for bass and orchestra, libretto by Duca Sant' Angioli-Morbilli
* Ich möchte wohl der Kaiser sein, K. 539 (1788-03-05): German War Song for bass and orchestra, libretto by Johann Wilhelm Ludwig Gleim
* Un bacio di mano, K. 541 (1788-06): Arietta for bass and orchestra, libretto by Lorenzo Da Ponte
* Io ti lascio, oh cara, addio, K⁶ 621a (1791): Aria for bass and orchestra, librettist unknown

Group

* Del gran regno delle amazzone, K. 434=480b (End of 1785): Aria for tenor, 2 basses, and orchestra, libretto by Guiseppe Petrosellini
* Dite almeno, in che mancai, K. 479 (1785-11-05): Aria for soprano, tenor, 2 basses, and orchestra, librettist unknown
* Mandina amabile, K. 480 (1785-11-21): Aria for soprano, tenor, bass, and orchestra, librettist unknown
* Per questa bella mano, K. 612 (1791-03-08): Aria for bass, contrabass, and orchestra, librettist unknown

ongs

* Abendempfindung an Laura: Abend ist's, die Sonne ist verschwunden: K. 523 (1787-06-24)
* Ach, was müssen wir erfahren! K. 43a (1767-10-15)
* Ah, spiegarti, oh Dio: K. 417e (1783)
* Als aus Ägypten Israel: K. 336c/2 (1787-02)
* Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte: Erzeugt von heißer Phantasie: K. 520 (1787-05-26)
* An Chloe: Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht: K. 524 (1787-06-24)
* An die Freude: Freude, Königin der Weisen: K. 47e (1768-11)
* Auf die feierliche Johannisloge: O heiliges Band der Freundschaft treuer Brüder: K. 125h (1772)
* Caro mio Druck und Schluck: K. 571a (1789)
* Dans un bois solitaire: K. 295b (1777-10-30 to 1778-03-14)
* Das Kinderspiel: Wir Kinder, wir schmecken der Freuden recht viel! K. 598 (1791-01-14)
* Das Lied der Trennung: Die Engel Gottes weinen: K. 519 (1787-05-23)
* Das Traumbild: Wo bist du, Bild: K. 530 (1787-11-06)
* Das Veilchen: Ein Veilchen auf der Wiese stand: K. 476 (1785-06-08)
* Der Frühling: Erwacht zum neuen Leben: K. 597 (1791-01-14)
* Der Zauberer: Ihr Mädchen, flieht Damöten: K. 472 (1785-05-07)
* Des kleinen Friedrichs Geburtstag: Es war einmal, ihr Leute: K. 529 (1787-11-06)
* Die Alte: Ein bißchen aus der Nase: K. 517 (1787-05-18)
* Die betrogene Welt: Der reiche Tor: K. 474 (1785-05-07)
* Die kleine Spinnerin: Was spinnst du? K. 531 (1787-12-11)
* Die Verschweigung: Sobald Damötas Chloen sieht: K. 518 (1787-05-20)
* Die Zufriedenheit: Was frag' ich viel nach Geld und Gut: K. 367a (1777-11-8 to 1778-03-14)
* Die Zufriedenheit: Wie sanft, wie ruhig: K. 473 (1785-05-07)
* Due pupille amabili: K. 439 (1783)
* Ecco quel fiero istante: K. 436 (1783)
* Einsam bin ich, meine Liebe: K. 475a (Possibly 1785)
* : K. 386d (1782-12)
* God is our refuge: K. 20 (1765-07)
* Grazie agl'inganni tuoi: K. 532 (1787)
* Ich würd' auf meinem Pfad: K. 340c (1781-08 to 1782-05)
* Ihr unsre neuen Leiter: K. 484 (1785-12)
* Komm, libe Zither, komm: K. 367b (1780-11 to 1781-03)
* Leid beim Auszugin in das Feld: Dem hohen Kaiserworte treu K. 552: (1788-08-11)
* Liebes Manndel, wo ist's Bandel? K. 441 (1783)
* Lied der Freiheit: Wer unter eines Mädchens Hand: K. 506 (end of 1785)
* Lied zur Gesellenreise: Die ihr einem neuen Grad: K. 468 (1785-03-26)
* Luci care, luci belle: K. 439a (1783)
* Mi lagnerò tacendo: K. 437 (1783)
* O Gotteslamm: K. 336c/1 (1787-02)
* Oiseaux, si tous les ans: K. 284d (1777-10-30)
* Più non si trovano: K. 549 (1788-07-16)
* Ridente la calma: K. 210a (Between 1772 and 1775)
* Se lontan, ben mio, tu sei: K. 438 (1783)
* Sehnsucht nach dem Frühling: Komm, lieber Mai, und mache: K. 596 (1791-01-14)
* Sei du mein trost: K. 340b (1781-08 to 1782-05)
* Verdankt sei es dem Glanz der Großen: K. 340a (1781-08 to 1782-05)
* Wie unglücklich bin ich nit: K. 125g (1772)
* Zerfließet heut', geliebte Brüder: K. 483 (1785-12)

Canons

* 14 Interval Canons No. 1 for 2 in 1: Canoni in unisono: NMA III/10 No. 26 No. 1 (1786-06-03)
* 14 Interval Canons No. 2 for 2 in 1: Canoni in seconda di sopra: NMA III/10 No. 26 No. 2 (1786-06-03)
* 14 Interval Canons No. 3 for 2 in 1: Canoni in seconda di sotto: NMA III/10 No. 26 No. 3 (1786-06-03)
* 14 Interval Canons No. 4 for 2 in 1: Canoni in terza di sopra: K. 508a No. 3 (1786-06-03)
* 14 Interval Canons No. 5 for 2 in 1: Canoni in terza di sotto: NMA III/10 No. 26 No. 5 (1786-06-03)
* 14 Interval Canons No. 6 for 2 in 1: Canoni in quarta di sopra: K. 508a No. 4 (1786-06-03)
* 14 Interval Canons No. 7 for 2 in 1: Canoni in quarta di sotto: NMA III/10 No. 26 No. 7 (1786-06-03)
* 14 Interval Canons No. 8 for 2 in 1: Canoni in quinta di sopra: K. 508a No. 5 (1786-06-03)
* 14 Interval Canons No. 9 for 2 in 1: Canoni in quinta di sotto: NMA III/10 No. 26 No. 9 (1786-06-03)
* 14 Interval Canons No. 10 for 2 in 1: Canoni in sesta di sopra: K. 508a No. 6 (1786-06-03)
* 14 Interval Canons No. 11 for 2 in 1: Canoni in sesta di sotto: NMA III/10 No. 26 No. 11 (1786-06-03)
* 14 Interval Canons No. 12 for 2 in 1: Canoni in settima di sopra: K. 508a No. 7 (1786-06-03)
* 14 Interval Canons No. 13 for 2 in 1: Canoni in settima di sotto: K. 508a NMA III/10 No. 26 No. 13 (1786-06-03)
* 14 Interval Canons No. 14 for 2 in 1: Canoni in settima di sotto: K. 508a No. 8 (1786-06-03)
* 2 Canons for 2 in 1: NMA III/10 Anh II No. 7a (1786-06-03)
* 2 Canons for 2 in 1: NMA III/10 Anh II No. 7b (1786-06-03)
* 4 Riddle Canons No. 1 for 3 Male Voices in 1: Ter ternis canite vocibus: Incipe Menalios: K. 73r (July or August 1770)
* 4 Riddle Canons No. 2 for 9 Female Voices in 1: Clama ne cesses. Tertia pars si placet: Cantate Domino: K. 73r (July or August 1770)
* 4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice: Ter voce ciemus. Voce ter insonuit: Confitebor tibi Domine: K. 73r (July or August 1770)
* 4 Riddle Canons No. 4 for 6 Mixed Voices in 2: Thebana bella cantus / Troiana cantat: K. 73r (July or August 1770)
* Canon for 2 Voices in 1: Selig, selig: K. 382b (1782)
* Canon for 3 in 1: K. 508A (1786-06-03)
* Canon for 3 in 1: NMA III/10 Anh II No. 6 (1786-06-03)
* Canon for 3 in 3: NMA III/10 Anh II No. 1b (1781 or 1782)
* Canon for 4 Instruments in 1 for 2 Violins, Viola & Bass: K. 562c (?)
* Canon for 3 Voices in 1: Canone a tre soprani: Auf das Wohl aller Freunde: K. 508 (1786-06-03)
* Canon for 3 Voices in 1: Ave Maria: K. 554 (1788-09-02)
* Canon for 3 Voices in 1: Bei der Hitz im Sommer eß ich: K. 382e (1782)
* Canon for 3 Voices in 1: Essen, Trinken / Bei der Hitz im Sommer eß ich: K. 382e (1782)
* Canon for 3 Voices in 1: Heiterkeit und leichtes Blut: K. 507 (1786-06-03)
* Canon for 3 Voices in 1: Leck mir den Arsch fein recht schön sauber / Nichts labt mich mehr als Wein: K. 233/382d (1782)
* Canon for 3 Voices in 1: Nichts labt mich mehr als Wein: K. 382d (1782)
* Canon for 3 Voices in 1: O du eselhafter Peierl: K. 559a (some point between 1785 and 1787)
* Canon for 3 Voices in 1: Sie ist dahin: K. 382a (1782)
* Canon for 3 Voices in 1: V'amo di core: K. 382g (1782)
* Canon for 4 in 1: K. 562a (?)
* Canon for 4 in 1: NMA III/10 No. 28 (Summer 1786)
* Canon for 4 in 3: NMA III/10 Anh II No. 11 (1787 or 1788)
* Canon for 4 in 4: NMA III/10 Anh II No 2 (1781 or 1782)
* Canon for 4 in 4: NMA III/10 Anh II No. 10 (1787 or 1788)
* Canon for 4 in 4: NMA III/10 Anh II No. 3 (1781 or 1782)
* Canon for 4 in 4: NMA III/10 Anh II No. 4 (end of 1785 or 1786)
* Canon for 4 in 4: NMA III/10 Anh II No. 9 (1787 or 1788)
* Canon for 4 Instruments in 1: K. 73i (1770-04)
* Canon for 4 Voices in 1: Alleluia K. 553 (1788-09-02)
* Canon for 4 Voices in 1: Bona nox! bist a rechta Ox K. 561 (1788-09-02)
* Canon for 4 Voices in 1: Caro bell'idol mio K. 562 (1788-09-02)
* Canon for 4 Voices in 1: Difficile lectu mihi mars K. 559 (1788-09-02)
* Canon for 4 Voices in 1: Gehn wir im Prater, gehn wir in d'Hetz K. 558 (1788-09-02)
* Canon for 4 Voices in 1: Grechtelt's enk K. 556 (1788-09-02)
* Canon for 4 Voices in 1: Lacrimoso son'io K. 555 (1788-09-02)
* Canon for 4 Voices in 1: Nascoso è il mio sol K. 557 (1788-09-02)
* Canon for 4 Voices in 1: O du eselhafter Martin (Jakob) K. 560 (1788-09-02)
* Canon for 5 in 5: NMA III/10 Anh II No. 1a (1781 or 1782)
* Canon for 6 Voices in 1: Laßt froh uns sein K. 382c (1782)
* Canon for 6 Voices in 1: Wo der perlende Wein im Glase blinkt K. 382f (1782)
* Canon in 3 Parts for 3 Female Voices in 1: Canone a tre soprani: K. 508a No. 1 (1786-06-03)
* Canon in 3 Parts for 3 Female Voices in 1: Canone a tre soprani: K. 508a No. 2 (1786-06-03)
* Canonical Study for 4 in 2: K. 616b/31 (Summer 1787)
* Double Canon for 4 Voices in 2: K. 515b (1787-04-24)
* Kyrie K. 73k (1770-05)
* Canon for 6 voices in 1: Leck mich im Arsch / Laßt froh uns sein: K. 231/382c (1782)
* Triple Canon for 12 Voices in 3: Lieber Freistädtler, lieber Gaulimauli: K. 509a (1787-07-04)
* Untexted Canon for 4 (or 5) Voices in 1: Sit trium series una: K. 73i (1770-04)

ee also

*List of compositions by Wolfgang Amadeus Mozart
*Köchel catalogue